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Lot 1222
Enzo Plazzotta (Italian, 1921-1981), large patinated bronze sculpture, The Pitcher Girl, numbered 6/9, foundry mark of Luigi Tommasi, height 113cm No damage or restoration, bought new by current vendor in approx 1972, no paperwork but believes it to be possibly from The Mercury Gallery in London along with another example by Plazzotta
Lot 157
A large and heavily patinated 19th century bronze - 'Leda and the Swan' - signed 'Bartolini' (Lorenzo, Italian, 1777-1850) (41cm wide x 27cm highest point) Condition Report: in good order with even surface patination. Bronze is signed and not numbered. After the original by Lorenzo Bartolini (1777 to 1850). See images of labels/inventory number for Chicago institution 1974.
Lot 168
A very fine, large and heavy gilt metal (probably bronze) late 19th century table lamp: two angular handles decorated with applied plumes of Prince of Wales style feathers flanking the top section decorated with Anthemions and leaves in low relief, the main conical-shaped ungilded body decorated in relief with female musicians carrying varying instruments, stepped base leading to a gilded lower moulding cast with stiff leave-style decoration, raised on four individually marked (to the underside) animal's paw feet with scrolling and wing-style ear pieces (71cm high to top of brass electrical fitting)
Lot 20
A two-handled 19th century continental porcelain (Sitzendorf) vase and cover: the dome-topped cover encrusted with flowers and leaves above the two-handled body with winged cherubic style figures and a multitude of further applied flowerheads and leaves and two flat vignettes of varying floral sprays, on pierced pedestal foot with further encrusted flowers, blue 'H' mark to underside (24.5cm high) Condition Report: Metals untested but thought to be possibly a mixture of bronze, low grade silver and brass. The largest beads are 24mm x 12mm , 23mm x 9mm.
Lot 338A
A good selection of WWI and later military and civilian badges and buttons to include: a German WWI wounded badge; cap badges of the York and Lancaster Regiment’ Liverpool Scottish, R.A., Irish Rifles, Cheshire Regiment and Grenadier Guards;26 lion and unicorn tunic buttons, 9 ARP buttons; 2 League of Ovaltineys (bronze and silver star).
Lot 122
Bromsgrove Guild of Applied Arts - An early 20th Century patinated bronze rectangular plaque with the motto 'For men must work and women must weep the sooner tis over the sooner to sleep' with cast panels, affixed to a wooden back board, plaque 49cm x 7.5cm. Provenance - Commercial manager and former metallurgist of The Bromsgrove Guild, thence by descent
Lot 123
Bromsgrove Guild of Applied Arts - A small early 20th Century patinated bronze model of a Scottish Terrier, unmarked, length 9cm. Provenance - Commercial manager and former metallurgist of The Bromsgrove Guild, thence by descent. NB - It is believed these were specially commissioned by the President of the Scottish Terrier Society and represents their view of a mathematically perfect profile of the breed.
Lot 127
Bromsgrove Guild of Applied Arts - An early 20th Century patinated bronze desk or paper weight modelled as a pelican feeding her young with Bromsgrove Guild Limited to the domed base, diameter 8.5cm. Provenance - Commercial manager and former metallurgist of The Bromsgrove Guild, thence by descent.
Lot 128
Bromsgrove Guild of Applied Arts - A small early 20th Century patinated bronze roundel cast with a female nude surrounded by babies. with Bromsgrove Guild Worcestershire England, set with a red veined marble mount, diameter 10cm. Provenance - Commercial manager and former metallurgist of The Bromsgrove Guild, thence by descent.
Lot 1297
Peter Layton - A studio glass vase of low shouldered ovoid form with tall collar neck decorated with whiplash lines and iridescent spots over a tonal bronze ground, height 17.5cm, together with another vase of low shouldered form with collar neck and flared rim in a mottled green finish. (2)
Lot 1448
Enzo Plazzotta (1921-1981) - Standing partially nude female figure, bronze, signed and numbered 5/12, foundry stamp for Morris Singer Founders London, standing before two framed mirror panels and raised to a black painted wooden plinth base, height of bronze 55cm and height of mirror back 62cm, width of base 44cm and depth 30cm.
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