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Lot 105
Early 5th century B.C. A bronze hydria composed of a tapering body, broad shoulder and waisted neck, the everted rim decorated with egg-and-dart motifs, three round-section handles and tiered, ogival foot. Cf. The British Museum, museum number 1875,1110.1, for a similar example dated 350-300 B.C., published in Walters, H.B., Catalogue of the bronzes in the British Museum, Greek, Etruscan and Roman, London, 1899, no.312; cf. The Metropolitan Museum, accession number 06.1078, for similar vessel dated 5th century B.C., from Galaxidi; cf. Diehl, E., Die Hydria. Formgeschichte und Verwendung im Kult des Altertums, (1964) 31 f.; Taf. 9 B 110; cf. also Mitten D. G. and Doeringer S.F., Master Bronzes from the Classical World, Mainz, 1967, pp. 108-109, no.108, for a similar example in the Fogg Art Museum, Cambridge, Massachusetts. 4.7 kg, 39.5 cm (14 in.). Old collection N.A., Niedersachsen, circa 1989-1990. With Gorny & Mosch June 2019, lot 226. Accompanied by a copy of the relevant Gorny & Mosch catalogue pages. Accompanied by an original French cultural passport number 226773 dated 3 June 2021. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11306-190969. Whilst such vessels were originally produced for holding water, hydriai were often re-purposed. From the 5th century B.C. onwards, they also had a funerary function, used in the cult of the dead and the underworld. Appearing as grave deposits, they were sometimes used as funerary urns, receptacles for the ashes of the deceased (see the MET hydria from Galaxidi, found with the bones still inside). Hydriai were also commonly associated with rituals relating to the cults of the gods, with particular emphasis on Zeus, Hera, Aphrodite, Athena, Apollo, Artemis, Demeter, Persephone, Dionysus, the Nymphs, Adonis and other gods and heroes. They have been found in temples and public buildings and have been recorded as prizes in athletic games. It has also been suggested that the more lavish examples were gifted to brides. For this specific lot, 5% import VAT is applicable on the hammer price [A video of this lot is available to view on Timeline Auctions Website.]
Lot 121
A LARGE JAPANESE SILVER AND INLAID BRONZE LIDDED BOX of rectangular form with shallow domed lid decorated with fanned bronze panels inlaid and engraved with flowers and bamboo, the underside signed 'SUZUYO' with hallmark, hardwood segmented interior and presentation plaque to the underside of the lid inscribed 'PRESENTED TO Mr R Bouler BY THE AMBASSADOR AND MEMBERS OF THE DIPLOMATIC AND CONSULAR SERVIES IN JAPAN, NOVEMBER 11TH, 1929'21.5cm wide, 13.5cm Deep, 8cm high
Lot 150
A LARGE CHINESE MING DYNASTY LIDDED BRONZE CENSOR the bulbous form raised on four short legs, the body decorated with swags and tassels flanked by dragon handles beneath a pierced domed lid surmounted by a recumbent elephant finial, impressed six character seal mark the underside34cm across 34cm highIn good original condition with no signs of restoration other than one of the feet has a piece filled to the front which can be seen on the image of the underside, no other damage or splits. Extra images have been uploaded.
Lot 170
A GOOD JAPANESE MEIJI PERIOD BRONZE AND INLAID MIXED METAL KORO the cover surmounted by an eagle on a rocky base with a pierced inlaid rim above a cylindrical body engraved and inlaid with a Samurai warrior within a panelled exterior scene, the reverse depicting a lake view, dragon handles to the sides and galleried base supported by a further three winged dragons58cm high
Lot 447
A LARGE PAIR OF 19TH CENTURY EGYPTIAN REVIVAL BRONZE AND MARBLE COLUMNS each with a classical bust mounted on tapering reeded columns with Greek key necks and bronze swag work; standing on stepped square bases with lions paw feet57.5cm high 16cm wideOne of the columns has chips and an area of restoration to the top just below the scrolled plinth. The other column has very minor chips in the same area, otherwise in very good condition, with nice patina to the bronze and good quality gilding. The marble on the base of the female bronze column has a small chip on the front and both pieces of marble on the tops of both the bronze columns have a tiny nibble on the edge. Extra images uploaded.
Lot 449
A GOOD PAIR OF 19TH CENTURY FRENCH GILT BRONZE EWERS ON VEINED GREEN MARBLE BASES with column and figural handle mounts above fruiting vine work shoulders and tapering bodies, cast with scenes from mythology; on swirled leaf banded circular bases34cm highBoth are in very good condition with no damage or restoration, the gilding is also in good condition.
Lot 467
A PAIR OF 19TH CENTURY ADAM STYLE BRONZE AND ORMOLU MOUNTED WHITE MARBLE REVERSIBLE URNS/CANDLESTICKS the domed interchangable tops set with pineapple finials above tripod bases with rams head and hoof footed supports; mounted on circular bases26cm highThey are in good unrestored original condition and would benefit from a clean. The gilding is in good condition and there are no cracks to the marble. One of the urns is leaning to the left slightly.
Lot 472
A LARGE ART DECO BRONZED ANIMALIER FIGURE OF A GAZELLE finely depicted leaping over a rocky leaf work mound on a multi coloured marble base with slate and panelled edging55.5cm, wide 25cm highIn very good condition with good patination to the bronze. There is a very small minor repair to the black marble banding on the front edge corner of the plinth.
Lot 482
PAUL PHILLIPPE A FINE GREEN PATINATED BRONZE SCULPTURE OF A NUDE FEMALE DANCER CIRCA 1920'S on a naturalistic ground, finely executed and mounted on a bowfront stepped black slate plinth base - signed to the base. A similar figure (clothed) illustrated in Berman's bronzes Ref 1816 and titled 'Stepping Out'35.5cm high 14cm deepIn very good undamaged condition with no restoration. The bronze has no breaks or repairs and doesn't have any scratches or dents. the marble base has a couple of chips to the back bottom edge.
Lot 512
JOHN WILLIS GOOD, BRITISH (1845-1879) A 19TH CENTURY BRONZE EQUESTRIAN SCULPTURE finely modelled as a saddled hunter on a shaped naturalistic base - signed, brown patination23.5cm high 25cm wideThe bronze is the same colour as in the photo, it is very good quality casting with no damage or restoration, it has a light surface scratches to the left hind of the horse
Lot 521
FRANZ BERGMANN, A 19TH CENTURY AUSTRIAN COLD PAINTED BRONZE SCULPTURE OF A TURKEY finely cast and with realistic colouring set on a naturalistic marble base - with Bergmann trade stamp and Geschultz24.5cm highIt is in good condition with no breaks or repairs and the painted finish is original. The base is original to the bronze and the stone base is natural. The turkey is attached to the base.
Lot 526
ATT. TO FRANZ BERGMAN. A PAIR OF LATE 19TH CENTURY AUSTRIAN COLD PAINTED BRONZE CANDLESTICKS modelled as storks amongst reeds standing on naturalistic circular bases, underside of tail feathers inscribed "GESCHUTZT" and numbered 174223cm highBoth have minor losses to the paint, both beaks are bent, one of the legs is bent, no breaks, losses or restoration.
Lot 544
A LARGE LATE 19TH CENTURY PATINATED BRONZE WARWICK VASE BY THE BARBEDIENNE FOUNDRY with masked body and entwined vine handles on a circular base signed 'F. BARBEDIENNE'34cm highIt is in very nice condition with no losses, and has a very nice patina. There is a minor dent to the rim.The vase measures 57cm wide including handles and 38cm deep.
Lot 662
A LATE 19TH CENTURY FRENCH ROCOCO STYLE ORMOLU MANTEL CLOCK surmounted by a seated bronze cherub on a floral scrolling gilt brass case enclosing a 7cm enamel dial with Arabic and Roman numerals fronting an eight-day spring driven movement with original lever escapement, backplate signed Maple & Co. Paris29cm high
Lot 674
A 19TH CENTURY FRENCH BRONZE ORMOLU AND MARBLE FIGURAL MANTEL CLOCK surmounted by a blue spherical ball with enamel Roman numerals and gilt serpent hands fronting an eight-day spring driven movement raised on three bronze cherubs raised on a reeded white marble column41cm highThere are tiny chips to the white marble base on the edge, the bronze figures are loose and will need tightening and would benefit from a clean. The blue ball has some losses to the painted finish, but there are no dents. Some of the enamel numerals look to have been reglued. The escapement looks to have been replaced. It strikes the correct hours and does run but may need a service. We do not guarantee mechanical parts.
Lot 79
A PAIR OF 19TH CENTURY CHINESE CLOISONNE ENAMEL PRICKET STICKS supported on a bell-shaped bases enamelled with lotus blooms and scrolling tendrils on a green ground below a large circular drip-pan and a tapering column continuing to a smaller drip-pan surmounted by bronze prickets40cm highOne has a dent and losses to the enamel to the rim of the base and the other one has a slightly bent top sconce but with no damage to the enamel (See extra images).
Lot 814
A MID 19TH CENTURY FIGURAL BRONZE AND SIENNA MARBLE MANTEL CLOCK the classic patinated bronze modelled as Mercury on a rocky base mounted on a stepped Sienna marble base with acanthus leaf mouldings; the 4" enamel dial with Roman numerals fronting an eight-day spring driven movement with outside countwheel and silk suspension striking the hours/half hours on a bell50.5cm highThe bronze is in good condition with nice colour and patina and the sienna marble is also in very nice condition with no cracks or damage. The enamel dial has repaired chips and hairline cracks. The movement is dirty but does function and strike but will require attention. The pendulum is missing.
Lot 202
A selection of Victorian silver and other medals, including: two silver Club Fours medals; Victorian Royal Academy of Music bronze Pianoforte medal, in case; Royal Life Saving Society bronze medal, in case; and other medals and badges, relating to The Institute of British Engineers; the Institute of British Foundrymen; and others, some cased.
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349674 item(s)/page