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* SELMA HORTENSE BURKE (AMERICAN 1900 - 1995), GIRL, PRONE bas-relief sculpture, signed and dated '75 46cm x 32cm Note: Dr Selma Burke was a world-renowned sculptor and painter whose relief plaque portrait of President Franklin D Roosevelt appears on the dime. One of ten children of an African Methodist Episcopal Zion minister in rural North Carolina, Burke first learned to sculpt using clay from a nearby river. Encouraged by her mother to pursue a practical career, Burke trained as a certified nurse. While working as a nurse in New York, she became involved in the Harlem Renaissance and served as a sculptor's model, all the while preparing to become an artist. In 1941, she received an M.F.A. at Columbia University and later studied art in Europe. Primarily a sculptor, Burke crafted figures of rugged beauty from wood, bronze, or stone, hewn in a style of almost classical realism. She sculpted several celebrities, including Dr Martin Luther King Jr. and Pearl S. Buck. The bronze statue of Buck, Uplift, was dedicated at the Pearl S. Buck House in 1991. She also painted in watercolour, oil, and acrylics. A committed educator, the bearer of two earned and eight honorary doctorates, Burke established two art schools while teaching at Haverford and Swarthmore Colleges. She also taught at the Solebury School and several other institutions. “One of the most notable sculptors of the twentieth century” according to the National Women’s History Museum, the celebrated artist, educator, and self-described “people’s sculptor.” Selma Burke is celebrated for her lifelong commitment to the art of sculpture, to art education and for her significance in the Harlem Renaissance. Burke achieved remarkable success as a Black woman sculptor at a time when few female or Black artists, and even fewer Black female artists, were able to achieve any success or recognition in the United States.
* SCOTT SUTHERLAND DA RSA FRBS (SCOTTISH 1910 - 1984), DIANA wood carving, signed, titled and dated 1979 verso 34cm high. Note: Sculptor Scott Sutherland was born at Wick, Caithness. He trained at Gray's School of Art, Edinburgh School of Art and Ecole des Beaux Arts (Paris), and briefly in Egypt, Germany, Greece and Italy. He taught sculpture at Dundee College of Art from 1947. Sutherland's most important work was The Commando Memorial at Achnacarry (about a mile from Spean Bridge). He won an open competition in 1949 to design the memorial which was unveiled by the HM The Queen Mother on 27 September 1952. Other large-scale works include The Black Watch Memorial (1966) at Powrie Brae, Dundee and The Hugh Dowding Memorial (1972) at Moffat, Annandale & Eskdale. Among his other sculptures are: statues of famous Scotsman for the Empire Exhibition in Glasgow 1936; the Coat of Arms (in sandstone) for the entrance to National Library, Edinburgh; a bronze capercaillie for the school at Kenmore; the Robert Burns statue at Arbroath; the carved slate memorial panel to the crew of Broughty Ferry Lifeboat Mona; the silver trophy of the Royal Observer Corps and the Leaping Salmon Fountain for the Norrie Miller Memorial Garden at Perth in Perthshire. Sutherland won the Guthrie award in 1940.
* DAVID SHRIGLEY, CHOCOLATE IS NOT THE PROBLEM lithograph on 150g silk paper image size 77cm x 57.5cm, overall size 83cm x 63cm Framed and under glass. Note: Original exhibition print made on the occasion of David Shrigley’s solo exhibition DON’T TOUCH THE WORMS at Copenhagen contemporary. Note 2: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi-faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shrigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including the National Galleries of Scotland and Tate.
Kaminuhr/Tischuhr, Gehäuse feuervergoldete Bronze, rechteckige Basis auf vier Füßen, Gehäuse mit vier Pinien und vereinfachter Armillarsphäre als Abschluss, Halbstundenschlag auf Glocke, Pendel mit Fadenaufhängung, handbemaltes Emailzifferblatt mit römischen Ziffern, beschriftet "Armingand Le Roy", Empire, Paris um 1810, Höhe 36,5cm, Pendel anbei, Uhr läuft kurz an
Kaminuhr/Tischuhr, kleiner stehender Putto mit Schwert, in den Händen eine Münze haltend, Email-Zifferblatt mit arabischen Zahlen, Gehäuse Alabaster und feuervergoldete Bronze, Halbstundenschlag auf Glocke, Frankreich, 19. Jahrhundert, Pendel und Schlüssel anbei, rückseitiges Glas wird durch Klebeband gehalten, 23x19x11cm, läuft an
Tischlampe mit Figur einer Amorette, stehende Figur mit Blumenstrauß, Haarschleife und Lendentuch montiert auf Lampe mit rundem Fuß, mit zwei Säulen, und opakem Glasschirm mit Mäandermuster, Bronze/Messing/Metall/Glas, Bronzefigur rechts unten signiert, Frankreich, Mitte 20. Jahrhundert, H 62cm, funktioniert
Two Chinese bronze sensors decorated with foo dogs to top and sides, birds on branches to body, on three feet, with character marks to base, approx. height 26cm. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
A pair of blue and white umbrella stands with French hunting scenes to bodies and bronze details to rims and bases. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
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350105 item(s)/page