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Lot 94
Bronze, braun patiniert. Der singende Mann. Rückseitig unterhalb des rechten Fusses am Sockel signiert „E. Barlach“, mit dem Gießerstempel "arsmundi" und Exemplarnummer „24/980“ versehen. Posthumer Guss. Vollplastische Darstellung eines Mannes mit geschlossenen Augen und offenem Mund, der sein linkes, angewinkeltes Bein umfasst. Diese Plastik ist eine der bedeutendsten expressionistischen Figuren. Eine der wichtigsten Inspirationsquellen für Barlach war die Musik, die er in zahlreichen Arbeiten wie dieser zum Thema machte. Min. Fl., min. best., ansonsten guter Zustand. Deutschland, 20. Jh. H ca. 21 cm
Lot 95
Bronze, braun und gold patiniert. Der Sänger (Singender Klosterschüler). Auf Plinthe signiert „E. Barlach“, an Plinthe mit Gießerstempel „arsmundi“ und Exemplarnummer „484/980“ versehen. Posthumer Guss. Darstellung eines in sich gekehrten, konzentriert singenden Klosterschülers, der die Meditation des Musizierenden versinnbildlicht. Ursprünglich angedachter Aufstellungsort waren Nischen an der Fassade der Lübecker Katharinenkirche. Hier sollte ein Skulpturenensemble mit dem Titel „Gemeinschaft der Heiligen“ von Barlach aufgestellt werden. Min. ber., ansonsten guter Zustand. H ca. 32 cm
Lot 96
Bronze, braun und gold patiniert. Frau im Wind. Auf Plinthe signiert „E. Barlach“, an Plinthe mit Gießerstempel „arsmundi“ und Exemplarnummer „571/980“ versehen. Posthumer Guss. Darstellung einer Frau in faltenreichem, sie komplett umhüllendem, Gewand. Der Blick des Betrachters konzentriert sich auf den Kopf. Ursprünglich angedachter Aufstellungsort waren Nischen an der Fassade der Lübecker Katharinenkirche. Hier sollte ein Skulpturenensemble mit dem Titel „Gemeinschaft der Heiligen“ von Barlach aufgestellt werden. Min. ber., ansonsten guter Zustand. H ca. 31,5 cm
Lot 97
Bronze, braun patiniert. Der Flötenbläser. Rückseitig unten signiert „E. Barlach“, mit dem Gießerstempel „arsmundi“ und Exemplarnummer „163/980“ versehen. Posthumer Guss. Vollplastische Darstellung eines flötenspielenden Mannes mit einem eng anliegenden Umhang, der der Figur eine einheitliche, geschlossene Form verleiht. Eine der wichtigsten Inspirationsquellen für Barlach war die Musik, die er in zahlreichen Arbeiten wie dieser zum Thema machte. Guter Zustand. Deutschland, 20. Jh. H ca. 29 cm
Lot 235
Louis Sosson (act. 1905 - 1930 Frankreich)Tänzerin mit Umhang, Bronze, vergoldet, Elfenbein, geschnitzt, Höhe 38,5 cm, monogrammiert, Sockel mit minimalem Bruch, Montierung locker, altersbedingte SpurenLouis Sosson (act. 1905 - 1930 France)Dancer with a cloak, gilt bronze, carved ivory, height 38.5 cm, monogrammed, a minor breakage to the plinth, mountings loose, age related wear
Lot 237
Franz von Stuck (1863 Tettenweis - 1928 Tetschen)'Monna Vanna', Modell 1920, Bronze, patiniert und partiell feuervergoldet, Höhe 54 cm, auf dem Sockel vorderseitig signiert und betitelt, Gießerstempel C. Leyrer München, unterseitig innen Aufkleber der Biennale von Venedig 1926 und ital. Steuermarke. Franz von Stuck ist dem breiten Publikum vor allem als Künstler des Jugendstils und des Schöpfers höchst exzessiv-lasziver Bilder bekannt. Zu den spannendsten Kapiteln des Oeuvres von Franz von Stuck gehört jedoch sicherlich die Bildhauerei. Seit einem Rom-Aufenthalt bei seinem Kollegen Max Klinger 1890 vermuten Stucks frühe Zeitgenossen in der "Form" sein eigentliches Metier und seine größte Begabung. Auf dynamische und kraftvolle Frühplastiken im klassizistischen Stil folgen statische Frauenfiguren. Die vorliegende Bronze "Monna Vanna" lehnt sich an die titelgebende Frauenrolle eines Theaterstücks aus dem Jahre 1902 an. Die Hauptrolle des Stücks spielt eine Frau, die zwischen zwei Männern steht, zwischen Liebe, Täuschung und Wahnsinn. Die Figur der "Monna Vanna" zeigt hierbei die Fortentwicklung zweier beliebter Frauenfiguren des 19. Jh. - femme fragile und femme fatale. Von Stuck greift die Entwicklung in seiner Plastik auf und verbindet beide Typen. In ihrer gestreckten Form und ihrer Schönheit sicherlich ein Werk des Jugendstils, ist diese Figur durch ihre Strenge und geradlinige Komposition jedoch fern jeder jugendstilhaften Süßlichkeit, sondern besticht durch ihre Kraft und Sinnlichkeit. Provenienz: Wurde 2006 bei Hugo Ruef Kunstauktionen in München gekauft.Franz von Stuck (1863 Tettenweis - 1928 Tetschen)'Monna Vanna', modelled in 1920, bronze, patinated and partially fire-gilt, height 54 cm, signed and titled on the front of the plinth, foundry stamp of C. Leyrer in Munich, with a label from the 1926 Venice biennale and an Italian tax stamp on the underside
Lot 247
Meret Oppenheim (1913 Berlin - 1985 Basel)'Das Ohr von Giacometti', Bronze, Maße 1,5 cm x 7,5 cm x 10 cm, monogrammiert, 1977 datiert, 137/500 nummeriert, partiell mit Grünspan, mit Original-Box, partiell zerkratzt, Zertifikat anbeiMeret Oppenheim (1913 Berlin - 1985 Basel)'Giacometti's ear', bronze, dimensions 1.5 cm x 7.5 cm x 10 cm, monogrammed, dated 1977, numbered 137/500, some slight verdigris, with original box, slightly scratched, certificate enclosed
Lot 270
Empire-Sesselum 1790, Mahagoni mit Einlegearbeit in der Rückenlehne, Bronze-Karyatiden in Hufen endend, Maße 80 cm x 61 cm x 72 cm, Bordüre und Bezug partiell lose, Holz partiell bestoßenEmpire armchairCa. 1890, mahogany with inlaid backrest, bronze caryatids terminating in hoof feet, dimensions 80 cm x 61 cm x 72 cm, borders and lining partially loose, wood slightly chipped
Lot 271
KronleuchterFrankreich, Empirestil, Anfang 20. Jh., Bronze und Metall, partiell vergoldet, Höhe ca. 64,5 cm, Funktion nicht getestet, Altersspuren, partiell verkratzt und leicht verbogen, zwei Lampenfassungen fehlenChandelierFrance, Empire style, early 20th C., bronze and metal, parcel gilt, height c. 64.5 cm, functionality not tested, age-related wear, minor scratches, slightly dented, two lamp fixtures missing
Lot 275
DamenschreibtischDeutschland, Dresden, um 1880, Nussholz, auf Dackelbeinen stehend, schauseitig geschweifter Korpus, Beschläge und Applikationen aus vergoldeter Bronze, Maße 80 cm x 124,5 cm, x 56 cm, AltersspurenLadies writing tableGermany, Dresden, ca. 1880, walnut, cabriole legs, the front edge of serpentine design, with gilt bronze appliques and mountings, 80 cm x 124.l5 cm, x 56 cm, age related wear
Lot 278
Paar große Tischlampen20. Jh., figürlicher und floraler Dekor, schwarzer Marmor, Bronze-Applikationen, Höhe 74 cm, Funktion getestet, 1 Schalter absentPair of large table lamps20th C., figural and floral decor, black marble, bronze appliques, height 74 cm, functionality tested, 1 switch missing
Lot 290
Bronzeschwert mit ScheibenknaufLuristan, 1. Jtd. v. Chr., Bronze, Griff aus einem Rundstab mit 2 Scheiben, Länge 57 cm, grüne Patina, eine Scheibe beschädigt, altersbedingte SpurenBronze sword with a disc shaped finialLuristan, 1st millenium B.C., bronze, handle formed from a cylindrical rod and two discs, length 57 cm, green patina, one disc damaged, age related wear
Lot 48
A WWI BRONZE OFFICERS' PATTERN SERVICE DRESS CAP BADGE of the Middlesex Regiment - Public Works Pioneer Battalion. Maker's mark to reverse.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In good condition with no surface wear, the maker's mark clear and original blades intact.
Lot 58
TWO BRONZE BADGES: Army Motor Reserve and National Motor Volunteers (2)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Both in good condition with no surface wear and lugs/blades intact.
Lot 64
AN OFFICERS' SERVICE DRESS BRONZE PATTERN GLENGARRY BADGE KOSBThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In very good condition with good patination and both lugs intact.
Lot 78
THREE SUBDUED BRONZE EFFECT WAIST BELT CLASPS, the first of generic Light Infantry pattern, the others bearing Scottish devices and legends (3)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.All three items in good condition, showing no signs of wear.
Lot 132
A BENIN BRONZE LEOPARD MASK, of conical form and cast with a protruding tongue and raised spots, the tapering head surmounted by a leopard. 51cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some pitting and small holes to face.
Lot 133
A PAIR OF COPPER BOTTLE VASES, globular form and decorated with reserves of birds and foliage, 27.5cm high; A CARVED HARDWOOD MODEL OF AN INDIAN ELEPHANT, with bone tusks and eyes, 26cm high; A CARVED SERPENTINE MODEL OF A RECUMBENT LION, 18cm long; A SMALL BRONZE PLAQUE, the well cast with putti, 17cm in diameter; AND A PAIR OF GILT WALL SCONCES/BRACKET SHELVES, 22.5cm (7)
Lot 142
AN ONYX AND COLD PAINTED BRONZE ASHTRAY, mounted with a Pointer hunting dog retrieving a game bird, to an oval onyx base with rough edge. 10cm high by 21cm longThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some losses to the paintwork, bronze rocks and requires tightening.
Lot 143
A POPE PAUL VI BRONZE PILGRIM MEDALLION, struck depicting Saint Peter and Saint Paul and the papal coat of arms verso, makers mark 'EMS', 3.5cm in diameterThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light general wear.
Lot 336
A CHINESE BRONZE KORO AND COVER, the body decorated with reserves of figures spaced by clouds and Ho Ho birds, with Ho Ho bird mask handles and raised on three tall scrolling supports, the pierced cover with a lion dog finial, 31cm high; AND A PAIR OF CHINESE BRASS CENSERS, the bodies decorated with reserves of characters and lion masks, with loop handles and raised on tripod supports, 15cm high (3)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The legs of the bronze censer have been repaired. One of the brass censers has two or three tiny cracks to the rim.
Lot 337
A JAPANESE BRONZE FIGURE OF A SAMURAI, modelled wearing armour with a horned helmet, and brandishing a sword, to a naturalistic base, 46cm high; AND A BRONZE FIGURE OF GEISHA, modelled in traditional dress in a dancing pose with a fan, 42cm high (2)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Samurai with possible loss to weapon in his right hand, both with general wear.
Lot 338
A TIBETAN BRONZE FIGURE OF GREEN TARA, seated in lalitasana with right foot outstretched on a lotus throne, right hand lowered in varada mudra and left raised in prithvi mudra. 12cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Small split to base near left foot, light general wear.
Lot 342
A BRONZE FIGURE OF GUAN YIN, modelled holding a ruyi in one hand and a peach stone in the other, seated upon a recumbent dog of fo, bears impressed six character mark to base. 28cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition, with light wear.
Lot 345
A CHINESE BRONZE TRIPOD CENSER, with loop handles, bears cast seal mark, the pierced wooden cover surmounted by jade figure. 9.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Surface dirt and scratches but no damage to the bowl. Feet are worn, no damage to cover.
Lot 348
A COLLECTION OF BRONZES AND OTHER METAL FIGURES, including; A BRONZE FIGURE OF A YOUNG BOY RUNNING WITH A HOOP, signed 'D.H Chiparus', 25cm high; A FIGURE OF A BOY HOLDING A STICK, 34.5cm high; A PAIR OF FIGURES OF ROMAN SOLDIERS, one with bow and arrow, the other with a shield, 23cm high (a/f); A PAIR OF FIGURAL CANDLESTICKS AS MEDIEVAL MUSICIANS, 34cm high; AND A MODEL OF A CHAIR, 38cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One Roman soldier lacking the weapon held in right hand
Lot 349
A GROUP OF BRONZES, including; A PAIR OF CHINESE TANG STYLE BRONZE HORSES, 24cm high; ANOTHER TANG STYLE HORSE, in galloping pose, 22cm high; A CHINESE BRONZE CANDLESTICK IN THE FORM OF A CRANE CLASPING A LOTUS, 26cm high; AND THREE 20TH CENTURY AFRICAN TRIBAL BRONZE FIGURES, 34.5cm high the largest (7)
Lot 350
AN ART NOUVEAU STYLE BRONZE FIGURE OF A SEMI-CLAD MAIDEN, on a marble socle base, 41cm high (a/f); A BRONZE FIGURE OF A NUDE FEMALE SEATED UPON A STOOL, 25cm high; AND ANOTHER BRONZE FIGURE OF A LADY SEATED UPON A STOOL AND APPLYING LIPSTICK, 26.5cm high (3)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Art Nouveau style figure with the flute/pipe broken into pieces (present) and some damage to the raised hand.
Lot 353
A LARGE FRENCH BRONZE FIGURE OF A BOY PIPER, AFTER AUGUSTE MOREAU (1855-1919), modelled playing two pipes, standing on a naturalistic base with a further pipe and tree stump, bears signature AUG.MOREAU, to an octagonal red marble base. 74cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition, light wear.
Lot 355
A VERY LARGE FRENCH 19TH CENTURY FIGURAL JARDINIERE, the lidded two handled urn cast with scrolling foliage, supported by the figure of a putto standing on a naturalistic base, the integral plinth cast with scrolls, masks and shells. 152cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The piece is made from bronze. There has probably been some re-gilding at some point. The piece is in generally very good condition commensurate with age.
Lot 357
A PAIR OF 19TH CENTURY BRONZE MODELS OF MARLY HORSES, each cast in the characteristic pose. 29cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One with rein detached from bridle, the same with an open blister like fault to the chest, the other with the rein attached to bridle with glue. The saddles/blankets attached by a screw
Lot 359
TWO GREEK OR CRETAN BRONZE STATUES, one as a young nude male, modelled with hands by his side, to a square base, 23.5cm high; the other as a bearded athlete, aiming a throw, on a rectangular base, 28cm high (2)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition with light surface wear.
Lot 361
A LARGE AFRICAN BRONZE CEREMONIAL PIPE, with figural bowl surmounted by double-headed zoomorphic motifs and having a figural stem. 62cm longThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Some minor surface wear.
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389650 item(s)/page