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Click here to subscribeA French style gueridon / round side table in the Louis XVI style with decorative floral penwork design to the top surrounded by a bronze gallery, brass mounted with a front drawer, raised on brass tapering supports united by cross stretchers, the top of each support a griffin's head terminating on hoof feet. Probably English early 20th century. Diam. 41cm, H71cm.
A pair of French Louis XVI style gueridons / serpentine side tables with decorative floral penwork design to the top surrounded by a bronze gallery, brass mounted with a front drawer, raised on brass tapering supports united by cross stretchers, the top of each support a griffin's head terminating on hoof feet. Probably English early 20th century. 40x40cm, H70cm (2)
A pair of bisque, or unglazed, porcelain busts of Russian Tsar Paul I and Empress Catherine II, created in Russia in the late 18th Century by the Imperial Porcelain Factory / Lomonosov Porcelain Factory. The model of Catherine realistically modelled, wearing a laurel wreath in her hair, was made by Jacques-Dominique Rachette after the marble original by Fedot Shubin (1783). Each bust is supported by an ormolu (gilt bronze) square base, the corners scalloped, intricately cast with foliate forms. From each base rises a bisque porcelain waisted cylindrical podium, wrapped at the bottom by an ormolu wreath, the cylinder with vertical lines encompassed by encrusted porcelain floral garlands. This porcelain cylinder supports a mounted pinched porcelain socle adorned with garlands of flowers, which in turn supports the bust. H52cm (2) Condition: Some restorations on Catherine's bust. Additional pictures attached.
Four Matchbox Lesney Regular Wheels, 4c Triumph Motorcycle T110 and sidecar, steel blue, black plastic wheels in D1 box, 36b Lambretta Motor Scooter and sidecar, metallic silver green, in D1 box, 66b Harley Davidson motorcycle and sidecar, metallic bronze in D1 box, models are near mint original condition, boxes fair to very good, plus another 4c Triumph Motorcycle T110 and sidecar, steel blue, black plastic wheels in D1 box,in fair condition, one part of handle bar missing, box poor . (4 items)
Four typed letters, Hoglands, Much Hadham, Herts, covering the period, October 1946-May 1947. Moore discusses Gigi's purchase of one of his sculpture's - 'How very nice to get your letter, I am delighted that you bought one of the bronze reclining figures. I am sure it will be alright at the Leicester Galleries if you pay for it after the 15th November'. Later in the letter, Moore discusses the rent of a shed at the Mall Studio - 'I saw Barbara Hepworth last week and later she also rang me about the shed...if you think Gigi, that the shed is going to be useful for you for storing things why not make some offer for it?...You will find that B. H. knows how to make a good bargain if she thinks you are soft'. In another letter, Moore discusses a statue by Barbara Hepworth and a burglary at the Mall Studios - 'I don't know anything at all about the Hepworth statue, I believe she does not now like it so perhaps she will not mind terribly what damage it may have received'. The following year, the letters detail Gigi having to sell a large drawing by Henry Moore which he says he will authenticate when it is sent to America.
ROYAL MINT BATTLE OF WATERLOO 175TH ANNIVERSARY COMMEMORATIVE BRONZE MEDAL IN ORIGINAL CASE OF ISSUE WITH CERTIFICATE OF AUTHENTICITY, DIAMETER 63MM, ISSUE LIMIT 5000, PRODUCED FROM REPRODUCTIONS OF THE ORIGINAL, WATERLOO MEDAL DIES THAT WERE ENGRAVED BY BENEDETTO PIETRUCCI BETWEEN 1819 AND 1849
life size patinated bronze, signed, dated and marked A/P from an edition of 12 plus one artist's proof to base 172cm high Purchased directly from the artist in 2007 for $35,000Footnote: Contemporary Lebanese American sculptor, Victor Issa, is renowned for his uncanny ability to transfigure cold metal into sculptures that appear to be living, breathing, sentient beings; warm of blood and soft of skin. His works, known as ‘living bronzes’, have been exhibited throughout the United States and are held in private and public collections across the globe. In addition to his nudes, Issa, who draws inspiration from his Adventist beliefs, is also known for his large-scale liturgical works.
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