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Lot 142
Tiffany Studios Bronze and Favrile Glass Five Light Table Lamp. Bronze base is marked "Tiffany Studios New York 499" on bottom side, shades are marked "L.C.T." to base. Shades measures 5-1/4" H x 4" W, lamp measures 17-1/2" H x 15" W with shades attached. Condition: One shade has been restored, 2 with typical chips to the bottom rim (unseen), one has a hairline crack, slight bending to one arm and normal rubbing, missing one foot Estimate: $1000.00 - $2000.00 Domestic Shipping: Third party
Lot 143
Possibly J.E. Caldwell Marble and Gilt Bronze Mantle Clock. Ormolu mount with Bacchus figural heads, Roman numeral dial, fruit motif. Key included. Measures 13" x 15" x 4-1/4". The gallery does not warranty the running condition of clocks. Condition: Rubbing to gilt, wear to one Roman numeral, slight yellowing, appears to not be in working order Estimate: $1000.00 - $2000.00 Domestic Shipping: Third party
Lot 745
Collectables, Military' The Waterloo Medal'. The medal features on one side the four busts of the allied rulers each wearing a laurel wreath, surrounded by allegorical scenes representing the battle and the peace that followed. On the obverse the Duke of Wellington and Prince Blücher, the Prussian Field Marshall are depicted riding their horses into battle, while the Gigantomachy – the Greek mythological battle between the Giants and the gods of Olympia – is featured around the central figures. Produced in a limited edition of 1815 this medal is 1480, bronze layered with silver presented in Perspex case and original box with paperwork (gd/vg)
Lot 171
A pair of French Empire bronze, ormolu and gilt brass storm lamps / lanterns, the bases with collared bronze sconces seated in ormolu bowls with finely detailed beaded and fluted borders above circular dishes with beaded and foliate borders over three paw supports, adorned with ormolu acanthus mounts, raised on gilt brass shaped platforms on stepped bronze feet, 19 cm high, 12.5 cm wide, each accommodating tapering clear glass shades with flared rims, cut and etched decoration and brass collars, 27.5 cm high, 15 cm diameter, 41 cm high (combined).
Lot 178
An Empire ormolu and patinated bronze and verde antico encrier, 19 th century, of rectangular form centred by a winged classical female seated on a klismos chair, warming her hands over a brazier flanked by cast lidded urns before a pen tray and within a heart pierced gallery on a rectangular plinth and four cast paw feet, 31cm high, 22cm deep, 41cm wide
Lot 181
Tillmani. A bronze figure of Pan 19 th /20 th century, the smiling fellow with a grape and vine headdress and rudimentary bagpipes under his right arm, he stands in dancing pose on his left leg and grape and vine cast and festooned circular base with cymbals and ribboned dance pole, incised Tillmani, 90cm high
Lot 196
A bronze and ormolu classical urn shaped timepiece, Regency period, the 4 inch white enamel dial with Roman numerals and Arabic minute quarters within an engine turned bezel, single train movement within a square section reeded urn shape case with urn finial and on a stepped square plinth and engine turned bell shaped feet, 36.5cm high 11cm deep, 13cm wide
Lot 201
A French bronze ormolu mounted and sienna marble mantel clock, first half 19 th century, the 4.5 inch engine turned dial within a scaly serpent bezel and rectangular case, 8-day movement striking on a bell with outside count wheel and silk suspension, and stamped ‘Remo a Paris’, acting as a support for a bronze figure of Clio muse of history in contemplation, a gilt scroll on top of the clock and raised on a substantial stepped plinth cast with acanthus and anthemion scrolls and on conforming scroll cast feel, 71cm high, 20cm deep, 50cm wide clock
Lot 202
A French Louis XVI period month going Sienna marble clock, after Francois Reymond (1747-1812), the drum case surmounted by an eagle and above a 6.5 inch white enamel dial with Arabic numerals and in a calendar ringed dial and marked 'Cie des Bronzes a Bruxelles', the month going movement with outside count wheel, striking on a bell, the clock flanked by bronze figures of L’Etude and la Philosophie, after models by Louis-Simon Boizot (French 1743-1809), also cast with a basket of flowers below the dial and a stiff leaf border raised on a Sienna marble base cast with ormolu swags and flowers and on six reeded and impressed bun feet, 52cm high, 16cm deep, 67cm wide Footnote: Francois Reymond (1747-1812) executed bronze figures of study and the philosopher for the Merchant Mercier Daguerre from 1783 onwards, and designed a similar clock around 1785. A drawing of this model attributed to Francois Reymond is illustrated in H Ottomeyer, P Proschel et al, Vergoldete Bronzen Munick, 1986, volume 1, page 295, fig. 4.17.5. Several variants of this model exist with different bas reliefs adorning the base. See Christies Monaco 13 th December 1997 Lot 140, Christie's sale of Hackwood Castle 20-22 nd April 1998 Lot 77, Sotheby’s Paris 18 th December 2001 Lot 294, Christie's New York Partridge 17 th May 2006 Lot 27, Christie's London, Wildenstein Collection 14/15 th December 2005 Lot 18.
Lot 203
A French bronze and ormolu mounted green variegated marble mantel clock, c1900, the 3 inch white enamel dial with roman numerals, the 8-day movement with outside count wheel and stamped 3599, and striking on a bell, also with Medaille d’Or stamp for Samuel Marti, Paris 1900 (Japy movement), with open fretwork rear door, the case surmounted with an eagle and a bronze of Napoleon standing to one side of the stepped plinth and on gilt brass paw feet, 23cm high, 9cm deep, 19cm wide
Lot 204
A French bronze ormolu and variegated black marble mantel clock by Honore Pons 19 th century, of large proportions, the 5 inch silvered dial with roman numerals and 8-day movement striking on a bell with outside count wheel and Medaille d’Or 1827 stamp to the movement within a case cast with rams head top corners and anthemion bottom corners and an acorn and oak leaf cast swag below the dial, the case providing support for a bronze classical figure of Clio muse of History, in contemplation, raised on a substantial stepped base and plinth cast with acanthus and anthemion and stiff leaf boarders and on foliate wrapped scroll bracket feet, 80cm high, 21cm deep, 56cm wide Footnote: Honore Pons was also known Pons de Paul and most of his signed clocks were actually made by Delpine who took over his business in the 1840s. Pons was awarded silver and gold medals in Paris between 1819 and 1839.
Lot 207
A French bronze and white marble mantel clock by F.L.Hausburg, Paris, 19th century, the 3.5 inch white enamel dial with Roman numerals and marked 'F.L.HAUSBURG A PARIS' , the two train movement stamped 'F.L.HAUSBURG 2698' with outside count wheel and striking on a bell, the shaped case cast with a music scroll mount , the stepped plinth supporting a seated thoughtful cherub holding a notebook opposite a classical urn, cog and A frame, rope and bead cast borders and toupie feet 34cm high, 15cm deep, 48cm wide
Lot 11
λSir Jacob Epstein (British, 1880 - 1959) MALVINIA, circa 1944 Patinated bronze, signed 51cm high overall including wood plinth On view at: The Sculpture Park Sir Jacob Epstein KBE 10 November 1880 - 19 August 1959 was one of the leading sculptors of the 20th century, often considered a pioneer of modern sculpture. Born to Polish Jewish immigrant parents in New York, he moved to Europe in 1902. First he studied in Paris, but then, allegedly after a trip to the British Museum, he decided to settle in Britain, becoming a British citizen in 1911. He often produced controversial works which challenged taboos and what was considered appropriate subject matter. One critic dubbed him a ‘sculptor in revolt’. Though he created several large works of a more architectural nature, he is probably best known for his roughly textured and expressively modelled portrait sculptures in bronze. Epstein was drawn to portrait sitters often for their diverse physiognomy and unconventional beauty, sensitively yet unceremoniously rendering his central subject of the human form through acute observation. The portrait bust of Polish model Pola Givenchy sold through these rooms just recently as part of the Oakley House auction was a good example of this, as is Malvinia, which depicts a sitter of African descent. After Epstein’s death in 1959, Henry Moore paid tribute to Epstein, acknowledging that although he was the subject of much derision during his lifetime, his innovative works paved the way for others who would continue to push the boundaries of British sculpture.His works are held in world renowned museum collections including the National Portrait Gallery, Tate, MoMa, and even the Vatican Museums. Malvinia is noted in Evelyn Silber, The Sculpture of Epstein, with a complete catalogue, Oxford, 1986, no 359 λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
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389642 item(s)/page