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Lot 348
§ Mario Joseph Korbel (1882-1954) - Mother and child, large bronze figure, mixed greenish-brown mid/dark patina, raised on integral stepped base to further black slate plinth, stamped Mario Korbel, dated 1921 and numbered 3 verso, overall h.41cmCondition report: Patina with typical light surface wear and variance of colour, particularly to prominent raised areas.Dust to relief areas.Nibbles to slate base.Overall and good and decorative piece.
Lot 422
Robert Wyland (American, b. 1956). Pair of sculptures titled "Children of the Sea," depicting a pair of jumping dolphins. One is cast in pale purple acrylic and the other is cast in bronze. The bronze sculpture rests on a marble base and is signed, dated 1990, and numbered 270/300 along the dolphin's tail.Bronze; Height: 9 3/4 in x width: 8 1/4 in x depth: 6 1/2 in. Acrylic; Height: 9 1/2 in x width: 8 1/4 in x depth: 5 in.
Lot 88
DAUM; France, ca.1910.Art Nouveau vase.Green moulded glass, acid-etched with vegetal elements. Bronze foot and mouthpiece.Signed on the reverse.Provenance: Private collection, Spain between 1970-1990.Measurements: 15 cm (height) x 8 cm (diameter).The Daum manufacture was founded at the end of the 19th century by Augustin Daum (1853-1909) from a small family glassworks in Nancy. He was joined by his brother Antonin (1864-1931), and the Daum workshops soon became a meeting place and training ground for many young artists, who gave impetus to the Art Nouveau style in Nancy. At first they made ordinary glass, but in 1891 they decided to open a decorative workshop and to embark on artistic production, probably as a result of the success of Émile Gallé (1846-1904) at the 1889 Exhibition. Eventually, Daum had a factory with more than three hundred employees and a wide range of artistic production. During the First World War, the factory closed, but resumed production after the war, adapting to the change in aesthetics and leaving behind the modernism of its first period. During the Art Nouveau period, most of Daum's pieces were made of acid-etched cameo glass, but with the new Art Deco style, new techniques and decorative styles were investigated.
Lot 363
SUITE OF NICKEL BRONZE TABLE APPOINTMENTS,twelve place setting comprising two sets of table knives and forks, soup spoons, side forks, butter knives, teaspoons, coffee spoons, appetizer forks, pickle forks, larger steak knives, smaller steak knives, and two sets of latte spoons, along with asssorted serving implements including a cheese knife, soup ladle, and cake sliceCondition report: Condition generally good. Wear as per use and age, including tarnish, will require light clean throughout.Additional images including makers mark now available.
Lot 372
DIANA WITH DOGS, A BRONZE SCULPTURE BY KARL HAGENAUER,the Art Deco piece modelled with a standing female with two dogs on a lead, on a shaped oval base, the base 22cm wide, the sculpture overall 34cm wide, 21cm highCondition report: Condition generally good. Light wear as per age, though nothing of real concern. Additional images now available.
Lot 12
A pair of Japanese bronze twin-handled vases, Meiji period, seal mark, relief decorated with birds, height 38.5cm, width 14.5cm.Provenance: The vendors great uncle was in the British Navy at the turn of the 20th century and spent time on the South China Sea and Japan. He collected Asian antiques. The vendor remembers seeing the vases in his house as a little girl.
Lot 120
An Indian carved wood model of a rhino, early 20th century, height 8cm, length 28cm, a Chinese bronze bust, the four faces of Buddha, late 20th century, four character mark to base, height 7.5cm, width 7.5cm and a Chinese carved wood figure of a sage, early 20th century, height 15cm, width 7.5cm.
Lot 142
A Japanese bronze model of a quail, Meiji period, height 12.5cm, length 11cm, depth 6.5cm.Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: one toe is missing. a small chip from underneath appears to have broken off at somepoint and has been glued back on. when you move the item there is some rattling, probably from some loose pieces left inside the quail after the repair. no makers mark.
Lot 218
A Chinese bronze archiac-style fang ding, 20th century, from a limited edition of 50, height 24.5cm, width 19.5cm, depth 15cm.Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.
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349674 item(s)/page