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Lot 303
A Chinese polished bronze censer with stand and a similar bottle vase, 17th/18th century, the tripod censer with a pair of high looped handles, seal script 'Xuande nian zhi' mark to base, the petal cast stand with three ruyi shaped feet, the baluster shaped bronze bottle vase on three shaped feet, censer 16cm diameter, vase 15.5cm high
Lot 304
A large Chinese bronze censer, 17th/18th century with 16th/17th century bronze cover, the compressed globular body cast with lappets encircling the neck, with a pair of lion mask handles, the base with a Xuande six character mark, the cover cast and with openwork scrolling clouds, W. 28cmCompare a similar smaller censer sold by Sotheby's, Hong Kong, Later Chinese Bronzes from The Collection of Mr and Mrs Gerald Hawthorn, 3 December 2015, Lot 11.
Lot 507
Eowyn's (Miranda Otto) hero sword from Peter Jackson's adaptation of J.R.R. Tolkien's fantasy epic The Lord of the Rings. Eowyn was the niece of King Theoden (Bernard Hill) and sister to Eomer (Karl Urban). The shieldmaiden of Rohan defied her uncle's wishes and rode in disguise with the Rohirrim and the hobbit Merry (Dominic Monaghan) to the Battle of Pelennor Fields, where she slayed the Witch-King of Angmar. This sword was specially made for the character of Eowyn by New Zealand's Weta Workshop. It was awarded as a prize during a prize draw sponsored by Hasbro and New Line Cinema, in which owners of Lord of the Rings-themed tabletop games were given the opportunity to win one of eight weapons in a sweepstake, each weapon belonging to a different principal character. The competition was specifically held to promote the finale of the epic fantasy saga. The sword is crafted with an aluminium blade that shows intentional distressing along the edges and urethane grip components. The ornate bronze-coloured guard and pommel are styled in honour of the mearas, a breed of wild horse revered by the Rohirrim. The handgrip features three raised, bronze-coloured rings and the hilt depicts two horse heads. As the sword was given away as a promotional prize by the studio, it is presented in a custom acrylic case with a plaque featuring the film's title, the release date and the New Line Cinema logo. Accompanying the lot is a certificate of authenticity signed by producer Barrie Osborne, correspondence with the original winner, terms and conditions, and two entry forms. The piece shows minimal signs of wear and is in very fine overall condition. Dimensions (in display): 99 cm x 11 cm x 21 cm (39" x 4 1/2" x 8 1/4")£20000-30000 â€
Lot 865
Achilles' (Brad Pitt) broken spear from Wolfgang Petersen's mythical epic Troy. Achilles wielded his broken spear during his ferocious battle with Prince Hector of Troy (Eric Bana), and ultimately used the weapon to stab Hector in the chest.The weapon comprises a pointed spearhead made from resin and a light wooden shaft. Intentionally distressed, the spearhead has been painted in shades of faux gold to produce the appearance of worked bronze, and the shaft has been deliberately broken, leaving an exposed splintered end. The head features remnants of green paint, which has been added to produce a verdigris effect. Several marks adorn the shaft and the lot shows minor paint wear, while an exposed section of resin is present on the tip of the spearhead. Dimensions: 82.5 cm x 7 cm x 3 cm (32 1/2" x 2 3/4" x 1 1/4")£1000-1500 †Δ
Lot 868
Achilles' (Brad Pitt) shield from Wolfgang Petersen's mythical epic Troy. The Greek warrior wielded his shield throughout the film, notably using it alongside his sword during the beach battle sequence in which he slaughtered many Trojan soldiers and confronted Hector (Eric Bana) inside the Temple of Apollo. Made of biscuit foam, the shield is round with two semi-circular cut-outs on opposing sides, which allowed Achilles to thrust with a spear while still protecting himself. Finished in black and faux-bronze paint, the face of the shield features intricate figures at war around the centre, with eight discs situated above them. A black wooden handle is affixed to the rear, alongside a strip of thick leather binding and four faux-gold rings. Signs of production use are present on the lot, including light scuffs around the edge and minor paint wear. Dimensions: 81.5 cm x 81.5 cm x 11 cm (32" x 32" x 4 1/4")£4000-6000 M
Lot 867
Achilles' (Brad Pitt) sword from Wolfgang Petersen's mythical epic Troy. Achilles wielded his sword throughout the film, using it to brutal effect during his efficient despatch of Boagrius (Nathan Jones) in the opening scene, as well as in his battles against the Trojan Apollonians, and the vicious duel with Hector (Eric Bana). Made of hard rubber with an internal metal armature, the sword consists of a curved leaf-shaped blade finished in faux-gold paint to replicate worked bronze. A raised ridge runs down the length of the blade, and multiple curved inlays decorate the weapon. Finished in black paint, the angular ornate grip features multiple holes, creating the illusion of rivets. Green paint has been added to create the appearance of verdigris. The weapon displays signs of production use, including paint wear, scratching on the blade and bending to the tip. Dimensions: 71.5 cm x 9 cm x 4 cm (28 1/4" x 3 1/2" x 1 1/2")£4000-6000 †Δ
Lot 797
A Goa'uld TER weapon from sci-fi television show Stargate SG-1. Transphase Eradication Rods were used at various points throughout the show's run, most notably against the insectoid Re'tu. TERs appeared whenever invisible enemies attacked SG Command, as it was able to make such foes visible, before blasting them. This TER is a light-up version created for close-ups to show the weapon's functionality. It is made of resin with elaborate sculpted detailing and is finished to appear as though it is made of worn, corroded bronze. The prop features a battery-operated scanner eye that illuminates when a small slide switch is activated. Dimensions: 43 cm x 8 cm x 17 cm (17" x 31/4" x 63/4")£2000-3000 M *Contains electronics; see electronics notice in the Buyer's Guide
Lot 742
A limited edition bronze "Yoda Fountain" maquette based on the full-size statue sitting atop the Yoda fountain at Lucasfilm Headquarters. This Lucasfilm Company Store exclusive was designed by Lawrence Noble of Noble Studio and was cast at the same foundry as the Lucasfilm Headquarters statue. The figure itself is cast in bronze with a green finish representing the patina of the full-size bronze statue. It is affixed to a black marble stand with four felt feet. The stand is numbered "165". Included are four cards from Noble Studio providing information on this figure as well as showcasing some of the studio's other works. Also included is a Certificate of Authenticity, numbered 165 of 250, and signed by Lawrence Noble. The maquette is packed in a light wooden box, the top of the box featuring the "LUCASFILM Ltd" logo. Dimensions: 21.75 cm x 14.75 cm x 12.75 cm (81/2" x 53/4" x 5")£1000-1500 Ω
Lot 204
A hand-drawn concept design of the Atlantean Sword from John Milius' fantasy epic Conan the Barbarian (1982). The Atlantean Sword was discovered by Conan (Arnold Schwarzenegger) in an ancient tomb and became the signature weapon of the Cimmerian warrior. Drawn by production designer Ron Cobb on thin white paper, this full-scale illustration of the Atlantean Sword is rendered in pencils and inks, with brown inks applied to give colour to the grip and bronze guard. Intricately detailed, the drawing ۠numbered "19C" at one corner ۠shows the engraved text along the blade, as well as the ornate detailing of the guard and pommel. The artwork displays light creasing and pinholes at the corners from use. Dimensions: 31 cm x 105 cm (12 1/4" x 41 1/2")£3000-5000 †Δ*Sold without copyright; see copyright notice in the Buyer's Guide
Lot 694
An ILM Chewbacca statue crew gift from the production of George Lucas' Star Wars: Revenge of the Sith. Industrial Light and Magic crew members working on the film were gifted commemorative statues for their efforts. The statue is made of resin painted to appear bronze and attached to a black marble stand engraved with the film's title. "I.L.M." and "R. MILLER" are engraved on the back of the statue for ILM model maker Richard Miller, who sculpted the figure from which the statue was moulded. On the bottom of the stand are four green felt feet. The statue comes in a white cardboard box, filled with green tissue paper and wrapped with a red ribbon attached to a Lucasfilm sticker. Dimensions: 23 cm x 16 cm x 12.25 cm (9" x 6 1/4" x 4 3?4")£200-300 Ω
Lot 224
A cane featuring the likeness of a Skeksis, a malevolent creature from Jim Henson and Frank Oz's fantasy adventure The Dark Crystal. This cane was made by The Henson Company for a fashion show and clothing collection inspired by the film. Several artists and designers who worked on the film were involved in the making of the clothes and accessories. The cane features the head of a Skeksis, made of resin and painted to look bronze, sitting atop a long black wooden shaft. The Skeksis is wearing a monocle with a metal chain which attaches to the collar, indicating that it is The Scroll-Keeper. There is some minor wear from age and use. The tip of the Skeksis' beak has chipped off and there are minor scratches to the wood of the shaft, while the ferrule has a small hole. Dimensions: 110 cm x 13.5 cm x 5 cm (43 1/4" x 5" x 2")£400-600 †Δ
Lot 752
C-3PO's (Anthony Daniels) hand from Irvin Kershner's Star Wars: The Empire Strikes Back. As the talkative protocol droid, Daniels wore mechanical-looking gloves throughout the film. It is likely that this right-hand glove was also used during the production of Richard Marquand's Star Wars: Return of the Jedi. This glove is made of moulded flexible urethane painted silver and bronze, with black palms, yellow stripes down the fingers along the palm, a split in the palm for putting the glove on the actor, and mechanical ridged details on the knuckles and joints. Affixed to the wrist are two metal snaps for buttoning the glove to Daniels' costume. The glove exhibits signs of wear and age, including flaking paint and stiffness to the urethane, as well as discolouration where the finger rings once were, and comes on an acrylic display stand. Dimensions: 18 cm x 13.5 cm x 31.25 cm (7" x 5 1/4" x 12 1/4")£15000-25000 Ω
Lot 341
A hand-drawn Ray Harryhausen concept sketch c. 1961 showing Talos from the production of Don Chaffey's fantasy adventure Jason and the Argonauts. The artwork shows the giant bronze statue blocking the path of the Argo as the ship attempted to leave the Isle of Bronze.Rendered in pencil on vellum, this image was transposed almost identically to the final film, with the only change being the addition of a helmet and sword for Talos. The edges of the vellum are irregularly cut, but the piece remains in very good overall condition. Dimensions: 51 cm x 35 cm (20" x 13 3/4") LiteratureThe final key art version of this image features on pages 106-107 of The Art of Ray Harryhausen by Ray Harryhausen and Tony Dalton, and on page 157 of Ray Harryhausen: An Animated Life by Ray Harryhausen and Tony Dalton. Both are published by Aurum.£3000-5000 †Δ*Sold without copyright; see copyright notice in the Buyer's Guide
Lot 68
A hand-painted G'Kar statue from the sci-fi television series Babylon 5. In the fifth season episode "Objects in Motion", an admirer presented G'Kar (Andreas Katsulas) with a statue in his likeness. This statue is made of resin hand-painted green and brown to resemble oxidised bronze, with red eyes. It is displayed on a wooden base, which shows adhesive residue from production, and carvings reading "026" and "PRSNH" on the bottom. The piece is intentionally distressed to look aged, and exhibits some paint chipping from age. Dimensions: 10.75 cm x 14 cm x 34.5 cm (4 1/4" x 5 1/2" x 13 1/2")£1000-1500 Ω Δ
Lot 674
A Klingon communicator from Leonard Nimoy's Star Trek IV: The Voyage Home. The crew of the Enterprise used Klingon communicators to talk to each other while trying to return home, after they used their Klingon Bird of Prey ۠renamed the Bounty ۠to jump through time, ending up in "present-day" San Francisco. Made of resin and painted predominantly bronze, the communicator has been intentionally distressed to look weathered and worn, with faux-silver paint having been lightly dry-brushed on. It features red, white and blue detailing and a metal speaker in the centre, as well as eight silver-coloured fins at the top. It shows some wear from production use and age, with scuffs and scratches on top of the intentional distress. There are small areas where the paint has chipped away, revealing the paint underneath, and there is some glue residue where parts of the item have previously been repaired. Dimensions: 15.5 cm x 6.7 cm x 3 cm (6" x 2 3/4" x 1 1/4")£1000-1500 M
Lot 677
A set of three Isolinear chips and stand from Jonathan Frakes' sci-fi sequel Star Trek: Insurrection. Isolinear chips were used throughout the film, often seen on Picard's (Patrick Stewart) desk and in his quarters. The three isolinear chips are made of orange, yellow and green acrylic and have a faux-circuit-board design applied in silver-coloured paint on one side and bronze paint on the other. Each chip is marked with the ship's name, "U.S.S. ENTERPRISE 1701-E". The chips come on a stand made to present the chips on Picard's desk, which is made of black and clear acrylic, has chip slots and also features the ship title. The isolinear chips and stand show minimal signs of wear. Dimensions (each chip): 10 cm x 4.5 cm(4" x 1 1/2"); (chips in stand): 9.5 cm x 6.5 cm x 16 cm (4" x 2 1/2" x 6")£600-800 M
Lot 657
A light-up Bajoran interceptor miniature model from sci-fi TV series Star Trek: Deep Space Nine. Miniature models were used for the Bajoran ships, which first appeared in the Season 2 episode "The Siege", when two interceptors attacked the ship being flown by Commander Kira Nerys (Nana Visitor) and Lieutenant Jadzia Dax (Terry Farrell). The Starfleet officers managed to destroy one of the Interceptors before sustaining critical damage and crash landing. Models were later used in the Season 3 episode "Through The Looking Glass" and for cutaway footage of ships flying around DS9 in later seasons. The model is made of plastic and hand-painted to look as detailed and realistic as possible. It is predominantly decorated in shades of grey with bronze detailing, in keeping with the Bajoran aesthetic. It features €ËÅ“rust' markings and other examples of intentional distress, giving it the appearance of being well used and battle worn. When connected to mains power via a D-sub 9-pin connector, the lights within the model illuminate, lighting up the cockpit, windows and engines, as well as lights on the wing tips and the top of the ship. The miniature sits on a custom-made metal stand on a black wooden base. The stand is a fixed to a production-made filming mounting point, which can be hidden with an extra piece when not on the stand. There is a second hidden mounting point in the tail. It has some wear from production use and age, including a small repair to the left wing. Dimensions: 45 cm x 68 cm x 25 cm (17 3/4" x 26 3/4" x 9 3/4") ADDITIONAL INFORMATION Interceptors were lightly armed craft with two phaser emitters, used by the Bajoran Militia in the defense of Bajor. They were often utilised in the orbit of the planet but, as in "The Siege", could also fly within the atmosphere.£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide
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350105 item(s)/page