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Lot 807
Large and impressive antique Chinese bronze censor on stand, the bulbous censor with flanking dragon form handles and pierced dragon and bat cover, all applied in low relief with archaic motifs and lappet borders, with fifteen character mark to base, on mask headed tripod supports, 48cm high, raised on carved hardwood stand
Lot 966
After Antoine Louis Barye (1796-1875): Antique bronze sculpture of a bull fighting a tiger, on oval pedestal base, signed and stamped 'BARYE 2'. 26cm longWidth 26cm, height 22cm. Plinth is 22.8cm long by 10.7cm deep. Good original condition. Multiple additional images now available attached to this lot online at our website and thesaleroom.com
Lot 126
Antoine Louis Barye (French, 1839-1882): A patinated bronze of Deux chiens en arret devant un lapin' (Two dogs coursing a rabbit)the two hounds in pursuit of a hare, raised on naturalistic base, signed BARYE, 9.8cm high, 28cm wideFootnotes:LiteraturePoletti, Michael and Richarme, Alain, 'Barye, catalogue raisonné des sculptures', Gallimard, Paris, 2000, p149, A28.For further information on this lot please visit Bonhams.com
Lot 299
Ian Greensitt (b.1971): A patinated bronze model of a rhinothe whole raised on naturalistic base, signed, dated and numbered I Greensitt/08/4/12, 37cm wide, 21cm highFootnotes:ProvenanceWith Christies, 25th May 2023, lot 269.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 259
After Alfred Dubucand (French, 1828-1894): An impressive tri-colour patinated bronze figural group of 'Hunting in the Sahara'formed as an Arab male hunter seated on a camel, his right arm raised, clad in a red patinated waistcoat, breeches and turban, a rifle slung over his shoulder, the camel with tassel hung saddle and harness, two running hounds at its feet, on green verdigris naturalistic oval base, raised on a separate recessed mahogany stained wood stand of canted panelled form on moulded base, the bronze group, 134cm high, 124cm wide, 44cm deep approximately, the stand, 27.5cm, 132cm wide, 66.5cm deep approximately overall (2)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 212
A late 19th century cut glass desk seal together with a similar period bronze horse's head desk sealthe glass seal with faceted tapering handle, the waisted circular base with an intaglio engraved coat of arms, contained within a plush velvet and satin lined leather presentation case, the bronze seal with waisted base with cast intaglio coat of arms, the glass seal, 10.5cm high (not including case), the bronze seal, 7cm high (2)For further information on this lot please visit Bonhams.com
Lot 439
A pair of 19th century and later gilt and patinated bronze twin-light figural candelabrathe foliate scrolling arms with milled and beaded urn nozzles above dished collars and raised on draped classical female supports, the cylindrical pedestals with applied satyrs' masks, on acanthus moulded square bases with winged putti mask cast feet, 44cm high (2)Footnotes:ProvenanceProperty of a UK collector.For further information on this lot please visit Bonhams.com
Lot 4
A third quarter 19th century French gilt bronze and white marble mantel figural mantel clockthe movement stamped Rollin A Paris, and with Japy Frères pastilethe drum case flanked to one side with a the figure of a youth clad in pseudo late 17th century dress examining a flower through a glass, the moulded bow-ended plinth base raised on lobed foliate toupie feet, the 3.25' enamel dial with Roman numerals, the brass twin spring driven movement with Brocot type suspension and outside countwheel striking on a bell, with winder, 27.5cm high approximately This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 133
After Antoine-Louis Barye, French (1795-1875): A green patinated bronze model of 'Cheval Turc No. 2, antérieur gauche levé, terrasse ovale'the rearing horse mounted on a naturalistic rectangular base bearing signature to one corner BARYE, mounted on a verde antico and white marble moulded stepped plinth, and raised on a later green marbled paper covered wooden rectangular pinth, the bronze model, 17.5cm high, 47cm high overallFootnotes:Barye modelled four different versions of the Cheval Turc No 2, each of similar form but one version with left leg raised, one with right leg raised, and then each of these either on a rectangular base or an oval base (as in the present two bronzes). Although coming from the same collection, the present lot and the horse with right leg raised were probably not cast at the same time but were united at some point before 1928 when the owner of the collection passed away.Barye designed his first version of Cheval Turc No 2, which was on a rectangular base, between 1837 and 1847; and it appeared in his catalogue of 1847/8. It proved to be so popular that the sculptor went on to produce the two versions on oval bases after 1857 and then two other editions of smaller size around 1870.LiteratureM. Poletti, A. Richarme: Barye. Catalogue raisonné des sculptures, Univers du Bronze, Paris, 2000. A129 and A130.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 325
Rudolf Francke (German, 1860-1933): A patinated bronze figure of an African tribesmanthe figure with wrapped tusk over his shoulder, the circular base signed Rudolf Francke 98 with Aktien-Ges Vurm H. Gladenbeck & Sohn Friedrichshagin, pastille, raised on circular stepped plinth base, 42cm high overallFor further information on this lot please visit Bonhams.com
Lot 2
A late 19th century gilt, silvered and niello decorated bronze mantel clockthe movement stamped 20537the rectangular case with twin stylised griffins and stylised floriate scrolls, the swept hipped top surmounted with an elaborate twin handled urn, the front with applied leafy cartouche, the corners with scroll mounts, the footed plinth base with Greek key border decoration and corresponding corner scrolls, the 4' Roman dial with foliate roundel centre and pierced hands, the brass twin train movement with Brocot type suspension striking on a gong, the matching pendulum stamped 205, 38.5cm high approximately For further information on this lot please visit Bonhams.com
Lot 249
After Emile Louis Picault (French, 1833-1915): A pair of large green verdigris and patinated bronze figures of an Egyptian Priest 'Pastophore' and an Egyptian scribe 'Hierogrammate'both clad in formal robes and headdresses, the former holding an offering of a ceremonial bull, his other hand raised, the latter holding an canopic jar with Amen Ra eagle finial, his raised hand holding a stylus, their sandaled feet raised on square bases, each with facsimile signatures Picault on conforming stepped square plinths, 73cm high, 31cm wide, 27cm deep (2)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 357
A pair of late 19th century gilt and patinated bronze and rouge marble figural six-light candelabrain the Empire styleformed as winged female figures of Victory clad in draped robes standing on globes raised on leafy socles, each holding aloft an anthemion cast composite baluster fitting issuing five elaborate floral scrolling and reeded acanthus cast arms with palmette and floriate cast nozzles centred by a further corresponding nozzle, the rectangular square section pedestals with applied laurel wreath mounts, raised on foliate cast shallow square plinth bases, later drilled for electricity, and now lacking fittings, 93cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 6
A late 19th century silvered bronze minaret timepiece probably produced for the Turkish marketthe dial signed for Elkington & Co. Paristhe rectangular case with plain columns to the corners, shaped arched crestings and lobed urn finials, the top with domed minaret with turned finial, the whole with elaborate with gouged scrolling decoration, the sides with shaped arched panels, the front with similar arched mask to the bevelled glass, on ogee bracket feet, the 2.5' silvered dial with engraved decoration and Turkish numerals, and blackened steel hands, the brass spring driven movement with platform escapement with compensated balance, the backplate numbered 43373, with winder, 23cm high approximately For further information on this lot please visit Bonhams.com
Lot 1
A late 19th/early 20th century gilt and patinated bronze and white marble figural clock garniturethe inner backplate stamped A.1 and numbered 15217the globe case with applied Roman numerals with serpent hands supported by three winged putti standing on a cylindrical pedestal base centred by a single flowerhead mount, the sides applied with a laurel pendant garland, on cut corner plinth base, the brass spring barrel movement with platform escapement striking on a bell, with key, the en-suite twin light candelabra formed as flowering rose branches supporting by similar winged putti on corresponding pedestal bases, the clock, 39cm high, the candelabra, 29.5cm high (3)For further information on this lot please visit Bonhams.com
Lot 117
An early 20th century French gilt bronze and white marble boudoir clock garniturethe arched case with twin handled urn finial, ribbon tied floriate cresting, and angular acanthus sidepieces, the fluted panelled front with flambe trophy, the bow fronted plinth with applied foliate pierced panels on toupie feet, the 3' floral garlanded dial with Arabic numerals, the brass spring barrel movement with Brocot type suspension and outside countwheel striking on a bell, the backplate numbered 411 and 1022, with pendulum, together with a pair of ensuite twin branch candelabra, the clock, 30cm high overall (3)For further information on this lot please visit Bonhams.com
Lot 443
After Pierre-Jules Mene (French, 1810-1879): A patinated bronze rectangular plaque depicting hanging gameincluding a hare and a pheasant with shooting bags and stick to the rear, signed P. J. MÊNE to the top left-hand corner and to the right hand under edge, 23.5cm high, 23.5cm wide, 2.5cm deepFootnotes:ProvenanceProperty of a UK collector.For further information on this lot please visit Bonhams.com
Lot 415
A pair of late 19th century patinated and gilt bronze garniture urnsin the Neo-Grec tasteof slender pedestal form, the bodies cast with classical oval portraits, the flared necks with stylised angular handles, raised on half column and square platform bases with applied floral garland and acanthus borders and raised on scrolling feet, 37cm highFootnotes:ProvenanceProperty of a UK collector.For further information on this lot please visit Bonhams.com
Lot 341
A pair of mid 19th century patinated and parcel gilt bronze historicism equestrian figures depicting a noble man and noble womanthe figures clad in 16th century style dress, both with pairs of hounds running before and after their horses, raised on naturalistic rectangular bases, some pieces detached, 45cm high and 42.5cm high respectively (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 628
HISTORIC INTEREST: an exhibition silver and gilt electrotype clockthe case designed by John Bell (1811-1895) for Elkington Mason & Co, Birmingham 1853, stamped 'ELECTRO DEPOSITED & PUBLISHED BY ELKINGTON MASON & CO APRIL 1853' Shaped triangular sculptural form, highly decorative the 'Hours Clock-Case', the whole embellished in silver-plate and gilding, the apex crowned with a figure of Psyche, winged and looking upward, emblematic of eternity, stylised sunrays and clouds beneath her feet, the case front embellished with a dramatic bas-relief, sinuous classical figures representing the twelve hours are cast encircling the enamelled clock dial, to the base are two further figures symbolising 'Night', a woman in repose, and 'Morning', a man waking, rocky outcrops beneath them, the reverse encasing a brass twin train clock movement with outside count wheel striking on a bell, includes pendulum and two winders, all raised on three ball feet, width 29cm, height 40cm.Footnotes:ProvenanceExhibited at the 'Paris Universal Exhibition' of 1855 - see the 'Illustrated London News' from 17th November, 1855, p.592.Lot EssayThe prototype of this sculptural clock, designed by John Bell (1811-1895) for Elkington Mason & Co in Birmingham, was first exhibited at the 'Great Exhibition' of 1851. This landmark exhibition was probably the most successful, memorable and influential cultural event of the 19th century. From May to October 1851, the magnificent Crystal Palace in Hyde Park, London, was filled with visitors to the 'Great Exhibition of the Works of Industry of All Nations'. The exhibition's phenomenal success confounded the predictions of its many doubters in both parliament and the press. Visited by over six million people (equivalent to a third of the British population at that date), it generated a vast profit of £186,000.The 1851 exhibition was the first ever international exhibition of manufactured products. It inspired a long succession of international fairs in other cities, including Paris, Dublin, New York, Vienna and Chicago – almost one a year for the rest of the 19th century.As discussed and illustrated in the 'Exhibition Supplement to The Illustrated London News', published on August 9th 1851, p.188, this fine Elkington clock-case comes 'within the scope of legitimate sculpturesque decoration of a work of utility. It is styled the 'Hours Clock-Case' ... it is prettily conceived, and pleasingly designed; though it might, perhaps, be improved in subsequent copies ...' The commentator then goes on to list the improvements they feel would enhance John Bell's original design. It is therefore interesting to note that the clock-case on offer here is the new and improved version, which takes on board the criticisms cited in 1851, and was subsequently displayed at the 'Exposition Universelle' in Paris (otherwise known as the 'Paris Universal Exhibition'), in 1855.As per the description and text quoted in 'The Illustrated London News' dated November 17th 1855, p.595, under the heading 'The Paris Universal Exhibition', it states; 'We have engraved three of the beautiful works of British Art which have been attractive even in the Art-Capital of Paris ... Next is a Clock Case, designed by John Bell and manufactured and exhibited by Messrs Elkington Mason and Co. The dial is encircled with figures of the twelve hours; and at the base are figures of Night and Morning. The design is more in the French taste than Mr Bell's compositions usually are ...' It is therefore apparent that this lot currently on offer, was exhibited at the 1855 'Exposition Universelle' in Paris, which took place on the Champs-Elysees from 15 May to 15th November, in 1855. Its official title was the 'Exposition Universelle des Produits de l'Agriculture, de l'Industrie et des Beaux-Arts de Paris 1855'. Held at the height of the Crimean War, the spectacle was the Second French Empire's attempt to surpass London's Great Exhibition of 1851.In considering the interconnection of industry and industrial display with sculpture in mid-nineteenth century Britain, the name of one sculptor in particular stands out. During the 1850s, John Bell was Britain's foremost sculptor, modelling for manufacturers of earthenware and metal statuary. A prominent exhibitor and curator of sculpture displays in the international exhibitions, Bell was the chief sculptor associated with Henry Cole's design reform movement and a prolific lecturer on sculpture. At the same time, Bell successfully maintained a conventional sculpture workshop, producing marble and bronze statues for private collections and national monuments. At the international exhibitions, Bell's designs could be found embodied in statues in marble, plaster, Parian, cast iron and electrotyped bronze, as well as silver-plated clocks and tableware. Bell therefore was prominently positioned at the centre of the nexus between fine art and industry during the 1850s. Whilst Bell's work as a modeller featured prolifically throughout the industrial displays at the early international exhibitions, he also curated displays of 'fine art' sculpture. Therefore the teaming up of John Bell and Elkington Mason & Co was a match made in creative and industrial heaven - fine art and industry combined. From 1836, Elkington were the pioneering British electroplating company who had invented, patented and developed the key elements of the art of electro-metallurgy. They were the world's pre-eminent art-metalwork manufacturer's of the 19th century, harnessing the power of electricity for the creation of artworks and mass consumer goods. Critically acclaimed at the Great Exhibition of 1851, Elkington became one of the world's first multinational brand identities and luxury trademarks. It was the only British company to consistently win the highest awards at all seven of the international exhibitions held from 1851-1878. The history of Elkington's achievements is the great, untold British success story of the Victorian era.LiteratureAlistair Grant - Sculpture, Metalwork, Ceramics and Glass V&A Museum, 'Elkington & Co. Visitors' Book, 1855-1878', accessed via https://www.vam.ac.uk/blog/projects/elkington-co-visitors-book-1855-1878 17/1/24Christopher Marsden - senior archivist Victoria and Albert Museum, 'The Gazette Official Public Record', accessed via https://www.thegazette.co.uk/all-notices/content/100717, 17/1/24Gabriel Williams, 'Industry and the ideal - ideal sculpture and reproduction at the early international exhibitions - two volumes', Volume 1, PhD thesis University of York, History of Art, September 2014For further information on this lot please visit Bonhams.com
Lot 438
A pair of gilt bronze dolphin form lustre candlesticksthe elaborate fruiting vine cast nozzles with detachable drip pans above pierced foliate downward scrolling decorative collars all hung with faceted beaded and pendant drops, the boldly cast scrolling dolphin supports on shallow square black marble bases, 37cm high, 18cm diameter overall (2)Footnotes:ProvenanceProperty of a UK collector.For further information on this lot please visit Bonhams.com
Lot 108
A late 19th century French gilt bronze, champlevé enamel and onyx tazzain the manner of Ferdinand Barbedienne (French, 1810-1892)the bowl shaped body with stylised scrolling handles, the pedestal on circular foot raised on a shallow square plinth, 20.5cm high overall (2)For further information on this lot please visit Bonhams.com
Lot 338
After Vasily Gratchev (Russian, 1831-1905): A late 19th / early 20th century patinated bronze figural group of 'The Farewell Kiss'the seated warrior embracing his female companion, his horse with downcast head, on rectangular naturalistic base, 35cm high overallFor further information on this lot please visit Bonhams.com
Lot 48
Georges Morin (German, 1874-1950): A patinated patinated bronze figure of a classical warriorpossibly depicting Diomedesthe naked figure posed in contrapposto, his right arm behind his helmeted head ready to throw a spear, the base signed MORIN, raised on veined marble plinth, 39.8cm high overallThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 56
A late 19th century Belgium patinated bronze figure of Mosesafter Michelangelo (Italian, 1475-1564) raised on shallow square plinth base, with indistinct H. Luppens & Cie., Bruxelles pastille mark, 40.5cm high overallThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 123
A pair of late 19th/early 20th century French patinated bronze models of the Marley Horsesafter Guillaume Coustou (French, 1677-1746)each rearing horse being restrained by a male figure, raised on naturalistic bases, 48cm high overall approximately (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 159
A mid 19th century gilt bronze and porcelain inset mantel clockthe backplate signed Miller and Sons, Londonthe arched Renaissance style case with central quadripartite maskhead finial and twin scrolling grotesque sidepieces, the front panels cast with military trophies, the canted plinth base centred by a niche with a seated figure of a warrior on elaborate toupie feet, the 3' porcelain Roman dial decorated with pair of oval portraits of a 17th century style lady and gentleman reserved on a royal blue ground above six further similarly coloured small shaped porcelain panels, the brass twin train movement with Brocot type suspension and outside countwheel striking on a bell, 32cm high approximately For further information on this lot please visit Bonhams.com
Lot 297
After George Edward Wade (British, 1853-1933): A pair of patinated bronze figures of Grenadier Guardscast by Barbedienne, circa 1920both clad in battle dress with backpacks, one wearing his sergeants cap with his rifle on his back in marching order, the other wearing his Brodie or tin helmet, his bayonetted rifle held before him, each raised on a rectangular naturalist bases and inscribed to the fronts GRENADIER GUARD 1914-180, the rear upper corners with indistinctly dated cast diamond shaped CIRE PERRDUE BARBEDIENNE & FILS foundry marks, the figures, 41cm high and42cm high both mounted on black marble plinths, 47cm and 48cm high 2Footnotes:George Edward Wade (British, 1853-1933) was a British sculptor. He was largely self-taught as an artist and is best remembered for his statues of royalty and politicians. He was baptised in 1853 at Westminster, London, England and was the son of the Rev. Canon Nugent Wade and Louisa Fenwick.For further information on this lot please visit Bonhams.com
Lot 49
A late 19th century French patinated bronze figure of the Dying Gaulafter the antiquethe recumbent warrior with his sword between his hands, raised on an integral oval base, and mounted on a corresponding rouge marble shallow plinth base, 22cm highThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 250
After René-Charles Masse (French, 1855-1913): A patinated bronze figure of a 'Young Arab'the male youth clad in a turban and sash tied robes open to the waist, standing on a naturalistic circular base with facsimile signature Ch. Masse 1915 to the rear, and raised on a conforming green veined marble plinth base, 98cm high, 41cm wide, 38cm deep overall approximately This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 262
Ernest Gazan (French, 1895-1979): A patinated bronze figure of an Arab ladythe female balancing two water urns on a yoke on her shoulders, clad in a draped robe with elaborate jewellery and traditional headdress,the rear signed to the cast, Gazan, raised on veined rectangular marble plinth with chamfered corners, together with an associated modern polished cream marble dwarf pedestal of square section with moulded top and base the figure, 68cm high, the modern marble plinth, 46cm high (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 342
After Evgenii Lanceray (Russian, 1824-1887): A patinated bronze equestrian figure of Kirgizthe rider astride his horse, raised on an integral naturalistic oval plinth with facsimile signature in Cyrillic E. LANCERAY, the rear with further Cyrillic lettering, raised on rounded black marble base, 30cm high overallFor further information on this lot please visit Bonhams.com
Lot 221
A cased bronze presentation Guildhall medallion cast by JS & AB Wyon, Engravers, Londoncommemorating the opening of The New Council Chamber, Guildhall, London opened 2nd October 1884the depicting the council chamber of the Guildhall, the rear with a classical figural scene, the original plush lined leather presentation case reading o the lid In Commemoration of the opening of the New Council Chamber of the Guildhall of the City of London, 1884, the Right Hon Robert Nicholas Fowler MP, Lord Mayor...,, the medallion, 7.7cm diameterFor further information on this lot please visit Bonhams.com
Lot 328
Franz Xaver Bergmann (Austrian, 1861–1936): A metamorphic erotic cold painted bronze model of an owl enclosing a nude girlthe hinged owl with glass eyes case opening to the figure, raised on twin volume base, with wax seal and ribbon press action release button, the spine of one book with Bamphora mark, 19.5cm high overall For further information on this lot please visit Bonhams.com
Lot 50A
An Italian patinated bronze model of a young standing faunperhaps Roman or Florentine, late 18th/early 19th century the male nude holding a serpent pipe and Syrinx, on 'Rosso antico' style cylindrical pedestal and shallow square plinth base, the figure, 30.5m high, 43.5cm high overallFor further information on this lot please visit Bonhams.com
Lot 276
A late 19th century patinated bronze bust of Platoindistinctly signed, probably Frenchof small proportions, raised on a variegated marble and gilt bronze mounted column pedestal stand, raised on shallow square base, 22.4cm high overallFor further information on this lot please visit Bonhams.com
Lot 60
A carved marble bust fragment of a stylised male headin the antique style modelled with serene expression, downcast eyes and curling hair, the whole raised on a square bronze plinth, 36.6cm high overallThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 273
After Vincenzo Gemito, (Italian, 1852-1929): A patinated bronze bust of Messonierthe sitter with long curling beard, looking downwards to dexter, the rear inscribed GEMITO raised on a waisted socle pedestal and green stained marble circular plinth base, 23cm high overallFor further information on this lot please visit Bonhams.com
Lot 343
Three Chinese porcelain vases adapted as table lampsprobably late 19th / early 20th centurycomprising a slender turquoise glazed example of panelled rectangular baluster form, and a powder blue glazed baluster vase with flared neck, both with gilt bases, together with a flambe glazed example of squat baluster example, the gilt bronze mounts impressed A Risler & Carre , Paris, later fitted for electricity, 52cm high, 44cm and 38cm high approximately (3)Footnotes:Provenance:Acquired from Horneman Antiques, London.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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