English school, ca. 1800."Portrait of a lady with a dog.Gouache on vellum.Bronze frame.It presents faults.Measurements: 2,5 x 2 cm; 6,5 x 4,5 x 0,4 cm.From the Renaissance the miniature portraits, framed in a circle or oval, were pieces for private contemplation. Considered as jewellery, in the 17th century they became pieces of personal adornment or as gifts, when they were mounted as jewellery. They were executed in a wide variety of techniques, such as oil on copper, pewter or ivory, gouaches on parchment or cardboard and, from the 18th century, watercolour on ivory. This delicate art was gradually lost from the second half of the 19th century, in parallel with the development of photography.
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PABLO SERRANO AGUILAR (Teruel, 1908 - Madrid, 1985).Untitled.Bronze sculpture.Wooden cross.Signed on the back.Measurements: 67 x 80 x 25 cm (figure); 100 x 90 x 60 cm (cross).A piece of great emotional intensity with which Pablo Serrano revisits the pathos of Christian art from an existentialist point of view.An artist trained in sculpture, he received his first lessons at the Salesian School in Sarriá. After finishing his studies he moved to Argentina where he was taught the art of carving. After this period abroad, he decided to return to Spain in 1955 with a renewed technique in which diversity and unity prevailed. Serrano evolved through experimentation in each of his stages, as he was guided by his own will and not by the requirements of society. In 1956 he settled in Madrid, where he became a founding member of the El Paso group of Madrid's most innovative artists. Pablo Serrano works through poetry, delving into juxtaposed terms such as beginning and end, life and death, despair and hope. He also works on the figure of the human being, trying to explain and understand the human situation through his works. During his career, Serrano won the Sculpture Prize at the Hispano-American Biennial in Barcelona. In 1962 he exhibited twenty-three sculptures at the Venice Biennale to great critical acclaim. In 2003 the Ministry of Foreign Affairs dedicated a retrospective exhibition to him. Works by Pablo Serrano can be found in the museum that bears his name in Zaragoza, the Museo Reina Sofía, the Museo Nacional in Montevideo, the Museo San José in Uruguay, the Museo Nacional de Arte Moderno in Paris, the MoMA and the Guggenheim in New York, the National Galleries in Rome and Budapest, the Rio Piedras University in Puerto Rico, the Brow University in Providence, the Clear Lake Clear Lake University in Clear Lake, and the University of Puerto Rico, Brow University in Providence, Clear Lake City University in Houston and the University of Zaragoza, the Gulbenkian Foundation in Lisbon, the Hermitage in St. Petersburg, the Wadsworth Atheneum in Connecticut, the Galleria d'Arte Moderna in Venice, the Vatican Museum and the Middelheim in Antwerp, among many others.
ERNEST RANCOULET (France, act. 1870 - 1915)."La recompénse" or "Allegory of industry and agriculture", ca.1900.Patinated bronze.Signed at the bottom, in the book.Measurements: 87 x 50 x 35 cm.This allegorical couple follows the fin-de-siècle taste but with clear debts to classicism, which was characteristic of the author. The bodies present an idealised and graceful canon, enriched with elements with a desire for detail. The cornucopia as a symbol of abundance, books and construction tools accompany the allegories.Born in the French town of Bordeaux in the mid-19th century, Ernest Rancoulet trained as a pupil of Lequesne and at the Ecole Municipale in his native city. He exhibited his works at the Paris Salon from 1870 onwards, and his works were widely published in bronze. Ernest Rancoulet is now represented in the Musée de Reims, as well as in private European and American collections.
ANTONIO GUIJARRO GUTIERREZ (Villarrubia de los Ojos, Ciudad Real, 1923 - Madrid,2011)."Woman and trap to catch birds".Oil on canvas.It has a small perforation in the central part of the canvas.It has damage in the frame.Signed on the back and titled on the frame.Measurements: 100 x 81 cm; 123 x 104 cm (frame).Antonio Guijarro began his artistic studies in Valencia, in the School of Fine Arts of San Carlos, in 1942. Two years later he moved to Madrid and continued his training at the San Fernando School. He made his individual debut in 1951, at the Biosca gallery in Madrid, and that same year he took part in the Salón de los Once. Since then he has held personal exhibitions in Spain, Sweden, the USA, Portugal and Norway. His awards include the National Painting Prize (1954), the First Medal at the National Fine Arts Competition in Barcelona (1957), the Juan March Foundation Scholarship (1958) and the Bronze Medal at the Alexandria Biennial (1968), among others. He is represented in leading collections all over the world, such as the Reina Sofía Museum in Madrid, the Modern Art Museums in Cairo, Lisbon and Venice, the Collector Gallery in Miami, the Irosuke Batanuki in Kobe (Japan) and the International Graphic Society in New York.
VADIM ANDROUSOV (St. Petersburg, 1895-1975)."Circus Acrobat".Patinated terracotta.Signed on the base.Size: 25,5 x 19 x 11 cm.Vadim Androusov grew up in a family interested in culture (his grandfather was the archaeologist Heinrich Schliemann, discoverer of Troy and Mycenae - which explains why many of Androusov's sculptures are inspired by Classical Antiquity). As an artist, he preferred the use of terracotta, plaster, wood or stone to bronze. Throughout his career as an artist, he exhibited his works at the Salon des Tuileries and the Salon des Indépendants. In parallel to his work as a sculptor, he collaborated with decorators and produced wall lights, furniture handles and lock escutcheons; throughout the 1930s, 1940s and 1950s, his creations adorned neoclassical furniture made by André Arbus and Jean Pascaud.
A pair of Japanese Meiji period bronze vases decorated with bubble blowing man in relief with traditional dress and bubbles floating up to the swelling neck, with areas of gilt splatters to body of vase, two character signature to base height 30cm. Appears to be in good condition, with no obvious signs of damage, repair or restoration.
LoetzIridescent Phaenomen glass broad necked vase, PG 7506, circa 1898Undulating parallel bands of metallic gold with pink hues, on a bronze/brass ground, the interior covered with iridescence.16 cm high, 20 cm wideGround out pontil.For further information on this lot please visit Bonhams.com
Attributed to Dr Christopher Dresser: Possibly made by Elkington & CoThree-handled bowl, circa 1865Patinated, silvered and gilt bronze, cast decorative bands.7.5 cm highFootnotes:LiteratureChristopher Morley, Dresser Decorative Design, Salisbury, 2010, p.213, fig. 414 (Similar form illustrated and noted as probably made by Elkington, circa 1865)For further information on this lot please visit Bonhams.com
A FRENCH BRONZE AND GILT BRASS 'CHARIOT' MANTLE CLOCK, 19TH CENTURY,formed as Helios in a horse drawn chariot, the wheel formed as the clock dial, cast with Arabic numerals, on rectangular plinth, decorated with musical trophies, on compressed bun feet. 44cm wide, 36cm highCondition Report: See additional images
A FRENCH TURQUOISE AND ORMOLU MOUNTED TABLE LAMP, C.1900,the slender tapering neck and bulbous body applied with a bronze figure of a girl with a bird amongst rococo cast decoration, on a pierced masked base. 70cm highCondition Report: Lamp is untested Old style electrical fittings, we would recommend rewiring
A FRENCH 19TH CENTURY BRONZE AND GILT BRASS MANTLE CLOCKthe white enamel drum dial signed Cresson Bould, Montmarte 9, surmounted by a flower filled urn and flanked by reclining amorini, the bowed pedestal base filled with a porcelain panel with amorini flanked by square floral panels, on a similarly bowed plinth with foliate mounts. 55cm wide x 50cm high
A FRENCH BRONZE ORMOLU AND MARBLE THREE-PIECE CLOCK GARNITURE,comprising a mantle clock and figural candlesticks, the clock formed as a drum on cast scrolling waves alongside a putti holding a beater and blowing a trumpet, the candlesticks formed as musical cherubs blowing trumpets and holding naturalistic sconces, all raised on marble base plinths and turned disc feet. The clock 26cm high, 19cm wideCondition Report: All three pieces in good conditionLight spots of green Verdigris inside one candle socket Movement ticking over and chiming Comes with winding key, no pendulum necessaryLate 19th century not reproduction See additional images
***PLEASE NOTE THE CATALOGUE DESCRIPTION SHOULD READ***AN ART NOUVEAU WROUGHT BRONZE STANDARD JARDINERE, STAMPED HINKS For James Hinks & Sons. 411cm high Condition Report: Please note description should read:AN ART NOUVEAU WROUGHT BRONZE STANDARD JARDINERE, STAMPED HINKS For James Hinks & Sons 411cm high This a Jardinière not a lamptop section comes off with screw Damage to baseSee additional imagesCrack to stretcher
Northumberland Fusiliers 5th Regt of Foot, silver 5th period Order of Merit 1805. Obverse St George with Dragon, scroll "Quo Fata Vocant" above; "Revived Apr 23. 1805" in exergue; reverse "Vth Foot Merit Medal March 10th 1767" within laurel. Edge named/engraved "William Knipe", diameter 34mm. Pierced with ring suspender. VF Balmer states these medals were silver for 21 years service. Also 2 similar bronze Order of Merit medals: 1767 cast AE on thicker flan, no means of suspension and another 5th Period AE. F-VF (3) £150-200
A small collection of base metal shooting medals etc including: AE "Ascham & Woolwich Teacher's RC - NRA S.M.R.C" on circular flan, white target and crossed rifles to openwork centre, reverse engraved "Championship 1914 Special Medal Miss Bates", 30mm, NEF; "The Daily Telegraph Cup, Rifle Competition between teams of Regulars and Volunteers in the Home District 1900" bronze medallion, diameter 50mm, GVF; 3 Society of Miniature Rifle Clubs bronze and enamelled medals for Territorial Army Teams, 1933, 1934 and 1935, VF (some enamel loss); a modern AE medallion commemorating the Northumberland & Newcastle Yeomanry and the Presentation of Colours 1820 GVF; and a base metal medallion commemorating Queen Victoria's Review of the Scottish Volunteers in Edinburgh 1881, NF, worn, and 7 various RAF base medals for No 90 Group SAA Bisley 1952 Rifle Championship, RAF Small Arms Association etc, average VF and 4 other shooting medals. GC (18) £50-80
3 Continental bronze silvered Shooting awards: "Union des Societes de tir et de Preparation Militaire de la Marne" showing 2 Riflemen in front of flag waving female figure, diameter 50mm, VF in case; Pavillon De Sports Montreux Du 25.4.30 2eme Prix" named to Madeleine Maurice, reverse 2 riflemen, 64mm x 45mm, VF in Paris maker's case (case stained); "2 Pr Jule Cup 1959" showing marksman with shield, reverse plain of design except Oslo maker's name, VF, (some plating wear). A Freundschafts Schiessen" medal with 3 laurel leaves and 1954 ribbon emblems, Neuchatel maker, VF; and a 4 lugged badge of crossed rifles over laurels and with ribbon scroll "3 Prix De Tir", VF. (5) £70-80
A German Third Reich period "donkey ear" prismatic periscope binocular, of heavy bronze, steel and aluminium construction, marked "C P GOERZ BERLIN S.F. 14G H/6400 Gi" etc, with individually adjustable eye pieces and vertical and horizontal spirit levers. Basically GC (the steel barrels dented, eye piece covers missing, all original finish removed); mounted on a wooden base for display) £200-250
English Twenty County Championship bronze and enamel shooting medal/badge in case; and a corresponding teaspoon. 5 HM silver and 14 EPNS teaspoons mostly with rifle/pistol shooting motifs; 5 forks and 1 serving spoon, plated, marked "Bisley Camp Pavilion"; 4 items of cutlery stamped NRA; a souvenir teaspoon of The White House. Also a shield/plaque in HM silver, on stand, inscribed Bisley 1929 (dented); a Sussex County RA ashtray; a small plated cup on 3 crossed rifles "trophy" and 3 other items. GC £40-60
Eleven various cap badges: small cast KRRC officers, CLB Cadets KRRC, Huntingdonshire Cyclists or Home Guard, bronze Liverpool Pals, Cambridgeshire (with and without "e"), Bucks Bn, Jersey LI, bronze GRV Ryl Military School (no lugs), very small Kent horse, and 19th century brass bugle. Average GC £50-60
Reg Butler (1913-1981) - Seated Girl, RB 192, Garlick 212, bronze and patina, signed and dated Butler 62 and inscribed MORRIS SINGER FOUNDERS LONDON, 95cm h; 67.5 x 120.5cm Provenance: Victoria MacEwan, by whom sold in situ with her house and grounds in the South of England to the father of the present vendor in 1973; or alternatively acquired elsewhere although soon afterwards (c.1973-1975) by the vendor's father Conceived between 1959 and 1961 to be published in an edition of eight, casts were exhibited by Butler's dealer, Pierre Matisse, in 1962 (Catalogue 27), at Hanover in 1963 (Catalogue 4) and at The J B Speed Art Museum, Kentucky in 1963 (Catalogue 95). Seated Girl is an exceptionally large figure in Butler's oeuvre. Lacking the monumentality of the one or two other larger bronzes of the '50s, such as Bride (1954-1961) and Manipulator (1954-1956), Seated Girl, in which the arms have been dispensed with altogether, follows Girl Looking Down (1956-1957). In both, the viewer's attention is drawn down the body, where shape and form, outline and texture lead to long, tapering legs. These were conceived at the peak of his greatest fame and success, when Butler rejected architecture for sculpture and, with Moore and Hepworth, Chadwick and Armitage had become one of the most distinguished contemporary sculptors. Seated Girl is also rare, from which one might conclude that it is likely fewer than the projected eight were cast. In 2022 the work was returned to Morris Singer Art Foundry for restoration and is now in good condition. Entirely fresh to the market; not hitherto offered for sale
A Turco-slavic bronze thimble, 13-15th c, 30mm h and another early thimble of brass; six European bronze and brass skep thimbles 14th/16th c, various sizes; one silver and three brass sewing rings, 15th c and later, various sizes and a silver open topped thimble, 17th c; five European brass and other thimbles, 16-17th c, 26mm h and smaller; four European brass thimbles, 15-17th c, 21mm h and smaller; five brass miniature thimbles, 17th c and earlier, 18mm h and smaller; two steel sewing rings and a thimble, 18th-19th c, thimble 25mm h and three brass thimbles, 16th c and earlier 18-21mm h (2) Turco slavic thimble and early brass thimble, in goo excavated condition; silver ring split; the other items in generally good condition, some with minor dents and wear
A WWI copper photograph frame, applied with St Andrew badge of a Scottish regiment, mahogany back and strut, 32.5 x 18cm, stamped BROOK & SON 87 GEORGE ST EDINBURGH, a German electro-type relief of a bear and boar, late 19th c, after Rusche Berlin, bronze patina, framed and Edward Markham (Fl. mid 19th c) - Fortress with River Boats, leaf from an album of the artist's views taken in Crimea, watercolour, 80 x 158mm Polish residues, wooden frame with surface damage. Markham - Good condition
A bronze bust of a semi-naked gypsy girl, early 20th c, her right hand holding her breast, cast from a model possibly by Charles Vital-Cornu, uneven dark brown patina, on limestone base, 23.5cm h and an alabaster bust of a young woman, early 20th c, on serpentine base, 18cm h Bronze bust - Much old accretion of dust, base scratched and slightly chipped. Alabaster bust -Slightly scratched and stained, not chipped or repaired
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350105 item(s)/page