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Lot 387
CHINE - XIXe siècle VASE boule à décor de scènes de palais sur le registre médian Les prises en forme de chiens de Fô retenant des anses annelées Porcelaine et émaux polychromes, monture européenne de bronze H. 20,5 cm (hors monture) Nous garantissons pas l'état de la porcelaine sous la monture
Lot 435
CHINE - XIXe siècleVASE à panse boule et col légèrement évasé Le décor de chauve-souris et fleurs de lotus dans leurs rinceaux sur fond turquoise Les anses en forme de sceptre ruyi Porcelaine et émaux polychromes, monture de bronze européenne de style Louis XV Marque en zhuanshu H. 30,5 cm Trace de col sur la lèvre Nous ne garantissons pas l'état de la porcelaine sous la monture
Lot 142
A Unique English Coronet Midget camera cane. The cane consists of a wooden shaft with a bronze case at the top and a sharp bronze end at the bottom. The upper part ends with a handle. On the cane is a bronze plaque with the inscription "Brigg Sticrs London", Inside the cane is a camera with a tripod. The brown bakelite Camera is 3 1/3" high and 1 1/4" deep. Just below the viewing window on one side, there a tin plate that says: " Coronet Midget", 26mm Film", " Made by the Coronet Camera Co., Birmingham", "British Patents Applied For" and "Design registered". On other sides there is a wheel for advancing film, a lever that clicks to take pictures, a window that can advise how many exposures remain, and a hinged door for loading film. All camera mechanics appear to be in working order. General condition is very good. It is ca 1930s, and it is a unique example. The Coronet Midget, first made in 1935 by the Coronet company in England, took advantage of the way Bakelite could be moulded into weird shapes and coloured in ways that were new to the camera world. It took 16mm rollffilm, complete with numbers that could be read through a red window on the back. Midgets were styled in an unusual upright design and sold in five basic colours – black, brown, red, green and blue. But there were two shades of green; and some had plain bodies while others were mottled; and there were variants in the shape of film winding knob. The dedicated collector makes sure to collect all five colours. The really dedicated collectors goes for all the variants as well. Thomas Brigg & Sons, said to have been founded in 1836, were makers of umbrellas and canes in London. In December 1884, Thomas Brigg & Sons were awarded their first royal warrant as umbrella-makers to Queen Victoria.in 1899, the firm entered the continental market by opening a showroom at 33 avenue de l'Op?ra, Paris, a splendid corner site at the junction with the rue Neuve-des-Petits-Champs (since 1944, the rue Danielle-Casanova) in the 1st arrondissement. This shop brought more royal patrons, among them the King and Queen of Spain. They merged with the London firm of Swaine & Adeney to form Swaine, Adeney, Brigg & Sons Ltd in 1943.
Lot 152
Morion helmet in the style of the 16th century. Iron open helmet with brim forming high peaks front and back and turned down at the sides. Edged turned in at rim. Bronze Rivets around crown base. Dark patina with moderate oxidation. Good condition. A very beautiful item that would make a great addition to any collection. 19th century.
Lot 189
MAUSER BAYONET DAGGER, Length 43 cm. Belonged General of the Army Don Raul Alvarez Penaranda. The metal parts of the bayonet are nickel plated. The scabbard bears the inscription "EJERCITO BOLIVIANO". The grips on the handles are made of horn. Bayonet in a wooden case. Attached to the case is a bronze plaque with the inscription "Cuchillo bayoneta "Mausser" oesequiado por el Senor Gral. Div. Commandant General del ejercito Don Raul Alvarez Penaranda, usado en defense de la patria y de su petroleo en la campana del Chaco 1932 a 1935. La Paz-Bolivia". Great item for collecting antique weapons and militaria.
Lot 272
A bronze falconet, cannon with percussion lock. France, 19th century. The overall length of the barrel proper is 93 cm from muzzleface to endings, barrel hole 5 cm. On the trunnion of the cannon there are marks on one side PD 40, on the other side No. 49. Falconet fitted with its original iron swivel mount. The percussion lock is located in the breech of the barrel. Comes with a wooden stand. The falconet was a light cannon developed in the late 15th century, were types portable cannon or swivel gun, sometimes mounted on merchant vessels and warships. Rare item in good collectible condition.
Lot 830
HOFFMANN, OTTO (1885-1915) "Die Kastagnetten-Tänzerin" Bronze auf Serpentinsockel montiert, auf einer Plinthe stehende Tänzerin im Tanzschritt, in beiden Händen Kastagnetten haltend, rückseitig in der Plinthe signiert, H: 26 cm. (ohne Sockel)HOFFMANN, OTTO (1885-1915) "Die Kastagnetten-Tänzerin"Bronze auf Serpentinsockel montiert, auf einer Plinthe stehende Tänzerin im Tanzschritt, in beiden Händen Kastagnetten haltend, rückseitig in der Plinthe signiert, H: 26 cm. (ohne Sockel)
Lot 831
DIANE HERZOGIN VON WÜRTTEMBERG, PRINZESSIN VON FRAKREICH (1940) "Die Frau im Mond" Sign. und bet., Ex. 26/99, Bronze patiniert und teilvergoldet, H: 18 cm. incl. Sockel, dazu Authentizitäts-Zertifikat 2011 mit persönlicher Unterschrift der Künstlerin. DIANE DUCHESS OF WURTTEMBERG, PRINCESS OF FRAKREICH (1940) "The Woman in the Moon".Signed and inscribed, ex. 26/99, bronze patinated and partly gilded, h: 18 cm. incl. base, with certificate of authenticity 2011 with personal signature of the artist.
Lot 832
SCHNAUDER, REINHARD (1856-1923) "Kenn dich selbst" 1912 signiert und dat. "Reinhard Schnauder 1912", Gießereistempel "Guss v. Pirner & Franz, Dresden", schauseitig betitelt "Kenn dich selbst" in griechischer Sprache, Bronze braun patiniert, Darstellung des nackten Eros, an eine Stele mit Büste der Pallas Athene gelehnt, in der Hand eine Schriftrolle, auf einem hohen Sockel mit reliefierten Maskaronen, Lyra, Fackel, Flöte und Lorbeerkranz, H: 45 cm. Altersspuren. SCHNAUDER, REINHARD (1856-1923) "Know thyself" 1912signed and dat. "Reinhard Schnauder 1912", foundry stamp "Guss v. Pirner & Franz, Dresden", titled on the front "Kenn dich selbst" in Greek, bronze brown patinated, depicting the naked Eros leaning against a stele with a bust of Pallas Athena, holding a scroll, on a high base with mascarons in relief, lyre, torch, flute and laurel wreath, h: 45 cm. Signs of age.
Lot 834
BOURGEOIS, CHARLES ARTHUR (1838-1886) "Schlangenbeschwörer" Bronze, hellbraun patiniert und auf dem Stand signiert "Artur Bourgeois" auf profiliertem Rundstand ein in tänzerischer Pose auf einem Bein stehender und eine Flöte spielender junger Afrikaner mit Federschmuck und beweglichen Ohrringen, der einen Stab hält, zu seinen Füßen eine Schlange, H: 32 cm. Leichte Altersspuren, Posthumer, neuzeitlicher Guss. BOURGEOIS, CHARLES ARTHUR (1838-1886) "Snake Charmer". Bronze, light brown patinated and signed on the stand "Artur Bourgeois" on a profiled round stand a young African standing in a dancing pose on one leg and playing a flute with feather ornament and movable earrings, holding a staff, at his feet a snake, h: 32 cm. Slight signs of age, posthumous, modern cast.
Lot 838
LE FAGUAYS, PIERRE (1892-1962) "Läufer" Bronze, patiniert, sig."LE FAGUAYS" und Schlagstempel "BRONZE", H: 33 cm. (ohne Steinsockel) Altersspuren. LE FAGUAYS, PIERRE (1892-1962) "Runner".Bronze, patinated, signed "LE FAGUAYS" and stamped "BRONZE", h: 33 cm. (without stone base) signs of age.
Lot 841
FRITSCH, WILLIBALD (1876-1948) "Knabe als Bogenschütze" 1902 Bronze, dunkelbraun patiniert, auf der Plinthe sig. und dat., über einer leicht naturalistischen Plinthe vollplastische Darstellung eines Männerakts, den Bogen spannend, H: 52 cm. Leichte Altersspuren. FRITSCH, WILLIBALD (1876-1948) "Boy as Archer" 1902Bronze, dark brown patina, signed and dated on the plinth, above a slightly naturalistic plinth a fully sculpted depiction of a man's act, cocking the bow, h: 52 cm. Slight signs of age.
Lot 842
FONDERIA SOMMER "Antikenkopie einer Standfigur des Narziss" Neapel, 19.Jh., Bronze, goldfarben patiniert, bez."Fonderia Sommer Napoli", vollplastische Figur des Narziss nach antikem Vorbild auf einem niedrigen, runden Sockel, H: 65 cm. Altersspuren, Verschraubung locker. Die hier vorliegende Standfigur des Narziss stammt aus der Werkstatt des in Frankfurt am Main geborenen Giorgio Sommer. Er ließ sich 1857, zunächst mit einem Fotostudio, in Neapel nieder und eröffnete dort ab den 1870er Jahren eine Werkstatt, in welcher er antike Kunstwerke in Bronze und Terrakotta replizierte. Seine Arbeiten erfuhren im 19. Jahrhundert eine recht weite Verbreitung. Das heute im Museo Nationale, Neapel befindliche Original wurde 1862 bei einer Grabung in Pompeji wiederentdeckt. FONDERIA SOMMER "Antique copy of a standing figure of Narcissus".Naples, 19th century, bronze, gold-coloured patina, inscribed "Fonderia Sommer Napoli", fully sculpted figure of Narcissus after an antique model on a low, round base, h: 65 cm. Signs of age, loose screws. This standing figure of Narcissus comes from the workshop of Giorgio Sommer, born in Frankfurt am Main. He settled in Naples in 1857, initially with a photography studio, and opened a workshop there from the 1870s onwards, where he replicated antique works of art in bronze and terracotta. His work became quite widespread in the 19th century. The original, now in the Museo Nationale, Naples, was rediscovered in 1862 during an excavation in Pompeii.
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