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Lot 270
A PAIR OF 19TH CENTURY BRONZE VASES AND COVERS with blue ground Sevres style porcelain mounts each depicting a girl and a boy in country scenery, the vases sculpted with a bacchanalian figure to the lid, trailing grapevine handles and further classical motifs to the circular base, 22cm wide overall x 36cm high (2)
Lot 644
ERNST NEIZVESTNY (RUSSIAN 1925-2016) Man with Lowered Head, bronze with medium brown patina height: 32 cm (12 5/8 in.) signed and inscribed with edition A/P on base PROVENANCEAcquired from the artist by the present owner EXHIBITEDForbidden Art: The Postwar Russian Avant-Garde, February 1998-April 2002The exhibition traveled to:Pasadena, ArtCenter College of Design, Alyce de Roulet Williamson Gallery, February 22 - May 3, 1998Moscow, The State Tretyakov Gallery, May 15 - June 15, 1999St. Petersburg, The State Russian Museum, February 12 - April 4, 1999Oxford, Ohio, Miami University Art Museum, November 2 - December 12, 1999Brighton, Massachusetts, Boston College, McMullen Museum of Art, October 15 - December 10, 2000Gainesville, University of Florida, Samuel P. Harm Museum of Art, April 12 - July 3, 2005Laramie, University of Wyoming Art Museum, September 8 - November 18, 2007St. Peter, Gustavus Adolphus College, Hillstrom Museum of Art, September 3 - November 10, 2008
Lot 693
LEONID SOKOV (RUSSIAN 1941-2018) Lenin Head, 1994 bronze with gilt patina atop a Brancusi untreated wooden base by the artist and glass top overall height: 94 cm (37 in.), height of Lenin Head: 23 cm (9 in.), height of wooden base: 70 cm (27 1/2 in.) stamped with signature, date, and edition 1/2 A/P and signed and dated in Magic Marker under base
Lot 711A
EVA (RUSSIAN B. 1979) Untitled, digital photograph 59.7 x 83.8 cm (23 1/2 x 33 in.) AP, ed. of 10EVA is a prospective contemporary Russian artist whose artwork is known to be popular among private collectors and museum curators in Europe and the U.S. EVA participated in numerous group exhibitions and contemporary art biennials and has held solo shows in Russia and Italy that gained her recognition and respect from art scholars and critics. Her non-traditional approach to collage, as well as careful handling of the texture of bronze in her sculptural works, relates her artistic language to that of the Surrealist tradition. Her creative approach defies labels and definitions -- she practices in every medium and every form of art possible, formulating her own, contemporary language. EVA’s artwork can be found in collections of various museums across Europe and Russia, as well as in many private collections.
Lot 711B
EVA (RUSSIAN B. 1979) Untitled, digital photograph 59.7 x 83.8 cm (23 1/2 x 33 in.) AP, ed. of 10EVA is a prospective contemporary Russian artist whose artwork is known to be popular among private collectors and museum curators in Europe and the U.S. EVA participated in numerous group exhibitions and contemporary art biennials and has held solo shows in Russia and Italy that gained her recognition and respect from art scholars and critics. Her non-traditional approach to collage, as well as careful handling of the texture of bronze in her sculptural works, relates her artistic language to that of the Surrealist tradition. Her creative approach defies labels and definitions -- she practices in every medium and every form of art possible, formulating her own, contemporary language. EVA’s artwork can be found in collections of various museums across Europe and Russia, as well as in many private collections.
Lot 711C
EVA (RUSSIAN B. 1979) Untitled (Cat), bronze height: 22.9 cm (9 in.) AP, ed. of 10EVA is a prospective contemporary Russian artist whose artwork is known to be popular among private collectors and museum curators in Europe and the U.S. EVA participated in numerous group exhibitions and contemporary art biennials and has held solo shows in Russia and Italy that gained her recognition and respect from art scholars and critics. Her non-traditional approach to collage, as well as careful handling of the texture of bronze in her sculptural works, relates her artistic language to that of the Surrealist tradition. Her creative approach defies labels and definitions -- she practices in every medium and every form of art possible, formulating her own, contemporary language. EVA’s artwork can be found in collections of various museums across Europe and Russia, as well as in many private collections.
Lot 711D
EVA (RUSSIAN B. 1979) Untitled (Bird), bronze height: 46 cm (18 in.) AP, ed. of 10EVA is a prospective contemporary Russian artist whose artwork is known to be popular among private collectors and museum curators in Europe and the U.S. EVA participated in numerous group exhibitions and contemporary art biennials and has held solo shows in Russia and Italy that gained her recognition and respect from art scholars and critics. Her non-traditional approach to collage, as well as careful handling of the texture of bronze in her sculptural works, relates her artistic language to that of the Surrealist tradition. Her creative approach defies labels and definitions -- she practices in every medium and every form of art possible, formulating her own, contemporary language. EVA’s artwork can be found in collections of various museums across Europe and Russia, as well as in many private collections.
Lot 300
A BOOKEND BY GEORGES GARDET (FRENCH 1863-1939) Chat a sa toilette, bronze with medium brown patina atop granite base overall height: 10.5 cm (4 1/8 in.) signed on base PROVENANCEEtude Tajan, Paris, February 18, 2000, lot 33. (Copy of invoice available upon request)Acquired at the above by a prominent Armenian-American Family
Lot 265
A CUT CRYSTAL CENTERPIECE WITH ORMOLU BRONZE BASE, LATE 19TH-EARLY 20TH CENTURY cut in a flower pattern with scalloped edges, on circular foot, supported by two-handled bronze base formed as enterlacing oak leaves; overall dimensions including base: 12.8 (h) x 52.5 cm (l) x 24 (w) cm (5 x 20 5/8 x 9 1/2 in.)
Lot 4
A GILT SINO-TIBETAN BRONZE FIGURE OF A GUANYIN WITH WOODEN BASE, 19TH CENTURY bronze with red-brown patina, the wood base modelled as a lotus; overall height: 40 cm (15 3/4 in.), height of figure only: 28.5 cm (11 1/4 in.)PROVENANCESotheby's, New York, April 11, 1990, lot 408 (copy of invoice available upon request).Acquired at the above by a prominent Armenian-American Family LOT NOTESThe guanyin seated in dhyanasana with hands held in dhyana mudra, dressed in a long flowing robe, hair styled in a domed ushnisha, with openwork crown.
Lot 260
AN IMPRESSIVE ORMOLU BRONZE MANTEL CLOCK, 19TH CENTURY the clock and inscriptions in stylised frames, each face flanked by scrolling acanthus leaf supports terminating in lion paws above a meander border, topped by a sculpture of three graces with linked arms balancing a vessel with ram heads holding wreaths, the supports of the vessel formed as fish; overall height: 95 cm (37 3/8 in.)
Lot 3
A GILT BRONZE FIGURE OF BUDDHA SHAKYAMUNI, MING DYNASTY, 16TH-17TH CENTURY bronze with dark brown patina, the face, torso, arms and feet gilt; overall height: 31 cm (12 1/4 in.)PROVENANCESotheby's, New York, October 18, 1990, lot 196. (Copy of invoice available upon request)Collection of a prominent Armenian-American FamilyLOT NOTESThe Buddha seated in dhyanasana with his hands held in bhumisparsa mudra, dressed in a long flowing robe, his hair styled in tight curls below a domed ushnisha.
Lot 332
A FRANCOIS LINKE-STYLE PARQUETRY AND BOIS SATINE ORMOLU-MOUNTED VITRINE, LATE 19TH CENTURY three-partite, with two glass shelves, the interior mirrored, the ormolu bronze corner mounts in Louis XV taste, supported by six cabriole legs; overall dimensions: 209.5 (h) x 155.6 (w) x 43.2 (d) cm (82 1/2 x 61 1/4 x 17 in.)Please note the two glass panes on the sides are missing.
Lot 262
A PAIR OF LATE EMPIRE HARDSTONE AND ORMOLU-MOUNTED CANDELABRA, EARLY 19TH CENTURY the black-patinated bronze bodies modelled as maidens holding three-armed gilded bronze candelabra, the scrolling arms joined by delicate chains with acorn-shaped pendants, each figure supported by a white hardstone base with an ormolu lotus wreath as well as delicate chain and openwork designs; overall height: 90 cm (35 1/2 in.)
Lot 77
ANTOINE-LOUIS BARYE (FRENCH 1795-1875) Lion au Serpent , circa 1876-1884 bronze with dark brown patina overall height: 15 cm (5 7/8 in.) signed on base, impressed with A*D foundry mark of Auguste Delafontaine and Tahan Medaille d'or 1867 label underneath PROVENANCENeret-Minet, March 26, 2004, lot 47. (Copy of invoice available upon request)Acquired at the above by a prominent Armenian-American Family
Lot 298
A BOOKEND BY ERNEST LOUIS ADNIN (FRENCH 1881-1957) Polar Bear on Hind legs, bronze with light brown patina atop granite base height including base: 17.2 cm (6 3/4 in.) signed on base PROVENANCEEtude Tajan, Paris, February 18, 2000, lot 24, erroneously attributed to Adams. (Copy of invoice available upon request)Acquired at the above by a prominent Armenian-American Family
Lot 273
A FRENCH ORMOLU BRONZE WALL CLOCK AND BAROMETER, LATE 19TH CENTURY each flanked by a pair of columns with suspending wreaths, topped by a two-handled vases with berry finials above meander ornaments, the clock signed Le Faucheur Aarid, the barometer signed E. Poiret, A Beaumont; diameter of each dial: 19 cm (7 1/2 cm), overall dimensions of each: 80 x 35 cm (31 1/2 x 13 3/4 in.)
Lot 133
HARRY JACKSON (AMERICAN 1924-2011) Marie (Study for Sacagawea), 1980 bronze with light brown patina atop granite base overall height: 30 cm (11 3/4 in.) signed, dated, inscribed SUH 19 and impressed with WFS Italia foundry mark on verso PROVENANCEEstate of the artist LITERATURELarry Pointer, Donald Goddard, Harry Jackson (New York: Harry N. Abrams, Inc., 1981), p. 278, nos. 358-361 (illustrated)LOT NOTESIn his unparalleled creative trajectory from realism to abstraction to realism again, Harry Jackson - as perhaps no other American artist of the period - embodies the spirit of relentless inquiry that came to define the art of the 20th century. One of the most prolific and significant Western artists of his generation, Jackson also produced an immensely diverse body of work, represented in lots 133-135, including two important canvases from his Abstract Expressionist period. Prior to settling in Wyoming to make his best-known work, Chicago-born Jackson had served in World War II as a combat Marine artist, awarded a Purple Heart, and, in 1944, stationed in Los Angeles. Soon after, he saw Jackson Pollock's The Moon-Woman Cuts the Circle and The She-Wolf, which impressed him profoundly. Determined to meet Pollock, Jackson moved to New York, where he became a close friend of the artist and gained notoriety for his own Abstract Expressionist works, capturing the attention of Clement Greenberg and Meyer Shapiro (who featured him in their Talent 1950 show at the Kootz Gallery) and later exhibiting at Tibor de Nagy Gallery.Eventually, Jackson's childhood fascination with cowboys (he, aged 14, had run away from home to a Wyoming farm), his academic training at the Art Institute of Chicago, and a 1954 tour through Italy reinvigorated Jackson's interest in Realism. Perspective and modeling, infused with the ethos of abstraction, made their way into his works. During a second trip to Italy in 1956, Jackson began studying sculpture at the Vignali-Tommasi Foundry, producing the first of his Western bronzes in the tradition of Frederic Remington and Charles M. Russell. He made trips to both the American West and Europe throughout the 1950s and 60s, setting up his own foundry and finally relocating his studio to Wyoming in 1970.The following bronze, modeled after Marie Varilek, is one of several studies for a monumental sculpture of Sacagawea, on which Jackson began working on in the summer of 1976 and completed in 1980.
Lot 261
AN ORMOLU BRONZE FRAMED TABLE MIRROR, LATE 19TH CENTURY asymmetrical, the frame of rocaille form, depicting a trumpeting angel, head of a cherubim, and another cherubim holding wreath, with suspending tambourine, harp, and trumpets, all pulled by a crowned swan, supported by two spreading feet and stand; overall height: 83 cm (32 5/8 in.)
Lot 203
AN ART DECO VIDE-POCHE BY EDGAR BRANDT (FRENCH 1880-1960) Pelican, bronze with medium brown patina overall height: 14.5 cm (5 3/4 in.) signed on base PROVENANCEHotel de Ventes de Neuilly, Neuilly-sur-Seine, November 27, 2001, lot 91. (Copy of invoice available upon request)Acquired at the above by a prominent Armenian-American Family
Lot 35
A CHINESE EXPORT ORMOLU BRONZE CHALICE, LATE 19TH CENTURY of lobed baluster form, the upper band decorated with Pan playing the flute and a young Bacchus on the reverse, with a unicorn, deer, camel and elephant, supported by three ball feet topped by mythic paws; overall height: 27.5 cm (10 7/8 in.)
Lot 206
AFTER JEAN-BAPTISTE AUGUSTE CLESINGER (FRENCH 1814-1883) Tor Romano, bronze with dark brown patina overall height: 20 cm (7 7/8 in.) signed on base PROVENANCEBoisgirard & Associes, Paris, April 1, 1993, lot 55. (Copy of invoice available upon request)Acquired at the above by a prominent Armenian-American Family
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