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After the Antique, The Dying Gaul, bronze with brown patina, 19th century,apparently unsigned'The Dying Gaul' is a Roman marble in the Capitoline Museums of Rome, based on an earlier lost Hellenistic period bronze. This reduced version is likely produced for Grand Tour travellers in the 19th century. It is sometimes titled 'The Dying Gladiator' or 'The Dying Galatian'.
A small hallmarked silver Georgian-style (later) salver and a larger engraved circular brass/bronze dish in Orientalist style (probably Chinese). The silver salver with pie-crust edge and engraved inscription reading 'Made from the gold lacing of Sam Wallis RN 1933-65' and with Sheffield assay marks (15.5cm diameter, approx. 165g). (The bronze dish, 26cm in diameter.) (2)
Pitta Luga. Weiblicher Akt. Bronze Skulptur. (Frankreich), 20. Jahrhundert. Signiert im Sockel 'Pitta Luga'. Auf rundem, gestuften Sockel. Höhe mit Sockel 76 cm. Stehende junge Frau, ein Bein leicht angewinkelt, die Hände greifen am Kopf in die langen Haare.- Mit Gießermarke 'Bronze Garanti Paris JB Deposé'.
Krämmer, Andreas (Coburg 1965). Pina Bausch. Bronze mit Goldpatina. 1995. Seitlich im Standsockel signiert, datiert, nummeriert '15'. 15 x 10,5 x 5 cm. Nach einer Lehre als Steinmetz und Steinbildhauer studierte Krämmer Bildhauerei an der Akademie der Bildenden Künste in Nürnberg, war Meisterschüler bei Christian Höpfner. Das Hauptthema seiner Arbeit ist die menschliche Figur als Akt, Torso, Relief, Porträt oder Tanzdarstellung wie zum Beispiel zum Tanztheater von Pina Bausch. Zahlreiche seiner Werke stehen im öffentlichen Raum.- Tänzerin im langen Kleid, weit schreitend, der Oberkörper nach hinten geneigt, die Arme den Oberkörper umschließend.
First World War family grouping to include, Order of the Royal Red Cross 2nd Class, bow mounted, in fitted case by Garrard & Co, 1914-1918 British War Medal and Victory Medal (210446. SPR. E. BEVAN. R.E.) with named box of issue,1914-1918 British War Medal (M.9635 S.H. BEVAN S.R.A. R.N.), with named box of issue, the Royal Red Cross belonged to Miss Edith Bevan, Supplement to the London Gazette dated 9th April 1919 reads, 'Awarded RRC 2nd Class Miss Edith Bevan V.A.D. Nurse, Fulham Military Hospital, St. Dunstans Road, Hammersmith', Edith Bevan was born in 1881 in Cheshire where her father was a Railway Station Master, she had two sisters, Evelyn and Annie, and two brothers, Edgar and Sidney, both of whom became Railway Clerks, Evelyn trained as a nurse at the Fulham Infirmary between 1911 and 1914, when the First World War broke out the Fulham Infirmary began taking in soldiers wounded during the First Battle of Ypres and in 1915 the War Office took over both the Infirmary and Fulham Workhouse and they became the Fulham Military Hospital with nearly 1000 beds, perhaps inspired by Evelyn, Edith joined the Voluntary Aid Detachment at Fulham Military Hospital where she trained as a nurse between 1917 and 1920 earning the RRC 2nd Class in the process, after the war both sisters appear to have continued working together as nurses, in 1925 being shown at the Hospital, 37 Riverley Road, Nuneaton, Warwickshire, also included is a bronze medallion with on the obverse a woman cradling a child and the inscription 'Fulham Infirmary, Famam Extendere Factis' (Extend Reputation Through Deeds), to the reverse is engraved 'Evelyn Bevan Sept. 1914', a bronze 'Massage' clasp (trained in physiotherapy), a photograph of Edith Bevan wearing a Fulham Infirmary medallion with clasp, held in a round silver frame, Birmingham, date letter rubbed, maker T. H. Hazlewood & Co. diameter 6.5 cm, a fibre Identity Disc marked 'S.H. BEVAN, A.S.B.S. M963* C.E.', on the reverse of the disc, written in ink, is 'Home Address (illegible), S.H. BEVAN, R.N. Ambulance Train No.1', a necklace or bracelet pendant in white metal with the the letter 'E' in a circlet (unknown if this belonged to Edith or Evelyn), a medal commemorating the end of The Great War, a George V Coronation commemorative medal, a 'Juvenile Forester' ribbon, a letter to 'Sister Bevan' dated 30/11/37 commiserating on the death of her father, a card from the Fulham Infirmary, Hammersmith, written in red ink and dated August 1915 it reads 'In letters of blood!!!, To Sister Bevan as a token of our undiminished affection & esteem which has stood the test of ages xxxx, The Sign of Four' the card is accompanied by some photographs of staff and patients at the Fulham Military Hospital one of whom may be Evelyn Bevan but family was unable to identify, a copy of the book 'My England' by the Labour Member of Parliament George Lansbury with the following sentiment written inside, 'To Miss Bevan, as a tiny acknowledgement of her uniform kindness during my x ray examinations at Manor House Hospital during 1934 with best wishes for xmas & new year' signed by George Lansbury and dated Dec 1934, records show 210466 Sapper Edgar Bevan of the Royal Engineers (Railways) entitled to the BWM and Victory Medal, he also had the service number WR261814, and M/9635 Senior Reserve Attendant Sydney Harold Bevan entitled to the 1914-1918 British War Medal, grouping direct from family
Royal Artillery Officers bronze Service Dress cap badge, Kings crown, two blades to the reverse, together with two Royal Artillery bronze collar badges, a bronze Territorial RA collar badge, a Southern Command Royal Artillery Formation badge, a quantity of Kings crown Royal Artillery buttons, officers gilt rank star and crown, bronzed Royal Army Medical Corps cap/collar badge, and a Canadian 27th Battalion cap badge which has been brooched but pin missing, (qty)
A 19th Century Chinese Cantonese Canton region porcelain vase having hand painted famille rose decoration with white cartouche panels depicting court scenes with figures and room. The vase being mounted with ormolu bronze mounts and converted to a lamp. Some minor decoration wear. Measures approx; 38cm tall
An early 19th Century Japanese bronze Katana sword tsuba. The Tsuba decorated in two colour gold & silver Komai Damascene decoration depicting dragons, phoenix, dragonflies, many tailed fox and flowers. Central blade hole with twin fixing holes. The edge further decorated. Measures approx; 6.5cm x 7cm.
A 20th Century Chinese bronze Han Dynasty style figurine depicting The Flying Horse of Gansu, also known as the Bronze Running Horse or the Galloping Horse Treading on a Flying Swallow. The horse is modelled in a galloping stance, perfectly balanced on a single foot stepping on a swallow. Measures approx; 20cm x 22cm.
Josef Lorenzl (Austrian, 1892-1950) - An Art Deco bronze and ivory figurine of a dancer. The figure having a carved ivory head with detailed features and hair slicked back. The tap dancer with arms outstretched and one leg raised. Raised on a domed signed circular base and set to a black marble & onyx lozenge base with white metal cylindrical pillars. Measures approx. 27cm tall.
A 19th Century decorative glass vase / candle holder raised on bronze footed base. Purple / aubergine colour clear squared & tapered glass decorated with floral dotwork forget me nots accompanied by white dot design & gold stars, raised on bronze base featuring griffin busts & clawed feet to each corner. Each corner marked with '385' to base. Measures approx; 18cm x 9cm. Condition; wear commensurate with age & a few minor chips to rim.
A 19th Century Chinese Xuande mark bronze censer bowl of large size having a flared rim with engraved detailing. The body decorated with scenes of dragons & phoenix with Greek key border to base. The underside having six character Xuande mark in Kaishu script. Measures approx; 12cm x 27cm. Weighs 1.878kg.
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349674 item(s)/page