A MASSIVE TIBETAN GILT-BRONZE FIGURE OF NINETEEN-FACED AVALOKITESHVARA 19TH/20TH CENTURY The thousand-eyed and thousand-armed bodhisattva stands with one knee bent upon a lotus base, with one hand in abhaya mudra and the other held forwards, each of the tiered heads adorned with an elaborate crown, wearing beaded body jewellery and a dhoti decorated with roundels and scrolling floral borders, with small figures kneeling in prayer and many animals and beasts upon the pedestal, 194cm, estimated weight 300-400kg. (7) Provenance: formerly the collection of P S McKay, who was believed to have been a diplomat; and then sold at Fidler Taylor, Derbyshire on 13th September 2003.十九/二十世紀 銅鎏金十九面千手千眼觀音立像來源:P S Mckay舊藏,Fidler Taylor2003年9月13日
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A CHINESE GILT-LACQUERED BRONZE FIGURE OF AMITABHA BUDDHA LATE MING DYNASTY Cast seated in dhyanasana upon a beaded double lotus base, with his hands resting upon his lap in dhyana mudra, wearing a dhoti, body jewellery and an elaborate crown centred by a small seated Buddha, his shoulders flanked by a perching bird and vessel set upon tall blossoming lotus stems, 23.1cm, 1.5kg.晚明 銅加彩無量壽佛坐像
A TIBETO-CHINESE GILT-BRONZE SCULPTURE OF KURUKULLA 18TH CENTURY Depicting the goddess with one face and four arms, adorned with five skulls to her crown and a garland of heads, she wears a tiger skin around her waist and tramples a prostrate figure that symbolises false perceptions, which prevent people from reaching a state of enlightenment, all raised on a finely cast lotus throne, 16.5cm, 887g. (2) Kurukulla is the patron of magic and healing. She is believed to be able to charm and bewitch people in order to gain power over them. She is venerated in Tibet as the goddess of love and is depicted as a beautiful sixteen year old girl. Tibetans consider her to be the Red Tara, Doma Marpo, and in their prayers ask the goddess to conquer evil spirits, demons and adverse forces.十八世紀 銅鎏金作明佛母立象
A TIBETAN BRONZE SCULPTURE OF PADMAPANI 17TH/18TH CENTURY Standing on a semi-circular lotus throne in tribhanga asana, the bodhisattva of compassion wearing a diaphanous dhoti and adorned with jewellery, his left hand exhibits vitarka mudra and holds the stem of a lotus flower which blossoms at his shoulder, his right hand lowered in varada mudra, 12.4cm, 296g.十七/十八世紀 銅蓮花手觀音
A CHINESE GILT-BRONZE FIGURE OF BUDDHA SHAKYAMUNI 18TH CENTURY Seated in dhyanasana wearing flowing robes incised with foliate and geometric designs at the borders, holding the alms bowl in his left hand and with his right hand in bhumisparsha mudra, with cold painting to his lips and the irises of his downcast eyes, all raised on a double lotus base incised to the reverse with swirls, the baseplate with a visvavajra mark and two paper labels for Artemisia, 34cm, 3.6kg. Provenance: purchased from Artemisia, Alresford on 24th January 2006. A copy of the invoice is available. The iconography depicted presents the historical Buddha in the earth-witness gesture. This refers to when Shakyamuni triumphed over the demon Mara, who was attempting to divert him from his objective of becoming enlightened through meditation. When Mara challenged Shakyamuni's right to enlightenment, Shakyamuni moved his hand from his lap to touch the ground with his middle finger, calling the earth to witness his entitlement to spiritual enlightenment. Shakyamuni's unshakable resolve forced Mara and his army of demons to flee; moments later, Shakyamuni attained enlightenment.十八世紀 銅鎏金釋迦摩尼佛坐像來源:2006年1月24日購於Artemisia,Alreford(附發票複印件)
A TIBETAN GILT-BRONZE FIGURE OF BUDDHA SHAKYAMUNI 14TH CENTURY Seated in dhyanasana upon a beaded double lotus base, he holds his left hand in dhyana mudra whilst extending his right hand towards the ground in bhumisparsha mudra, with a loose robe draped around his shoulders and torso, the borders incised with floral decoration, his serene face framed by his pierced elongated earlobes, with traces of cold painting to his hair, the base engraved with a visvavajra mark, 14cm, 589g. The iconography depicted presents the historical Buddha in the earth-witness gesture. This refers to when Shakyamuni triumphed over the demon Mara, who was attempting to divert him from his objective of becoming enlightened through meditation. When Mara challenged Shakyamuni's right to enlightenment, Shakyamuni moved his hand from his lap to touch the ground with his middle finger, calling the earth to witness his entitlement to spiritual enlightenment. Shakyamuni's unshakable resolve forced Mara and his army of demons to flee; moments later, Shakyamuni attained enlightenment.十四世紀 銅鎏金釋迦摩尼坐像
Gyokko: A Pair of Japanese Parcel Gilt Bronze Figures, each man stands dressed in typical garb, one has his daisho tucked into his obi as he raises a lantern high, the other carries a fiery brand in one hand and raises his daito aloft, each with a gilt signature plaque Gyokko, each standing on a wood stand, heights 53.4cms and 41.5cms, Meiji Period
Miya-O Eisuke: A Parcel Gilt Figure of a Carpenter, the artisan stands holding a spar of wood with one foot bracing its bottom as he planes the top portion, with gilt panel bearing signature Miya-O with seal Ei; on a gold lacquered wood stand; height overall 21cms; Meiji Period; A Parcel Gilt Bronze Figure of a Farmer, he stands wearing waraji sandals, a short robe and leggings and leans on a bamboo staff whilst carrying three bamboo shoots in his right hand, signed on a gilt panel Miya-O, with gold lacquered wood stand, height overall 19.5cms, Meiji Period
MIyao Eisuke: A Japanese Bronze Figure, the man stands with his left foot forward and holding an Oni mask in one hand whilst gesturing with his khakkhara, his robes decorated in parcel gilt with Shinto symbols, signed Miya-O, on the original lacquered wood stand, height overall 21.7cms, Meiji Period
A Large Tokyo School Style Bronze figure of a Street Peddler, he stands dressed in a short robe and tousers on a rounded base as he holds a large basket of persimmons under his left arm whilst proffering a fruit with his right, incised signature to the back of the base Yoshido saku, height 65cms, Meiji Period
A Japanese Parcel Gilt Bronze Figure of an Archer kneeling on his right knee and leaning back as he bend his bow to project the notched arrow, he wears an eboshi on his head and a haori over his armour, his eyes in silvering and shakudo, signed on a gilt plaque, ()..mori, height 32.8cms, Meiji period
Atsuyoshi: A Japanese Bronze Figure of an Angler, the man wears a short coat with his trousers rolled up and stands on a rocky outcrop, he cries out in surprise as the eel that he has just hooked entwines itself around his leg, details in gilding, gilt signature panel Atsuyoshi saku and mark of the Maruki Company (), height 31cms, Meiji Period
A Pair of Japanese Bronze Vases, each of cylindrical form on a stepped column resting on a circular base supported on five elephant-head feet, the sides applied with handles in the form of waves, the body decorated in relief, silver, gold and copper with the Eight Horses of Mu Wang, height 58.5cms, Meiji-Taisho era (2)
A Pair of Japanese Bronze Vases, each with a bulbous body on a splayed foot and rising to a slightly waisted neck with dragon-head and tongue handles, decorated in relief with silver, copper, shakudo and gold hon-zogan with ikebana baskets, omodaka plants and cranes, height 42cms, Meiji Period
A Japanese Bronze Vase of tapered ovoid form on a splayed foot, the steep shoulder rising to a cylindrical neck with broad mouth and a galleried rim pierced with a manji diaper, the dark patinated body softly modelled with group of egrets amid lotuses, incised signature to base, height 48cms, Meiji Period
A Japanese Bronze Group of a Sage seated on the back of a Mule, the bearded figure with one foot in a stirrup, the other knee drawn up, he holds a ruyi sceptre in one hand, the mule stands on a grassy hillock with head lowered, decorated with kebori and gold onlay, height 58.5cms, Meiji Period
A Large Japanese Bronze Vase, of bulbous form resting on a splayed foot and rising to a short, waisted cylindrical neck with everted lip, decorated in high relief with Buddhistic figures, one on an elephant, the other on a shishi, both amid clouds, details in silver wash and inlaid in hardstones, foundry seal to base, height 61.5cms, Meiji Period
Miya-O Eisuke: An Unusual Japanese Parcel Gilt bronze Figure of a Woman, she stands dressed in a kimono decorated in flowers with a reed apron tied around her waist, she lifts one hand to shade her eyes, her two buckets lie either side of her, signed on a gilt tablet Miya-O; the whole ensemble stands on a typical lacquered wood base, height overall 21cms, Meiji Period
A Japanese Bronze Figure of a Fan Dancer, the bijin wears a lengthy O-Sode kimono decorated with chrysanthemums on water as she stands on one foot and deploys her fans, one before her face the other behind her, her elaborate obi decorated in relief with carp on formal waves, unsigned, height 31.2cms, Meiji-Taisho Era
A Japanese Bronze Koro and Cover, the compressed globular body with incurved shoulder is supported on a base of two Oni, the shoulder with handles as stylised dragons rises to a lobed mouth, the domed cover surmounted by a knop in the form of Shoki conquering an Oni, the body decorated in iro-e takazogan, relief and kebori with landscape views across Edo Bay towards Fujiyama, the shoulder similarly decorated with stylised bats and scrolling floral motifs, height 42.4cms, Meiji Period
Miya-O Eisuke: A Large Parcel Gilt Bronze Vase of inverted baluster shape with waisted neck and galleried rim, the shoulder applied with animal head handles, decorated on a ground of Ho-o birds amid kiri leaves and tendrils with inome-shaped panels of quail by a stream and of an incident from the Genji Monogatari, in relief, gilding and iroe takazogan, the neck with a band of dragons amid stylised clouds, the rim with a key-fret band, signed in one panel on a gilt plaque Miya-O with seal Ei, height 37.4ms, Meiji Period
A Large Bronze Vase, of cylindrical form resting on a splayed foot and rising to a waisted cylindrical neck with everted mouth, elaborately decorated in variously patinated relief with Kannon standing on an elephant, archaic Chinese vessels, a seal, incense burner and sundry other vases, signed to the base Mitsuhiro, height 48.6cms, Meiji Period
Miyabe Atsuyoshi: A Pair of Japanese Bronze Inlaid Vases, each of compressed globular form resting on a short foot and rising to a narrow cylindrical neck with broad, everted mouth, cast, chased and inlaid in silver, shakudo and gold with herons amid reed beds by the shore, signed to the base Dai Nihon Kyoto (no) ju Ikkodo Miyabe Atsuyoshi with kao. 15.5cm high x 14.5cm wide A similar vase sold by Bonham's London, 6th November 2014
A Japanese Bronze Model of a Macaque, seated on its haunches dressed in a short Happi coat decorated with a peach spray to the back, the animal studies an inro to which is attached a monkey netsuke, he holds a pair of glasses in one hand, details in gilding, cast foundry stamp to the base, height 26cms, Meiji-Taisho era
Miya-O Eisuke: A Parcel Gilt Bronze Figure of a Boy (probably intended as Kintaro), he sits with one knee raised and holding up the top of a large bonsho (bell missing) and steadying it with his extended left hand, his robe decorated with Buddhist wheels and scattered peonies, signed on a gilt plaque Miya-O dzu, height 23cms, Meiji
Miya-O Eisuke: A Japanese Parcel Gilt Bronze Figure of a Singer, the slightly bent man dressed in a long robe with a double-gourd and an inro at his waist, he leans forward with mouth open and holds a beater in one hand, a second beater is tucked into his obi, signed on a gilt plaque Miya-O, standing on a wood stand gold lacquered with Ho-o birds and scrolling karakusa, height overall 29cms, Meiji Period
Gyokko: A Japanese Parcel Gilt Bronze Figure of a Samurai, he stands wearing partial armour beneath his jinbaori, his daito raised above his head his tanto tucked through his obi, his dress decorated with a Mon, signed to a gilt panel Gyokko, height 43.8cms, Meiji Period; on the remnants of a wood stand.
A Large Japanese Bronze Plaque of concave circular form, decorated within the silver rim with a giant bald, corpulent figure (possibly intended for Hotei) peering almost wistfully over the top of Fujiyama at a pair of Manchurian Crane flying off towards the sunset. in relief, silver, gold, copper and shakudo, the whole raised on a footrim pierced with inome, diameter 46.3cms, Meiji Period
A Japanese Bronze Group of a Seated Monkey examining an Inro and its accompanying Manju Netsuke, the creature raises a pair of glasses from its eyes onto its forehead, the back of its happi coat bears a branch of fruiting peaches, a kinchaku lies beside it on an oval base raised on multiple feet and bearing a key-fret band around it, all with gilt and silver details, height 21.2cms, unsigned, Meiji-Taisho Era
MIYA-O EISUKE: A Parcel Gilt Bronze Koro Group modelled as two bronze workers polishing a large amorphous object (possibly intended as a Saru Ningyo rag doll), one stands atop a basin and ladles water upon the object from a bucket in his hand, the other holds a rice-straw brush with which he polishes the surface, the reverse with a gilt relief poetic inscription, the detachable cover pierced with an aperture shaped as a flaming tama, incised signature Miya-o dzu, height 19.5cms, width 25.5cms, Meiji Period
A Japanese Bronze Figure of a Fisherman, he stands wearing a short robe under a reed apron and with waraji on his feet, he raises his rod in his right hand and holds his catch in his left, a satisfied smile plays across his face, signed........yoshi saku with foundry seal, with shaped wood base, height overall 55.4cms, Meiji-Taisho Era
A Japanese Cast Bronze Group of an Elephant, trumpeting in alarm as it is attacked by a pair of Siberian Tigers, its trunk raised and its mouth agape, foundry seal cast to the belly, height 66cms, Meiji Period. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Japanese Bronze Vase, the compressed globular body on a stepped foot and rising to a tall, broad, cylindrical neck with square rim, decorated in relief and silver with a crescent moon behind crows perched in a gnarled pine tree, signed on reverse Kiyomori () saku, height 52cm, Meiji Period
A Pair of Japanese Cast Bronze Vases, each of slender tapered form resting on a stepped base and rising to a narrow neck with everted, key-fret rim, applied to the shoulder with rinzu handles, each decorated with a mythical figure, one offering a tray of tama, the other with a bow, details in silver and coloured wash, height 53.5cms, Meiji Period (2)
A Four-Section Japanese Bronze Vase, the cylindrical body cast with bijin on a verandah, the reverse with birds amid flowers, the broad mouth depicts Hotei viewing the moon from a boat, handles as pine branches, the stepped columnar support on five elephant-head legs on a relief and reticulated circular stand, height 72.5cms, Meiji Period
Miya-O Eisuke: A Parcel Gilt Bronze Figure of a Wheelwright, he wears a short robe and leggings with his hair tied up in a short cloth, he stands over a wheel with his hammer raised to strike, decoration in gilding and signature panel Miya-o with seal Ei, the whole on a gold lacquered wood stand, height overall 24.5cms, Meiji Period
A Pair of Japanese Bronze Vases, each of inverted baluster form on a splayed foot and rising to a broad mouth, decorated in iro-e takazogan, kebori and katakiribori with sparrows in flight amongst honeysuckle and autumn grasses, incised inscription to base Dai Nihon Kaneaki () dzu, height 33.5cms, Meiji Period
A Japanese Red Bronze Koro of compressed, globular form raised on tripod legs and rising to a lipped mouth which supports a reticulated shibuichi domed cover depicting a Ho-o bird amid scrolling karakusa, shakudo, silver and gilt details, with silver rim, diameter 15cms, height 9cms, unsigned, Meiji Period
A Japanese Cast Bronze Vase of slender, tapered ovoid form with short everted lip, decorated in high relief with a bird perched on the branch of a prunus tree, the bole of which is on the reverse, the ground of a mottled tone with hints of burgundy, incised signature to base, height 31.2cms, Meiji Period
Gyokko: A Parcel Gilt Bronze Figure of an Archer, the man wears an elaborate haori and hakama decorated with triple tomo-e and other mons over his armour, he carries a single sword at his waist as he turns and draws his bow, signed on a gilt plaque Gyokko, height 24cms, Meiji period; fitted to typical lacquered wood stand.
A Pair of Japanese Bronze Vases, each of slender ovoid form resting on a stepped, splayed foot and rising to a short neck with narrow mouth, decorated with a band of stylised lotus flowers and foliage in the lower register, the upper section chased and inlaid in copper, silver, shakudo and gold with roundels of dragons, sparrows, butterflies, Ho-o birds etc. amid stylised lotuses, the neck with a key-fret band, unsigned, height 30.2cms, Meiji Period
A Large Japanese Bronze Jardiniere of deep, rounded form with a petaloid rim and decorated in hgh relief with sea eagle perched on rocks amid crashing waves as it watches two sparrows fly past, supported on a base cast as a convoluted dragon and bearing a knopped stem, the dragon holds a glass tama in one claw, cast seal to the base of the bowl, height overall 50.5cms, Meiji-Taisho Era
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361340 item(s)/page