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Click here to subscribeA JAPANESE TRAVELLING TROUSSE SET, the lacquered case inlaid with horses (some losses), bone handled knife with engraved decoration, bone chopsticks and a skewer, s.d., on a fabric strap, together with a circular bronze 'LILY BRAND TRADE MARK' circular four division holder/weight, diameter 8.5cm (2) (condition: travelling set has losses to the lacquer and bone inlay, holder has dints and scratches)
TWO PILKINGTON LANCASTRIAN VASES, comprising a lobed baluster vase decorated in a bronze patinated glaze, painted backstamp, height approximately 28cm, together with a heptagonal shaped vase, painted backstamp, green glaze, height approximately 24cm (2) (condition: small chip to the foot of the lobed vase, crazing to the glaze of the green vase)
A LATE 19TH CENTURY ELKINGTON & CO GILT BRONZE CHARGER, cast in relief with Bellerophon on Pegasus surrounded by cherub, circular disc vacant, bears registration No.10352 and impressed Elkington & Co to the front, diameter 42cm (condition: dints around the edge, evidence to the back that the charger has been framed, spot of solder at the 5 o'clock position)
A LATE 19TH CENTURY JAPANESE BRONZE VASE, fitted with a conical bronze sleeve in a frame cast with beasts foliage and flowers, on a circular base, damage to the tip of one handle, height 17cm, together with another late 19th Century Japanese bronze urn and cover, bears script to the rim, possible damage to one foot and adapted interior, height 14.5cm (2)
TWO LATE 19TH CENTURY JAPANESE BRONZE KORO AND COVERS, differing designs, the similar covers with seated dogs of fo, the bases with dogs of fo handles, one with lobed body and cast with birds, the other with decorative cast body and vignettes of birds, both koro on three cabriole legs with grotesque mask knees, bear marks to bases, heights 25cm and 24cm (2)
AN EARLY 20TH CENTURY FRENCH GILT BRONZE AND CARVED IVORY FIGURE OF A BOY IN AN AIRPLANE, AFTER GEORGES OMERTH (1895-1925), cast as flying over a Continental village, cast signature to tail of plane, stamped 1757 to the side of a building, mounted on an onyx plinth, a.f, and on a shaped rectangular gilt metal base stamped to the underside 'OUD' and 'FABRICATION FRANCAISE * PARIS - G.M *', height 26.5cm x width 24cm (condition: onyx base has a large chunk missing and a fracture line running through the base possibly as a consequence of the visible damage, the metal base plate is bent upwards where the onyx is missing, the plane propeller is off and there is evidence of previous solder repair at the join, the right hand wheel is loose and the plane is missing all four chains that attach to the corners of the wings, the plaque on the base is titled 'AEROPLANE Par Omertz')
A MID 20TH CENTURY BRONZE OF A NUDE FEMALE DANCER WITH A TAMBOURINE, after Oscar Laurent De Beul (1881-1929), cast signature and 'PATERNOTTE FONDEUR LEMBECQ LEZ-HALL', on a veined red marble kidney shaped base, height 66.5cm (condition: a few marks to the bronze, several chips to the base of the marble)
A PAIR OF LATE 19TH CENTURY BRONZE FIGURES OF A LADY AND GENTLEMAN, after Schievelkamp, modelled as late 18th Century aristocrats, the circular bases with cast signatures and 89, mounted on veined black marble cylindrical bases, height 39cm and 38.5cm (2) (condition: both bronzes are slightly overhanging the bases, the gentleman's base has a chunk of marble missing under his raised foot)
SHERREE VALENTINE DAINES (BRITISH 1959), 'Out to Play', a bronze sculpture 84/195 of a young girl holding a fishing net, inscribed initials, impressed edition number height approximately 26cm, with certificate and box (condition: no obvious damage) (Artists Resale Rights May Apply To This Lot)
‡ Peter Randall-Page RA (b.1954) Bronze VI Bronze, unique, 1992 11.8 x 11cm Provenance: Clive Adams; from whom purchased by Mr R Warby, May 1992 Literature: Peter Randall-Page: Sculpture and Drawings, 1977-1992 (Leeds, City Art Gallery, 1992) catalogue raisonné no. 111 Exhibited: Leeds, Leeds City Art Gallery, Peter Randall-Page: Sculpture and Drawings, 1977-1992, April - June 1992, no. 106 Part of a series of six sculptures.
‡ Fredda Brilliant (Polish 1903-1999) Jozef Adam Zygmunt Cyrankiewicz (Polish, 1911-1989), Premier of Poland (1947-1952 and 1954-1970), he was a Polish Socialist and after 1948 Communist politician Signed and dated 1957 Bronze 57cm high With a book: Fredda Brilliant, Biographies in Bronze (New York: Shapolsky Books, 1986) (2)Brilliant describes how difficult it was to get the sitter to stand still due to his imprisonment during the war but she stepped firmly on his foot and dug her elbow into his ribs to hold him firm against the table!
Follower of Henry Moore Reclining figure Bronze, on a marble base 16cm wide (figure) Together with a resin replica on marble base of Moore's 1945 Reclining Female (Detroit Institute of Arts, no. 70.199) (2)Provenance: Bronze, property of an antiques dealer, 1980s; by descent to his son; Criterion Auctions, 3 March 2014, lot 152
A Japanese brass Meiji period (1868-1912) teapot with cane worked swing handle, the bronze cover with knop finial on a hirazogan shibuichi style body decorated with Tsuru visiting a lotus pond, 11.5 cm high not including handle possible areas of bronze disease on cover showing small areas of green, dirty and well patinated overall, handle original and intact
Three Japanese Meiji period (1868-1912) bronze okimono; a Bijin standing wearing traditional dress with elaborate kanzashi head dress and loose flowing robes, signed, 13 cm high to/w a bronze okimono of a Samurai standing in daisho, holding a katana in his left hand and his wakizashi tucked into his obi, 12.5 cm high, and a bronze lobster or crayfish 20 cm (3)the lobster has several areas of damage and missing last quarter of antenna, bijin head dress has several losses and samurai possibly missing something that was originally being held in his right hand
A good French Louis XVI style ormolu, patinated bronze and marble mantle clock, the two train eight day movement striking on a bell, signed Brocot, Paris and engraved for 'Grignon Meusnier, Rue D' Anjou, the white enamelled dial similarly signed, mounted with a seated putti and cherub, 55 cm w x 43 cm h Prov: HSH Dr Donatus, Prince von Hohenzollern, Henley Park Manor, Surrey
John Erskine Milne (1931-1978) an abstract green patinated bronze arched form sculpture, raised on a black plinth base, initialed to the underside 'JEM', numbered and dated 6/9 '71, overall size 21 cm w x 17.5 cm x 19 cm h to/with a 1974 exhibition brochure for Marjorie Parr Gallery, London very good original undamaged condition, surface dusty
A Chinese bronze and cloisonné enamel archaic style jardinière probably 19th century, bell form with everted rim and tripod feet, cast four character mark in archaic script to base, the exterior in patinated bronze with a cloisonné band of stylised masks and dragons suspending four floral pendant reserves, 8¼in. (20.8cm.) high. *Condition: Water scale residue to interior from use. Small oxidised patch to surface of bronze below rim. Tiny ding and scratch to lower body. No losses to enamel. Blister to metal to one foot.
A Chinese patinated bronze duck censer probably 20th century, with verdigris patination, the duck with head inclined to the right and beak open to allow the exit of smoke, standing upon a lotus leaf, the pierced wings removable to reveal the open compartment beneath, 11½in. (29.2cm.) high. *Condition: A little rubbing to patination to front edge of compartment to duck's back from contact with cover. Casting to wings rougher than the remainder of the piece and with small casting crack at front edge. Also lacks front locating lug. Mounting between lotus leaf and feet slightly loose. No other faults.
Seven antique Burmese or Chinese bronze gold or opium weights five in the form of a Chinthe; three on a square base and two octagonal, the largest weighted with lead between the legs, 4.1cm. to 6.8cm. high; and two in the form of ducks, one on a fluted circular base; the other octagonal, both 5.6cm. high. (7) *Condition: Good patina - the patina to largest Chinthe example and circular base duck example are particularly good. Wear to patination to undersides as expected. No damage.
A large Neo-classical bronze urn on a column base after a design by Claude Ballin for Parterre du Nord, Versailles second half 20th century, the belly of the urn with floral swags and two large ringed lion mask handles surmounted by feathers, on which are seated cherubs resting on the top rim, the column with conforming swags, standing on a stepped circular foot with a band of acanthus leaves, the urn 32in. (81.5cm.) wide, overall height 58½in. (148.5 cm.). * Provenance: This urn was removed from the entrance of Harrods in Knightsbridge to make space for the erection of the shrine for Princess Diana after her death.
Emmanuel Villanis - a bronze - 'Rebecca au Puits' an Art Nouveau bronze bust of a maiden, c.1900, cast with hair concealed beneath a turban, leaning upon an urn, the tapered plinth base with cast inscription, signed to shoulder, with 'Societe Des Bronzes Paris' impressed mark and 'AP 966', 16in. (40.5cm.) high.
A pair of French patinated bronze and ormolu candlesticks 19th century, the foliate urn sconces on tapered columns with gilt foliate capitals and mounts to gilt triform bases with three paw feet, 12 1/8in. (30.8cm.) high plus fittings, later converted to lamps, complete with pale grey pleated silk shades. (2)
A pair of patinated bronze Baroque style five light candelabra late 19th century, mid-brown patination, the five scroll branches with swagged urn form nozzles, on an urn form column with twin beast mask handles and lion mask, fruit and gadrooned decoration, raised on a waisted circular base with gadrooned and foliate decoration, raised on two pairs of foliate scroll feet, 24in. (61cm.) high. (2) *Condition:Very good overall, with original patina with just light wear to edges and raised detail.
A pair of French patinated bronze and ormolu candlesticks 19th century, the tapered fluted columns with gilt floral and foliate capital and mounts to patinated floral and foliate circular bases, 8¼in. (21cm.) high plus fittings, later converted to lamps, 10in. (25.4cm.) high overall. (2) *Condition: In working condition, re-wired (would need pat test), good condition.
A French 19th century gilt bronze candlestick lamp the urn sconce with beaded drip pan, on a fluted and swagged waisted column, to a fluted, husk and bead decorated circular base, 10 5/8in. (27cm.) high; together with a brass Corinthian column candlestick lamp; and a pair of neo-classical black painted reconstituted marble table lamps, 16¾in. (42.5cm.) high. (4) *Condition: - Gilt bronze lamp: Wear to gilding throughout, otherwise good. - Brass candlestick lamp: Corner of drip pan slightly bent, base drilled. - Pair lamps: A few paint chips and rubs to edges, small chip to one base, one lacks the fluted mount on top of column capital.
A 19th century French gilt bronze and champleve enamel chamberstick the urn sconce carried by a seated putto, on a dished base with flying scroll handle with anthemion thumbpiece, decorated with champleve enamel floral strapwork, 4 7/8in. (12.3cm.) high. *Condition: Very small ding to rim of dish, tiny flakes from enamel to thumbpiece. Handle slightly bent and possible old soldered repair to joint with stick.
A French 19th century gilt bronze and cut glass three light electrolier having a twist and acanthus cast central column to three cast scrolling branches with cone surmounts, each finished with 18 elongated cut glass droplets, cone finial, maximum drop 28in. (71.2cm.). *Condition: Showing light gilt loss/rubbing throughout, will need rewire, overall good.
A small collection of vintage and antique collectables comprising of a silver plated hatpin/ring stand and pin cushion having applied leaf decoration and citrine style stones; silver plated French propelling pencil; mother of pearl two bladed penknife; novelty carved bird form penknife; small circular brass box, the pull-off lid with black and white yin & yang top; cylindrical leather vesta box and four commemorative lapel badges; bronze pipe tamper in the form of a French Revolutionary bust; modern Staffordshire porcelain Yorkshire Terrier head, possibly a candle snuffer or thimble; monocle. (quantity) *Condition: Penknives with small issues, all other items good.
A French late 19th century plum pudding mahogany, marquetry and gilt bronze clothes press the slight breakfront moulded top with reeded and gilt crossed ribbon decoration, over a central mirrored door with incuse top angles with gilt bronze floral rosettes, enclosing five adjustable shelves and lower drawer, flanked by rounded canted corners with tied ribbon and oak leaf & acorn mounts, the sides with oval floral marquetry within a gilt metal frame with ribboned surmount, raised on tapered feet with foliate sabots, 57½ x 20¼in. (146 x 51.5cm.), 86½in. (220cm.) high.
A French porcelain mounted gilt bronze mantel clock Leroy & Fils, Paris No.5319, last quarter of 19th century, the painted porcelain dial with gilt-heightened chapters and pierced brass hands, the dial and plaques decorated with medieval figures and heraldic devices, eight-day outside countwheel bell-striking movement, the back plate stamped 'LEROY &FILS NO. 5319 A PARIS', set into a figural panel and spiral pilaster cast ovoid case with reclining figure and shield cast surmount to the domed top above mace, axe and shield applied scroll cast waisted upright, the plinth base with shaped apron and scroll pierced feet, 12.75in. (32.5cm.) high.
German Third Reich visor cap eagles - comprising a NSKK aluminium visor cap eagle marked RZM M1/102 to the reverse; SA/Political die stamped silvered aluminium eagle marked M1/17 to the reverse; four NSDAP Political aluminium eagles; one gold NSDAP Political eagle and two further eagles together with ten NSDAP Political silver buttons, two bronze shoulderboard cyphers and an embroidered tri-colour cockade (qty)
A German Deutscher Automobil-Club sports badge and matching stickpin onstructed of bronze, the obverse consisting of an oval laurel and oak leaf wreath, overlaid by a German national eagle and initials “ADAC” for Allgemeiner Deutscher Automobil-Club (General German Automobile Club), the reverse with a vertical pinback meeting a round hinge with a functional locking mechanism, unmarked, with original box
A British Second World War Royal Army Chaplains' Department service tunic constructed of khaki wool with four pockets, with RACD badges to the collar, three bronze rank pips to the shoulders, the blackened bronze buttons, with Maltese Cross and King's Crown, the arms with leather reinforcements to the sleeves, tunic showing signs of medal ribbons having been removed, the interior fully lined and with remnants of label to the neckline, together with a dark green unassociated belt (2)
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