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Lot 1
A Japanese Bronze Figure of Mother and Child, Meiji Period (1868-1912), standing, holding a water kettle in her left hand, she leans forward to prevent her child grabbing her hair comb, on a rustic shaped flat plinth, cast three character applied kakihan, 38cm high (small loss to pipe? in her left hand)
Lot 1
A Japanese Bronze Figure of a Diamyo, Meiji Period (1868-1912), in military outfit, a pair of horns fixed to the front of his pointed headgear, grasping a sword in his left hand, holding a fan in his right, 27.5cm high, upon a carved and pierced wood stand with frontal chrysanthemum motif, 36cm high overall
Lot 1
Adrian Jones (1845-1938) The Jockey Fred Archer on Ormonde, a Racecourse in the Background, Signed, also inscribed "Sketch, Archer on Ormonde" and dated "1886", also inscribed on the stretcher verso, oil on canvas, 28.5cm by 35. 5cm (11 1/4in by 14in) *The picture bears close similarity to the pose in Adrian Jones's bronze Fred Archer on Ormonde, illustrated in Claude Berry's "The Racehorse in 20th century Art", 1989 *The painting is sold together with details on the races won by Ormonde, some biographical details on the jockey Fred Archer and photocopied information from the British Sporting Art Trust dated March 1984
Lot 1
A Cold Painted Bronze Figure of a Dancing Lady, Franz Bergman, Austria, circa 1910, the eastern dancer wearing a tasselled brassiere, uplifting the hem of her skirt, which hinged to reveal her nude lower torso, upon cloth coloured cylinder base, signed "Nam Gred" and Bergman Frans mark, 14cm high
Lot 1
Mecanique, A Collas' After Michaelangelo: A Bronze Figure of Moses, the bearded figure with horn-like rays of light emanating from his head, holding the Commandments tablet beneath his right arm, wearing classical robes, with foundry mark "F Barbedienne Fondeur", and with "Reduction Mechanique" stamp, 41.6cm high
Lot 1
A Bronze and White Marble Striking Mantel Clock, signed "Lenoir" A Bronze and White Marble Striking Mantel Clock, signed Ene Lenoir, a Paris, circa 1880, the case surmounted by a bronze cherub flanked by musical sheets and birds, upon rectangular shaped plinth, 3-1/2-inch white enamel dial with blue Roman and Arabic numerals, twin barrel movement with countwheel striking on bell, backplate stamped "Vincenti" and numbered "6019", 31cm high
Lot 1
A French White Marble and Gilt-Bronze Striking Lyre Clock, signed F Berthoud, Paris, circa 1880, with radiant mask cresting flanked by eagles heads, paste gem set bezel applied gilt-bronze floral decoration around the case, 5-1/2-inch enamel dial with Arabic numerals and painted floral swags, signed "F Berthoud, Paris", twin barrel movement with striking on bell, backplate stamped "Vincenti" and numbered "1706", 70cm high
Lot 1
Auguste Rodin, 1840-1917, SUZON, inscribed A. Rodin and stamped with the foundry mark Cie de bronzes Bruxelles, bronze with brown patina, height (including base): 37cm.; 14.5in. Originally executed in 1872 and subsequently cast by La Compagnie des Bronzes de Bruxelles between 1872 and 1939 in an unknown edition. Literature, Denys Sutton, Triumphant Satyr: The World of Auguste Rodin, London, 1966, p. 28, Robert Descharnes, Auguste Rodin, Geneva, 1967, p. 46, illustration of another cast, Ionel Jianou & C. Goldscheider, Rodin, Paris, 1967, p. 85, Albert E. Elsen, Rodin, London, 1974, p. 206, John L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 1976, p. 582, no. 106-2, illustration of another cast, Renee Plouin, Annie Champie & Rodolphe Walter, Auguste Rodin Catalogue raisonne de l'oeuvre sculpte, vol. I, Paris, 1989, p. 84, no. 64, illustration of another cast, John L. Tancock, Rodin in Mexico, Collection of European Sculpture from the XIX and XX Centuries, Mexico, 1997, pp. 17 & 26, illustration of another cast,
Lot 1
Auguste Rodin, 1840-1917, LA MAIN CRISPEE DROITE, PETIT MODeLE, inscribed A.Rodin, bronze with black patina, 7 by 15 by 10cm.; 2.75 by 6 by 4in. Conceived circa 1885 and cast in bronze between 1910 and 1930. Provenance, Collection Derek Hill, England, This work will be included in the forthcoming Catalogue Critique de l'Oeuvre Sculpte d'Auguste Rodin being currently prepared by the Comite Rodin under the archive no.2005V564B.
Lot 1
Property of a private European collection: Emile-Antoine Bourdelle, 1861-1929, GUEULE DE GUERRIER, inscribed with the cipher and (c) BY BOURDELLE, stamped with the foundry mark Susse Fondeurs and numbered No.5, bronze, height: 28cm.; 11in. Originally conceived between 1893 and 1900, this version was cast in bronze in the 1960s.This mask is a study for the Monument des Combattants et Defenseurs du Tarn-et-Garonne commissioned by the citizens of Montauban, the sculptor's birthplace, to honour those who had fought in the 1870-71 Franco-Prussian war. Provenance, Sale: Galerie Motte, Geneva, 3rd July 1971, lot 36, Purchased from the above by the present owner, Literature, Carol Marc Lavrillier & Michel Dufet, Bourdelle et la critique de son temps, Paris, 1992, p. 83, illustration of another example,
Lot 1
Salvador Dali, 1904-1989, HOMAGE a TERPSICHORE (LA DANSE), inscribed Dali, numbered 232/350 and stamped with the foundry mark Jemelton 1984 , bronze with a green and gold patina in two parts, each: 70.5cm.; 27.75in. Conceived in 1977 and first cast , in bronze in 1984 in a numbered edition of 350 plus 35 Artist's , Proofs. Literature, Dali, The Stratton Foundation for , the Cultural Arts, 1989, p.73, no. 24, illustration of a larger , castRobert & Nicholas , Descharnes, Dali - le dur , et le mou - sculptures et , objets, Paris, 2004, p. 234, no. 593, illustration in colour , of another cast, W
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350105 item(s)/page