Dame Elisabeth Frink R.A. (British, 1930-1993)Falling Man signed and numbered 'Frink/3/6' (on the base)bronze with a black patina67 cm. (26 3/8 in.) highConceived in 1961Footnotes:Provenance Private Collection, U.K. ExhibitedLondon, Waddington Galleries I, II, III, Elisabeth Frink: Sculpture and Prints and Drawings from Chaucer, 11 October-4 November 1972, unnumbered (another cast)Washington D.C., The National Museum for Women in the Arts, Elisabeth Frink: Sculpture and Drawings 1950-1990, 1990, unnumbered (another cast)Salisbury, Salisbury Cathedral and Close, Salisbury Library and Galleries, Elisabeth Frink: A Certain Unexpectedness, May-June 1997 unnumbered (another cast)London, Beaux Arts, Elisabeth Frink, 7 June-8 July 2006, unnumbered (another cast)Bournemouth, Bournemouth University, Elisabeth Frink and the Next Generation, 2011-12 (catalogue untraced)Elisabeth Frink: Humans and Other Animals, Sainsbury Centre for Visual Arts, Norwich, 13 October 2018-24 February 2019, unnumbered (another cast)LiteratureHoward Griffin, 'Elisabeth Frink', Studio, October 1961, pp.131-4Edwin Mullins (intro.), The Art of Elisabeth Frink, Lund Humphries, London, 1972, pl.33 (ill.b&w, another cast)Brian Connell, 'Capturing the Human Spirit in Big, Bronze Men', The Times, 5 September 1977, p.5Bryan Robertson, Elisabeth Frink Sculpture Catalogue Raisonné, Harpvale Books, Salisbury, 1984, p.152, cat.no.72 (ill.b&w, another cast)Bryan Robertson, Elisabeth Frink: Sculpture and Drawings 1950-90, W.M. Brown & Son, Richmond, Virginia, 1990, p.64Annette Downing, Elisabeth Frink: Sculptures, Graphic Works, Textiles, Salisbury Festival and Wiltshire County Council, Salisbury, 1997Annette Ratuszniak (ed.), Elisabeth Frink, Catalogue Raisonné of Sculpture 1947-93, Lund Humphries, Farnham, 2013, p.74, cat.no.FCR89 (ill.b&w, another cast)Calvin Winner (ed.), Elisabeth Frink: Humans and Other Animals, Sainsbury Centre for Visual Arts, Norwich, 2018, p.115 (col.ill., another cast)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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Dame Elisabeth Frink R.A. (British, 1930-1993)Soldier's Head II signed and numbered 'Frink 3/6' (on the back of the neck)bronze with a dark brown patina37.5 cm. (14 3/4 in.) highConceived in 1965Footnotes:ProvenanceAcquired by the family of the present owner, circa 1980, thence by descentPrivate Collection, U.K.ExhibitedLondon, Waddington Galleries, Elisabeth Frink, 1965 (another cast)London, Battersea Park, Sculpture in Battersea Park, May-September 1966 (another cast)London, Waddington Galleries I, II, III, Elisabeth Frink: Sculpture and Prints and drawings from Chaucer, 11 October-4 November 1972 (another cast)London, Royal Academy, Elisabeth Frink: Sculpture and Drawings 1952-1984, 8 February-25 March 1985, cat.no.33 (another cast)London, Beaux Arts, Frink: Sculpture, Drawings and Prints, 1998 (another cast)LiteratureBryan Robertson, Elisabeth Frink Sculpture Catalogue Raisonné, Harpvale Books, Salisbury, 1984, p.162-3, cat.no.118 (ill.b&w, another cast)Sarah Kent (ed.), Elisabeth Frink, Sculpture and Drawings 1952-1984, Royal Academy of Arts, London, 1985, p.13, cat.no.33 (another cast)Catalogue of the Ingram Collection, The Lightbox, 2009, p.40 (col.ill., another cast)Annette Ratuszniak (ed.), Elisabeth Frink Catalogue Raisonné of Sculpture 1947-93, Lund Humphries in association with the Frink Estate and Beaux Arts, London, 2013, p.95, cat.no.FCR142 (col.ill., another cast)Frink comments; 'In the mid sixties I made a series of soldier's heads which were rather brutal. They had pigtails. I like the idea of the head being terminated in some kind of ribbon at the back. The pigtail in my sculptures was rather like a cardinal's ribbon. I was married to a man, Edward Pool, whose head was rather like this – no pigtail, but bearded, a fine head – and I incorporated his beard into the shape of a head so each sculpture, indirectly based on this man, had a rather massive jaw.' (Elisabeth Frink quoted in Jill Wilder (ed.), Elisabeth Frink Sculpture; Catalogue Raisonné, Harpvale, London, 1984, p.37). Edward (or Ted) Pool was Frink's second husband whose severe war wounds acted as a constant reminder of the violence of her times. Anti-militant, Frink engaged her sculpture to combat ideas of celebrating war and violence. The soldier is not presented as a functioning military machine but a disfigured, stupefied and helpless being. Conceived in her most active year, Soldier's Head II is an early example of Frink's use of the form of the head as a 'vehicle for emotion' and would receive early praise with Edward Mullins declaring; 'These blunt representations of the hireling thug are in my view her most interesting yet' (Edward Mullins, 'Grown-Up Prodigies', The Sunday Telegraph, 5 December, 1965, p.12).Themes first explored in the Soldier's Head works were then developed in the equally combative and iconic Goggle Heads and then resolved in the restful Tribute Heads a decade later.Another cast from this edition resides in the Ingram Collection.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tibetische Maske, Dose und Kanne Sehr schön verziertes Silberkännchen mit Gravuren, Relief und Applikationen. Henkel und Tülle in Form von Fabeltieren. Deckel an Sicherheitskette. H 11 cm. / Rechteckige Bronzedose mit reliefierten Messingapplikationen und originellem Verschluß, 9 x 12 x 2,5 cm. / Metallene Maske einer zornigen Gottheit mit Schlange und Totenschädeln. Rückseitig mit Aufhängungsmöglichkeit. H 17 cm Tibetan mask, can and jug Very beautifully decorated silver jug with engravings, relief and applications. Handle and spout in the shape of mythical animals. Lid on safety chain. H 11 cm. / Rectangular bronze box with brass applications in relief and original closure, 9 x 12 x 2,5 cm. / Metal mask of a wrathful deity with snake and skulls. Back with possibility of hanging. H 17 cm .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Großer Bronze-Übertopf mit plastischen VögelnGemarkt. China. H 25, Ø ca. 37 cm. Mehrpassiger Behälter mit Palmblattmotiv am eingezogenen Hals und plastischen Vögeln auf reliefierten Blütenzweigen. Innenboden mit reliefierter Bilddarstellung, durch Kalkablagerung überdeckt. Korpus wohl jünger gelackt Zwei winzige Löcher in der Wandung. Large bronze planter with plastic birdsMarket. China. H 25, Ø ca. 37 cm. Multi-passage vessel with palm leaf motif on indented neck and sculpted birds on flowering branches in relief. Interior bottom with relief image depiction, covered by lime deposit. Body probably painted younger Two tiny holes in the wall. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stehender BodhisattvaWohl China. Bronze. H 16,5 cm. Figur im faltenreichen, langen Gewand, Rückseite mit ornamentalen Schriftzeichen Standing BodhisattvaProbably China. Bronze. H 16,5 cm. Figure in wrinkled long robe, back with ornamental characters .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Bronzeschale mit Taoti MaskenGemarkt und Reste eines Ausfuhrsiegels. China. H 6, Ø 15 cm. Flache Schale mit abgesetztem Fußrand. Fein ausgeführte Tierköpfe als Handhaben Alters- und Gebrauchsspuren. Small bronze bowl with Taoti masksMarket and remains of an export seal. China. H 6, Ø 15 cm. Shallow bowl with stepped foot rim. Finely executed animal heads as handles Marks of age and use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Zweiteiliges Gefäß mit plastischen DrachenGemarkt. China. Bronze. H 20,5 cm, Ø 19,5 cm. 3,5 kg. Gefäßwandung mit sehr fein ausgearbeitetem Drachenrelief mit Kugel in den Fängen. Ebensolche Qualität bei den drei Drachen, die als Füße für den Ständer dienen. Sockel und oberer Rand mit schmaler Leiwen-Zierkante Two-piece vessel with plastic dragonsMarket. China. Bronze. H 20,5 cm, Ø 19,5 cm. 3.5 kg. Vessel wall with very finely worked dragon relief with ball in the fangs. Same quality on the three dragons serving as feet for the stand. Base and upper rim with narrow Leiwen decorative edge .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronzevase mit Relief H 37,5 cm. Schlanke Vase mit Weinlaubrelief, welches in den plastischen 'Weinstock-Henkeln' endet. Auf dem Relief auf beiden Seiten je ein plastische Tier mit langem Schwanz Alters- und Gebrauchsspuren. Bronze vase with relief H 37.5 cm. Slim vase with vine leaves relief, which ends in the plastic 'vine handles'. On the relief on both sides a plastic animal with long tail Signs of age and use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Länglicher Behälter und 9 OpiumgewichteWohl indischer Raum. Messing/Bronze. Durchbrochen gearbeiteter, sechskantiger Behälter mit Deckel und der Möglichkeit zu versiegeln. Eventuell Dokumentenbehälter? L 36 cm. / Gewichtssatz aus 9 unterschiedlich großen und schweren Hühnerformen. H 2,5 - 10 cm Provenienz : Sammlung Harald Haak. Elong container and 9 opium weightsProbably Indian room. Brass/bronze. Openwork hexagonal container with lid and the possibility of sealing. Possibly document container? L 36 cm. / Set of weights consisting of 9 chicken molds of different sizes and weights. H 2.5 - 10 cm Provenance : Harald Haak Collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronzepferd auf RädernIndien. Bronze. H 13 cm. Schön reliefiertes, gesatteltes Tier auf Speichenrädern. Wohl ein Kinderspielzeug Bronze horse on wheelsIndia. Bronze. H 13 cm. Beautifully relieved, saddled animal on spoked wheels. Probably a children's toy .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tara auf SockelWohl Indien. Bronze. H 29 cm. Im lockeren Sitz ruhende Frauenfigur auf doppeltem Lotosthron, dieser auf einem hohen, reich ornamentierten Sockel Tara on pedestalProbably India. Bronze. H 29 cm. In loose seat resting female figure on double lotus throne, this on a high, richly ornamented base .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Buddha auf hohem SockelIndischer Raum. Bronze. H 30 cm. Im Verschränkungssitz ruhende Figur in Meditationshaltung. Bekleidung und Sockelelemente fein gemustert. Hohe Kopfhaube Buddha on high pedestalIndian room. Bronze. H 30 cm. In the interlocking seat resting figure in meditation posture. Clothing and base elements finely patterned. High head cap .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tanzende Göttin mit RestvergoldungIndien. Bronze mit Restvergoldung. H 21 cm. Filigran ausgeformte Figur in anmutiger Bewegung, mit graviertem Muster auf den Beinen und Steinbesatz aus Türkis und Korallen Ein Steinchen fehlt. Dancing goddess with residual gildingIndia. Bronze with residual gilding. H 21 cm. Filigree shaped figure in graceful movement, with engraved pattern on the legs and stone set of turquoise and coral One stone missing. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronzefigur - tanzende KaliIndien. Bronze. H 19,5 cm. Mit Schädelschale und kartika in den Händen, steht die Göttin auf einer menschlichen Figur, die auf einem Lotossockel ruht. Fein reliefierte Ausführung Bronze figure - dancing KaliIndia. Bronze. H 19.5 cm. With skull bowl and kartika in her hands, the goddess stands on a human figure resting on a lotus base. Finely relieved execution .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Schellenkette für ElefantenWohl 19. Jahrhundert. Indien. Bronze. L 78 cm. Gemusterte reliefierte Scheiben-Kettenglieder mit je einer Schelle. Hakenverschluß Provenienz : Sammlung Harald Haak. Chain of bells for elephantsProbably 19th century. India. Bronze. L 78 cm. Patterned relief disc chain links each with a clamp. Hook clasp Provenance : Harald Haak Collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Bronzepferde18./19. Jahrhundert. Indien. H 13 cm. Gezäumte Pferde mit und ohne Reiter auf ornamentalen Rädern, wohl Kinderspielzeug Provenienz : Sammlung Harald Haak. 2 bronze horses18th/19th century. India. H 13 cm. Bridled horses with and without riders on ornamental wheels, probably children's toys Provenance : Harald Haak Collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
12 Butterlämpchen18./19. Jahrhundert. Indien. Bronze. H 7 cm. Einheitliche Form in gleichmäßigen Proportionen und schöner Alterspatina Alters- und Nutzungsspuren. Provenienz : Sammlung Harald Haak. 12 butterlamps18th/19th century. India. Bronze. H 7 cm. Uniform form in even proportions and beautiful age patina Marks of age and use. Provenance : Harald Haak Collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Klassizistische Bronze-Pendule mit Diana bei der JagdFrankreich. 1. H. 19. Jh. "FNI66" geprägtes Werk mit Halbstundenschlag auf Glocke, läuft. Zifferblatt mit römischen Zahlen und Minutenkranz, Breguet-Zeigern, bezeichnet "Michelez E[le]ve de Bréguet". Bronze, vergoldet und dunkel patiniert. Ca. 42 x 32 x 12,5 cm. 6,8 kg. Stufensockel mit Jagdfries und bekrönender Diana-Skulptur mit Hund, Pfeilköcher, Langbogen und Sonnenuhr Leichte Altersspuren. Glocke und Pendel mit Fadenaufhängung ergänzt. Mit Schlüssel. Classical bronze pendule with Diana huntingFrance. 1st half 19th c. "FNI66" stamped movement with half hour strike on bell, running. Dial with Roman numerals and minute crown, Breguet hands, marked "Michelez E[le]ve de Bréguet". Bronze, gilt and dark patinated. Approx. 42 x 32 x 12,5 cm. 6.8 kg. Tiered base with hunting frieze and crowning Diana sculpture with dog, quiver of arrows, longbow and sundial Slight signs of age. Bell and pendulum with thread suspension supplemented. With key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleine Tischuhr im Rokoko-StilVincenti & Cie. Werknr. 6115. Gemarktes Werk mit Halbstundenschlag auf Glocke, Händlermarke "Planchon à Paris", läuft. Weißes Emailzifferblatt mit römischen Stunden und arabischen Minuten, Minutenkranz und Louis XV-Zeigern, undeutlich bezeichnet. Holz mit rotbraunem Lack in Schildpattoptik, teils ebonisiert, Bronze. 36 x 17,5 x 11 cm. 1,9 kg. Tailliertes Gehäuse mit Rocaille-Beschlag und Blattwerk Leichte Alters- und Gebrauchsspuren, Pendelfeder defekt, Zifferglas fehlt. Mit Pendel, ohne Schlüssel. Small rococo-style table clockVincenti & Cie. Movement no. 6115. Market movement with half-hour strike on bell, dealer's mark "Planchon à Paris", running. White enamel dial with Roman hours and Arabic minutes, minute ring and Louis XV hands, indistinctly marked. Wood with reddish-brown tortoiseshell-look lacquer, partly ebonized, bronze. 36 x 17,5 x 11 cm. 1.9 kg. Tailed case with rocaille fittings and foliate Slight signs of age and wear, pendulum spring defective, dial glass missing. With pendulum, without key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Pendule mit Jugendstil-Frauenfigur "Rêverie"A.D. Mougin. Am Sockel bezeichnet "Auguste Moreau". Werknr. 09. Werk mit Halbstundenschlag auf Glocke, läuft nicht. Facettiert verglastes, weißes Emailzifferblatt mit arabischen Zahlen, Minutenkranz und Romaines-Zeigern, bezeichnet "Pralus Roanne". Grüner Onyx-Marmor, bronzierter Metallguss, Bronze/Messing neu gefasst. Ca. 63 x 35 x 19 cm. 9,4 kg. Gestufter Sockel mit Bronzeapplikationen, bekrönt von einem Mädchen mit Papierrolle auf Natursockel. Wohl nach dem Vorbild des französischen Bildhauers Auguste Moreau (1834-1917) gefertigt Restauriert, Verwendung alter und neuer Teile. Ohne Schlüssel und Pendel. Pendule with Art Nouveau female figure "Rêverie"A.D. Mougin. At the base inscribed "Auguste Moreau". Werknr. 09. Movement with half-hour strike on bell, not running. Faceted glazed white enamel dial with Arabic numerals, minute ring and Romaines hands, marked "Pralus Roanne". Green onyx marble, bronzed metal casting, bronze/brass recast. Approx. 63 x 35 x 19 cm. 9.4 kg. Tiered base with bronze applications, crowned by a girl with paper scroll on natural base. Probably modeled after the French sculptor Auguste Moreau (1834-1917) made Restored, using old and new parts. Without key and pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Uhrengarnitur mit Frau und ZickleinWerknr. 77800. Ungemarktes Werk mit Halbstundenschlag auf Glocke, läuft an. Verglastes Metallzifferblatt mit arabischen Zahlen, Minutenkranz und modernen Zeigern. Verschiedenfarbiger Marmor, bronzierter Metallguss, Bronze/Messing neu gefasst. Uhr ca. 44,5 x 50,5 x 18 cm, Beisteller H 35 cm. Gesamt 28 kg. Gerundeter Rechtecksockel mit Vasenapplikationen und einem bekrönenden Jugendstil-Mädchen mit kämpfendem Zicklein. Dazu 2 Vasenbeisteller mit Metalleinsätzen Verwendung alter und neuer Teile, partiell leichte Kantendefekte, Zifferglastür schließt nicht, Retuschen. Mit Schlüssel und Pendel. Watch set with woman and kidWerknr. 77800. Unmarket movement with half-hour strike on bell, starts. Glazed metal dial with Arabic numerals, minute ring and modern hands. Various colored marble, bronzed metal casting, bronze/brass repainted. Clock approx 44.5 x 50.5 x 18 cm, side plate H 35 cm. Total 28 kg. Rounded rectangular base with vase appliqués and a crowning Art Nouveau girl with fighting kid. In addition, 2 vase side plates with metal inserts Use of old and new parts, partial slight edge defects, dial glass door does not close, retouching. With key and pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Elegante SäulenuhrengarniturCharles Hour. Frankreich. Nach 1900. Werknr. 1660. Gemarktes Werk mit Halbstundenschlag auf Glocke, Händlermarke "C.B. Paris", läuft nicht. Verglastes, weißes Emailzifferblatt mit farbiger Festonmalerei, arabischen Zahlen, Minuterie und Louis XV-Zeigern, bezeichnet "Du Petit Carillon, 16, Av[en]ue Jean Jaurès Paris". Rötlich-weißer Marmor, Bronze/Messing neu gefasst. Uhr ca. 40 x 20 x 9 cm, Beisteller H 26,5 cm. Gesamt 3,5 kg. Zierliche Portaluhr mit 4 Säulen und einer bekrönenden Amphore. Dazu 2 passende Beisteller in Vasenform Verwendung alter und neuer Teile, minimale Gebrauchsspuren, Pendelfeder defekt. Ohne Schlüssel, mit Sonnenpendel. Elegant column clock setCharles Hour. France. After 1900. movement no. 1660. Market movement with half-hour strike on bell, dealer's mark "C.B. Paris", does not run. Glazed white enamel dial with colored festoon painting, Arabic numerals, minute track and Louis XV hands, marked "Du Petit Carillon, 16, Av[en]ue Jean Jaurès Paris". Reddish-white marble, bronze/brass recast. Clock approx 40 x 20 x 9 cm, side plate H 26,5 cm. Total 3,5 kg. Ornamental portal clock with 4 columns and a crowning amphora. In addition, 2 matching side plates in vase form Use of old and new parts, minimal signs of use, pendulum spring defective. Without key, with sun pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Weiße Alabasteruhr mit SchalenbekrönungJapy Frères & Cie. Frankreich. Nach 1900. Werknr. 1409. Gemarktes Werk mit Halbstundenschlag auf Glocke, läuft nicht. Zifferblatt mit römischen Zahlen und Birnenzeiger, bezeichnet "Calmel Roux, Limoux". Weißer Alabaster, Bronze/Messing neu gefasst. Ca. 26,5 x 26,5 x 13,5 cm. 4,1 kg. Tombeauförmiges Gehäuse mit geschweiftem Sockel und volutierten Seiten sowie akzentuierenden Bronze-Applikationen Verwendung alter und neuer Teile, leichte Kantendefekte. Ohne Schlüssel und Pendel. White alabaster clock with shell crowningJapy Frères & Cie. France. After 1900. movement no. 1409. Market movement with half-hour strike on bell, does not run. Dial with Roman numerals and pear hands, marked "Calmel Roux, Limoux". White alabaster, bronze/brass recast. Approx. 26.5 x 26.5 x 13.5 cm. 4.1 kg. Tombe-shaped case with curved base and voluted sides and accenting bronze applications Use of old and new parts, slight edge defects. Without key and pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kaminuhrengarnitur mit RehbockWerknr. 55987. Ungemarktes, falsch verbautes Werk mit Halbstundenschlag auf (fehlender) Glocke, läuft nicht. Verglastes Metallzifferblatt mit arabischen Zahlen, Minutenkranz und modernen Zeigern. Verschiedenfarbiger Marmor, Bronze. Uhr ca. 25,5 x 46 x 12 cm, Beisteller H 13,5 cm. Gesamt 13,4 kg. Gestufter Sockel mit sitzendem Rehbock und geometrisiertem Uhrengehäuse im Art-déco-Stil. Dazu 2 passende Beisteller mit Scheibenfront Uhrenfront rückseitig verbaut, Restaurierung empfohlen. Verwendung alter und neuer Teile, Klebespuren. Mit originalem Pendel, ohne Schlüssel. Fireplace clock set with roebuckWerknr. 55987. Unmarket, mismounted movement with half-hour strike on (missing) bell, does not run. Glazed metal dial with Arabic numerals, minute ring and modern hands. Various colored marble, bronze. Clock approx. 25,5 x 46 x 12 cm, side plate H 13,5 cm. Total 13,4 kg. Tiered base with sitting roebuck and geometric clock case in art deco style. In addition, 2 matching side plates with disc front clock front installed on the back, restoration recommended. Use of old and new parts, traces of glue. With original pendulum, without key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kaminuhr mit eleganter Art-déco-FrauenfigurAm Kleidersaum bezeichnet "A. Richir". Werknr. 60247. Ungemarktes Werk mit Halbstundenschlag auf Glocke, läuft nicht. Bronzefarbenes Metallzifferblatt mit arabischen Zahlen, Minutenkranz und modernen Zeigern. Verschiedenfarbiger Marmor, bronzierter Metallguss und heller Kunststoff. Ca. 25 x 61 x 15,5 cm. 14,7 kg. Ovaler Sockel mit einer im Stil von Demétre Chiparus gefertigten Frauenfigur, die sitzend ihre Finger betrachtet Leichte Alters- und Gebrauchsspuren, Rand- und Fingerdefekte, Zifferblatt mit Bereibungen, Schlag- und Gehwerk sowie Zeigerstellung defekt. Ohne Schlüssel und Pendel. Fireplace clock with elegant art deco womanMarked "A. Richir" on the dress hem. Movement no. 60247. Unmarket movement with half-hour strike on bell, does not run. Bronze colored metal dial with Arabic numerals, minute ring and modern hands. Various colored marble, bronzed cast metal and light plastic. Approx. 25 x 61 x 15.5 cm. 14.7 kg. Oval base with a female figure made in the style of Demétre Chiparus, seated looking at her fingers Slight signs of age and use, edge and finger defects, dial with rubbing, striking and walking movement and pointer position defective. Without key and pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kaminuhrengarnitur mit Jugendstil-Frauenfigur "La Charmeuse"Charles Hour. Verso bezeichnet "A. Richir". Werknr. 3184. Gemarktes Werk mit Halbstundenschlag auf Glocke, läuft kurz an, revisionsbedürftig. Verglastes, weißes Emailzifferblatt mit farbiger Festonmalerei, arabischen Zahlen, Minuterie und Louis XV-Zeigern. Weißer Marmor mit schwarzer Äderung, bronzierter Metallguss, Bronze/Messing neu gefasst. Uhr ca. 47,5 x 34 x 14,5 cm, Beisteller H 39 cm. Gesamt 13,3 kg. Rechtecksockel mit bekrönender Vogelfängerin, die eine Flöte mit Tauben hält (Die Bezaubernde). Nach dem Vorbild des französischen Bildhauers Hippolyte Francois Moreau (1832-1927) gefertigt. Dazu 2 passende Vasenbeisteller mit floralem Reliefdekor Verwendung alter und neuer Teile, minimale Gebrauchsspuren. Ohne Schlüssel und Pendel. Fireplace clock set with art nouveau female figure "La Charmeuse"Charles Hour. On the reverse side marked "A. Richir". Movement no. 3184. Market movement with half-hour strike on bell, runs short, in need of revision. Glazed white enamel dial with colored festoon painting, Arabic numerals, minute track and Louis XV hands. White marble with black veining, bronzed metal casting, bronze/brass repainted. Clock approx 47.5 x 34 x 14.5 cm, side plate H 39 cm. Total 13,3 kg. Rectangular base with crowning bird catcher holding a flute with doves (The Enchantress). Made according to the model of the French sculptor Hippolyte Francois Moreau (1832-1927). Comes with 2 matching vase side plates with floral relief decoration Use old and new parts, minimal signs of use. Without key and pendulum. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Elegante Marmor-Pendule mit PuttoA.D. Mougin. Werknr. 4329. Gewölbt verglaste Werkabdeckung, gemarktes Werk mit Halbstundenschlag auf Glocke, revisionsbedürftig. Gewölbt verglastes, weißes Emailzifferblatt mit farbigen Blumenfestons, arabischen Zahlen, Minutenkranz und Louis XV-Zeigern, bezeichnet "Peyron-Castille, Dijon". Schwarzer Marmor mit grüner Äderung, Bronze, Messing neu gefasst. Ca. 46,5 x 24,5 x 20 cm. 10,5 kg. Pendule im historisierenden Stil mit bekrönendem Putto, der an einer Säule mit Urne und Fackel steht Verwendung alter und neuer Teile, minimale Alters- und Gebrauchsspuren. Mit Pendel, ohne Schlüssel. Elegant marble pendule with puttoA.D. Mougin. Movement no. 4329. Vaulted glazed movement cover, marked movement with half-hour strike on bell, in need of revision. Domed glazed white enamel dial with colored floral festoons, Arabic numerals, minute ring and Louis XV hands, marked "Peyron-Castille, Dijon". Black marble with green veining, bronze, brass re-set. Approx. 46.5 x 24.5 x 20 cm. 10.5 kg. Pendule in historicizing style with crowning putto standing by a column with urn and torch Use of old and new parts, minimal signs of age and use. With pendulum, without key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
![ZADKINE, Ossip(1888 Wizebsk - 1967 Neuilly-sur-Seine) "Die zerstörte Stadt"Lithografie. Im Druck signiert. [19]51.Blatt: 4](https://cdn.globalauctionplatform.com/8dc16d45-a509-4960-8b91-b00300f89be9/e2e35fa3-7149-43c0-849a-b01a002b7795/468x382.jpg)
ZADKINE, Ossip(1888 Wizebsk - 1967 Neuilly-sur-Seine) "Die zerstörte Stadt"Lithografie. Im Druck signiert. [19]51.Blatt: 47,2 x 30,2 cm, im Passepartout: 53 x 40 cm. Seitenansicht zur 6,50 m hohen kubistischen Bronzeplastik eines Mannes mit zum Himmel gestreckten Armen "De verwoeste Stad", die 1953 in Rotterdam enthüllt wurde. Das Loch an der Stelle seines Herzens symbolisiert das "Herz der Stadt Rotterdam", das während der Bombenangriffe auf Rotterdam im Zweiten Weltkrieg zerstört wurde Blatt lichtgebräunt und knickspurig.Russisch-französischer Maler; gilt als einer der bedeutendsten Künstler kubistischer Plastiken. ZADKINE, Ossip(1888 Vizebsk - 1967 Neuilly-sur-Seine) "The Destroyed City"Lithograph. Signed in print. [19]51.Sheet: 47.2 x 30.2 cm, in mount: 53 x 40 cm.Side view to the 6.50 m high cubist bronze sculpture of a man with arms stretched to the sky "De verwoeste Stad", unveiled in Rotterdam in 1953. The hole in the place of his heart symbolizes the "heart of the city of Rotterdam", which was destroyed during the bombing of Rotterdam in World War II Sheet light browned and creased.Russian-French painter; considered one of the most important artists of cubist sculptures.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Dionysos, sogenannter "Narziss"Bronze grün-bräunlich patiniert, Bronze-Plinthe. H 38,5 cm. 4,4 kg. Nach der antiken Standfigur aus Pompeji gestalteter nackter Weingott (römisch Bacchus) mit Nebris über der Schulter Kleinere Ausbesserungen von der Gießerei. Dionysus, so-called "Narcissus"Bronze green-brownish patinated, bronze plinth. H 38,5 cm. 4,4 kg.After the ancient standing figure from Pompeii designed naked god of wine (Roman Bacchus) with Nebris over his shoulder Smaller touch-ups by the foundry.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar große Tafelschalen mit antikisierenden FrauenfigurenBronze patiniert bzw. vergoldet, weißer Stein, farbloses Glas geschliffen. 1. Hälfte 20. Jh. H Figuren mit Sockel 53 cm, H gesamt 61 cm, Ø 35 cm. Gewicht insgesamt 18 kg. Auf den Rundsockeln spiegelbildlich gestaltete Pendants der vollplastischen Amphorenträgerinnen im antikisierenden Gewand. Auf den Amphoren montierte Glasschalen mit Steinelschliff 1 Montierschraube gebrochen. Pair of large table bowls with antique female figuresBronze patinated or gilded, white stone, colorless glass cut. 1st half 20th c. H figures with base 53 cm, H total 61 cm, Ø 35 cm. Weight in total 18 kg. On the round bases mirror-image counterparts of the fully plastic female amphora bearers in antique-style garb. On the amphorae mounted glass bowls with Steinelschliff 1 mounting screw broken. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MCCARTAN, Edward (nach)(1879 Albany - 1947 New Rochelle) Große Gartenbronze: Diana mit JagdhundBronze grünlich patiniert. Bezeichnet. 156,5 x 92 x 80 cm. Fast lebensgroße Aktfigur der weit ausschreitenden Göttin, die in aparter Geste ihren Bogen hält, während der Windhund an der Leine voranstürmt. Neuzeitlicher Guss nach dem 1923 entstandenen Original, das heute im Metropolitan Museum New York steht Amerikanischer Bildhauer, Schüler am Pratt-Institute Brooklyn und der Art Students League of New York. 1907-10 in Paris, ab 1914 Lehrer am Beaux-Arts Institute of Design New York.Shipping not available MCCARTAN, Edward (after)(1879 Albany - 1947 New Rochelle) Large Garden Bronze: Diana with Hunting DogBronze greenish patinated. Inscribed. 156.5 x 92 x 80 cm.Almost life-size nude figure of the wide striding goddess, who holds her bow in a distinctive gesture, while the greyhound rushes forward on a leash. Modern casting after the 1923 original, which is now in the Metropolitan Museum New York American sculptor, student at the Pratt Institute Brooklyn and the Art Students League of New York. 1907-10 in Paris, from 1914 teacher at the Beaux-Arts Institute of Design New York.Shipping not available*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Badende nach FalconetGalvanoplastik, bronzefarben patiniert. H 61 cm. 14 kg. Auf dem Rundsockel stehender Frauenakt beim Prüfen des Badewassers Patina etwas fleckig. Um 1750 schuf der Hofbildhauer Falconet die Mätresse des Königs Ludwig XV. derart lebensnah, dass es zum Skandal kam. Heute steht die Figur im Louvre. Bathing after FalconetGalvanoplastic, bronze patina. H 61 cm. 14 kg. Nude woman standing on the round base while checking the bath water Patina somewhat spotted. About 1750, the court sculptor Falconet created the mistress of King Louis XV so true to life that it came to scandal. Today the figure stands in the Louvre. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Römischer Streitwagen in voller FahrtBronze vergoldet, Sockel aus schwarzem und rotem Marmor mit Kugelfüßen. H 17 cm, gesamt 20 x 31 x 17 cm. 4,4 kg. Fein ausgeführter Guss des prächtig reliefierten Streitwagens (Biga) mit Widderkopf am Deichsel-Ende. Im Wagen stehender Führer, der die beiden aufsteigenden Hengste antreibt Etwas berieben, Zügel und Radmuttern fehlen, Abplatzer am Sockel. Roman chariot in full swingBronze gilt, black and red marble base with ball feet. H 17 cm, total 20 x 31 x 17 cm. 4,4 kg. Finely executed casting of the magnificently relieved chariot (biga) with ram's head at the drawbar end. In the chariot standing leader who drives the two rising stallions Slightly rubbed, reins and wheel nuts missing, chipping at the base. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronzestatuette des Diskophoros nach PolykletBronze schwarz patiniert, Sockel aus Tauerngrün-Serpentinit. "Echte Bronce". H 18,5 / 25,5 cm. Der Diskusträger hier in stärkerer Bewegtheit sowie mit Feigenblatt vor dem Geschlecht Kaum Alters-/Gebrauchsspuren, kleinere Chips am Sockel. Bronze statuette of Diskophoros after PolykletBronze black patinated, base of Tauern green serpentinite. "Genuine bronze." H 18,5 / 25,5 cm.The discus bearer here in stronger motion as well as with fig leaf in front of the sex Scarcely any signs of age/use, minor chips on the base.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Erotische BronzeBronze patiniert. 8 x 18,5 x 10 cm. 2,2 kg. In der Art der Wiener Bronzen ähnlich einer Dose gearbeitetes Bett mit Affen im Kissenberg. Aufgeklappt findet sich unter dem Deckel ein Liebespaar beim Akt 1 Scharnier-Zapfenschraube fehlt, Grünspan. Erotic bronzeBronze patinated. 8 x 18.5 x 10 cm. 2.2 kg. Bed worked in the manner of Viennese bronzes similar to a box with monkeys in the pillow mountain. Unfolded, under the lid is a pair of lovers in the act 1 hinge pivot screw is missing, verdigris. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DE WEVER, Auguste(1836 Brüssel - 1884) Musizierender MephistoBronze, goldfarbener Überzug. Bezeichnet. H 28 cm. Sein Ständchen singender und dazu Laute spielender Mephisto im galanten Kostüm Armnähte sichtbar, Lötspuren ebd., Feder am Hut fehlt. Belgischer Bildhauer und Medailleur. Literatur : Thieme/Becker. DE WEVER, Auguste(1836 Brussels - 1884) Musical MephistoBronze, gold plated. Inscribed. H 28 cm. Singing his serenade and playing lute to it Mephisto in gallant costume Arm seams visible, solder traces ibid, feather on hat missing. Belgian sculptor and medalist. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GUNDELACH, Karl(1856 Linden - 1920 Hannover) Die SpinnerinBronze patiniert, grüner Marmorsockel. Bezeichnet, Gießermarke "Aktien-Gesellschaft. Gladenbeck. Berlin.". In der Sockelfront Widmungsschild von Mitarbeitern der Firma Theodor Hildebrand & Sohn. H 51 / 56 cm. 14,5 kg. Vor einem Leinenballen stehende junge Bäuerin bei der Arbeit mit Spinnrocken und Wirtel Schüler von Wilhelm Engelhardt und der Akademie Berlin, besonders von Schaper gefördert. Dozent an der TH Hannover. Literatur : Thieme/Becker. GUNDELACH, Karl(1856 Linden - 1920 Hanover) The SpinnerBronze patinated, green marble base. Inscribed, foundry mark "Aktien-Gesellschaft. Gladenbeck. Berlin." In the plinth dedication plate of employees of the company Theodor Hildebrand & Son. H 51 / 56 cm. 14,5 kg. Before a bale of linen standing young peasant woman at work with distaff and whorl Pupil of Wilhelm Engelhardt and the Academy of Berlin, especially promoted by Schaper. Lecturer at the TH Hannover. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Mädchenkopf auf RechtecksockelGips bronzefarben grünlich gefasst, Serpentin-Sockel. H 24 / 38 cm. 9,5 kg. Bildnis eines jungen Mädchens, dessen Kopfhaltung an antike Statuen erinnert Girl's head on rectangular baseGypsum bronze greenish set, serpentine base. H 24 / 38 cm. 9.5 kg. Picture of a young girl whose head posture is reminiscent of ancient statues .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOREAU, Louis und Francois (nach) Frauenfigur ("Libellule")Bronze patiniert, vergoldete Bronze-Plinthe, schwarzer Marmor-Sockel. Bezeichnet, Gießermarke "Fabrication Francaise, made in France, Paris", auf dem Frontschild bezeichnet/betitelt. H 46 / 56 cm. 7,3 kg. Reparatur-Manschette am Handgelenk, Gegenstände in den Händen abgebrochen, Alters-/Gebrauchsspuren. MOREAU, Louis and Francois (after)Woman figure ("Libellule")Bronze patinated, gilt bronze plinth, black marble base. Inscribed, foundry mark "Fabrication Francaise, made in France, Paris", inscribed/titled on the front plate. H 46 / 56 cm. 7,3 kg. Repair cuff on wrist, items in hands broken off, signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Jugendstil-Figur: "Le Papillon"Metallguss, bronzefarben patiniert, ebonisierte Holzplinthe. Um 1900. Auf der Plinthe betitelt. H 65 / 69 cm. 5,3 kg. Auf einem Eichenbaumstumpf tanzende junge Frau mit Schmetterlingsflügeln; auf dem Sockel eine Eidechse. Ursprünglich Teil einer Lampe 1 Daumen fehlt, 1 Arm mit Haarriss, Loch im Sockel vom fehlenden Lampenschaft, Alters-/Gebrauchsspuren. Large Art Nouveau figure: "Le Papillon"Cast metal, bronze patina, ebonized wooden plinth. Circa 1900. titled on the plinth. H 65 / 69 cm. 5,3 kg. On an oak tree stump dancing young woman with butterfly wings; on the plinth a lizard. Originally part of a lamp 1 thumb missing, 1 arm with hairline crack, hole in base from missing lamp stem, signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Eisenguss-Büsten von Goethe und SchillerGusseisen bronzefarben gefasst, innen teils grün gefasst. H 14 cm. Einander leicht zugewandte Bildnisbüsten der Dichterfürsten Unauffällige Lockerung der Sockelnieten an den Brustbeinen. Iron cast busts of Goethe and SchillerCast iron bronze colored, inside partly green. H 14 cm. Easy facing portrait busts of the poet princes Unobtrusive loosening of the plinth rivets on the pectoral legs. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOREAU, Louis und Francois (nach) Paar Jugendstil-Frauenfiguren ("Iris")Metallguss bronzefarben patiniert, vergoldete Zierplatten und Sockel-Etiketten, rot marmorierte Holz-Sockel. Je bezeichnet, je auf Etikett bezeichnet/betitelt. H 41 / 47 cm. Gesamt 5,8 kg. Ähnlich gestaltete Frauen, die mit ausgebreiteten Armen auf den Blumen stehen 1 Blume in der Hand fehlt, 1x Patina etwas fleckig. MOREAU, Louis and Francois (after)Pair of Art Nouveau female figures ("Iris")Cast metal bronze patinated, gilded decorative plates and base labels, red marbled wood base. Each inscribed, each inscribed/titled on label. H 41 / 47 cm. Total 5.8 kg. Similarly designed women standing on the flowers with outstretched arms 1 flower in hand missing, 1x patina somewhat stained. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCHMIDT-FELLING, MädchenaktGoldfarbene Bronze, Serpentin-Sockel. Bezeichnet. H 24 / 35 cm. Im Schreiten auf die Schlange tretende junge Frau, wobei sie mit visionärem Blick einen Arm emporstreckt Attribut in der Hand fehlt, Patina leicht fleckig. SCHMIDT-FELLING, Nude girlGold bronze, serpentine base. Inscribed. H 24 / 35 cm. Walking on the snake stepping young woman, stretching up one arm with visionary look Attribute in hand missing, patina slightly stained. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ROUSSEAU, Iris(* 1942 München) Liegende ("Camille")Bronze patiniert. Bezeichnet mit Nr. 3, Klebeetikett der Künstlerin. 17 x 26 x 8 cm. Auf dem Bauch liegender Akt einer jungen Frau, deren Haare das Gesicht verdecken Künstlerin in Winsen/Luhe. ROUSSEAU, Iris(* 1942 Munich) Lying ("Camille")Bronze patinated. Inscribed with No. 3, adhesive label of the artist. 17 x 26 x 8 cm. Nude lying on her stomach of a young woman whose hair hides the face Artist in Winsen/Luhe. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FUCHS, Ernst(1930 Wien - 2015 ebd.) Papageno und PapagenaKupfer oder Bronze teils patiniert, Granit-Sockel. Je bezeichnet mit Zählung 3545/7500 bzw. 3041/7500. H gesamt 15,5 bzw. 9,5 cm. Auf dem Rücken liegender Vogelfänger mit der Zauberflöte; ihm zuhörende Papagena in leichter Bekleidung Bildhauer/Maler in Wien und Monte Carlo, studierte an der Akademie Wien unter Gütersloh. FUCHS, Ernst(1930 Vienna - 2015 ibid.) Papageno and PapagenaCopper or bronze partly patinated, granite base. Each inscribed with count 3545/7500 and 3041/7500 respectively. h total 15.5 and 9.5 cm respectively. Birdcatcher lying on his back with the Magic Flute; listening to him Papagena in light clothing Sculptor/painter in Vienna and Monte Carlo, studied at the Academy of Vienna under Gütersloh. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MEIERHENRICH, Ernst-Georg(1944 Keitum/Sylt - 2022 Sylt) "Sylter Baum"Bronze/Messing hart gelötet, im Stand beschwert. Unsigniert. H 19 cm. Fein verästelter Baum unter Sichtbarlassung der Herstellungsspuren MEIERHENRICH, Ernst-Georg(1944 Keitum/Sylt - 2022 Sylt) "Sylter Baum"Bronze/brass hard soldered, weighted when standing. Unsigned. H 19 cm. Fine branched tree leaving visible the traces of manufacture .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCARNICCI, Emanuele(*1916 Florenz) 2 PlastikenBronze teils patiniert, Naturstein-Sockel. Italien. Je bezeichnet, 1x zusätzlich auf der Sockelplakette. H 19 / 21 cm bzw. 10 / 14 cm. Überschlanke Frauenfiguren: Sinnende bzw. Mutter mit Kind Künstler in Florenz, studierte an der Universität ebd. Literatur : Dazu 2 verschiedene Broschüren und 1 Flyer zum Künstler. SCARNICCI, Emanuele(*1916 Florence) 2 sculpturesBronze partly patinated, natural stone base. Italy. Each inscribed, 1x additionally on the base plaque. H 19 / 21 cm and 10 / 14 cm respectively. Overslim female figures: contemplative and mother with child Artist in Florence, studied at the University ibid Literature : In addition 2 different brochures and 1 flyer on the artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bildniskopf eines MädchensBronze patiniert, Kunststein-Sockel. "CS 73" bezeichnet. H 28 / 38 cm. 7,7 kg. Kopf einer Jugendlichen Minimale Alters-/Gebrauchsspuren. Picture head of a girlBronze patinated, cast stone base. "CS 73" inscribed. H 28 / 38 cm. 7.7 kg. Head of a youth Minimal signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MONOGRAMMIST LB, Stehendes junges MädchenBronze patiniert, Granit-Sockel. Bezeichnet. 34 / 41 cm. 2,9 kg. Jugendliche im leichten Kleid mit den Händen hinter dem Rücken MONOGRAMMIST LB, Standing young girlBronze patinated, granite base. Inscribed. 34 / 41 cm. 2.9 kg. Teenager in light dress with hands behind her back *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DUCHAMP-VILLON, Raymond(1876 Damville - 1918 Cannes) Sitzender Frauenakt ("Femme assise")Bronze patiniert, weiße Marmor-Plinthe. Nach 1985. Bezeichnet, Gießermarke Royal Art Collection mit Zählung "22/299". H 47 / 51 cm. 16 kg. Limitierte spätere Ausführung des auf einer Stele sitzenden Frauenaktes in figurinenhafter Formgebung Etwas korrodiert, gering berieben. Schüler von Rodin, später von Maillol. Seine Plastik "Femme assise" zählt neben der ebenfalls 1914 entstandenen Skulptur "Le cheval" zu seinen Hauptwerken. Literatur : Thieme/Becker. DUCHAMP-VILLON, Raymond(1876 Damville - 1918 Cannes) Sitting female nude ("Femme assise")Bronze patinated, white marble plinth. After 1985. inscribed, foundry mark Royal Art Collection with count "22/299". H 47 / 51 cm. 16 kg. Limited later version of the female nude sitting on a stele in figurine-like design Slightly corroded, slightly rubbed. Pupil of Rodin, later of Maillol. His sculpture "Femme assise" is one of his major works, along with the sculpture "Le cheval", also created in 1914. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BÜSCHELBERGER, Anton(1869 Eger - 1934 Dresden) 2 WölfeBronze patiniert, schwarze Marmor-Plinthe. Bezeichnet. H 23 cm, gesamt 27 x 60 x 16 cm. 16,2 kg. Auf naturalistischem Boden gegenüber der Fähe stehender Rüde mit offenem Maul Montierung des Rüden gelockert. Studierte an der Akademie München. BÜSCHELBERGER, Anton(1869 Eger - 1934 Dresden) 2 wolvesBronze patinated, black marble plinth. Inscribed. H 23 cm, total 27 x 60 x 16 cm. 16.2 kg. On naturalistic ground opposite the female standing male with open mouth Mounting of the male loosened. Studied at the Academy of Munich. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GERDES, Hans(1906 Stuttgart - 1979 Köln) Springendes BöckchenBronze patiniert mit weißen Resten. Bezeichnet. H 20,5 cm. Sich auf die Hinterbeine stellendes Zicklein. Die bewusst geschaffenen hellen Flecken beleben die Oberfläche zusätzlich Studierte bei Ludwig Habich an der Akademie Stuttgart. Literatur : Vollmer. GERDES, Hans(1906 Stuttgart - 1979 Cologne) Jumping buckBronze patinated with white residues. Inscribed. H 20,5 cm. Jumping kid standing on its hind legs. The deliberately created bright spots enliven the surface additionally Studied with Ludwig Habich at the Stuttgart Academy. Literature : Vollmer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DUCKE, Elfriede(1925 Leipzig - 2001 ebd.) SchafherdeBronze patiniert. Bezeichnet mit Datum (19)86. H 10 cm, Ø maximal 36 cm. 10 kg. Mit zusammengesteckten Köpfen dicht gedrängt stehende Herde Grünspan, kleinere Ausbesserungen wohl von der Gießerei. Freischaffende Bildhauerin in Leipzig, studierte an der Meisterschule für das gestaltende Handwerk in Leipzig bei Thiele sowie an der Fachschule für angewandte Kunst ebd. DUCKE, Elfriede(1925 Leipzig - 2001 ibid.) Sheep flockBronze patinated. Marked with date (19)86. h 10 cm, Ø maximum 36 cm. 10 kg. With heads closely packed standing herd Green chip, minor touch-ups probably by the foundry. Freelance sculptor in Leipzig, studied at the Meisterschule für das gestaltende Handwerk in Leipzig with Thiele as well as at the Fachschule für angewandte Kunst ibid .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
JENSEN, Peder Marius(1883 Frederica - 1925 tätig) Großer BisonBronze 2-farbig patiniert, Galalith, schwarzer Marmorsockel. H 25 cm, gesamt 34 x 40 x 16 cm. 19,6 kg. Prächtiger Bulle, der mit gesenktem Kopf sich zum Angriff schickt Patina berieben, kleinere Abplatzer am Sockel. Dänischer Bildhauer, seit 1901 in Deutschland tätig (Dresden, Berlin und Kassel), Schüler von Carl Hans Bernewitz in Berlin. Literatur : Thieme/Becker. JENSEN, Peder Marius(1883 Frederica - 1925 active) Large BisonBronze 2-color patinated, galalith, black marble base. H 25 cm, total 34 x 40 x 16 cm. 19,6 kg. Magnificent bull, with head bowed, sending himself to attack Patina rubbed, minor chipping on base. Danish sculptor, active in Germany since 1901 (Dresden, Berlin and Kassel), student of Carl Hans Bernewitz in Berlin. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KRIEGER, Wilhelm(1877 Norderney - 1945 Herrsching) SperberBronze patiniert, schwarzer Marmor-Sockel. Bezeichnet. H 17 cm, gesamt 22 x 27 x 12 cm. Posthumer Guss des Raubvogels, der wohl gerade zu eine Beute herabblickt Bildhauer in Herrsching bei München, Schüler der Kunstgewerbeschule ebd., Mitglied der Vereinigten Werkstätten ebd. und Teilhaber der 1903 daselbst gegründeten Firma Zierhut & Krieger, für die er kunstgewerbliche Entwürfe lieferte. Gleichzeitig Tierbildhauer (v.a. Vögel). Mitglied der Münchner Sezession, deren Ausstellungen er seit 1907 beschickte. Literatur : Thieme/Becker. KRIEGER, Wilhelm(1877 Norderney - 1945 Herrsching) SperberBronze patinated, black marble base. Inscribed. H 17 cm, total 22 x 27 x 12 cm. Posthumous casting of the bird of prey, which probably just looks down to a prey Sculptor in Herrsching near Munich, student of the School of Arts and Crafts ibid, member of the United Workshops ibid and partner of the company Zierhut & Krieger, founded there in 1903, for which he supplied decorative art designs. At the same time animal sculptor (mainly birds). Member of the Munich Secession, whose exhibitions he attended since 1907. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PantherKupfer-Galvanoplastik, bronzefarben patiniert. 11 x 41 x 14 cm. 3,4 kg. Sprungbereit auf dem Boden kauernde Raubkatze mit geöffnetem Maul Minimal verschmutzt. PantherCopper galvanoplastic, bronze patina. 11 x 41 x 14 cm. 3.4 kg. Predatory cat crouching on the ground ready to jump with open mouth Minimally soiled. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Art-déco-GoldfasanMetallguss mehrfarbig in der Art einer Bronze gefasst/patiniert, oblonge schwarze Marmor-Plinthe mit roten Marmor-Zierelementen an der Front. H 23 cm, gesamt 26 x 55 x 16 cm. 7,1 kg. Prächtiger Laufvogel Einige Alters-/Gebrauchsspuren. Art deco gold pheasantMetal casting polychrome set/patinated in the manner of a bronze, oblong black marble plinth with red marble decorative elements on the front. H 23 cm, total 26 x 55 x 16 cm. 7.1 kg. Magnificent walking bird Some signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Mörser mit PistilleSpanien, 15. Jh.(?). Bronze. H 12 bzw. 8,5 cm, Ø 16 bzw. 13,5 cm (ohne Rippen), L Pistille 27 bzw. 18 cm. Gesamt 13,4 kg. Gerade Wandung mit Rillenzier (auch innen) sowie je 6 flügelförmige Rippen; der kleinere Mörser mit leicht verdickter Lippe. Einander ähnlich gearbeitete Pistille mit Nodi Je starke Alters-/Gebrauchsspuren. Literatur : Launert: Der Mörser. Auf S. 174, Nr. 181 ist ein nahezu identischer Mörser abgebildet; dort Spanien, 15. Jh. eingeordnet. 2 mortars with pestleSpain, 15th century(?). Bronze. H 12 or 8.5 cm, Ø 16 or 13.5 cm (without ribs), L pestle 27 or 18 cm. Total 13,4 kg. Straight wall with grooved decoration (also inside) and 6 wing-shaped ribs each; the smaller mortar with slightly thickened lip. One another similarly crafted pestles with nodi Each strong age/use traces. Literature : Launert: The mortar. On p. 174, No. 181 is an almost identical mortar illustrated; there Spain, 15th century classified. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 Schlösser mit Schlüsseln und 2 TürklopferSchlösser wohl 17. Jh., Eisen-Türklopfer 18. Jh., Bronze-Türklopfer wohl 19. Jh. Schmiedeeisen bzw. Bronzeguss. Schloss maximal 22 x 22 cm (ohne Falle). Großes Schloss in Trapezform mit Kugelgriff für den Fallenzug sowie 2 Original-Schrauben und 1 Schlüssel. / Schloss in Bursenform mit Zughebel und Schlüssel. / Kleines Zangenschloss mit Einhaue auf der Schlossdecke und Kapelle, Eingericht mit Richtscheiben in Zackenform sowie originaler Schlüssel. / Aufwändig geschmiedeter Türklopfer bzw. Bronzeguss-Türklopfer; je mit vegetabiler Zier Zumeist starke Alters-/Gebrauchsspuren, 2 Schlüssel ergänzt, Original-Schlüssel ohne Reide. 3 locks with keys and 2 door knockersLocks probably 17th century, iron door knocker 18th century, bronze door knocker probably 19th century Wrought iron or cast bronze. Lock maximum 22 x 22 cm (without latch). Large lock in trapezoidal form with ball handle for the latch pull as well as 2 original screws and 1 key. / Lock in bursen form with pull lever and key. / Small pincer lock with Einhaue on the lock top and chapel, Einingericht with straightening discs in jagged form as well as original key. / Elaborately forged door knocker or cast bronze door knocker; each with vegetal ornament Mostly strong signs of age / use, 2 keys supplemented, original key without Reide. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Historismus-Jardiniere2. Hälfte 19. Jh. Bronze, Messingblech. 15 x 57 x 26 cm. 5,0 kg. Überaus reich gestaltete, massive Jardiniere mit vegetabilen Füßen und Handhaben sowie À-Jour-Ranken mit leeren Kartuschen auf der Wandung. Herausnehmbare Blechwanne Provenienz : Aus Thüringer Adelsbesitz. Great historicism jardiniere2nd half 19th c. Bronze, brass sheet. 15 x 57 x 26 cm. 5.0 kg. Overly richly designed, solid jardiniere with vegetal feet and handles and À-Jour vines with empty cartouches on the wall. Removable tin tray Provenance : From Thuringian noble ownership. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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