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Lot 173
Y GEORGE III WALNUT AND PARQUETRY TEA CADDY 18TH CENTURY of rectangular form with chamfered corners, the lid and body with rosewood, satinwood and ebonised 'tumble-block' parquetry panels within walnut borders, a gilt bronze scroll swing handle and escutcheon, opening to reveal three removable tin caddies with brass coversDimensions:20cm wide, 13cm high, 11cm deepProvenance:Provenance: The Late Jacqueline Cannon OBE of Chelsworth, SuffolkNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 190
REGENCY MAHOGANY CELLARET EARLY 19TH CENTURY of sarcophagus form, the domed hinged top with moulded edge and cross stringing, opening to a lead lined compartment interior, over tapered sides with geometric stringing and dentil moulding to the base, the sides with lion masks, raised cast bronze paw feet with brass castorsDimensions:67cm wide, 56cm high, 51cm deepProvenance:Provenance: John George Joicey Bequest Collection
Lot 395
NAPOLEON III EBONISED AND BOULLE MARQUETRY GILT BRONZE MOUNTED SIDE CABINET 19TH CENTURY of serpentine outline with a central bowfront boulle marquetry cupboard door mounted with a large bronze oval plaque cast in relief depicting Flora accompanied by putti, flanked by moulded glazed doors opening to velvet-lined shelved interiors, all flanked and divided by niches containing alternating gilt bronze figures of Bacchus and Flora, raised on a plinth base Dimensions:197cm wide, 98cm high, 49cm deep Provenance:Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe
Lot 400
LOUIS XV STYLE KINGWOOD, FAUX TORTOISESHELL AND BRASS INLAID VITRINE LATE 20TH CENTURY the arched cornice above a glazed serpentine door and side lights enclosing glass shelves and a red fabric lined interior; the lower panels in simulated boulle marquetry, on splayed legs with gilt bronze mounts throughoutDimensions:80cm wide, 189cm high, 41cm deepProvenance:Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe
Lot 401
Y LOUIS XV STYLE ROSEWOOD, TULIPWOOD AND FLORAL MARQUETRY BUREAU PLAT, IN THE MANNER OF EDWARD HOLMES BALDOCK 19TH CENTURY applied with gilt bronze mounts, the shaped top with moulded edge and scalloped cartouche corner mounts, the burr walnut centre panel within a marquetry border of scrolling strapwork, acanthus scrolls and floral garlands, above a central single frieze drawer, the sides with similar marquetry and the ends with male masks, on cabriole legs headed by acanthus scroll and harebell cast full mounts trailing to scroll sabots Dimensions:158cm long, 78cm high, 87cm deep Provenance:Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe Note: Note: Edward Holmes Baldock (1777-1845) is listed in London Trade Directories of the period in various capacities. He first appears listed at 7 Hanway Street, London in 1805 described as a '...dealer in china and glass' and by 1821 as '...an antique furniture and ornamental furniture dealer'. By 1826 the various facets of the business included '...buying and selling, exchanging and valuing china, cabinets, screens, bronzes etc'. He is known to have repaired, re-modelled and adapted furniture, often 18th century pieces, but he also designed furniture both in the 18th century style and in more contemporary styles. The fashion for this type of inlay was popularised by the Tottenham Court Road inlayer and buhl manufacturer Robert Blake in the 1820s. By the 1840s the firm were trading as Blake, Geo. & Brothers, inlayers, etc' in Tottenam Court Road and Mount Street, Mayfair and were renamed George Blake & Co. sometime in the late 1840', and it is now generally assumed that pieces previously attributed to Baldock were in fact produced by the Blake family but sold under Baldock's name.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 419
FRENCH GILT BRONZE AND GREEN ONYX PLATEAU LATE 19TH CENTURY of square form with lobed corners cast with acanthus and foliate spandrels, enclosing a circular green onyx insert, the twin handles with rams' heads and laurel wreaths, raised on twin hoof feetDimensions:55cm long, 39cm wide, 7cm highProvenance:Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe
Lot 425
PAIR OF FRENCH BRONZE URNS AND COVERS LATE 19TH CENTURY dark brown patina, the covers with finials of the infant Bacchus, the bodies with relief scenes of revellers in a vineyard to one side and Neptune and Tellus in bullrushes opposing, flanked by pairs of vine handles, on a socle foot mounted on chamfered square black slate plinths engraved with gilt foliate designsDimensions:19cm wide, 41cm high, 14cm deepProvenance:Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe
Lot 429
AFTER PIERRE-JULES MENE MOUNTED HUNTSMAN AND HOUNDS bronze, dark brown patina, large format modelled with a French hunter on horseback leading five hounds on a naturalistic oval base, signed 'P J Mêne 1869', on an oval green marble plinthDimensions:80cm wide, 67cm high, 42cm deepProvenance:Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe
Lot 471
ANCIENT GREEK DIADEM EASTERN MEDITERRANEAN, CIRCA 3RD - 4TH CENTURY B.C. bronze wire, adorned with gilded traces on the bronze ivy leaves, among them are delicate bronze strands securing white terracotta berries painted with white gesso Dimensions:24cm diameter Provenance:Provenance:Private collection, GermanyRoyal-Athena Galleries, New YorkIan Colverson (1940-2022) Collection, UK, acquired from the above on the 4 May 2009Ian Colverson was a Postwar & Contemporary printmaker whose works are held in many museums and galleries worldwide, including the Tate Gallery, London and the Museum of Modern Art, New York Note: Note:Cf. The Museum of Fine Arts Boston, cf. M. Constock and C. Vermeule Greek, Etruscan and Roman bronzes in the Museum of Fine Arts Boston, 1972, pp.199-200).
Lot 504
Y LOUIS XIV RED TORTOISESHELL BOULLE BRACKET CLOCK AND BRACKET LATE 17TH/ EARLY 18TH CENTURY WITH LATER ALTERATIONS the gilt bronze embossed dial with white and blue enamel plaques with Roman numerals and Arabic second markers to the outer edge, with a foliate mask centre above an allegorical mount with muses and their attributes below, in a straight sided boulle marquetry case with concave sided cornice with a pierced frieze, acanthus corner mounts, and flame finials, the angles applied with female herms, the outscrolled base raised on foliate cast feet, the front and sides enriched with brass foliate scrolls, the later twin train brass movement signed 'Japy Freres & Cie' with gilt mask pendulum striking to a door mounted bell, together with an associated ogee bracket of a similar period with gilt bronze mask corner mounts and foliate scroll contre-partie boulle panels terminating in a foliate pendant finialDimensions:the clock 39.5cm wide, 70cm high, 15cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 506
LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY MARBLE TOPPED BOMBÉ COMMODE 20TH CENTURY the serpentine red and grey marble top with a moulded edge above three long drawers with floral marquetry and foliate gilt bronze handles and escutcheons, raised on splay feet with further gilt bronze mountsDimensions:129cm wide, 84cm high, 65cm deep
Lot 513
FRENCH TRANSITIONAL STYLE KINGWOOD, PARQUETRY, AND PARCEL GILT MARBLE TOPPED COMMODE LATE 19TH CENTURY the serpentine rouge marble top with a moulded edge, above four serpentine drawers flanked by fluted angles, on a shaped apron and raised on bracket feet with gilt bronze mountsDimensions:82cm wide, 91cm high, 42cm deepProvenance:Provenance: Private Scottish Collection, Morayshire
Lot 532
PAIR OF GILT AND PATINATED BRONZE CANDLESTICKS 19TH CENTURY the reeded urn form nozzles with cast seaweed insert pans, the stems in the form of a conch shell held aloft by four entwined dolphins, on scalloped socles and octagonal bases, the bases weighted with cast ironDimensions:25cm high, 10cm wide
Lot 533
FRENCH GILT BRONZE AND CLOISONNÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the silvered dial with Roman numerals and an enamel mask, in an architectural case with pagoda top with pointed finials to the corners, above foliate scroll enamel panels on a blue ground with corner columns, on a gadrooned moulded plinth base, the twin-train brass movement striking a bell, stamped ''CHLES M1' and numbered 33790, the pendulum with matching numeralsDimensions:15.5cm wide, 28cm high, 12.5cm deep
Lot 535
FRENCH GILT BRONZE AND PORCELAIN THREE PIECE CLOCK GARNITURE LATE 19TH/ EARLY 20TH CENTURY the painted porcelain dial with black Arabic numerals and central figure of a putto, in a four-glass case with porcelain corner columns supporting an arch pediment surmounted by an urn and flame finials to the corners, on a square base with bracket feet, painted with nymphs, putti and floral garlands, the twin-train movement striking a gong and numbered '90571'; together with a pair of twin handled urns en suite Dimensions:22cm wide, 42cm high, 15cm deep
![AFTER JULES MOIGNIEZ LE HIBOU [THE OWL] bronze, dark brown patina, signed 'J. Moigniez' to the naturalistic base, mounted on](https://cdn.globalauctionplatform.com/ad8b434f-8112-4887-b8a0-b05f00ff69dd/6468d61d-7edc-4d60-ab7a-b05f011dfaf3/468x382.jpg)
Lot 544
FRENCH GILT BRONZE, EBONY AND TULIPWOOD DESK STAND BY MAISON MILLET LATE 19TH CENTURY of circular form with a laurel wreath carry handle on a turned stem stamped 'Millet', set with a pounce pot and three wells, two with glass liners and four pen recesses, the sides mounted with female masks or laurel branch appliques, a concealed small drawer to one side, mounted on a mounted gilt bronze base with toupie feetDimensions:18cm diameter, 22cm highNote: Note: Maison Millet was a highly regarded furniture firm and produced furniture and works of art, especially with very fine bronze mounts, in both antique and modern styles. It was founded in 1853 by Théodore Millet and closed in 1918.
Lot 546
FRENCH EMPIRE STYLE MAHOGANY BUREAU, IN THE MANNER OF JACOB FRÈRES LATE 19TH/ EARLY 20TH CENTURY the top with a tan leather insert above a long frieze drawer flanked by shorts drawers and a deep drawer, with dummy drawers opposing and slides to both ends, raised on gilt bronze mounted winged lion monopodiaDimensions:131cm wide, 77cm high, 65cm deep
Lot 581
LARGE SOUTH INDIAN BRONZE URULI VESSEL 20TH CENTURY Tamil Nadu or Kerala, of wide squat form with a pair of cast handles, one side with an inscription in a Tamil script, probably MalayalamDimensions:75cm diameter, 24cm highProvenance:Provenance: With original purchase receipt dated April 1987 from Jonathan Harris Works of Art, 54 Kensington Church Street, London, W8 4DB
Lot 380
AFTER JOSEF LORENZL, an art deco bronze figure of a young lady wearing a wide collared short pleated and tiered dress, signed, 7 1/2" high, fixed onto a stepped polished onyx base flanked on each side with a bronze curl, 10 3/4" high overall (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Scratch above her left eye, scratches to right leg, otherwise generally good
Lot 475
A FAMILY OF MEDAL MINIATURES awarded to Thomas Hopper Alderson, comprising a George Cross, Defence Medal and an RSPCA bronze life saving medal with Humanity bar, together with a framed document from the Borough of Bridlington congratulating Mr Alderson on being the first civilian to win a George Cross, and a George Cross reference book mentioning him on p.11. Full size medals in the Imperial War Museum (Est. plus 24% premium inc. VAT)Condition Report: Generally good
Lot 1274
GROSSE SIGNIERTE VASE IM SÈVRES-STIL MIT VITRINE Frankreich, 19. Jh. Porzellan, polychrome Malerei, Goldstaffage, Bronzemontierung, verglaste Holzvitrine. H. 77 cm (Vase), Gesamthöhe 186,5 cm. Bildfeld sign. 'Marot'(?). Auf gewölbtem Rundfuß montierter kobaltblaufond amphorenförmiger Korpus mit eingezogenem Hals. Seitliche Handhaben aus Bronze in Form von halbfigurigen Putti, Trompeten spielend. Schauseitig in großflächiger Reserve mythologische Szene, darstellend die Erfindung der Malerei nach Giorgio Vasari. Verso Frauendarstellung zwischen Rosenzweigen. Glockenförmiger Deckel. Min. Gebrauchsspuren.
Lot 1477
MONUMENTALE CHAMPLEVÉ-EMAIL-MONSTRANZ IM NEO-GOTISCHEN STIL Frankreich, Paris, Umkreis von Placide Poussielgue-Rusand (1824-1889), Mitte 19. Jh. Silber, teils getrieben, gegossen, ziseliert und vergoldet, Email, Korallen und Halbedelstein-Cabochons. H. 87,5 cm. Am Fußrand punziert mit Feingehalt '900', ca. 5.540 g. Kleinere Fehlstellen, Email min. best. Eine stilistisch vergleichbare Monstranz, basierend auf einem Entwurf von Arthur Martin (1801-1856) aus dem Jahr 1856, wird heute im Musée d'Orsay aufbewahrt. Pater Arthur Martin widmete sich nicht nur theologischen Schriften, sondern auch der Kunst Frankreichs. Seine "Monographie de la Cathédrale de Bourges, Vol. 1: Vitraux du XIIIe Siècle", veröffentlicht im Jahr 1841 im Verlag M. Poussielgue-Rusand, unterstreicht seine Beschäftigung mit der mittelalterlichen Kunst Frankreichs. Inspiriert von der reichen Formensprache der Gotik und der mittelalterlichen Glasmalerei des 13. Jahrhunderts, bildeten diese Einflüsse die Grundlage für seine kreativen Entwürfe. Die Umsetzung dieser neogotischen Entwürfe in vergoldetem Silber und Email erfolgte durch Placide Poussielgue-Rusand (1824-1889), ein Mitglied der Familie Poussielgue-Rusand. Seine Manufaktur war im 19. Jahrhundert bekannt für ihre hochwertigen sakralen Objekte. Poussielgue-Rusand wurde als "fabricant et marchand en bronzes, dorures et argentures à l'usage des églises, décors et vases sacrés" bezeichnet (siehe Bernard Berthod, Dictionnaire des Arts liturgiques, éditions de l'Amateur, S. 368). Die Werke von Poussielgue-Rusand fanden mittels gedruckter Verkaufskataloge Verbreitung. Die Manufaktur befand sich erst am Quai des Orfèvres und später in der Rue Cassette in Paris, in der Nähe von Saint-Sulpice. Arthur Martins Werke erregten auf verschiedenen Weltausstellungen Aufmerksamkeit und wurden als stilistische und technische Wiederbelebung der gotischen Silberschmiedekunst gefeiert. Eines seiner bemerkenswertesten Werke, das 1851 in London ausgestellt wurde und heute im Museum "Regards sur la Visitation" in Moulins zu bewundern ist, ist die Kapelle, die er für Monseigneur de Dreux-Brézé, den Bischof von Moulins, gestaltete. Weitere seiner Kunstwerke schmücken verschiedene Kirchen, darunter den Hauptaltar von Saint-Martin d'Ainay in Lyon (1855). Placide Poussielgue-Rusand beteiligte sich auch an internationalen Ausstellungen in Wien, Philadelphia, Rom und Paris. Breite Anerkennung erlangte er nachdem er mit Viollet-le-Duc zusammengearbeitet hatte und einige der prestigeträchtigsten Kunstwerke für Notre-Dame de Paris schuf, darunter die Reliquienschreine der Dornenkrone und des Heiligen Nagels (1862). 1870 schickten Viollet-le-Duc und Poussielgue-Rusand eine Gruppe von Objekten zu einer Ausstellung in Rom, für die sie den großen Preis erhielten. Dazu gehörten ein Ziborium nach dem Vorbild von San Clemente in Rom, der repoussierte Altar von Notre-Dame de Paris, ein Messbuchständer aus vergoldeter Bronze und Emaille, sakrale Gefäße, eine emaillierte bischöfliche Brosche, Statuetten und der Osterkerzenleuchter für Saint Geneviève in Paris. Placide Poussielgue-Rusand zählt zweifellos zu den herausragensten französischen Goldschmieden des 19. Jahrhunderts, die sich mit der Anfertigung von liturgischem Silber von höchster Qualität beschäftigten.
Lot 1806
EMPIRE-REISEWECKER Österreich, um 1800 Bronze, vergoldet, Metall, Email, Glas. H. 15,5 cm, B. 10 cm. Auf vier Klauenfüßen rundes, seitlich verglastes Werk mit feinen, reliefierten Ornamentfriesen. Verglastes, emailliertes Ziffernblatt mit arabischen Stunden- und Minutenzahlen und Ornamentalzeigern. Oben liegender Tragebügel. Verso durchbrochenes Schallloch. Part. best.; Funktion ungeprüft; Schlüssel fehlt.
Lot 1813
FIGUREN-PENDULE MIT ALLEGORIE DER MUSIK Frankreich, 20. Jh. Bronze, part. vergoldet, Marmor, Metall, Email. 41 x 30 x 12 cm. Auf dem Ziffernblatt bez. 'Rahsiat à Grenoble'. Auf vier Bronzefüßen rechteckige Marmorplinthe und profilierter Sockel mit Blattfries. Hochrechteckig gefasstes Uhrwerk mit figürlichen und floralen Appliken, Bekrönung mit Musikinstrumenten und Noten sowie vollplastischer Figur eines Jünglings in antikisierender Gewandung mit Lyra. Emailliertes Ziffernblatt mit römischen Stunden-, arabischen Minutenzahlen und Breguetzeigern. Part. ber. und best.; rückseitige Abdeckung fehlt; Funktion ungeprüft; mit Pendel und Schlüssel.
Lot 1816
KAMINUHR MIT GALANTER MALEREI Frankreich, Japy Frères, 2. Hälfte 19. Jh. Bronze, goldfarben gefasst, Porzellan, polychrom bemalt. H. 45,5 cm. Verso auf dem Uhrwerk mit der Medaille d'Honneur 'Japy Frères'. Hoher, geschwungener Korpus mit vegetabiler Ornamentik an den Seiten. Schauseitig mit einer Porzellan-Einlage. Zentral gesetztes Zifferblatt hinter Glas mit schwarzen römischen Zahlen. Aufsatz in Form einer Vase. Verluste der Vergoldung, Porzellan teils besch. und rest., Funktionalität ungeprüft.
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