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Click here to subscribeA late 19th century Chinese archaistic bronze vase of baluster form. With twin scroll handles formed as mythical beasts and with champleve enamel inlay depicting peacocks over a relief key fret ground. Honorific seal mark, 30cm. Condition Report. To be used as a guide only. Solder repair to the foot.
A Sino Tibetan bronze shrine on pedestal housing a seated meditating Buddha. Moulded to the domed top with a lotus flower, incised to the sides with lotus scrolls and portraits of Buddha, with a knopped pedestal and stepped hexagonal plinth, 17.5cm (3). Condition Report. To be used as a guide only. Slight dents and wear only.
A yellow metal pocket watch the case made of two plates of 14 K gold welded over a plate of bronze, the white dial scribed 'West End Watch Co', Swiss made, Roman numerals, subsidiary seconds dial, with hallmarked 18 carat yellow gold Albert and T-bar, the chain 23.19 gm, watch ticks when wound (this does not constitute a guarantee) - Est £400 - £500
A 19TH CENTURY CHINESE BRONZE SEATED BUDDHA, represented in Imperial Courtly attire in the Namaskara Mudra pose, upon a lotus form base, the underneath bears a monastic worship mark, 54cm high, Provenance, former collection Dr P B Professor of Tibeta n and Chinese Studies, USA, PHD University of Oxford: Important Studies in Tibet for the national Geographical Society
A pair of Japanese patinated bronze vases with silvered and gilt dragon decoration,14 cm high CONDITION REPORTS Both vases with various scratches and scuffs throughout. Both vases with various small shallow dents. Some pitted type marks. One vase has possible restoration around the dragon ornamentation as a black permanent marker pen, appears to have traced this decoration. Daylight showing through some small holes in the vase and there appears to be one split by the clods to the right hand side of the dragon. Some deeper scratches throughout. The other vase also appears to have small holes in the vase. Both vases showing various general signs of wear and tear and possible restoration. Probably 20th Century
AFTER ALBERT ERNEST CARRIER-BELLEUSE (1824-1887) "Liseuse", study of a lady in medieval dress reading, silvered and gilt bronze study with ivory face and hands, signed within the casting, inscribed on plaque to the socle base "Liseuse par Cariier-Belleuse GDPX du Salon" and around the base "Presented to Miss H J Jelks on the occasion of her 21st birthday June 19th 1928 - by the staff of W Jelks *& Sons Holloway Finchley & Southend", 40 cm high CONDITION REPORTS Silkvered areas with much discolouration/wear throughout - see images. Ivory with cracking and discoouration in several areas but basically all appear sound with no seriosu damage or repairs - see images for further details
AFTER GEORGES OMERTH (1895-1925) "Reclining Nude, a cloth draped over her legs, resting upon rocks", ivory and gilt bronze study, raised on a green onyx base, signed within the casting and no'd 3051 verso (the rocks with recess, possibly as a pipe stand), 23.5 cm high CONDITION REPORTS Upper arm with break to the ivory in line with the top of the head. Lower arm with joined area, ivory with discolouration throughout - some purely surface, other scratched in. Gilt bronzework basically sound though with some discolouration and wear conducive with age. Onyx basically sound, base with some wear conducive with age. Gilt bronze base with wear and discolouration to the top and scratching and with wear to the base - see images
AFTER CLAIRE JEANNE ROBERTE COLINET (1880-1950) - an Art Deco gilt bronze figure "The Juggler", a study of a dancer balancing balls upon her hands and her foot upon tiptoe, on a Rosso marble plinth base, incised "Cl J R Colinet", No'd. "74" to base of foot and "73" to base of plinth, (a similar figure illustrated in Bryan Catley Art Deco and Other Figures Woodbridge 2000 p. 112), 25.2 cm high (ARR)
AFTER ANTONIO CANOVA (1757-1822) "The Three Graces", chocolate patinated bronze, unsigned, 80 cm high CONDITION REPORTS Evidence of some repairs in the past with cracks showing including to one of the figure's arms going a round the back and also to her left leg and also to the base inbetween the central figure's legs. Various scratches and scuffs and pitted type marks throughout. All over various general signs of wear and tear and repairs and also some damage to the right forearm of the left hand side figure and resulting possible repair
A cold-painted bronze figure group as five budgerigars upon a branch on a green onyx base, 50 cm wide x 34 cm high including base CONDITION REPORTS The base has various chips and losses in various locales. All over is scratched. Some impact type marks to the top. Various general signs of wear and tear. The body appears to have some white paint added to the trunk of the tree. Some cracking to the paint especially seen on the birds. Some chips and losses to the paint and some scratches. Major loss of paint to one of the bird tails and another one with slightly less loss. White paint added to one of the bird's wing tips. All over general signs of wear and tear
A modern bronze and brass coffee table in the Art Nouveau taste, the top inset with five leaf shaped glazed panels amongst sinuous branches in brass, raised on a tree trunk pedestal with sinuous branches on an oval mahogany veneered platform to brass foliate decorated feet, 142.5 cm wide x 72 cm deep x 45 cm high CONDITION REPORTS Probably a relatively modern piece, late 20th Century ? Verdigris starting on brass and the body. Various scratches and and impact marks, pitted type marks throughout. The base is missing veneer in various places. Glass with various scratches and scuffs. All over various general signs of wear and tear throughout. Glass tear drops are slightly loose in the fittings - suggest viewing in person for further details. Some cracks to the base
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