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Lot 485
Lucie Rie (1902-1995) a good porcelain sgraffito bowl, on slender foot, flaring bowl, covered to the foot in a manganese glaze, the foot with bronze line on white impressed seal mark 17.5cm. diam. Literature Paul Rice British Studio Ceramics, page 85 plate 82 this bowl illustrated, dated circa 1955. Houston/Cripps Lucie Rie Crafts Council, colour plate 7 for a comparable form from 1956.
Lot 688
Charles II and later, AE: coppper farthings, various (14), twopence, 1797, halfpenny, 1799, Victoria, copper pennies, various (5) and half farthing, Victoria, bronze, various dates, pennies (2) and halfpennies (3) and Victoria and later, bronze farthings (47), latter mainly fine or better, otherwise mainly fair or better (74)
Lot 693
Victoria, young head, AR: crowns, 1844 (2), halfcrown, 1842, pitted, sixpence, 1859, groats, 1842, good very fine, 1843 and 1845, threehalfpence, 1838 and `gothic` florins, 1873 and 1883, copper, various dates: pennies (4), inc. one 1959, good very fine, halfpennies (3), farthing and half farthings (3) and bronze: pennies, various dates (3) and third farthings, 1881 and 1885, last two very fine or better, otherwise mainly fair or better, unless stated (24)
Lot 97
A gentleman`s 18ct gold mechanical Omega De Ville bracelet watch, by Andrew Grima, c. 1970, the rectangular landscape bronze lacquer pinstripe dial with a bevelled edged glass, to a two row notched bezel. An integral Milanese bracelet with a textured finish and concealed clasp. Model No. BA811.1009 BB474 import hallmark, 18ct gold, London 1972, signed A Grima
Lot 371
A set of three Crystal Palace bronze commemorative medals, to include Jurors Medal awarded to John Wilson, Deputy Commissioner of Juries, in fitted red Morocco and ornate gilt metal mounted cases, inscribed C.P.C, A Princess Alexandra bronze Public Entry into the City of London Medal, and A bronze Jubilee Medal 1887, all within fitted cases
Lot 398
Sir William Goscombe John (1860-1952) Boy at Play, bronze, 1895, signed to the base, W. Goscombe John 1895 45.5cm. At the age of fourteen, William John entered the Bute Workshops, working on the decoration of Cardiff Castle. In 1881 he joined the London studio of the sculptor Thomas Nicholls. In 1889 he gained the Royal Academy Gold Medal and a Travelling Studentship. His travels ended in Paris, where he was much influenced by Auguste Rodin (1840-1917). He set up his first London studio in 1891, and quickly established his reputation. Boy at Play reveals the influence of both Jules Dalou (1838-1902) and of Alfred Gilbert (1853-1934). A full size bronze was exhibited at the Royal Academy in 1896. Boy at Play was also exhibited in the Paris Exposition Universelle of 1900, where John was awarded a gold medal.
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