A pair of second half 19th century French equestrian bronze figures of Henry IV and Charles I (2)both clad in armour and holding ceremonial staffs on ribbon tied caparisoned horses, brown patina, mounted on rectangular Verde Antico and black marble stepped plinth bases, 41cm and 41.5cm high overall including plinth basesFootnotes:Provenance:Acquired by a private UK collector, Christie's, London, 22 January 1986, Sculpture, lot 76.For further information on this lot please visit Bonhams.com
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Tischleuchte mit Marmor-Messing-Schaft, 20./21. Jh.Rötliches marmorartiges Gestein (poliert) mit Messingmontierung in antiker Bronze-Optik; antikisierte Leuchterform auf Rundsockel im Stil des 19. Jh., 2-flammige Elektrifizierung; konisch-ovaler kartonierter Lampenschirm, außen goldfarbig patinierte Fassung; Gesamthöhe 70 cm; Schirmmaße 50 x 35,5 cm.Elektrifizierung und Funktion ohne Gewähr.Gesamtgewicht 3,44 kg.
Sektkühler, Cristal et Bronze Paris, 2. Hälfte 20. Jh.Geschliffenes farbloses Glas mit vergoldeten Bronze-Beschlägen; konischer massiver Kristallkorpus mit umlaufendem Schliffdekor; vergoldete Bronze-Randmontierung, außen Bordürendekor-Struktur in Empire-Manier; seitliche vergoldete Applikationen mit Glasstab-Griffeinsätzen, 1 reliefierte Blüten-Applikation eines Griffes fehlt; minimale Gebrauchsspuren; Höhe 22 cm; älterer grüner Etikett-Aufkleber mit Herstellerbezeichnung "Cristal et Bronze Paris"; unterseitig älterer blauer Etikett-Aufkleber "Made in France".Gewicht 3,76 kg.
Tafelaufsatz mit Dresdner Blumenmalerei, Meissen, Ende 19. Jh.Weißporzellan mit polychromer Floralmalerei (wohl Dresdner Hausmalerei) und Goldstaffage; 2-tlg. Verschraubt; runder Schalenaufsatz mit passig gewellt konturiertem Rand, in der Mitte Bronze-Medaillonapplikation der Verschraubungsmontierung; runder gewölbter Sockelfuß mit kurzem geschweiften Nodusschaft; 2. Wahl; berieben; Höhe 15 cm, Durchmesser 24,5 cm; unter dem Sockel unter Glasur blaue Knauf-Schwertermarke mit undeutlichem Blindpräge-Beizeichen "00" (oder "8"?), auf sichtbarem Teil der Schalenrückseite blindgeprägte Ziffer "12".Gewicht ca. 890 g.
Kohlebecken-Rechaud (teils wohl Marriage), wohl friesisch, 18. - 19. Jh.Messing/Bronze; 2 Rundschalen verschiedener Größe übereinander in 3-fach verstrebt gegliedertem Halterungs- bzw. Fußgestell, mit 3 umlegbaren Halterungs-Lanzetten und 2 seitlichen Ringhenkeln; obere Schale 2-schichtig gearbeitet, oberseitig mit verschlossener siebartiger Prägung in unregelmäßiger Sternmedaillonform; ältere Schalen in späterem Halterungsgestell integriert (Marriage ?); Alterspatina; Höhe 15 cm, Durchmesser 15 - 25 cm.Gewicht 1,76 kg.
Rokoko-Deckeldose (Tabaksdose), Nymphenburg, 1763 - 67.Weißporzellan mit allseitig verschiedenen architekturstaffierten Landschaftsveduten in eisenroter detaillierter Camaieumalerei in fein reliefierten Rocaille-Rahmungen, Deckel mit scharnierter goldfarbiger Metall-(Bronze?)Montierung; oval geschweifte Formgebung; unterseitig minimal berieben; Maße 6,3 x 8,7 x 6,5 cm; an der inneren hinteren Wandung oben unter Glasur blaue Sternenmarke mit Buchstaben und Ziffern des Zeitraums 1763-67.Gewicht 128 g.
Empire-Vase, Frankreich (wohl Paris), 19. Jh.Vergoldete Bronze und geschliffenes farbloses Glas; hoher schlanker Ovoidkorpus aus Glas, montiert über runder Bronze-Basis auf quadratischem Bronze-Sockel; Hals und seitliche stilisierte Schwanenhalshenkel mit plastischen Maskarons aus vergoldeter Bronze; minimale Altersspuren; Höhe 37 cm.Gewicht 1,82 kg.
Philip Blacker (British, born 1949)Horse and Jockey signed with initials, dated and numbered 'P.B 77 5/6' (on base)bronze with a brown patina41cm (16 1/8in) longFootnotes:ProvenanceWilliam Shand Kydd (1937-2014), and thence by descent to the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Guy Taplin (British, born 1939)Pintail signed, titled, numbered and inscribed with foundry mark 'PINTAIL/GUY-TAPLIN 6/12 P.E.' (to underside)bronze with a green patina60.5cm (24in) long.Footnotes:LiteratureA. Csáky and I. Collins, Birds of Creation, Guy Taplin, Csáky Art, Sonning-on-Thames, 1998, illustrated on p. 184This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Alan Glasby O.B.E. (British, 1945-2008)Kingfisher signed and numbered 'alan Glasby 53/75' (to base)bronze with a green and brown patina25cm (9 13/16in) long.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sean Henry (British, born 1965)Standing Man 2 signed with initials, dated and numbered 'SH 97 AP' (on reverse of boots)bronze and oil paint78cm (30 11/16in) high excluding base; 190cm (74 13/16in) including basean Artist's Proof aside from the edition of 6Footnotes:ProvenanceThe Artist, from whom acquired directly by the previous ownerTheir sale; Bonhams, Knightsbridge, 21 July 2021, lot 193, where acquired by the present owner Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Michael Ayrton (British, 1921-1975)Tricephalic signed and numbered 'michael ayrton/4/9' (on side)bronze with a dark brown patina61.5cm (24 3/16in) highConceived in 1972Footnotes:LiteratureP. Cannon-Brookes, Michael Ayrton: An Illustrated Commentary, Birmingham Museum and Art Gallery, Birmingham, 1978, p. 126, no. 228, illustrated (another cast)J. Hopkins, Michael Ayrton: A Biography, André Deutsch, London, 1994, p. 364This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Wynne O.B.E. (British, 1926-2014)Maggie Reclining signed with monogram and numbered '4/6' (to sole of foot)bronze with a dark brown patina33cm (13in) longConceived in 1970Footnotes:ProvenanceThe Artist, from whom acquired directly byWilliam Shand Kydd (1937-2014), and thence by descent to the present ownerPrivate Collection, U.K.LiteratureG. Hughes, The Sculpture of David Wynne 1968-1974, Phaidon Press Ltd, London, 1974, no. 34We are grateful to Nicola Bennet for her assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A large Chinese dated bronze censer: of compressed bombe form with mythical beast-head handles and spreading base with everted rim, one side inscribed 'Made by Zhuangyuanfang Wansheng for the Chaosheng Gumiao Temple, Daoguang 8th year [1828]', 39cm wide, 19cm high [lacquered/polished patina, old repair near base].* Provenance Herbert Sutton [1880-1946] and thence by family descent.Herbert Sutton was born at Thame, Oxfordshire and educated in France, Germany and Grantham, England. At eighteen years of age he joined his father who was in business in Hong Kong. After two years he joined a firm of silk traders at Canton and became it's head during twenty five years of service. For three successive years he was chairman of the Municipal Council of the British Concession at Canton and had to shoulder considerable responsibility during the 1914-18 war. One of his tasks as chairman was to close a German bank when China entered the war on the side of the allies. He retired to Great Yarmouth in Norfolk in the late 1920s and served as a member of the Town Council for sixteen years.
A pair of 19th century French gilt metal three-light wall appliques: with flared urn-shaped nozzles and pierced drip trays mounted on foliate branches issuing from a pieced scroll and foliate backplate 36cm; together with a gilt bronze twin-branch wall applique with garland and ram's head decoration, 45cm high.
A fine burr walnut and crossbanded bureau plat in Louis XV style, last quarter 19th century,: the rectangular cartouche outline top with concentric borders and projecting canted corners; the serpentine friezes with three drawers to the front, the locks stamped for MORDAN & CO, LONDON and with a dummy foliate cast handle opposing; the banded cabriole legs with foliate cat gilt bronze knee mounts and sabots; 75cm high, 133cm wide, 65cmn deep
A tulipwood and kingwood marquetry and gilt bronze mounted dressing / work table in Louis XV style, last quarter 19th century,: the hinged rectangular top with serpentine front, back and sides, around concentric borders of scrolling foliage and strapwork; opening to a fitted interior with a compartmented sliding and lift out tray beneath a mirror, the front with conforming marquetry also sliding out, with similarly decorated back and sides; above a pull out work 'basket'; on cabriole legs descending from foliate cast mounts to conforming sabots; 72cm high, 61cm wide, 44cm deep
A Victorian walnut and marquetry pier cabinet, circa 1870,: the rectangular top above a scrolling foliate and floral frieze, the glazed shallow arched door and flanking pilasters with conforming marquetry and gilt bronze mounts; with velvet covered shelves within; on a plinth base with serpentine apron; 104cm high, 79cm wide, 30cm deep
A quantity of model engineering materials including bronze, aluminium and steel Please note this lot is not located at our saleroom but at a property in Cheltenham, from where the lot must be collected by the buyer by arrangement with the vendor, within two weeks of the auction. There is good road access but the buyer will be responsible for removal from within the garage which leads straight onto the drive.
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