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Ferdinand Preiss: A Bronze and Ivory Figure of a Female Javelin Thrower, late 1920's], the finely poised athletic figure about to launch a javelin held in her left hand, with concentrated expression, wearing a scanty silvered sports outfit fastened with a belt, on a black slate and alabaster coffin shape plinth, signed on the base "F Preiss", 27.5cm high (damaged)
After Jules Moigniez: A Fine Study of an Owl], alighting on its prey, inscribed "T Moignez", on a later green marble flat plinth, the bronze 66.5cm high, 62cm wide *This probably a modern cast from the USA, but is of undisputed mastery and magnificence. A similar example, illustrated in Payne (Christopher): Animals in Bronze, page 82.
E Hachez: A Bronze Two-Handled Tray on Stand, entitled "Combat Singulier de Jean de Medicis", circa 1870], rectangular, cast in high relief with a tournament within a curtain drape surround, acanthus leaf sheathed strap bifurcated handles, on a foliate apron with outscroll feet, signed and titled, 48.5cm wide
Attributed to Robert Cauer (the Younger): A Bronze Figure Group of a Young Boy and Girl], standing in conversation on a canted rectangular plinth, signed, 42.5cm *Robert Cauer the Younger (1863-?) was born at Kreuznach in 1863, the son and pupil of Karl Cauer. He studied in Rome and spent three years (1889-92) working in the United States, where he produced numerous portrait reliefs and busts. From 1893 onwards he worked in Kreuznach and Berlin. See Mackay (James) The Dictionary of Western Sculptors in Bronze, page 61.
E Laporte: A Bronze Figure Group of Two Gauls, circa 1884], the elder warrior (wearing wing plumed helmet and body armour) points and gestures to a youth at his side holding an axe in his right hand, signed and numbered "961", on a rustic square base with plaque inscribed "Salon des Beaux Arts de 1884 No.3659 E Laporte - Sculpt", on a rosso antique swept plinth with branch emblem inscribed "Pro Patria", 51cm high (weapon in youth's left hand broken) See illustration
Attributed to Emile-Coriolan Hippolyte Guillemin (1841-1907): An Impressive Pair of French Gilt Bronze Figures of a Samurai and Bijin, circa 1875], he stands holding a fan, she holds a parasol and closed fan, upon shaped rectangular bases with foliate pierced apron and elephant mask inscrolled feet, with overall brown patination with gilt highlights, 60.5cm by 63cm high * Emile-Coriolan Hippolyte Guillemin was a leading sculptor o f the period who often collaborated with furniture makers and designers. He was born in Paris, studied under his father, and was also a pupil of Salmson. He exhibited at the Salon from 1870 onwards and won an honourable mention in 1897. See Mackay (James): Western Sculptors in Bronze, page 172.
After Clodion: A Bronze Group of Two Classical Maidens and an Infant Faun, circa 1850], each figure in dancing pose, the faun holds grapes, one maiden upholds a tambourine, with pan pipes and other motifs on the circular base, inscribed "Clodion 1762", 58cm high, on a black slate moulded plinth, 62.5cm high overall
A Dutch Brass and Copper Tripod Log Bin, 19th century], the cylindrical vessel with lion mask and ring side handles, the main frieze embossed with a continuous arcade enclosing different street traders and soldiers in 17th century costume, on lion paw feet, 41. 5cm high; and [A Bronze Tripod Cauldron, 17th century], the flared rim with angular shoulder handles, the shoulder frieze cast with petal and Z motifs, on reduced reeded feet, 22cm high (basal solder repair) (2)
A French Bronze and Ormolu Mounted Floor Standing Candelabrum, circa 1870], the scroll form base supporting a bronze figure of Neptune, his right foot upon a large fish, holding a cornucopia from which issues the reeded stem to three S scroll candle branches, 147.5cm high, now fitted for electricity
A Pair of Bronze Gothic Revival Tripod Candlesticks, early 20th century], with broad castellated nozzles and multiple knopped cylinder stems, the moulded and domed bases with paw feet, 33cm high, adapted to electricity *By repute made specially for the Armoury (Long Gallery) at St Donats Castle, Wales, commissioned by Randolph Hirst. *Purchased at the sale 1938.
A Pair of French Bronze Figural Six-Light Candelabra, circa 1880], each cornucopia shape upswept branch with fruit cluster nozzles, in turn issuing from a larger cornucopia upheld by a semi-nude infant, standing on a veined yellow marble square section pedestal applied with ribbon tied laurel wreaths, on repeat anthemion cast plinth, 93cm high (drilled at the reverse for electric wires)
A Marble and Bronze Striking Mantel Clock, circa 1840], the rectangular shaped marble case surmounted by a cast bronze depicting a standing horse, acanthus leaf decorated plinth and raised upon rectangular block feet, 4-inch silvered dial with Roman numerals, moon hands, twin barrel movement with silk suspension, outside countwheel striking on a bell, backplate stamped "EED Bakkard" and numbered "142 72", 49cm high
A French Bronze and Ormolu Striking Mantel Clock, signed Lesieur, a Paris, circa 1830], the case with a cast bronze of Venus dressed in the classical style and nursing cupid, rectangular plinth raised on bun shaped feet, 4-inch white enamel dial with Roman numerals and signed "Lesieur a Paris", twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed "Lesieur", 47cm high
A Gilt Bronze and White Marble Striking Mantel Clock, signed Raingo Fres, a Paris, circa 1880], the case surmounted by a bronze figure amongst flowers blowing a horn and numbered "158" to the base, 3-1/4-inch white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Raingo Fres, Paris" and numbered "158", 35cm high
A French Bronze and Ormolu Striking Cartel Clock, late 18th Century], the case surmounted by a goat's head handled urn over drapes of ribbon tied laurel and berry leaves, glazed front pendulum window, 6-1/2-inch white enamel dial with Arabic and Roman numerals, pierced gilt hands, the large rectangular movement with canted corners and tic tac escapement, silk suspension and striking the hours and the half hours on a bell, 72cm high
Reg Butler 1913-1981 set of five figures one stamped with initials and numbered 2/8; another numbered 5/8 and stamped with foundry mark; another stamped with initials numbered 5/8 and stamped with foundry mark bronze height largest (including base) 15cm.; 6in. (5) Provenance Hanover Gallery London whence purchased by Mr and Mrs Kreitman 1965 and 1968 Exhibited London Tate Gallery British Sculpture in the Sixties in the 60s February - April 1965 three of the five figures exhibited.
Uli Nimptsch 1897-1977 seated figure of a girl signed with initials bronze with brown patina height 30.5cm.; 12in. Provenance Acquired directly from the Artist by Mr and Mrs Kreitman June 1966 after seeing the work at the Royal Academy Exhibition Exhibited London Royal Academy Summer Exhibition 1966 no.65
Dame Elisabeth Frink D.B.E. R.A. 1930-1993 portrait of Ben Bernstein signed and numbered 2 bronze with dark brown patina height (including base): 42cm.; 16.5in. Conceived in 1979 the present work is number 2 in an edition of 6. Literature Bryan Robertson Elizabeth Frink Sculpture Catalogue Raisonne Haprvale Salisbury 1984 illustrated p.202.
Sir Eduardo Paolozzi 1924-2005 newton signed dated 1994 and stamped with foundary mark on the reverse bronze relief 15x21cm.; 6x8.25in.. (2) To be sold together with the plaster version of the present work by the same hand. Literature Colin St John Wilson 'Paolozzi's Monument to Isaac Newton (and Blake)' Eduardo Paolozzi Projects 1975-2000 exh.cat. Flowers Gallery London 2005 illustrated p.41 (another cast).
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350105 item(s)/page