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Lot 300

FRENCH EMPIRE GILT BRONZE FIGURAL MANTLE CLOCK BY LEROY, PARIS, C.1810 the silk thread count wheel movement striking bell in a case surmounted by Roman soldier and decorated with with associated implements and trophies, 19.75"" x 13.5"" — 50.2 x 34.3 cm., signed Leroy Palais Royal No. 110(?)

Lot 301

FRENCH EMPIRE GILT BRONZE FIGURAL MANTLE CLOCK, EARLY 19TH CENTURY the count wheel movement striking bell in case decorated with musical trophies, instruments and a musician, height 12.7"" — 32.3 cm.

Lot 303

LOUIS XVI STYLE SEVRES PORCELAIN MOUNED GILT BRONZE MANTLE CLOCK, LATE 19TH CENTURY the Japy Freres bell striking movement in case decorated with masks, rings and pineapples all raised on lion paw feet and surmounted by urn, height 16.5"" — 41.9 cm.

Lot 304

FRENCH EGYPTIAN REVIVAL GILT AND SILVERED BRONZE MANTLE CLOCK, C.1870 with pharoah mask handles and surmounted by sphinx, height 13.25"" — 33.7 cm.

Lot 321

PHILIP AND KELVIN LAVERNE ‘ROMANESQUE’ BRONZE COFFEE TABLE, C.1960 acid etched, engraved and patinated sheet bronze and pewter over wood, signed, 17"" x 69"" x 23.5"" — 43.2 x 175.3 x 59.7 cm.

Lot 330

FRENCH LOUIS XVI WALNUT COMMODE, 18TH CENTURY the three long drawers with heavy twist gilt bronze bale handles and relief carved panels with torch and quiver and floral and avian trophies all raised on toupie feet, 32.25"" x 43.75"" x 22"" — 81.9 x 111.1 x 55.9 cm.

Lot 5

VICTORIAN SILVER MOUNTED RHINOCEROS HORN DESK LAMP, JOHN BODMAN CARRINGTON, LONDON, 1896 with adjustable twin scroll arms supporting baluster fonts with burners and brackets fitted opaque white glass shades, the collar and fonts all chased with matted-ground flowering foliage, shells and scrollwork, the front of the horn applied with a shield shaped cartouche inscribed: ""TO / EL MIRALAI MIDDLEMASS BEY / INSPECTOR GENERAL OF COASTGUARD / FROM THE SMUGGLERS OF EGYPT / 1ST MARCH / 1896"", all on a naturalistic rocky base, height 22.5"" — 57.2 cm., contains material which may be subject to import/export regulation Note: Middlemass Bey (1853-1906) Arthur Charles Middlemass was born 1853 in Haddington, Scotland; died 1906 in Kensington, London. He married Madeline Susy Quentin in Denbighshire, Wales, 1880. [Egyptian Gazette, 2nd March, 1896] Miralai Middlemass Bey, late Inspector General of the Coastguard Service and Mrs. Middlemass Bey left Sidi Gaber [Alexandria] by the 9 oÂ’clock express yesterday morning for Port Said en route for England. A large number of friends and many officers of the Coastguard Service were in attendance at the station as well as a detachment of the coastguards headed by their band. Amongst those present: Ferik [Vice Admiral] Morice Pasha, Mrs. Morice Pasha, Miss Morice, Harvey Pasha, Mr. and Mrs. Caillard, Peake Bey, Mr. Charles RoyleÂ… and his successor. The number of bouquets and baskets of flowers for Mrs. Middlemass were so large that the reserved compartment was almost too small. Middlemass Bey is a retired commander of the Royal Navy, which he entered in 1866. He served in the Ashanti War 1873-74 (Ashanti Medal); was highly commended in despatches and promoted for services up the Congo River against pirates, 1875; was granted a testimonial on vellum by the Royal Humane Society for jumping overboard from HMS Active in the Atlantic on 3 January 1876 and saving the life of a man who had fallen overboard, and he received thanks from the Admiralty; served in the Egyptian Campaign 1882 (Egyptian Medal and KhediveÂ’s Bronze Star); was employed in the Transport Service in Egypt, and in May 1884 was appointed Inspector General of the Coastguards; served at Suakin in 1888, mentioned in despatches (Gemaizah Clasp)Â… On 1st February, 1896 he resigned his job at the Coastguard ServiceÂ… On leaving the Service Middlemass Bey was presented with a handsome cheque of 3 figures by the officers and NCOs for the purchase of a piece of plate as a token of their “esteem and regard”.

Lot 101

PAIR OF ANGLO-IRISH CUT GLASS AND GILT BRONZE THREE-LIGHT GIRANDOLES, EARLY 19TH CENTURY each with two scroll arms and a central extension formed as serpents, the bobeches hung with buttons, beads and prisms above stepped oval bases, height 14.4"" — 36.5 cm.

Lot 200

FRENCH BRONZE AND ROUGE GRIOTTE MARBLE CENTREPIECE TAZZA, C.1880 modelled in the renaissance style with heraldic devices such as lions, dragons, shields and crowns, 9"" x 17.5"" — 22.9 x 44.5 cm., underside incised HR

Lot 202

SMALL FRENCH GILT AND PATINATED BRONZE COVERED CUP, C.1870 modelled in the Aesthetic manner decorated all over with morning glories on turned marble base, height 7.75"" — 19.7 cm.

Lot 242

GEORGES RÉCIPON (FRENCH, 1860-1920) LE PORTE BONHEURE or LA CHANCE, gilt and silvered bronze figure of a young woman modelled nude draped on horse shoe hammering a nail, height 5.5"" — 14 cm.

Lot 243

JEAN-FRANCOIS BOSIO (FRENCH, 1768-1845) FIGURAL BRONZE BRULE PARFUME modelled as an odalisque reclining nude on a divan with pastille drawer, 5.25"" x 8"" x 3.5"" — 13.3 x 20.3 x 8.9 cm.

Lot 244

BERGMAN COLD PAINTED BRONZE GROUP OF TWO STREET URCHIN BOYS, C.1900 modelled leaning against each other in support with empty basket, impressed maker’s mark and 4867, height 6"" — 15.2 cm.

Lot 245

AFTER ALFRED DUBUCAND (FRENCH, 1828-1894) miniature patinated bronze animalier group of a twelve point stag and doe, 5"" x 5.5"" — 12.7 x 14 cm.

Lot 246

AFTER PIERRE JULES MÊNE (FRENCH, 1810-1879) three miniature bronze equestrian (animalier) groups: Mare and Foal, Mare and Stallion, and Cheval a la Barriere, each signed in the mould P. J. Mêne, largest 2.5"" x 5.75"" — 6.4 x 14.6 cm.

Lot 247

AFTER PIERRE JULES MÊNE (FRENCH, 1810-1879) AND PAUL-ÉDOUARD DELABRIÈRRE (FRENCH, 1829-1912) two miniature canine animalier patinated bronze works, each signed (respectively) in the mould, 3.6"" x 5.1"" — 9.1 x 13 cm

Lot 249

ROSA BONHEUR (FRENCH, 1829-1899) two miniature patinated bronze animalier models of standing bulls (taureaus), each 3"" x 4.5"" — 7.6 x 11.4 cm.

Lot 251

THOMAS FRANÇOIS CARTIER (FRENCH, 1879-1943) ON THE SCENT large patinated bronze model of a pointer signed in the cast T. Cartier, length 11.5"" — 29.2 cm.

Lot 253

DEMETRE CHIPARUS (ROMANIAN, 1886-1947) ACCIDENT DE CHASSE, C.1920 large gilt and cold painted bronze group of a young woman tending an injured dog, on verde antico marble base with title plaque (Récompensé au Salon), 14.2"" x 24.4"" x 11.2"" — 36 x 62 x 28.5 cm., signed in the mould D.H. Chiparus

Lot 254

MAURICE GUIRAUD-RIVIÈRE (FRENCH, 1881-1947) STELLA c.1925, silvered bronze figure of a dancing nude on turned Portor marble base, signed in the mould and witd mark for Etling Paris, height 25.25"" — 64.1 cm.

Lot 255

FRENCH SILVERED AND PARCEL GILT BRONZE FIGURE OF A RENAISSANCE MAIDEN, 19TH CENTURY modelled standing holding roses and wearing belt purse, base impressed Jules Graux Bronziers, height 32.5"" — 82.6 cm.

Lot 256

ALBERT ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887) MÉLODIE gilt bronze, with title plaque to base, height 31.5"" — 80 cm., incised signature A Carrier-Belleuse

Lot 257

FRENCH SCHOOL PATINATED BRONZE FIGURE OF A FREED GLADIATOR, 19TH CENTURY modelled standing nude with modesty draping, shackle chains broken and holding sword, gilt inscription to base ‘Offert en 1878’, height 33.25"" — 84.5 cm.

Lot 258

XAVIER RAPHANEL (FRENCH, FL. C.1920) MEDIAEVAL MUSICIAN gilt bronze and carved ivory figure of a young woman dancing with pan pipe, on turned verde antico base, signed in the mould X. Raphanel,, height 13"" — 33 cm., contains material which may be subject to import/export regulation

Lot 259

FERDINAND LUGERTH (AUSTRIAN, 1885-1915) patinated bronze and carved ivory figure of a young woman modelled standing, peering into the distance, on verde antico marble base, foundry mark AR for Aust Reich, height 11.5"" — 29.2 cm., contains material which may be subject to import/export regulation

Lot 260

ANTOINE BOFILL (FRENCH, 1875-1925) JOAN OF ARC gilt bronze and ivory figure modelled standing over vanquished flag, signed in the mould Bofill, height 13.25"" — 33.7 cm., contains material which may be subject to import/export regulation

Lot 261

FRENCH BRONZE BUST OF JEAN-JACQUES ROUSSEAU, 2ND HALF 18TH CENTURY on column form socle with title plaque J.J. Rousseau, Ne le 28 Avril, 1712, and with plaque to verso: Fait par Menier, height 10"" — 25.4 cm.

Lot 262

Josef Lorenzl (Austrian, 1892-1950) patinated bronze figure of a young female dancer, height 15.7"" — 40 cm., incised signature J. Lorenzl, impressed 5085 and with Goldschieder foundry seal to base

Lot 263

SMALL FRENCH PATINATED BRONZE BUST OF A YOUNG MEDIAEVAL GENTLEMAN, 19TH CENTURY on rouge griotte marble base with gilt bronze foot, height 9.5"" — 24.1 cm.

Lot 264

ERNEST JUSTIN FERRAND (FRENCH, 1846-1932) PAR LÂ’ÉPÉE ET PAR LA CHARRUE patinated bronze on verde antico marble base, height 21"" — 53.3 cm.

Lot 265

PAUL LUDWIG KOWALCZEWSKI (POLISH, 1865-1910) POLAND patinated bronze figure on granite socle, height 24.5"" — 62.2 cm. Note: An allegorical representation of the countries struggle for independence

Lot 266

EUGÈNE DELAPLANCHE (FRENCH, 1836-1891) MUSE OF MUSIC gilt bronze figure of a young, draped nude playing violin, height 14"" — 35.6 cm., signed E. Delaplanche and F. Barbedienne, Fondeur

Lot 267

FRENCH PATINATED BRONZE EQUESTRIAN GROUP OF NAPOLEON’S RETREAT FROM MOSCOW, 19TH CENTURY titled 1813 and signed Conill, impressed 116, and R116 to underside, on later oak base, bronze height 9"" — 22.9 cm.

Lot 268

RUSSIAN SCHOOL PATINATED BRONZE TROIKA GROUP OF NAPOLEONS RETREAT FROM MOSCOW, 19TH CENTURY patinated bronze troika group, signed in the mould ‘Bach’ (possibly Nikolai Romanovich Bach, 1853-1885), 6.75"" x 16"" — 17.1 x 40.6 cm.

Lot 269

Italian School Patinated Bronze Bust of Beethoven, 1921 inscribed on the truncated shoulder Al Maestro Buxeda di mi amigo Del Canto, 1921, height 20"" — 50.8 cm. Exhibited: Esposizione Internazionale d`Arte di Venezia, 1924

Lot 270

THOMAS WHALEN, R.S.A. (1903-1975) MADONNA AND CHILD, 1929 art deco patinated bronze group, incised signature, date and numbered 3/4, height 19"" — 48.3 cm.

Lot 271

FRENCH ART DECO PATINATED BRONZE FIGURE OF A RECLINING NUDE, MID 20TH CENTURY on polished black marble base with plaque ‘M.LeVerrier’, 14"" x 24.4"" — 35.6 x 62 cm., impressed mark ‘bronze’

Lot 272

JEAN-LOUIS TOUTAIN (1948-2008) HORSE AND RIDER patinated bronze, height 7.75"" — 19.7 cm., incised signature, numbered 2/8

Lot 273

HANDEL REVERSE PAINTED GLASS AND GILT BRONZE TABLE LAMP, C.1919 the ‘chipped ice’ signed yellow shade with border of birds of paradise amongst pattern number 6930, on gilt bronze baluster form three light base, height 23.5"" — 59.7 cm., diameter 18"" — 45.7 cm. Literature: De Falco, Hibel & Hibel: Handel Lamps, Painted Shades and Glassware, H & D Press, New York, 1986, p.124/5 Note: An example of this lamp was featured in a 1919 magazine advertisement for The Handel Company.

Lot 274

PAIR OF LARGE FRENCH GILT BRONZE FIGURAL 5 LIGHT CANDELABRA, C.1900 each rocaille work base with cherubic musician, height 27.5"" — 69.9 cm.

Lot 275

PAIR OF MASSIVE FRENCH GILT BRONZE MOUNTED ROUGE GRIOTTE 7 LIGHT CANDELABRA, EARLY-MID 20TH CENTURY each vase form riser with Renaissance style appliqués in including grotesque masks, all raised on paw feet, height 31.5"" — 80 cm.

Lot 276

SMALL FRENCH GILT BRONZE MILITARY TROPHY MIRROR, 19TH CENTURY the oval plate with starred banner surround, radiant crest with rosebud ribbon over weaponry apron,, 22.5"" x 17"" — 57.2 x 43.2 cm.

Lot 262

PATINATED BRONZE FIGURE AFTER JEAN-JACQUES PRADIER in the form of a seated classical female, mounted on a mahogany lozenge shaped base, 31cm high Bruises and wear to varnish on base, the bronze figure in good condition.

Lot 279

20TH CENTURY PATINATED BRONZE GARDEN SCULPTURE OF A CHAMOIS on a rectangular base, unsigned, 88cm high

Lot 301

THREE PATINATED BRONZE EGYPTIAN FIGURES of a sphinx and two seated figures, all on later stained pine bases, the sphinx 23cm long Originally mounts for a mantel clock.

Lot 325

GEORGE ANDERSON LAWSON (1832-1904) ROBERT BURNS WITH ARMS FOLDED bronze, signed and dated 1891 96cm high Good condition.

Lot 330

CHINESE BRONZE VASE of flared hexagonal form and on hexagonal foot, with twin dragon lug handles, with dragon, fruit and foliate decoration, six character mark to base, 21cm high Repair to one section of the rim and top, also looks to be a repair to one section lower down the body, some nibbles overall

Lot 450

After the 19th Century Russian school, a cast bronze study of a cossack on horseback, with female figure, raised on black marble base. H. 42cm

Lot 460

A pair of mid 19th Century French bronze head and shoulder busts of La Rennomee raised on bases. H.33cm

Lot 173

In the style of Bergman. A cold painted bronze study of a cock pheasant. H: 7.5cm

Lot 195

A Chinese bronze incense burner, having pierced dragon mounted cover, raised on three elephant mask feet, impressed character mark to base.

Lot 287

A contemporary cast bronze study of a black rhino. H: 17cm L: 32cm

Lot 20

Antoine Louis BARYE (1795-1875) Basset assis Bronze, fonte posthume, patine brune. Signé Barye sur la terrasse. HAUT. 13 cm - LONG. 26,4 cm - PROF. 9,7 cm Bibliographie : M. Poletti, A. Richarme, Barye, Paris 2000, modèle répertorié sous le numéro A 35, page 154. A patinated bronze seated basset hound by Antoine Louis Barye, signed. Posthumous cast. HAUT. 13 cm - LONG. 26,4 cm - PROF. 9,7 cm HEIGHT. 5 1/8 IN. - LENGHT. 10 3/8 IN. - DEPTH. 3 13/16 IN. Bibliographie : M. Poletti, A. Richarme, Barye, Paris 2000, modèle répertorié sous le numéro A 35, page 154.

Lot 21

Antoine Louis BARYE (1795-1875) Basset debout Bronze, fonte posthume, patine brun clair nuancée de vert. Signé Barye sur la terrasse. HAUT. 15 cm - LONG. TERRASSE 23,5 cm - PROF. TERRASSE 9,4 cm Bibliographie : M. Poletti, A. Richarme, Barye, Paris 2000, modèle répertorié sous le numéro A 35, page 154. A patinated bronze standing basset hound by Antoine Louis Barye, signed. Posthumous Cast. HAUT. 15 cm - LONG. TERRASSE 23,5 cm - PROF. TERRASSE 9,4 cm HEIGHT. 5 15/16 IN. - LENGHT. 9 1/4 IN. - DEPTH. 3 11/16 IN. Bibliographie : M. Poletti, A. Richarme, Barye, Paris 2000, modèle répertorié sous le numéro A 35, page 154.

Lot 24

Jean-Baptiste dit Auguste CLESINGER (1814-1883) Le taureau romain Bronze à patine brun clair. Signé, daté et situé : "J. Clesinger - Rome - 1857" sur la terrasse. Titré : "Taureau Romain" sur le devant. Marque du fondeur F. Barbedienne. HAUT. 33 cm - LONG. 32,7 cm - PROF. 13,5 cm A patinated bronze figure of a bull by Jules-Auguste Clesinger (1814-1883) cast by Barbedienne foundry, signed, entitled and dated 1857. HAUT. 33 cm - LONG. 32,7 cm - PROF. 13,5 cm HEIGHT. 13 IN. - LENGHT. 12 7/8 IN. - DEPTH. 5 5/16 IN.

Lot 40

MENNECY Petit pot-pourri couvert en porcelaine tendre et bronze doré à décor polychrome de famille chinoise sur terrasse, oiseau, insectes et tiges fleuries, la galerie ajourée en bronze doré agrémentée de fleurs en porcelaine tendre blanche. Marqué : D.V. en noir. XVIIIe siècle, vers 1750. (Fêlures). HAUT. 12,5 cm A Mennecy faience pot and cover marked D.V., circa 1745-1750. HAUT. 12,5 cm HEIGHT. 4 15/16 IN.

Lot 89

PAIRE DE LUSTRES en bronze à vingt-quatre bras de lumière sur trois rangs. Le fût en trois sphères décroissantes se terminant par un aigle bicéphale. Style Hollandais du XVIIIe ou XIXe siècle. HAUT. 146 cm - DIAM. 121 cm A pair of Dutch 17th century style twenty-four-light chandelier, 19th century. HAUT. 146 cm - DIAM. 121 cm HEIGHT. 57 1/2 IN. - DIAM. 47 5/8 IN.

Lot 101

LUSTRE en bronze à trente-quatre bras de lumière sur quatre rangs. Le fût tourné en série de quatre sphères décroissantes. Style Hollandais, XIXe siècle. HAUT. 210 cm - DIAM. 195 cm A Dutch style thirty-four-light chandelier, 19th century. HAUT. 210 cm - DIAM. 195 cm HEIGHT. 82 11/16 IN. - DIAM. 76 3/4 IN.

Lot 139

Æ’ PAIRE D’APPLIQUES en bronze doré à cinq bras de lumière en forme de double console feuillagée. L’agrafe de forme feuillagée est ornée de fleurs. Elles sont garnies de perles et de larmes de cristal. Circa 1900. (Manques). HAUT. 35 cm - PROF. 35 cm. A pair of ormolu five-branch wall-lights, circa 1900. HAUT. 35 cm - PROF. 35 cm. HEIGHT. 13 3/4 IN. - DEPTH. 13 3/4 IN.

Lot 143

CARTEL D’APPLIQUE en vernis martin laqué noir à décor de fleurs polychromes. Il est orné d’une ornementation en bronze doré à décor de rinceaux feuillagés, ajourés de branchages fleuris, de vases fleuris, de guirlandes de laurier, d’un cartouche à feuilles d’acanthe et fleurs au sommet. Avec des pieds composés de rinceaux à enroulement. Il repose sur une console mouvementée à décor de fleurs et d’un chien pourchassant un volatile, ponctué d’un décor rocaille en bronze doré. Le cadran en métal ondulé émaillé à chiffres romains pour les heures et arabes pour les minutes. Il est signé Jacquet, horloge de S.A. à Liège. Travail liégeois. Milieu du XVIIIe siècle. (Fentes et petits manques). Haut. 114 cm - Larg. 45 cm - Prof.  25,5 cm A vernis martin cartel-clock, Lièges mid-18th century. Haut. 114 cm - Larg. 45 cm - Prof.  25,5 cm Height. 44 7/8 IN. - WIDTH. 17 3/4 IN. - DEPTH. 10 1/16 IN.

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