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Lot 15
ARISTIDE MAILLOL (1861-1944)La Nuit cachet du monogramme de l'artiste, cachet de la marque du Fondeur Alexis Rudier 'AR.' et numéroté '3/4' (sous les pieds)bronze à patine verteConçu en 1908stamped with the artist's monogram, stamped with the foundry mark Alexis Rudier 'AR.' and numbered '3/4' (under the feet)bronze with green patina Conceived in 190817.6 x 12.2 x 11.5 cm.6 15/16 x 4 13/16 x 4 1/2 in.Conçue en 1908, cette œuvre est tirée de la première édition sur 4 réalisée du vivant de l'artiste. Conceived in 1908, this work is from the first edition on 4 produced during the artist's lifetime.Footnotes:L'authenticité de cette oeuvre a été confirmée par Monsieur Olivier Lorquin. ProvenanceCollection particulière, France.Collection particulière, France (acquis auprès de celle-ci).BibliographieB. Lorquin, Aristide Maillol, Paris, 2002, un autre exemplaire illustré p. 66.For further information on this lot please visit Bonhams.com
Lot 16
ARISTIDE MAILLOL (1861-1944)La femme au crabe cachet du monogramme de l'artiste (sur la base); cachet de la marque du fondeur 'Alexis Rudier Fondeur Paris.' et numéroté '1/4' (sur la base)bronze à patine verte Conçu en 1930 stamped with the artist's monogram (on the base); stamped with the foundry mark 'Alexis Rudier Fondeur Paris.' and numbered '1/4' (on the base) bronze with green patinaConceived in 193017 x 14.2 x 12.2 cm. 6 11/16 x 5 9/16 x 4 13/16 in.Conçue en 1930, cette œuvre est tirée de la première édition sur 4 réalisée du vivant de l'artiste.Conceived in 1930, this work is from the first edition on 4 produced during the artist's lifetime.Footnotes:L'authenticité de cette œuvre a été confirmée par Monsieur Olivier Lorquin. ProvenanceCollection particulière, France.Collection particulière, France (acquis auprès de celle-ci).For further information on this lot please visit Bonhams.com
Lot 256
A bronze ship's bell from HMS Carnation, early 20th century, retaining its original clanger, inscribed H.M.S. "CARNATION, 26cm high, 25cm diameter; together with an associated black-painted wood wall mount and hook (2) Provenance: By repute, the property of William Fairchild, thence by descent. Footnotes: Note: William Fairchild (1918-2000) was an English author, playwright, actor, and director. He was educated at the Royal Naval College at Dartmouth and served as a naval officer on HMS Warspite during the Second World War. The bell in the present lot may have been from the Azalea-class sloop HMS Carnation launched in 1915 (c.f. a similar bell from HMS Ark Royal sold at Gorringe's, 30 March 2021, lot 34, £1,600), in which case it may have been a gift to William's father who was active as a surgeon in the First World War. Alternatively, the bell may have been from the the flower-class corvette HMS Carnation commissioned on 16 October 1940, leased to the Royal Netherlands Navy from 26 March 1943 - 4 October 1944 when it was renamed Hr.Ms. Friso, and then decommissioned sometime before July 1945, in which case the bell may have been a gift to William from a representative of either the Royal Navy or the Royal Netherlands Navy.
Lot 267
After Constantin Meunier, Belgium, 1831-1905, a bronze relief entitled Le Puddleur, with cast signature C Meunier, inset in a bronze frame with cast monogram to reverse, 33 x 26cmFootnotes: Note: Born in Brussels, Constantin Meunier was a painter, illustrator and realist sculptor who was particularly drawn to the daily life of the working class. From 1884 onward, Meunier dedicated himself to representations of the proletariat, endowing them with a noble and timeless aura.
Lot 270
After Jacques Bousseau, French, 1681-1740, a bronze figure of Ulysses stringing his bow, late 19th century, depicted semi-nude with flowing robe draped over him as he strings his bow while leaning on a tree stump with his plumed helmet by his feet, on a siena marble base, the bronze - 34.5cm high, 37cm high overall
Lot 301
An Italian gilt-bronze and glass twelve-light chandelier, first quarter 20th century, of basket form, hung overall with strings of faceted beads and graduated spherical drops, 101cm high, 84m diameter It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Lot 303
A set of four English gilt-bronze three-light wall appliques, first quarter 20th century, the backplates surmounted by fruiting baskets above a central lion mask and swag, with scroll branches and berried terminals, the reverses stamped RD 539727 for 1910, 50cm high, 24cm protrusion (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Lot 304
A pair of English gilt-bronze three-light wall appliques, first quarter 20th century, the backplates with a scroll and stop-fluted shaped surmount above a central lion mask and swag, with scroll branches and berried terminals, the reverses stamped RD 539727 for 1910, 48cm high, 24cm protrusion (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Lot 315
After Sir Charles Thomas Wheeler PRA, British, 1892-1974, a bronze portrait relief of John Perry FRS, dated 1917, with cast inscription, JOHN PERRY F.R.S MCMXV / CW Sc, mounted on an oak panel, 21.5cm diameter, 41cm high, 34cm wide overall; together with a Victorian bronze portrait roundel, c.1883, after Thomas Woolner R.A., British, 1825-1892, depicting a lady, her hair in a chignon, inscribed T.W .1883, in a wood frame, 16.5 x 14cm (2)Provenance: The Property of the Late Reverend John Watson. Footnotes: Note: John Perry, Irish, 1850-1920, was a pioneering electrical engineer and mathematician. He worked as Lord Kelvin’s assistant at the University of Glasgow, was later a Professor of Engineering and Mathematics at Finsbury Technical College, and and was a fellow of the Royal Society.
Lot 317
Attributed to John Macallan Swan RA RWS, Scottish, 1847-1910, a plaster maquette of a lioness drinking, indistinct inscribed initials to underside, 16.5cm high, 28.5cm wide, 15cm deepProvenance: The Property of the Late Reverend John Watson. Footnotes: Note: A bronze model of this group is illustrated in Roger Milès, Goupil's Paris Salon of 1894, Boussard, Valadon & Cie, Paris and New York, p.63.
Lot 318
Thomas Woolner, British, 1825-1892, Bluecoat Boy Group (Lamb, Middleton, and Coleridge), a plaster figural group depicting a boy reading a book while sat on a stool with two others stood beside him, on an oval base, signed T. WOOLNER. SC, 35cm high, 25cm wide, 17.2cm deep Provenance: Sotheby's, Stokesay Court, Shropshire, 29 Septmber-1 October 1994, lot 4524, label to underside. The Property of the Late Reverend John Watson. Footnotes: Note: The original bronze of the Bluecoat Boy Group was produced in 1875 and resides at Christ's Hospital, London. Thomas Woolner was a founder of the Pre-Raphaelite Brotherhood in 1848, the only sculptor among the members. After attempting gold-prospecting in Australia, he returned to England in 1854 and made his name with a marble bust of his friend Alfred Tennyson in 1857, which is at Trinity College, Cambridge.
Lot 319
Sir William Reid Dick, KCVO, British, 1879-1961, Femina Victrix or The Struggle, a painted plaster model of nude woman wrestling with a python, on a naturalistic oval base signed W Reid D, 23cm high, 36cm wide, 15cm deep (ARR)Provenance: Sotheby's, London, 22 May 1996, lot 149. The Property of the Late Reverend John Watson. Footnotes: Note: An influential figural and portrait sculptor, Sir William Reid Dick served as a member of the Royal Society of British Sculptors, a trustee of the Tate Gallery, and held the position of the King's sculptor, and subsequently the Queen's. Commissions executed by Reid Dick are now held in such prestigious collections as the National Portrait Gallery, the Royal Collection, and the Tate.Also known as The Struggle, this sculpture epitomises Reid Dick's roots in the New Sculpture movement and is clearly influenced by Leighton's work Athlete Wrestling with a Python. The original plaster model was first exhibited at the RA in 1913 and in bronze the following year, an example being purchased by the National Gallery of New South Wales.
Lot 321
After Henry Alfred Pegram RA, British, 1862-1937, a pair of bronze relief plaques from organ pedals, early 20th century, with winged cherub heads, one cast TVBA CHOIR GREAT, the other PEDAL SOLO SWELL, one inscribed H PEAGRAM Ft 1903, 25.5cm high, 29.5cm wide; together with a bronze portrait relief of Margaret Marion Brock, after Henry Alfred Pegram, with cast inscription MARGARET MARION BROCK AGED XIX MONTHS / HENRY PEGRAM FECIT 1915, in an oak frame, 22.5cm diameter, 37 x 36.8cm overall (3)Provenance: The Property of the Late Reverend John Watson. Footnotes: Note: Henry Pegram was a British sculptor and exponent of the New Sculpture movement. He worked as an assistant to Hamo Thornycroft and became a full Royal Academician in 1922. Pegram was a cousin to the Brocks of Cambridge, a family of artists in Cambridge. The portrait relief in the current lot is likely to be the daughter of the sculptor Thomas Brock, also an influential figure in the New Sculpture movement.
Lot 323
An English 'New Sculpture' gilt and patinated bronze relief entitled 'Gloria', early 20th century, depicting the head of a lady with laurel wreath and diadem with winged angels with swords flanking a radiating sun, above a winged angel holding a wreath and a wheat sheath behind a draped banner inscribed GLORIA, with cast date and signature 1902 / J HERBERT HART, on square rouge griotte base, 38cm high overallProvenance: Phillips, Oxford, The Elms, Brampton, March 1997. The Property of the Late Reverend John Watson.
Lot 326
After Elsie March, British, 1884-1974, a bronze figural group of a seated mother and child, with cast signature to reverse E March, on square base, 33cm high; together with a terracotta figural group entitled 'Prayer Time' early 20th century, depicting a seated lady in a flowing dress with two kneeling children, signed and dated D. Welby 1924, on an ebonised base with gilt title, the group - 23cm high; 25.5cm high, 18cm wide, 17cm deep overall (2) (ARR)Provenance: Elsie March figural group purchased from Agnew's Gallery, London. The D Welby group purchased from Nymans, Handcross, 1999. The Property of the Late Reverend John Watson. Footnotes: Note: Elsie March was one of eight siblings who became artists, of which her and her brothers Vernon and Sydney were sculptors. Elsie together with five of her siblings helped complete the bronze groups for the National War Memorial of Canada in Ottawa. That commission was awarded to Vernon in open competition in January 1926 and was left incomplete when he died of pneumonia in 1930. The remaining siblings helped to finish it and it was unveiled in 1939. Elsie sculpted various portrait busts, including Churchill and Beethoven.
Lot 327
A bronze model of a WWI Royal Highlander (Black Watch), second quarter 20th century, depicted standing holding a Lee Enfield rifle with fixed bayonet and wearing a helmet, 08 pattern webbing, gas mask, mess tins, entrenching tool, and kilt, his uniform showing Corporal stripes and RH shoulder titles, on rectangular naturalistic base, 32.5cm high Provenance: The Property of the Late Reverend John Watson.
Lot 333
Richard Cockle Lucas, British, 1800-1883, two wax portrait reliefs, dated 1852 and 1858, one of Reverend Canon Carus, inscribed The Rev. Canon Carus / Winton 1852, signed RC Lucas, the portrait - 16cm high, 32.7 x 26.8cm overall; the other of Reverend C.A. Moore, inscribed The Rev CA Moore / Romsey 1858, signed RC Lucas, the portrait - 16cm high, 32.5 x 26.9cm overall, both in later glazed ebonised frames with velvet mounts; together with a framed letter from Richard Cockle Lucas to Reverend Moore (3)Provenance: The wax portraits were purchased from Joanna Barnes Fine Arts, London, in 1995 and 1996 respectively. The Property of the Late Reverend John Watson. Footnotes: Note: Richard Cockle Lucas, 1800-1883, is predominately known as a sculptor in wax and ivory, but he also worked in glass, marble and bronze, as well as being a painter. He began his career as a sculptor as an apprentice to his uncle, who worked as a cutler in Winchester, carving knife handles. He joined the Royal Academy Schools in 1828 and studied under Richard Westmacott. He exhibited at the Royal Academy between 1829 and 1859 and showed ivory carvings and imitation bronzes at the Great Exhibition in 1851.
Lot 337
After Holme Cardwell, British, 1813–1895, a bronze model of a huntsman and a stag, possibly Hercules and the Ceryneian stag, dated 1859, depicting a Classical figure wearing a flowing cloak and holding a stag by the antler with his right hand while blowing a trumpet with his left, the naturalistic base signed and dated H. CARDWELL / FEC.T. ROME 1859, 20.7cm high, 23cm wide, 10.4cm deep Provenance: The Property of the Late Reverend John Watson. Footnotes: Note: A similar example sold at Sotheby's, Billingshurst, 20 April 1999, lot 578.Holme Cardwell was born in Manchester, before moving to London and attending the Royal Academy School in 1834. He was admitted to the Royal Academy following graduation and exhibited several portrait busts between 1837 and 1840. Cardwell eventually moved to Rome, where he lived off and on for the rest of his life, studying and continuing to produce busts and sculptures in the neoclassical style. Condition Report: In overall good condition. Having an even patina through with minor dents, marks and surface scratches commensurate with age and handling. Lacking base.
Lot 338
A French bronze model of Satan or Mephistopheles stood upon a turtle, late 19th century, in the manner of Jean-Jacques Feuchere, French, 1807-1852, the figure with horns and wings and a curling tail with his left foot on the shell and head of the turtle, on a rectangular black slate base, 24cm high, 8.9cm wide; 17cm deep overallProvenance: The Property of the Late Reverend John Watson. Condition Report: The bronze with a rich, dark patination with some rubbed highlights. There are casting join lines at the top of each arm. The wings are separately cast. The left hand has a tiny raised pin which indicates something was originally being help in this hand. The claw tip of the right wing is missing and is an old worn loss. The base with nicks along the leading edges.
Lot 345
After Aime-Jules Dalou, French, 1838-1902, Homme avec Brouette, second half 19th century, a bronze roundel depicting a farmer pushing a wheelbarrow of hay, cast signature DALOU and inscribed cire Perdue, the reverse stamped 2 above 58900, on a green marble plinth, 8cm diameter, 13cm high overallProvenance: Sotheby's, Olympia, 29 April 2003, lot 113. The Property of the Late Reverend John Watson. Footnotes: Note: Jules Dalou, a dedicated republican and former communard, was a fervant champion of the working man. Towards the end of his life, the artist began an ambitious personal project to create a monument “à la glorification des travailleurs”. Taking it upon himself to visit mines, factories, and farms, the artist created numerous studies of every type of labourer, imbuing them with great dignity and respect.
Lot 356
AMENDMENT: Please note this lot is by Leslie Thornton, British, 1925-2016) and is subject to ARR. A bronze standing figure, late 20th century, in the manner of Paul van Gyseghem, 54cm high (ARR)Provenance: The Property of the Late Reverend John Watson. Condition Report: Some verdi-gris present throughout the bronze, trace elements of gilding to the head, neck and back. The figure intact on the base, some further gilding to the underside of the base.
Lot 363
AMENDMENT: Please note this lot is attributed to Uli Nimptsch, German, 1897-1977 and is subject to ARR. It was exhibited at the Royal Academy Summer Exhibition 1966, no.65.A bronze model of a seated nude lady, late 20th century, the stool incised UN, 31cm high, 14cm wide, 30.2cm deep Provenance: The Property of the Late Reverend John Watson.
Lot 369
A French Second Empire gilt and patinated bronze mantel clock, by Joseph Pierre, Paris, mid-19th century, the case surmounted by a possibly associated bronze model of Napoleon, with foliate friezes, above laurel wreath dial surround, the base with front eagle on ball feet with central oak leaf swag, the dial with Roman numerals and engine turned centre signed Joseph Pierre a PARIS, the eight day countwheel bell striking a bell, with corresponding signature to backplate, 62cm high overallPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: The original statue of Napoleon by sculptor Charles Émile Seurre was commissioned by Louis-Philippe (the last French king) and was installed at the top of the Vendôme column. It was inaugurated on July 28, 1833 in the presence of Louis-Philippe, for the 3rd anniversary of the 1830 revolution which brought him to the throne. The vendome statue was replaced with one of Napoleon draped in a Classical toga, and eventually was installed at the Cour d’Honneur at the Invalides on March 11, 1911, where it still stands today.
Lot 371
A French gilt-bronze and pâte-sur-pâte mantel clock, third quarter 19th century, the arched case surmounted by a floral urn and flanked by female masks and fruit swags, the porcelain panels with figural and floral decoration on a celadon ground, on leaf cast toupie feet, the porcelain dial with black Roman numerals and gilt-painted outer minute track, with scrolling gilt hands, the twin train eight day movement striking a bell, the backplate stamped JAPY FRERES ET CIE / EXP 1855 / GRD MED D'HONN, numbered 6449 and 5819, with associated pendulum marked THIEBLE, 34cm high, 29.5cm wide, 13.5cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 507
A Napoleon III brass, ivory and mother-of-pearl inlaid ebonised breakfront cabinet, third quarter 19th century, gilt bronze mounted, marble top above door, on plinth base and toupie feet, with paper label for Rue de la Roquelle 21 SCHAMBER FABRIQUE & MAGASIN DE MEUBLES DE LUXE Genre Boule & Bois de Rose PARIS, 110cm high, 146cm wide, 45cm deepIvory submission reference: FEYN9YND Provenance: Property from the apartment of Madame Dewi Soekarno, Avenue Montaigne, Paris.Condition Report: some splitting to the lacquer, some lifting to brass inlay, split to the left side panel, structurally sound
Lot 508
A Napoleon III gilt brass and tortoiseshell 'Boulle' style centre table, third quarter 19th century, with gilt bronze mounts, the cartouche top above frieze drawer, on cabriole legs, 75cm high, 132cm wide, 83cm deepProvenance: Property from the apartment of Madame Dewi Soekarno, Avenue Montaigne, Paris.Condition Report: scratches throughout, small piece of tortoiseshell missing, structurally sound, overall very good condition
Lot 509
A French kingwood kidney table a ecrire, of Louis XV style, first quarter 20th century, with gilt bronze mounts, the superstructure with central alcove and four drawers, the tooled leather writing surface above three drawers, on tapering legs to paw feet, with keys, 99cm high, 97cm wide, 56cm deepCondition Report: scratches and stains throughout, scratches and scars to leather, some minor splits to veneer, minor pieces of veneer missing, structurally sound, overall very good condition
Lot 1463
Vierkantvase Typ "Fang-Hu". Bronze mit brauner Patina (teils l. fleckig bzw. berieben). Vollflächiges, archaisierendes Reliefdekor, überwiegend in Rautenform, der Fuß mit Mäanderfries. Seitlich plastische Taotie-Masken mit beweglichen Ringhenkeln. Im Boden mitgegossene, quadratische, kalligraphische Vierzeichenmarke. China, wohl 19. Jh. H. 37 cm. Beigegeben: Originaler, geschnitzter Holzsockel (l. besch. und rep.).
Lot 1538
Gu-förmige Vase im archaischen Stil. Bronze mit dunkelbrauner Patina, 2.775 g. Mittelteil der Wandung und Fuß mit gegrateten Stegen. Ziseliertes Mäanderbandmuster, darüber reliefierte Ornamente im archaischen Stil. Wandung, Boden und Fuß mit kl. Defekten (Löchern), am Ansatz des Fußes seitlich je ausgesägtes, kreuzförmiges Loch. Unter dem Boden ungedeutete Marke. Wohl China, wohl 19. Jh. H. 31,5 cm.
Lot 1559
Skulptur eines Beamten mit Schriftrolle. Bronze, farbig gefasst (Fassung teils abgeblättert, teils erg.). Auf quadratischem Sockel mit vier Füßen stehend, die Schriftrolle vor sich in den Händen tragend. Altersspuren, Sockel verbogen und Gewand mit Loch. China, späte Ming-Periode, 16./17. Jh. H. 20,5 cm.
Lot 1585
Feine Schmuckschatulle. Hartholzkorpus mit vier feinen Einlagen aus Bronze mit kupferbrauner Patina. Reich ziseliert und fein dekoriert in Silber, Gold, Kupfer und Shibuichi Takazogan. Aufwendiger Bronzegriff, teils vergoldet. Front mit Tür, innen mit Lackarbeit und drei Schüben, die Front aus Elfenbein mit Bronzegriffen. Altersspuren. Japan, Meiji-Periode, 19. Jh. 15x 12x 15 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-610 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 2802
Cartelluhr im Stil Louis XVI. Vergoldete Bronze. Reich reliefiert mit seitlichen Ziergittern, aufgelegten Voluten- und Rankenverzierungen, Zierurne als Bekrönung. Rund verglastes, weißes Emailzifferblatt mit schwarzen, arabischen Ziffern und Blumenmalerei. Pendelwerk mit Federaufzug, Halb- und Stundenschlag auf Glocke. Frankreich, Ende 19. Jh. 43x 20x 11 cm.
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