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Lot 316
Two bronze Royal Tournament medallions 1934 (cased) and another 1927, together with 1914 War Medal awarded to Private W J Brazell Yorkshire regiment, together with a group of WWII Medals, un-named including: 39-45 War Medal, Africa Star, Atlantic Star, 35-45 Star and Burma Star together with assorted ribbons and a bar for Pacific and a WWI medal Trio comprising 1914-18 War Medal, Victory Medal and Mercantile Marine Medal named to A Mallard Royal Navy. (B.P. 21% + VAT) Service No. J49013
Lot 534
AUSTIN WRIGHT (BRITISH, 1911-1997), QUEBIQUE QUEUE five bronze figures on a wooden plinth, no. 1/10. Each figure approx. 12.5cm highPurchased from Grape Lane Gallery, York, 1989.Austin Wright was born in Chester, grew up in Cardiff and moved to Yorkshire in 1937. He studied Modern Languages at Oxford University before becoming interested in Modern Art. He was the Gregory Fellow in Sculpture at the University of Leeds (1961-1964), and a major retrospective of his work was held at the Yorkshire Sculpture Park in 1981 and at York City Art Gallery in 1994. His work can be found in many public collections and public commissions, including the Christmas Crib at Wakefield Cathedral and a wall relief for the University of Northumbria.In very good condition without damage. Three figures signed on the underside 'AW.
Lot 1038
Seltenes Tempelschwert aus Bronze, Südindien, Kerala, 15. - 17. Jhdt. An der Spitze bogenförmig gekrümmte, an den Seiten gegratete Bronzeklinge mit Mittelrippe, zwei unterschiedlich langen Spitzen und 16 kräftigen Ösen auf dem Rücken. Reliefiert gegossene und vernietete Klingenfassung mit hohlem, zylindrischem Bronzegriff. Der schüsselförmige Knauf am oberen Rand umlaufend verziert mit Ösen. Länge 84 cm. A rare South Indian bronze temple sword, Kerala, 15th - 17th century A rare South Indian bronze temple sword, Kerala, 15th - 17th centuryLaterally ridged bronze blade with midrib and angled end, the back with two points of different length and 16 robust eyelets. Blade trim riveted and cast in relief with hollow, cylindrical bronze grip. The top of the bowl-shaped pommel decorated with eyelets. Length 84 cm.Condition: II
Lot 1053
Sasaho-Yari, Japan, wohl 15. Jhdt., Montierung Edo-Periode Dreikantige Klinge in Form eines Bambusblattes mit rot gelacktem Bohi, Oberfläche gereinigt und etwas narbig, Hada und Hamon nicht erkennbar, Nakago bezeichnet "Uda Kunimune". Konischer Schaft, unterhalb der Klinge drei vernietete Schaftfedern und Goldlackfassung (berieben und gedunkelt) mit hohl und durchbrochen gearbeitetem Schuh aus Bronze. Länge K/M 29 cm, Gesamtlänge 229 cm. A Japanese sasaho yari, probably 15th century, mounted during the Edo period A Japanese sasaho yari, probably 15th century, mounted during the Edo periodDreikantige Klinge in Form eines Bambusblattes mit rot gelacktem Bohi, Oberfläche gereinigt und etwas narbig, Hada und Hamon nicht erkennbar, Nakago bezeichnet "Uda Kunimune". Konischer Schaft, unterhalb der Klinge drei vernietete Schaftfedern und Goldlackfassung (berieben und gedunkelt) mit hohl und durchbrochen gearbeitetem Schuh aus Bronze. Länge K/M 29 cm, Gesamtlänge 229 cm.Condition: II -
Lot 1191
Zwei gotische Turnieranhänger, deutsch, 14./15. Jhdt. Unterschiedliche Anhänger aus Bronze mit dunkler Alterspatina mit geringen Resten von Vergoldung. Ein tropfenförmiges Exemplar mit einseitig graviertem Dekor. Darstellung einer aus den Wolken ragenden Hand mit Schriftband. Die Inschrift in gotischer Minuskel schwer lesbar "DEO S....". Dazu ein Lunulla-förmiges Exemplar mit drei einseitig geschlagenen Wappenschilden. Jeweils mit intakter Hängeöse. Anhängend altes Etikett mit Herkunftsbezeichnung "Burg Urslingen, Neckartal". Größe 6,5 und 4 cm.Provenienz: Aus alter deutscher Privatsammlung. Two German bronze tournament pendants, 14th/15th century Two German bronze tournament pendants, 14th/15th centuryUnterschiedliche Anhänger aus Bronze mit dunkler Alterspatina mit geringen Resten von Vergoldung. Ein tropfenförmiges Exemplar mit einseitig graviertem Dekor. Darstellung einer aus den Wolken ragenden Hand mit Schriftband. Die Inschrift in gotischer Minuskel schwer lesbar "DEO S....". Dazu ein Lunulla-förmiges Exemplar mit drei einseitig geschlagenen Wappenschilden. Jeweils mit intakter Hängeöse. Anhängend altes Etikett mit Herkunftsbezeichnung "Burg Urslingen, Neckartal". Größe 6,5 und 4 cm.Provenance: Aus alter deutscher Privatsammlung.Condition: II
Lot 1
A War Office Pattern bronze World War I death plaque or penny, Royal Arsenal Woolwich version with number between tail and back leg, and spacing before 'HE'. Sold with accompanying unsigned letter on lined paper embossed with a Royal crest, describing the features and symbolism. An envelope addressed to L.A. Beaufoy Esq, R.Sc, A.K.C at the Royal ordinance, Woolwich and a facsimile letter from George V and a postage paid card returnable to C.S.O.K (plaque section) Royal Arsenal, London, numbered 539780, 12cm diameter.
Lot 2
VILGUSHYNSKYI, ROMAN (Ukrainian, b. 1963) 'Baroque Torso', Carved sculpture of female torso wearing draped clothing on squared base, marble. H. 50cms, base 12 x 10 cms Further Information on the artist: Roman Vilgushynskyi, was born on April 30, 1963 in the village of Yablunivtsi, Buchatsky district, Ternopil region (now Yazlovets, Ukraine). In 1984-1989, he studied at the Lviv Institute of Decorative and Applied Arts (specialty: artistic ceramics). Lives in Ternopil since 1989. Works in the field of monumental and easel sculpture. Ukrainian sculptor and artist. Member of the National Union of Artists of Ukraine since 1994. Honored Artist of Ukraine (2009). Associate Professor of the Department of Fine Arts, Design and Teaching Methods of Ternopil National Pedagogical University named after Volodymyr Hnatyuk. Personal exhibitions - in Ternopil (1996, 1998). Participant of exhibitions in Ternopil, Kyiv, Lviv and other cities. Among the most famous sculptures of Roman Vilgushynskyi: - monument to Patriarch Yosif the Blind - a monument to Cardinal of the Roman Catholic Church, Metropolitan of Halytskyi and Archbishop of Lviv, head of the Ukrainian Greek Catholic Church Yosif in the city of Ternopil; - monument to the Heroes of the Heavenly Hundred in Ternopil (Bronze, granite, copper, 2016); - sculptural composition for Ukrainian Jerusalem "Angel", Mariinsky Spiritual Center, p. Zarvantsia, Ternopil region. (Kamin vapniak, 2017). As a teacher, he teaches students drawing, sculpture and plastic anatomy, small forms of plastic. Actively participated in the opening and implementation of the new educational program "Fine art, decorative art, restoration". In January 2020, by decree of the President of Ukraine, Roman Vilgushynskyi was awarded the honorary title "People's Artist of Ukraine" CONDITION: Further Information on the artist: Roman Vilgushynskyi was born on April 30, 1963 in the village of Yablunivtsi, Buchatsky district, Ternopil region (now Yazlovets, Ukraine). In 1984-1989, he studied at the Lviv Institute of Decorative and Applied Arts (specialty: artistic ceramics).Lives in Ternopil since 1989. Works in the field of monumental and easel sculpture.Ukrainian sculptor and artist. Member of the National Union of Artists of Ukraine since 1994. Honored Artist of Ukraine (2009).Associate Professor of the Department of Fine Arts, Design and Teaching Methods of Ternopil National Pedagogical University named after Volodymyr Hnatyuk.Personal exhibitions - in Ternopil (1996, 1998).Participant of exhibitions in Ternopil, Kyiv, Lviv and other cities.Among the most famous sculptures of Rom Vilgushynskyi: - monument toPatriarch Yosif the Blind - a monument to Cardinal of the Roman Catholic Church, Metropolitan of Halytskyi and Archbishop of Lviv, head of the Ukrainian Greek Catholic Church Yosif in the city of Ternopil; - monument to the Heroes of the Heavenly Hundred in Ternopil (Bronze, granite, copper, 2016);- sculptural composition for Ukrainian Jerusalem "Angel", Mariinsky Spiritual Center, p. Zarvantsia, Ternopil region.(Kamin vapniak, 2017). As a teacher, he teaches students drawing, sculpture and plastic anatomy, small forms of plastic. Actively participated in the opening and implementation of the new educational program "Fine art, decorative art, restoration". In January 2020, by decree of the President of Ukraine, Roman Vilgushynskyi was awarded the honorary title "People's Artist of Ukraine"
Lot 412
A GEORGE III INLAID AND PAINTED PEMBROKE TABLE, ATTRIBUTED TO SEDDON, SONS & SHACKLETON the oval double drop leaf top painted with a band of trailing flowers and foliage within bands of rosewood, with single frieze drawer, raised on turned fluted legs with castors. 81cm deep, 71.5cm high, 101cm wide (open) The ornate design adorning this table firmly establishes its place within the limited catalog of works produced by the partnership of Seddon, Sons, and Shackleton, which spanned from 1790 to 1798. George Seddon’s cabinet-making enterprise, initiated in the early 1750s, was nothing short of prolific. In 1768, a note in the Gentleman’s Magazine reported a fire at Mr. Seddon’s premises, one of London’s preeminent cabinet-makers, resulting in damages amounting to £20,000. Another devastating fire in 1783 consumed property worth a staggering £100,000. By 1786, a German novelist, Sophie von La Roche, recorded in her travel journal that the firm boasted a workforce of over 400 apprentices, including glass-grinders, bronze-casters, carvers, gilders, painters, drapers, and upholsterers, all laboring at the Aldersgate Street location. Examination of the firm’s printed bill-heads reveals the official entry of Thomas and George, the sons, into the company. The renowned furniture commission placed by D. Tupper for Hauteville House, Guernsey, in 1790, indicates that by June of that year, Thomas Shackleton, who had married the eldest daughter, was invited to join the firm. This collaboration persisted until the retirement of the father in 1798, at which point the sons assumed control of the business. The expansive Hauteville commission, now scattered, includes a satinwood card-table adorned with the same peacock feather border on a cream background (see C. Gilbert, ‘Seddon, Sons & Shackleton,’ Furniture History, 1997, p. 6, fig. 3). Additionally, the set of eighteen shield-back chairs incorporates intricate floral chains. Three of these chairs are currently housed in the Victoria and Albert Museum, London, and can be viewed in M. Tomlin’s Catalogue of Adam Period Furniture, 1981, p. 133, cat. P/7. The firm also supplied furniture to Richard Hall Clarke at Bridwell House, for which some invoices still exist. Among the pieces is a Pembroke table (accompanied by a pair of matching card tables) featuring identical handles and floral chains bordering the top, mirroring the leg decoration seen on this example. This suite remained at Bridwell until 1992 when it was auctioned by Sotheby’s, London, on July 9, 1993, as lot 173. The final known account attributed to the firm dates back to 1799 and pertains to Lord Deerhurst. This substantial commission included an entry for ‘A Satinwood Pembroke Table with Richly Japaned and Highly Varnished Border, priced at £9,’ underscoring the firm’s penchant for painted satinwood furniture.
Lot 43
MIXED WAR MEDALS, COMMEMORATIVE MEDALLIONS, PIGEON RACE AWARDS & OTHER COLLECTABLES GROUP, lot comprises 1914-1918 British War Medal, awarded to William A King, unmarked, 1939-1945 War Medal and Star Pair, with associated paperwork and post box to H E Fry R179955, 3 x racing pigeon medallions awarded to Fry & Son , 1 x dated 1948, 3 x commemorative medallions for Edward VII (2) and George VI (1), Crystal Palace medallion for the Show of Poultry Pigeons and Rabbits, 5cms diam, no award detail, copy WW1 German Iron Cross, West German Parachutist beret badge, Merchant Navy badge, one other military badge, French 20 frank coin fashioned as a brooch, unmarked bronze sporting medallion, and a small wooden snuff boxProvenance: private collection Denbighshire
Lot 329
A pair of French gilt bronze twin light candelabra, third quarter 19th century; the foliate cast urn sockets and drip pans on reeded and foliate clad arms, hung with chains and issuing from beneath fircone finials, on stems rising from fluted plinths, each with a musical putto to one side; on shaped plinths with toupie feet; 33cm high, 24cm wide
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