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Lot 35
{Französische Stockuhr, sog. Pendule Religieuse.} Gehäuse und passende Konsole in Boulle-Technik: Schildpatt und gravierte Messingeinlagen. Reiche Bronzeapplikationen. Front mit ruhender Diana. Figurenbekrönung. Wohl 19. Jh. Ähnliches Vergleichsstück siehe Meis, "Die alte Uhr", S. 65. - Skulptierter Bronze-Zifferblattfronton mit 13 Emailkartuschen, bez. "Martinot Paris". Stahlzeiger. Messingvollplatinen. Ankerhemmung, Federaufhängung des Pendels. 1/2-Stundenschlag auf Glocke über dem Werkdach. Glas der Zifferblattüre defekt. H 120 cm
Lot 1
Sale Item: CHINESE BRONZE BELL (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 13
Sale Item: BOX-2 CHINESE BRONZE VASES & WOODEN FIGURE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 14
Sale Item: CHINESE BRONZE STYLE VASE & LID Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 354
Sale Item: BRONZE COLD PAINTED HORSE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
Lot 371
Sigaldi, Emma deKarlsruhe, 1910 - Monaco, 2010H. 15/13 cm3 Skulpturen: "Femme assise", 1983; Hockender weiblicher Akt, o. J. Bronze, patiniert. Alle rückseitig im Guss signiert, eine nummeriert 5/6 und eine bezeichnet "E. A".Klinghofer, 83/01; Nicht bei Klinghofer.Privatbesitz, Baden-Württemberg.
Lot 85
JOSEP MARIA SUBIRACHS SITJAR (Barcelona, 1927-2014)."Venus", 1967.Marble sculpture.Unique piece.Signed on the base.Size: 45 x 49 x 14 cm.It is in the Venus and torsos of the sixties that we can best appreciate the logical and extremely coherent evolution that Josep Maria Subirachs carried out throughout his singular career: starting from an essentialist classicism of Mediterranean style, he would go through a radical abstract purification, to later derive in an unprecedented synthesis. His Venus of 1967 (see his public sculpture on the hill of Peñíscola), of which he made versions in bronze and marble, condense this search into a single image: the female body, without wanting to detach itself from its Mediterranean style, extends into an abstract mass whose rough surface links (almost as if it were the rings of a tree) the history of its conceptual development over time. In this way, the piece unites form and abstraction, time and space, reformulating the concept of beauty from its foundations.After entering the workshop of a gilder who was fond of sculpture at the age of fourteen, where he modelled his first works in clay, in 1942 he entered the workshop of the sculptor Enrique Monjó as an apprentice. Five years later he began to work as an assistant to Enrique Casanovas. In 1948 he showed his work for the first time at the Casa del Libro in Barcelona, and in 1950 he founded, together with other artists, the group Postectura. In 1951 he travelled to Paris to complete his training, with a grant from the Institut Français in Barcelona. He returned to Barcelona in 1953 and was awarded the Sculpture Prize at the Salon del Jazz. After two years working and exhibiting in Belgium he returns to Spain, and in 1958 he is awarded the Gran Premio San Jorge by the Diputación de Barcelona and the "Julio González" by the Cámara Barcelonesa de Arte. Since then he has been commissioned for a succession of public works, among which his important sculptural work on the façade of the Passion of the Sagrada Família stands out. He has held numerous solo and group exhibitions in Europe, Asia and the United States, and in 1988 he was awarded the Medal of Merit in the Fine Arts. In 1980 he was elected a member of the Royal Academy of Fine Arts of San Jorge. He is represented at the Centro Reina Sofía, the MACBA Museums in Barcelona, Ibiza, Seville and New York, the Fine Arts Museums of Bilbao, Birmingham, the Vatican, Taipei and Nebraska, the Museo al Aire Libre del Paseo de la Castellana in Madrid, the Petit Palais Museum in Geneva and the Millesgärden in Stockholm, among others.
Lot 91
CHEMA BULLÓN (Madrid, 1965).Untitled, 2022.Bronze and beech wood base.Certificate of authenticity attached.It has an exempt base with respect to the work.Measurements: 16 x 12 x 3 cm; 19,5 x 11 x 6 cm (base).Bronze sculpture made from a mould of the artist's hand. The piece has a sculptural conception of classical character, however the division of the fingers introduces contemporaneity to the work. With a PhD in Fine Arts from the Universidad Complutense, Chema Bullón combines his artistic practice with teaching at the Faculty of Fine Arts in Madrid and at the Escuela de Arte 10 in the same city. He also collaborates with the Education Department of the Prado Museum. A multidisciplinary artist, he cultivates drawing, painting, engraving, installation and sculpture, always in search of a full, real and profound work. Since the mid-nineties, Bullón has held solo exhibitions in Madrid, Palencia and other parts of Spain, the most recent being "Suturas", at the Centro de las Artes de Arroyomolinos (Madrid, 2012) and "Árbol transformado" in Peñafiel (Valladolid, 2015). He has also taken part in important group exhibitions and competitions in Spain, Switzerland and the United States, and has produced several editions of graphic work. He is currently represented at the Palacio de Congresos y Exposiciones in Madrid, the Centro Cultural Rigoberta Menchú in Leganés, the SYDA Foundation in New York, the Museo de Arte Contemporáneo in Zarzuela del Monte (Segovia) and in private collections in Spain, Italy, Mexico, Austria and the United States.
Lot 1176
MACEO Y GRAJALES JOSE ANTONIO: (1845-1896) Guerrilla iconic Leader and second-in-command of the Cuban army of independence. Cubans nicknamed Maceo "The Bronze Titan" because of his multiple wounds in battle, while Spanish nicknamed him "The elder Lion". Maceo was killed near Punta Brava by Spanish forces after being betrayed by the physician of his headquarters. Rare L.S., `A. Maceo´, one page, 4to, Republic of Cuba, 8th September 1896, in Spanish. The present letter was signed only three months before being killed. The document bears a blind embossed seal and is the appointment of Sargent Nicolas Yneraite as second-Lieutenant, and signed by Mateo y Grajales in his capacity as Lieutenant General of the Liberation Army of Cuba. Overall age wear, creasing and staining, with few holes and small tears to edges. About F
Lot 561
`Would you be so kind as to leave l´Age d´Airain in the garden..´RODIN AUGUSTE: (1840-1917) French Sculptor. A fine A.L.S., A Rodin, one page, 8vo, n.p., n.d., to Bénédite, in French. Rodin refers to his first bronze work “l´Age d´Airain”, and states `Vous seriez bien aimable de laisser l´age d´airain dans le Jardin. Quand au buste de Laurens la patine est trop égale, si vous avez le temps et que vous le désirez je pourrai le faire repatiner..´ (“Would you be so kind as to leave l´age d´airain in the Garden. Regarding Laurens' bust the patina is too even, if you have the time and if you wish, I can have it re-patinated”) To the left border, in vertical and red ink, Rodin adds `J´espere que j´aurai un exemplaire des dessins reproduits a offrir au musée´ (“I hope that I will get a copy of the reproduced drawings to offer to the museum”) Small creasing with a small tear to the left edge, only affecting one word, but not affecting the signature. G L´Age d´Airain is Rodin's first bronze statue, from 1877. It brought him notoriety at the age of 37, prompting government work requests before private petitions multiplied. It is on display at the Musée Rodin and the Musée d'Orsay.
Lot 610
A modern silver model of the Flying Horse of Gansu, maker's mark of JW, London 1977, modelled in a galloping position standing on a swallow, length 24.8cm, height 18.8cm, approx. weight 45.5cm, The Flying Horse of Gansu, is a Chinese bronze sculpture from circa the 2nd century, depicting a galloping horse stepping on a swallow. Discovered in 1969 near the city of Wuwei, in the province of Gansu, it is now in the Gansu Provincial Museum. The horse was reproduced as part of a project for the Times Newspaper, and a limited number were reproduced in bronze and one was known to have been made in silver.
Lot 5
A KATANA, 68.2cm Shinto blade with one mekugi-ana, suguha hamon, fully bound tsuka with bronze fuchi-kashira decorated with dragons and waves with soft metal details, soft metal horse menuki, iron tsukashi tsuba pierced with mushrooms, in its black lacquered saya with stippled brass koi-guchi and kojiri.
Lot 276
THREE 17TH CENTURY OR EARLIER SWORD OR RAPIER POMMELS, the first of flattened cylindrical reeded form, the second of flattened spherical form and chased with foliage, probably from a mortuary sword, the last, of bronze ovoid form and flanked with a classical figure to either side, possibly Italian. (3)
Lot 72
A LARGE POTTERY AMPHORA, of plain form turned just above the shoulder, previously smashed and restored over cloth, some pieces missing, 47cm high. By repute late Bronze Age, discovered and restored by an archaeologist in Eastern Austria pre World War II and acquired from his descendants, but there is no paperwork to confirm this.
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