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Lot 417
Müller, Werner Jakob (Winterthur 1899 - 1986 Ascona)"Scheuendes Pferd"; Bronze, dunkel patiniert: auf Sockel sign.; 62 x 60 x 24 cm; 28,8 kg; Müller studierte an der ETH Zürich, später in München bei Hans Stangel; danach 4-jähriger Aufenthalt in Paris bis er 1932 in Ascona (CH) als Bildhauer Maler und Architekt tätig war; Mitbegründer der "Amici delle belle arti" in Ascona
Lot 418
Monogrammist GR (1.H.20.Jh.)"Amor" auf naturalistischem Sockel; auf Hinterteil sitzend und sich mit den Armen abstützend; die Beine schweben in der Luft; Bronze, dunkel patiniert; am Sockel monogr. GR;11 x 17 x 8 cm; dazu: Dackel auf marmoriertem Steinsockel; Spritzguss, dunkel patiniert; H: gesamt 6 cm
Lot 10
Henkelschale (Mitte 19.Jh.)Bronzeguss mit seitlich verschlungenen Henkeln; auf der Wandung front- und rückseitig jeweils 4 plastische Köpfe div., meist bärtiger, Persönlichkeiten; Schaftmontierung in Bronze feuervergoldet auf quadratischem, marmoriertem Steinsockel; H: 17 cm; D: innen 12 cm; Rand mit Perldekor
Lot 80
Japanese Meiji Style Bronze twin-handled incense burner / koro with relief foliate decoration and handles modelled as dragons (17cm tall), together with a Kutani ovoid vase decorated with birds amongst blossoming branches (17.5cm high) a 20th century Oriental blue & white plate depicting a mountainous landscape (30.5cm diameter) and a miniature folding hardwood screen with hand painted silk panels of birds amongst blossoming branches (17.5cm tall) (4 pieces)
Lot 53
An assortment of mostly metalware to include:silver-plated goblets, teapot, sugar and cream jug;an ornate gilt-metal classical-style ceiling hanging light with pressed glass spherical shade decorated in relief with a diamond pattern;an Osborne No. 33 bronze head magnetic upholstery hammer (usually retail between £60-80).
Lot 73
A copper Chameleon (15cm including tail), a shell Owl , a Meissen miniature salt and cloisonne mustard pot with hinged cover, decorated with dragon design, a circular salt and miniature soapstone dish and cover, two malachite birds, a malachite Rabbit and Toad and a modern cast bronze patinated group of Two Boys seated on a bench highlighted with enamels (5cm x 6cm) (9)
Lot 207
λ ROBERT BAIN (BRITISH/SOUTH AFRICAN 1911-1973)TRANSCENDENTAL FLIGHT, 1963 Wood on marble base 83cm (32½in.) Height inc. base Provenance:Direct from the artist's familyRobert Bain rose to prominence in 1948 when he beat Pietro Annigoni to the Accademia di Belle Arti Firenze's gold medal for his interpretation of Michelangelo's David. The work was later exhibited in 1962 at the Association of Arts Gallery in Cape Town. Born in Edinburgh in 1911 Bain went on to marry Mary Lochiel in 1932 and after the birth of their son Robbie they moved to South Africa. On arrival Bain took up the post of senior lecturer at the Port Elizabeth School of Art. After further study and practice in Italy Bain returned to South Africa and started as head of the Johannesburg School of Art. Bain exhibited widely throughout his career across South Africa and completed important commissions including the bronze relief doors for the South African Reserve Bank in Port Elizabeth and a monumental sculpture of King George IV, for which preparatory studies were made during the royal tour of South Africa in 1947. Robert Bain worked with wood, bronze and marble frequently experimenting with forms in Gesso before producing finished carvings in marble. Bain drew on religious topics, figural depictions and members of his local community. The Immaculate Conception cast in bronze was cast in 1968 and larger version was carved in marble in 1971. These sculptures encapsulate purity, fertility and motherhood. Transcendental flight signifies strength and power. The form twists with smooth curves creating a tall, standing structure which reflects Bain's reoccurring exploration of African iconography through tribal totems and tablets.
Lot 203
λ ROBERT BAIN (BRITISH/SOUTH AFRICAN 1911-1973) HEAD STUDY OF ROBBIE, THE ARTIST'S SON Bronze Height inc. base 37cm (14 1/2in.)Condition Report: Light surface dirt throughout with some light scratches and knocks to the surface. Some paint and glue residue to the extreme edge at the front. In overall original condition. Condition Report Disclaimer
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