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Lot 2430
Crevier of Paris, a mid 19th century gilt bronze and marble mantel clock having a signed convex white enamel Arabic dial, twin winding holes for an eight day brass cylinder movement with outside count wheel and striking on a bell, unsigned to back plate, the case with applied mounts and cherub cast frieze, h.50cm
Lot 1005
Emma MacDermott (Contemporary) Irish "Arkle and Pat Taaffe" Signed and dated 2013, numbered 11/ 27, bronze, 71cm high (including base)This sculpture is a quarter life size maquette for the life size bronze installed at Ashbourne, Co. Meath on the 19th April 2014.Sold together with a certificate of authenticity and various photographs and books / printed material relating to the horse. Condition report: In overall good condition with minimal surface wear.
Lot 119
^ After Vasily Yakovlevich Grachev (1831-1905) A Bronze Figure Group of a Russian Soldier, taking aim, kneeling behind his recumbent horse, on a mound base, signed in Cyrillic and with C F Woerffel foundry mark in Cyrillic, 23cm wideCondition report: Some typical wear and minor scratching to patination.
Lot 122
^ After Eugeny Alexandrovich Lanceray (Evgeni Eugene Lanse) (1846-1886): "Two Mothers", A Bronze Group of a Mother and Child, on a mare, a foal at their side, on a rounded rectangular mound base, signature and foundry mark in Cyrillic, 33cm wideVictor Franses Gallery, London, 28th April 1995, £4500
Lot 123
After Pierre Pujet (French, 1620-1694): A Bronze Figure of a Classical Archer, sitting on a tree trunk bending his bow, his helmet, shield and sword about him, on a naturalistic square base, 47cm highCondition report: The shield at the reverse is slightly loose, but still attached, dry patina, notable scratches to left knee, some other minor scuffs and wear throughout, no brakes
Lot 124
After Edme Dumont (French, 1761-1844): A Bronze Figure of Milo of Croton, attempting to split the oak tree, on a naturalistic base, 38cm highFootnote: Milo of Croton was a legendary athlete from the 6th century BC. When walking in the forest, Milo came across a split tree trunk and to demonstrate his immense strength he attempted to tear the trunk apart. The tree closed upon his hands trapping him, and unable to free himself he was devoured by wolves. Dumont submitted his marble sculpture of Milo of Croton to the Academy in 1768 and it is now in the Louvre.Condition report: very minor wear only, no major scratches, free from brakes
Lot 126
^ After Pierre Jules Mene (1810-1879): "Taureau Normand": A Bronze Model of a Standing Bull, on a canted rectangular mound base, 23.5cm longFootnote: This model was first exhibited at the Paris Salon in 1845. For a similar example see Payne (Christopher) Animals in Bronze, pg.170Condition report: Some typical minor surface wear and scratching.
Lot 129
^ After Clovis Edmund Masson (1838-1913): A Bronze and Marble Study of a Mouse, sitting on its hind legs eating a piece of cheese, on a mound base, signed C.MASSON, 8cm highFootnote: Having been a pupil of Barye, Rouillard and Santiago, Masson exhibited his animalier sculpture regularly at the Salon from 1867-1909. His work is often seen as being much influenced by Barye, but with a certain playful and inventivenessCondition report: Typical minor surface scratching and wear to patination.
Lot 133
^ After August Gaul (1869-1921): "Käuzchen": A Bronze Model of a Small Owl, signed and with foundry stamp for Noack, Berlin, 6.5cm high, on a marble plinthVictor Franses Gallery, London, 8th July 2003, (£2,750)Footnote: Conceived and cast in 1915 from the series Kleiner Tierpark, see Walther (A) Der Bildhauer August Gaul, Leben und Werk, Leipzig 1961, no.243QCondition report: General surface wear throughout to the patination, no scratches or breaks
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