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An assortment of sundry items to include a Chinese lacquered bowl and cover, a small rosewood jardiniere stand, an oval mahogany card tray with central shell decoration, a Maelzel metronome, a Chinese bronze senser, a pair of binoculars, brass bell, various carved figures, a wooden bowl and a heavily carved Chinese bamboo vase
A PAIR OF FRENCH GILT BRONZE AND ENAMEL VASES in Louis XVI style and inset with pairs of oval plaques of 17th c scenes of a game of chess or challenge to a dual and a gentleman paying a compliment to a kitchen maid or a prince and another nobleman visiting a house by night by Sieffert, all signed, in cartouche shaped frames with masks, the sides with swags and paterae over diaper trellis, on spirally fluted foot and marble plinth, 34cm h, c1890 Louis-Eugène Sieffert (b1842) is better know for his decoration on porcelain, in particular Sèvres. In London, he decorated Coalport and Brown-Westhead, Moore & Co porcelain for the retailer, A B Daniell & Co. Much accretion of dirt and grime but in fine entirely original condition, the enamels undamaged and free from restoration, the vases also fine, the gilding worn in places and with old discoloured lacquer or polish, the marble plinths slightly chipped
A FRENCH GILT BRONZE MANTEL CLOCK the drum cased movement with enamelled dial inscribed Atne Martin a Paria, crested by palms and curling leaves between pillars surmounted by lyres, on later wood base, 39cm h, early 19th c Losses and replacements, the movement substituted for a battery movement but present and sold with the clock
A FRENCH GILT BRONZE-MOUNTED GARNITURE DE CHEMINEE inset with plaques of platinum ground porcelain painted with coastal scenes in polychrome and red `jewelled` borders, the clock with ogee pediment and fluted pillars flanked by a pair of two handled oviform vases, on stepped square base, the circular movement with medallic backplate and striking on a bell, clock 30cm h, giltwood and maroon velvet plinths with ebonised bases and glass shades, c1870 In a fine state of preservation with some natural accretion of dirt and grime, the lacquer almost certainly original and in basically good condition, lacking one or two of the tiny red enamel jewels, the plinths and glass domes original with cords. A good example of the type
19th Century ormolu and bronze figural vase stand formed as a classical lady holding her arms aloft and standing on a white marble base, 25.75cm high, a 19th Century bronze urn shaped pastille burner having gilded mask head handles and standing on triple lion claw supports with a triform platform base, 9cm diameter, a brass candlestick, the reeded column with flared pierced decoration, standing on a circular pedestal with applied boss, circular foot, 21.5cm high and a bronze figure of a cherub, his arms outstretched, standing on a black slate base, 24.5cm high.
19th Century Grand Tour brass and mother-of-pearl counter bell standing on a circular alabaster base, 10cm high together with a similar ovoid shaped scent bottle case opening to reveal two glass bottles, 12cm high and a bronze paper knife, the handle formed as the stylised head of a bird, 25cm long.
19th Century Italian bronze perfume burner by Sommer of Naples having a circular bowl top with cast foliate decoration, the four tapered half reeded supports having ram`s head capitals conjoined by garlands and standing on hair claw feet, square base with foundry mark to the underside Fonderia Sommer Napoli, 44.5cm high.
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360903 item(s)/page