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Lot 520
Sydney Harpley, RA, 1927-1992, A bronze of a standing female, mounted on a marble plinth base, signed and numbered 6/6 51 x 11 x 14cm (19.89 x 4.29 x 5.46in); together with Two accompanying letters from the artist discussing the sculpture, sold following an exhibition at the Royal Academy for
Lot 2688
Fernand Brassac - a group of three 20th Century cast gilt bronze sculptures, one modelled as a saxophonist, the other two as female dancers, each with cast signature `Brassac`, all raised on wooden bases, one inscribed `Fernand Brassac Sculpteur... Villefranche-de-Rouergue`, heights approx 58cm, 58cm and 74cm.
Lot 155
Auguste Rodin (1840-1917), A bronze bust `Suzon`, signed and inscribed `Cie des Bronzes a Bruxelles` on a fitted bronze socle and veined red marble base with title plate, 18ins In 1870, as the Franco-Prussian War raged in France, Auguste Rodin went to Belgium to work in the atelier of decorative sculptor Albert-Ernest Carrier-Belleuse. He stayed for six years producing his first commercially successful piece in the style of his employer, the bust of a young girl called "Suzon". After a trip to Italy in 1876 exposed him to the work of Michelangelo, he abandoned this style, but at the time Suzon proved very popular and sold in multiple copies. Conceived in 1872, the bust Suzon was subsequently cast by La Companie des Bronzes de Bruxelles between 1872 and 1939. Examples exist in bronze, marble and porcelain.
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