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Lot 255
A 19th Century Chinese bronze twin handled sensor and stand, of cylindrical shape with tapered shoulders, inverted neck and slightly splayed rim with lug handles supported on three prong supports which fit into a stylised three leaf stand on scroll feet both items with impressed cast mark to base of four characters, 19 cm highMultiple areas of tarnishing, dark spots and discolouration. Large sections of light pitting. Heavy scratching to the base and interior. Would benefit from a clean. Hairline crack through the base of the sensor. Weight 3.3kg, Height (on stand) 19cm, Height (off stand) 16cm, diameter (including handles) 19cm, diameter (excluding handles) 13.5cm, rim diameter 10.5cm, stand diameter 13.5cm.
Lot 398
Pendule Boulle à mvt et cadran signé Paillard à Paris à caisse en écaille brune et incrustations de laiton, garnitures de cariatides en bronze doré, cadran en bronze doré et cartouches des chiffres en émail. Sonnerie à 1 cloche surmontée d'une femme assise sur un aigle prenant son envol.H. 120 cm. avec son cul de lampe. Référence:Le fondateur de la lignée connu est Henri Paillard à Fontainebleau, il est horloger du Roy et fit en 1615 un cadran carré de 8 pieds pour l'horloge de l'église Notre-Dame de Moret. Condition: balancier changé, quelques décollements de laiton.balancier changé, quelques décollements de laiton. Le fondateur de la lignée connu est Henri Paillard à Fontainebleau, il est horloger du Roy et fit en 1615 un cadran carré de 8 pieds pour l'horloge de l'église Notre-Dame de Moret.Montres et HorlogesClocks - WatchesUhren
Lot 110
Deux tables basses à piètement en bronze et plateau miroir attribuées à René Drouet (1899-1993) vers 1940-50.H. 48.5x94x48.5 cm.On y joint une petite table circulaire à même piètement et plateau en miroir également attribuée à René Drouet (1899-1993).H. 37.5 & D. 45 cm. DesignMeublesFurnitureMöbel
Lot 392
Pendule Française de style Boule et d'époque Nap. III à caisse en en écaille rouge avec incrustations de laiton, garnitures en bronze doré et surmontée d'un ange à la trompette. Mvt JUST CM Paris A.1 n° 2681.8.7H. 95 cm. Référence:Provenance Vente Pequignot n°4017 8.11.1974 Condition: sans son cul de lampe, languette de balancier casséesans son cul de lampe, languette de balancier cassée Provenance Vente Pequignot n°4017 8.11.1974Montres et HorlogesClocks - WatchesUhren
Lot 56
André Mailfert (1884-1943) - Atelier d'Art Mailfert-Amos, fauteuil tournant de bureau de style Louis XV avec dossier canné, assise en velours et accotoirs en cuir. Présence sous l'assise du tampon marqué au fer décoré d'une salamandre portant une couronne. André Mailfert était un célèbre faussaire qui reproduisait des meubles anciens dans la grande tradition artisanale française.H. 89 & D. 64.5 cm. Référence:André Mailfert était un célèbre faussaire qui reproduisait des meubles anciens dans la grande tradition artisanale française. Il ouvrit à Orléans une fabrique de meubles à cet usage en 1904 qui compta plus de deux-cent ouvriers, il créa même une estampille du nom de Dubois qu'il apposait sur toute sortes de sièges Louis XV de facture artisanale. (réf. Wikipédia). A ne pas confondre toutefois avec le grand ébéniste parisien Jacques Dubois reçu maître en 1742 qui fabriquait du mobilier représentant la beauté et la noblesse des ligne, et qui utilisait admirablement le bronze dans l'ornementation de ses créations. (Jean Nicolais, L'Art et la manière, Paris 1956, p.94)André Mailfert était un célèbre faussaire qui reproduisait des meubles anciens dans la grande tradition artisanale française. Il ouvrit à Orléans une fabrique de meubles à cet usage en 1904 qui compta plus de deux-cent ouvriers, il créa même une estampille du nom de Dubois qu'il apposait sur toute sortes de sièges Louis XV de facture artisanale. (réf. Wikipédia). A ne pas confondre toutefois avec le grand ébéniste parisien Jacques Dubois reçu maître en 1742 qui fabriquait du mobilier représentant la beauté et la noblesse des ligne, et qui utilisait admirablement le bronze dans l'ornementation de ses créations. (Jean Nicolais, L'Art et la manière, Paris 1956, p.94) MeublesFurnitureMöbel
Lot 52
Pierre Bonnard (1867-1947, FR), attribué à, "Tête de cheval". Bronze. 8.5x4 cm. Référence:similaire à ceux mentionnés dans Pingeot Anne, Bonnard sculpteur : catalogue raisonné. Paris : Musée d'Orsay, 2006, pp. 138-141.similaire à ceux mentionnés dans Pingeot Anne, Bonnard sculpteur : catalogue raisonné. Paris : Musée d'Orsay, 2006, pp. 138-141. SculpturesSkulpturen
Lot 41
Paire de bras de lumière double aux Chinois d'époque Louis XV en bronze doré de style rocaille, XVIIIe. H. 40 cm. Référence:provenance: achetés chez Grandes Epoques SA à Genève en 1977ancienne collection de la Comtesse Zoubov, 2 Rue des Granges.provenance: achetés chez Grandes Epoques SA à Genève en 1977ancienne collection de la Comtesse Zoubov, 2 Rue des Granges. LuminairesLightingLeuchterSculpturesSkulpturen
Lot 113
Melanie Le Brocquy HRHA (b.1919)Young Boy on Horseback (1976)bronze on marble base - number 2 from an edition of 6signed and numbered 2/625½ x 15 x 15cm (10 x 6 x 6in) Acquired directly from the artist in1998; Private CollectionMelanie Le Brocquy Retrospective Exhibition, Royal Hibernian Academy, 1984.
Lot 46
Letitia Marion Hamilton RHA (1878-1964)The Turf Cart, Roundstoneoil on canvasinscribed with title and original price (£50) on reverse41 x 61cm (16 x 24in) Whyte's Dublin, 25th April 2006, Lot 75; Private CollectionLetitia Marion Hamilton was born in County Meath in 1878 and hailed from an artistic family. Her great-grand-mother was the artist Marianne-Caroline Hamilton and her cousin was the watercolourist Rose Maynard Barton. Both Hamilton and her sister Eva studied at the Dublin Metropolitan School of Art under William Orpen. Hamilton studied enamelling there also, winning a silver medal in 1912 by both the School and the Board of Education National Commission. Her work showed elements of Art Nouveau, foreshadowing her later modernist leanings. Hamilton also studied in Belgium with Frank Brangwyn and the Slade School of Fine Art. She was a prolific painter of the Irish countryside, exhibiting more than 200 paintings at the Royal Hibernian Academy of which she became a member in 1943. Together with Paul Henry, his wife Emily Grace Mitchell/Grace Henry, Mary Swanzy, Jack Butler Yeats and others, she formed the Society of Dublin Painters in 1920. In 1948 Letitia was awarded a bronze medal in the arts section of the Olympic Games for her painting of the Meath Hunt Point to Point Races, the only Irish medal that year, and one of the last Olympic medals for art to be awarded.
Lot 54
Brian Bourke HRHA (b.1936)Plaster Head, Painted Bronze Head, Goat's Skulloil on canvassigned and titled on reverse100 x 100cm (39 x 39in) Peppercanister Gallery, Dublin; Private CollectionBorn in Dublin in 1936, Brian Bourke studied painting at the National College of Art & Design, Dublin and St. Martin’s School of Art, London. Brian Bourke has been described as one of the most significant artists working in Ireland, with a range of painting, drawing and sculpture over four decades reflecting an affinity for his subject and a marked sense of humour. Bourke has represented Ireland at several international exhibitions, received numerous awards and his work is included in public and private collections both in Ireland and abroad. He is an elected a member of Aosdána and an Honorary member of the Royal Hibernian Academy.
Lot 64
John Behan RHA (b.1938)Western Famine Ship (2016)bronze - no.4 from an edition of 9signed, dated 2016 and numbered 4/970 x 60 x 29cm (27 x 23 x 11in) Private CollectionJohn Behan has explored many themes of ancient mythology, literature and legend. Each theme is moved to a depth of exploration, the imbued meaning in the works derive from his own in-depth knowledge of his subject, which is translated into the shape and form of his bronze work. John Behan is renowned for his many themed works, his great Bulls or Famine Ships, 'Paiste' and 'Family' are other universal themes explored by Behan. In their simplicity of depiction they are created with an energy; great metaphors of life's journey. John Behan first created The Famine Ship to stand at the base of Croagh Patrick, County Mayo. Fierce in impact, the hull of the boat is birthed at land, the mast laden with the skeleton bodies of lost emigrants. In large or smaller scale, The Famine Ship series carries an indescribable depth of history, poignant loss and struggle for life. Commissioned by the Irish government to commemorate the contribution of Irish emigrants worldwide, a 26-by-24-foot bronze themed piece on The Famine Ship entitled "Arrival" now stands in the plaza in front of the United Nations headquarters in New York.
Lot 69
Rowan Gillespie (b.1953)The Kiss (1985)bronze on slate base - number 7 from an edition of 9signed, numbered 7/9 and dated 198551 x 38 x 17½cm (20 x 15 x 7in) Bonhams, 17th January 2012, Lot 146; Private CollectionThis piece is a maquette for the sculpture opposite the National Concert Hall on Earlsfort Terrace in Dublin.
Lot 73
Leo Higgins (b.1951)Winter Trees (2005)unique bronze on stone basesigned and dated 200553 x 32 x 28cm (21 x 12 x 11in) Acquired directly from the artist Leo Higgins has produced a series of work based on the theme of 'Winter Tree'. This piece is a maquette for the large version of which was installed in Grafton Street for a period of six months in 2007. The Grafton Street sculpture installation was composed of white patinated bronze trees on black granite, each three metres high, installed by Dublin City Council and The Solomon Gallery. Inspiration for the series derived from an early morning journey to Leitrim Sculpture Centre, Leo Higgins describes it as "one of those bleak, frosty mornings unique to rural Ireland" Waiting at 6 am, he was struck by the bleak beauty of a bare tree frosted white in the cold morning. In the following weeks he produced his first sculpture in the series of Winter Tree for exhibition at the Royal Hibernian Academy in 2005.
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