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Tom McNeely (Canadian, B. 1935) "U.S. Olympic Team with Flag" Signed lower left. Original Watercolor painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 29c Flag and Olympic Rings stamp issued April 21, 1991. In 1875 a group of German archeologists discovered the ruins of the Stadium of Olympia -- site of the ancient Greek Olympic games -- which had been buried by landslide many centuries earlier. Inspired by the discovery, French educator Pierre de Coubertin campaigned to organize modern Olympic games for the promotion of international goodwill and brotherhood. In 1894 members of an international symposium on amateur sports listened to de Courbertin's passionate plea and voted to form the first International Olympic Committee (IOC). Two years later Athens, Greece, hosted the first modern Olympic Games, which by 1924 included winter competition. Held every four years and interrupted only for World Wars I and II, the Olympic Games allow international amateur athletes to compete for the gold, silver and bronze medals which proclaim them the world's best. Five interlocking rings -- originally representing five continents -- comprise the Olympic symbol. The rings now stand for international friendship, and their colors incorporate at least one shade from the flags of every competing nation. The artwork salutes American participation in the games as a U.S. Olympic team member proudly carries Old Glory onto the playing field during the ceremonial parade of athletes. Image Size: 16.5 x 17.25 in. Overall Size: 19.25 x 25.25 in. Unframed. (B12897)
18th C. Old Master, Moses and the Serpent. Oil on canvas. Depicting the parable from the bible. This dramatic scene from the Old Testament (Numbers 21, 5-9) depicts the moment when Moses saves his people from the snakes sent by God as punishment for their lack of faith. The bronze serpent on a rod, whose mere contemplation is sufficient to cure anyone bitten by a snake, symbolizes salvation. Provenance: Important private North Carolina collection. Sight Size: 20.5 x 51 in. Overall Framed Size: 23 x 54 in.
Alicja Kwade (Kattowitz 1979 – lebt in Berlin). „My candle burns at both ends“. 2020Bronze, farbig gefasst, auf Marmor-Sockel (Bianco Dolomiti). 2 × 2 × 1 cm (Kerze) 5 × 12 × 12 (Sockel) ( ¾ × ¾ × ⅜ in. (Kerze) 2 × 4 ¾ × 4 ¾ (Sockel)). Auf dem beiliegenden Zertifikat signiert.Aus einer Serie von 30 Unikaten. Berlin, Handsiebdruckerei Editionen. [3272]Provenienz: Direkt von der Künstlerin“My candle burns at both ends;It will not last the night;But ah, my foes, and oh, my friends—It gives a lovely light!”Edna St. Vincent MillayZustandsbericht: In sehr gutem Zustand. Keine Substanzverluste. Sehr schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer. Der gesamte Erlös dieser Auktion wird an Be an Angel e.V. gespendet.
A CHINESE CARVED WOOD PAGODA FORM ALTAR SHRINE The sweeping roof supported by four turned column supports, with folate carved decoration, and pierced panel doors, the interior with a gilt Rattanakosin style bronze buddha 65 high x 40 deep x 59cm wide Condition: Signs of wear commensurate with age and use, inner door is detached, some losses to the roof
Late 19th century French brass four glass mantle clock by Samuel Marti of Paris, c1880 case on a recessed stepped plinth with four twisted columns and Corinthian capitals to the four corners, with a two- part enamel dial, Roman numerals and minute markers, non matching steel hands and visible Brocot escapement with cornelian pallets, 8-day rack striking movement stamped �medaille de bronze� with chamfered pendulum and key.Dimensions: Height: 33cm Length/Width: 21cm Depth/Diameter: 16cm
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