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NAGEL AUKTIONEN GmbH
Lot 768

Bronze von LakshminarayanaSüd-Indien, Nayak-Periode, ca. 18. Jh.H. 15 cmVishnu sitzt in lalitasana auf dem Lotussockel, der auf einem Sockel mit dem Garuda-Vogel an seiner Vorderseite steht, seine vier Arme strahlenförmig um seinen Körper herum, die oberen Hände halten cakra und shankha, eine umarmt Lakshmi, die den Lotus hält, sie tragen dhoti bzw. sari, sind mit Juwelen geschmückt, ihre Gesichter zeigen einen heiteren Ausdruck mit mandelförmigen Augen, ihre Köpfe sind gekrönt von der kiritamakuta und einem siebenköpfigen Schlangenbaldachin darüber.Ehemals aus einer deutschen Privatsammlung, vor 2007 erworben - Minim. berieben, partiell wenige, winzige Best.

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NAGEL AUKTIONEN GmbH
Lot 772

Bronze der SundariSüdindien, Vijayanagar-Periode, ca. 16 Jh.H. 11,4 cmSie sitzt mit gekreuzten Beinen auf einem Lotussockel, der auf einem rechteckigen Sockel steht. Die rechte Hand hält eine Lotuspflanze, die linke wahrscheinlich ursprünglich ein Attribut. Beide oberen Hände sind mit Haken und Lasso versehen, sie trägt einen Sari, der mit einem Gürtel um die Taille gebunden ist, udarabandha, Schmuck, ihr Gesicht zeigt einen heiteren Ausdruck mit mandelförmigen Augen unter gewölbten Augenbrauen, verlängerte Ohrläppchen mit Ohrschmuck und auf dem Kopf die jatamakuta.Ehemals aus einer deutschen Privatsammlung, erworben vor 2007 - Minim. berieben

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NAGEL AUKTIONEN GmbH
Lot 775

Altar aus Bronze mit SilbereinlagenNordwestindien, wohl datiert 1603H. 18 cmIm MIttelpunkt die Darstellung des Jain-Tirthankara, in Vajrasana auf einem Kissen sitzend, das auf einem Thron mit einem Löwenpaar an der Vorderseite platziert ist liegt. Seine Hände ruhen in Dhyanamudra auf seinem Schoß, er ist unbekleidet, auf seiner Brust befindet sich das Srivatsa-Emblem, sein Gesicht zeigt einen meditativen Ausdruck mit in Silber eingelegten mandelförmigen Augen, verlängerten Ohrläppchen, darüber ein Sonnenschirm, flankiert und umgeben von verschiedenen anderen Tirthankaras, Dienern, Verehrern und einem Elefantenpaar auf der oberen Ebene. Auf der Rückseite eine Inschrift.Aus einer bedeutenden deutschen Privatsammlung, erworben vor 2007 - Minim. Altersspuren

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NAGEL AUKTIONEN GmbH
Lot 779

Bronze des Buddha ShakyamuniBurma, Shan-Periode, 18. Jh.H. 19 cmIn Vajrasana auf einem hohen Sockel sitzend, die rechte Hand in Bhumisparshamudra, die linke auf dem Schoß ruhend, Uttarasangha und Samghati tragend, das Gesicht mit heiterem Ausdruck und niedergeschlagenen Augen unter gewölbten Augenbrauen, die verlängerten Ohrläppchen die Schultern berührend, die Lockenfrisur in die Ushnisha übergehend und mit einer Lotosknospe gekrönt, die Rückseite des Sockels mit einer Inschrift versehen.Ehemals aus einer deutschen Privatsammlung, erworben vor 2007 - Minim. berieben

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NAGEL AUKTIONEN GmbH
Lot 780

Drei Ornamente aus BronzeChina oder Vietnam, Qing-DynastieH. 14-28 cm, B. 23-55 cm, T. ca. 1-2,5 cmZwei Ornamente in Form von sich windenden Drachen zwischen Wolkenwirbeln, eines in Form einer flammenden Perle.Ehemals aus einer europäischen Privatsammlung, gesammelt vor 2007 - Minim. berieben, partiell wenige Best., auf Holzsockel montiert

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NAGEL AUKTIONEN GmbH
Lot 794

Bronze des Buddha ShakyamuniSri Lanka, Kandya-Periode, 19. Jh.H. 20 cmIn Samabhanga auf einem viereckigen Sockel stehend, die rechte Hand im Abhayamudra erhoben, die linke am Körper entlang gestreckt, mit Mönchsgewand, einschließlich Unterrock und Mantel, der die linke Schulter bedeckt und rundum mit einem horizontalen Wellenmuster versehen ist, sein Gesicht zeigt einen gelassenen Ausdruck mit niedergeschlagenen Augen unter gewölbten Augenbrauen, die in den Nasensteg übergehen, gepiercte verlängerte Ohrläppchen und seine Lockenfrisur, die in die Ushnisha übergeht.Aus einer europäischen Privatsammlung, vor 2007 erworben - Minim. berieben, die Flamme best., alte Sammlernummer auf der Rückseite des Sockels

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NAGEL AUKTIONEN GmbH
Lot 796

Sitzender Buddha aus BronzeThailand, Ayutthaya-Periode, 17. Jh.H. 28 cm (o.S.)In sattvasana sitzend, die rechte Hand in bhumisparshamudra, die linke auf dem Schoß ruhend, in klösterlichem Gewand, das Gesicht mit heiterem Ausdruck, niedergeschlagenen Augen, verlängerten Ohrläppchen und der in die ushnisha übergehenden Lockenfrisur, Spuren von Goldlack, auf Plexiglassockel.Ehemals aus einer deutschen Privatsammlung, erworben vor 2007 - Kleine altersbedingte Schäden

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NAGEL AUKTIONEN GmbH
Lot 80

Bronze der Syamatara mit Resten von Vergoldung auf einem Lotus sitzendTibet, 18. Jh.H. 16,6 cmAus einer alten deutschen Privatsammlung, vor 2007 gesammelt - Etwas berieben, Altersspuren, wieder versiegelt

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NAGEL AUKTIONEN GmbH
Lot 813

Miyao-Bronze eines stehenden Samurai als Angler, eine Fisch in den Händen haltend, Holzsockel mit Goldlack-DekorJapan, gemarkt Miyao, Meiji-PeriodeH. 21,8 (28) cmEhemals Privatsammlung Frankreich, vor 2007 erworben - Etwas korridiert und minim. berieben

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NAGEL AUKTIONEN GmbH
Lot 835

Bronze eines stehenden JizoJapan, Meiji-PeriodeH. 13,4 cmEr steht in Samabhanga auf einem Lotussockel, der auf einem Sockel steht, die rechte Hand hält den Bettelstab, die linke die Frucht, er trägt ein Mönchsgewand mit Unterrock und Mantel, der beide Schultern bedeckt und in Falten fällt, sein Gesicht zeigt einen heiteren Ausdruck mit niedergeschlagenen Augen unter gewölbten Augenbrauen, die in den Nasensteg laufen, eine erhobene Urna an der Stirn und eine Glatze.Ehemals aus einer alten westfälischen Privatsammlung, vor 2007 erworben - Berieben, minim. best.

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NAGEL AUKTIONEN GmbH
Lot 837

Bronze des AmidaJapan, Meiji-PeriodeH. 37,5 cmEr sitzt in Vajrasana, beide Hände ruhen in einer Form von Dhyanamudra auf seinem Schoß, er trägt ein klösterliches Gewand mit einem Unterrock und einem Mantel, der beide Schultern bedeckt, sein Gesicht zeigt einen heiteren Ausdruck mit niedergeschlagenen Augen unter gewölbten Augenbrauen, die in den Nasenrücken übergehen, eine erhobene Una an der Stirn, durchbohrte längliche Ohrläppchen und eine Lockenfrisur, die in eine niedrige Ushnisha übergeht.Ehemals aus einer deutschen Privatsammlung, erworben vor 2007 - Minim. berieben

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NAGEL AUKTIONEN GmbH
Lot 841

Teller aus Bronze mit Silbertauschierung, teils vergoldet, Rakan vor WeihrauchbrennerJapan, signiert, Meiji-PeriodeD. 31 cmEhemals aus einer deutschen Privatsammlung, vor 2007 erworben - Part. berieben, zwei Bestoßungen und Risse, Rand leicht verformt

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NAGEL AUKTIONEN GmbH
Lot 843

Feines Modell des 'takarabune' mit den sieben GlücksgötternJapan, Edo-/Meiji-PeriodeL. 61 cmDas Schatzschiff aus Holz, dekoriert mit diversen Lacktechniken teils in Gold, Rot und Schwartz. Die sieben Glücksgötter aus Bronze teils mit polychromer Fassung und signiert.Bayerische Privatsammlung, erworben bei Christie's, London, 14. 11. 2001, Lot 101 - Minim. berieben and partiell wenige kleine Best., Holzstand mit Lackfassung und geschnitztem Wellendekor

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NAGEL AUKTIONEN GmbH
Lot 850

Paar feine Vasen aus BronzeJapan, gemarkt, Meiji-PeriodeH. 18,5 cmOvaler, flacher Korpus auf abgesetztem Standfuß sich nach unten verjüngend. Die Vorderseiten jeweils mit Darstellung eines Fasans in einer felsigen Landschaft mit blühenden Buschklee und Lilien. Auf der Rückseite Insekten und blühende Sträucher. Dunkel patinierte Bronze, Details in Silber und Shakudo.Aus einer Süddeutschen Privatsammlung, vor 2007 erworben - Minim. berieben

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NAGEL AUKTIONEN GmbH
Lot 856

Weihrauchbrenner aus Bronze in Form eines ShishiJapan, Meiji-Periode41,5 x 42 x 27,5 cmAus einer europäischen Privatsammlung, vor 2007 erworben - Wenige rest. Best.

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NAGEL AUKTIONEN GmbH
Lot 86

Feuervergoldete Bronze des VajrapaniBhutan or Tibet, 18th/ early 19th c.H. 18,8 cmIn pratyalidhasana auf einem separat gegossenen Lotussockel stehend, die erhobene rechte Hand schwingt den Vajra, während die Linke in tarjanimudra zeigt, er trägt einen Tigerrock, einen um die Schultern drapierten Schal, eine Schlangenmala, mit türkisfarbenen Perlen besetzten Schmuck, sein Gesicht zeigt einen zornigen Ausdruck, gemalte Gesichtsdetails und seine rot gefärbte Flammenfrisur ist mit einem Diadem gesichert, versiegelt.Aus einer alten und bedeutenden deutschen Privatsammlung, gesammelt zwischen 1950 und 1987, Sammlungsnummer C 71Veröffentlicht: U. Toyka-Fuong, Ikonographie und Symbolik des tibetischen Buddhismus, Otto Harrassowitz, Wiesbaden, 1987, C 71, S. 182 und 183 - Leichte Gebrauchsspuren

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NAGEL AUKTIONEN GmbH
Lot 879

Zwei Tetsubin aus EisenJapan, einer signiert Sadanaga, späte Edo-/Meiji-PeriodeH. 24,5/25,5 cmEin Tetsubin mit umlaufenden, reliefiertem Dekor, u.a. von Häusern in einer Landschaft, seitlich signiert und mit Deckel aus Bronze. Der zweite mit Dekor eines sich windenden Drachens am Fuße des Berges Fuji partiell mit Silber eingelegt und Deckel aus Holz.Ehemals aus einer alten Berliner Privatsammlung, vor 2007 gesammelt - Altersspuren, partiell best.

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NAGEL AUKTIONEN GmbH
Lot 880

Koro aus Bronze mit seitlichen Handhaben in Form von plastischen Drachen auf Stand in Form von wogender Gischt im Durchbruch gearbeitetJapan, Meiji-PeriodeB. 34 cmEhemals aus einer alten Berliner Privatsammlung, vor 2007 erworben - Minim. Altersspuren, partiell kleine Best.

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NAGEL AUKTIONEN GmbH
Lot 881

Vase aus Bronze Bambus imitierendJapan, Hattori-Marke, Meiji-PeriodeH. 24,5 cmEhemals aus einer alten Berliner Privatsammlung, vor 2007 gesammelt - Minim. Gebrauchsspuren

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NAGEL AUKTIONEN GmbH
Lot 9

Feines und seltenes feuervergoldetes Vajra aus Bronze, das vermutlich für ein Ritual gefertigt wurdeChina, 15. Jh.L. 21,4 cmKugelförmiges Mittelstück, jeweils umgeben von einer Perlenkette. Die vier gegenüberliegenden Spangen basieren auf einer Reihe von jeweils acht Lotosblättern. Darüber befinden sich vier sorgfältig modellierte Makaraköpfe, aus deren Mündern jeweils eine Spange herausragt. Diese berühren die quadratische Mittelachse. Rituelles Prunkstück für den Altar. Vergoldete Bronze. Gewicht: 584 gr.Bedeutende süddeutsche Privatsammlung, 1992 gesammelt - Berieben, Altersspuren

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NAGEL AUKTIONEN GmbH
Lot 906

Schreibzubehör in Döschen aus Bronze als NetsukeJapan, Meiji-PeriodeL. 6 cmAus einer deutschen Diplomatensammlung, 1998 und 1999 erworben - Etwas berieben

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NAGEL AUKTIONEN GmbH
Lot 95

Feuervergoldete Bronze des GuhyasamajaTibet, 19th/ 20th c,H. 18,8 cmMit gekreuzten Beinen auf dem Lotussockel sitzend, seine Partnerin mit seinen Hauptarmen umarmend, in den Händen Vajra und Ghanta, in den anderen Händen verschiedene Attribute haltend, Dhoti tragend, mit Juwelen geschmückt, seine drei kaltvergoldeten Gesichter mit heiterem Ausdruck und seine sechsarmige Gefährtin mit den vorgeschriebenen Attributen haltend, versiegelt.Aus einer alten und bedeutenden deutschen Privatsammlung, gesammelt zwischen 1950 und 1987, Sammlungsnummer C 45Veröffentlicht: U. Toyka-Fuong, Ikonographie und Symbolik des tibetischen Buddhismus, Otto Harrassowitz, Wiesbaden, 1987, C 45, S. 104 und 107 - Etwas berieben

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NAGEL AUKTIONEN GmbH
Lot 97

Feuervergoldete Bronze von Shri DeviTibeto-Chinesisch, spätes 18./ frühes 19. Jh.H. 18,2 cmSie sitzt rittlings auf ihrem bekleideten Maultier, das über den Lotussockel trabt, die rechte Hand schwingt das Schwert, während die linke den Kapala stützt, sie trägt Rock, Jacke, Menschenhaut, einen Schal, der um die Schultern geschlungen ist, ihr Gesicht zeigt einen zornigen Ausdruck mit vorgewölbten Augen, der Mund ist geöffnet und zeigt Zähne, ihr flammendes Haar ist mit einem kleinen Sonnenschirm geschmückt und mit einem Diadem aus fünf Totenköpfen gesichert, unverschlossen.Aus einer alten und bedeutenden deutschen Privatsammlung, gesammelt zwischen 1950 und 1987, Sammlungsnummer BT 13A - Minimale Altersspuren

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NAGEL AUKTIONEN GmbH
Lot 99

Feuervergoldete Bronze des VaishravanaTibeto-chinesisch, 18. Jh.H. 13,5 cmSeitlich auf einem Löwen sitzend, der auf einem Lotussockel ruht. Vaishravana hält seine rechte Hand erhoben, ursprünglich ein Attribut haltend, in seiner Linken hält er eine Manguste. Er trägt eine prächtige Rüstung, Stiegel und ein Schalband. Seine Gesichtszüge sind von Zorn gezeichnet mit großen Augen, gesäumt von einem Bart. Das Haar trägt er in einem Dutt bekrönt von einem Diadem. Partiell Spuren von polychromer Farbfassung, unversiegelt.Aus einer Süddeutschen Privatsammlung, vor 2007 erworben - Partiell berieben, etwas rest.

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Omnia Veilinghuis
Lot 127

Draanen, van Joek (Amsterdam 1942). The green book, glass art in glass with covered bronze, h 18 and 8 cm, up to. 2x.

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Omnia Veilinghuis
Lot 148

Dael, by Monica (Rotterdam 1943) A green patinated bronze reclining female nude on natural stone base, signed with monogram and numbered 6/25, h22.5 cm.

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Omnia Veilinghuis
Lot 161

Dael, van Monica (Rotterdam 1943) A dark patinated bronze head of a woman on natural stone base, signed with monogram, h21 cm.

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Omnia Veilinghuis
Lot 165

A brown patinated bronze Art Nouveau Tazza with clear glass contoured bowl, France around 1900, h 39 x Ø 26 cm.

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Omnia Veilinghuis
Lot 275

A brown patinated bronze pair of standing figures on natural stone base, signed at the bottom with monogram, height 130 cm.

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Omnia Veilinghuis
Lot 380

A set of green patinated bronze musicians on natural stone base, in the style of Ronald Tolman, h 38 cm, to. 2x.

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Omnia Veilinghuis
Lot 443

A dark patinated bronze okimono of a fisherman, Japan, Meiji, around 1900, h 36 cm.

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Omnia Veilinghuis
Lot 481

A brown patinated bronze sculpture of a seated female nude, 1918-1993, signed with monogram, h 17 x l 18 x w 12 cm.

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Omnia Veilinghuis
Lot 562

Steen, Jan II (1938-2016) "Three figures in a triangle", bronze sculpture, signed on the base, h 32 cm.

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Omnia Veilinghuis
Lot 761

A brown patinated bronze five-light candlestick, after an antique example, 20 century, h 70 x Ø 33 cm.

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Omnia Veilinghuis
Lot 78

Tolman, Ronald (1948) "The reader", signed with monogram 'R.T', green mixed patinated bronze, h 50 cm.

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Omnia Veilinghuis
Lot 820

A brown patinated bronze sculpture of putti with dog, after an antique example, 21st century, h 20 cm.

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Omnia Veilinghuis
Lot 90

Jouta, Hans (Holwerd 9966). A brown patinated bronze godwit, signed on the base and dated 2018, h 44 cm.

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Adams
Lot 69

Michael Warren (b. 1950)Chi IIIBronze, 49cm high (19¼")From an edition of 6Condition Report: Overall condition is very good There is some movement in the piece between the arc and the base

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Adams
Lot 19

Rowan Gillespie (b.1953) Peace II (1998) Bronze on a circular limestone base 78cm (30¾") high Signed, inscribed and dated on the base No. 2/9Provenance: With the Solomon Gallery, Dublin, where purchased by the present owners. Literature: Roger Kohn, Rowan Gillespie Looking for Orion, O'Brien Press, 2007, illus. p. 97Female figures are quite prominent in Gillespie’s work, with his depiction of the body often acting as a celebration of female liberty and the vitality of life. They are not treated in the same way as a classical sculpture in which the female form was often depicted as an object of beauty. Instead Gillespie strives to create thoughtful expressions of the free-spirited and independent nature of modern women.Freedom is a constant thread in Gillespie’s work, something his sculptures seem to always be striving towards, whether they are scaling the side of a building, Aspiration (1995) or perched on a window ledge, Birdy (1997). His figures seem to affect an act of defiance in the face of gravity. While Gillespie’s sculptures are often struggling under the weight, literal and metaphorical, of the base, elemental forces of life there is also a lightness, a joy found within his depictions of the human form.There is a visual link between the outstretched arms in Peace II and the Blackrock Dolmen (1987), although on this occasion the figures are not supporting the heavy weight of the stone. Instead with their arms outstretched, reaching upwards towards an imaginary light, one is reminded of his respective large-scale public commissions in Italy and Dublin, Leta della donna (2009) and The Age of Freedom (1992). On both occasions the figures stand, similar to the present work, naked, offering some form of thanksgiving to the sun. The two figures in Peace II, seem to grow upwards from the same source, their bodies intertwined with one another. It is an expression of gratitude, a gesture of sublimation and hope.While he is known for his emotionally arresting Famine memorial, here there is a delicacy to the treatment of the material which seems to hark back to his earlier investigations into the human form. The finish of the bronze in this work is the antithesis of the cracking, raw patinas of his Famine figures. However, once again he has created a visual as well as physical connection to the raised arms of his Jubilant Man (2007) sculpture in Irelands Park, Toronto, who upon safe arrival in Canada is utterly overcome with emotion.Niamh Corcoran, 2023

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Bonhams
Lot 667

A collection 19th century and later Grand Tour ornaments, plaques and medallionscomprising a silvered bronze model of the Place Vendôme column on black marble base, a 'Rosso antico', black marble and patinated bronze model of Tajan's column, a patinated bronze Temple of Vesta inkwell on variegated marble base, a carved Sienna marble model of an oval font on Porto marble base, and a carved alabaster bust of the torso of the Dancing Faun with cymbals, the plaques and medallions comprising a pair of Sienna marble relief carved profile portrait plaques of Emperors, a matched part set of four framed basalt oval classical profile portrait medallions and a carved alabaster portrait relief of a classical maiden on later oval wooden backplate, various sizes (11)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 664

An Italian patinated bronze figural group of the Capitoline Wolfafter the antique, probably late 19th century the model with the infant Romulus and Remus suckling from the She Wolf with aged verdigris patination, on rectangular veined marble plinth base, 23.5cm high, 32cm wide, 15.5cm deep overallFootnotes:The Capitoline Wolf depicts a scene from the legend of the founding of Rome showing a she wolf suckling the mythical twin founders of the capital. Perhaps one of the most recognisable icons of ancient mythology, the group has been housed in the Palazzo dei Conservatori on the Campidoglio (the ancient Capitoline Hill), Rome, Italy) since 1471 and has served as the inspiration for numerous later replicas.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 630

A first half 19th century French patinated bronze figure of The Dancing Faun with Cymbalsafter the antiquethe figure standing on a circular base, 30cm high For further information on this lot please visit Bonhams.com

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Bonhams
Lot 636

A bronze group of the Capitoline Lion Attacking a horseafter the antique, perhaps workshop of Francesco Righetti (Italian, 1749-1819), circa 1800the group with green patination, mounted on a later black marble base, 18.5cm high, 30cm wide, 18cm deep approximately, the marble base, 5.5cm high, 29cm wide, 17cm deepFootnotes:The original antique fragmentary marble model of Lion Attacking a Horse, which consisted of an equine torso and feline foreparts, was restored in 1594 by Ruggiero Bescap with the horse's head bowed forward in surrender. It was relocated on a number of occasions within the Capitoline before it was eventually installed in the garden of the Palazzo dei Conservatori in Rome in the 1920's. During the Renaissance period the sculpture was used as a prototype for a variant model by the sculptor Giambologna who created a far more dramatic image with the horse twisting his head back in pain.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 633

Studio of Giovanni Paolo Panini (Italian, circa 1692-1765)An architectural capriccio with the equestrian statue of Marcus Aurelius oil on canvas103.1 x 127.2cm (40 9/16 x 50 1/16in).Footnotes:ProvenanceWith Galleria Canessa, Rome, 1961, where purchased by the present owners' parentsLiteratureF. Arisi, Gian Paolo Panini e i fasti della Roma del '700, Rome, 1986, p. 412, under cat. no. 363 ('prevelentamente di collaborazione')The present work was clearly a popular composition as numerous versions are known such as those in the Musée du Louvre, Paris (MNR 301) or in Ulster Museum, Belfast (BELUM.U117). Of squarer dimensions than these works, the present architectural capriccio has been cropped down the left-hand side. Central to the composition is the large bronze equestrian statue of Marcus Aurelius, one of the few Roman statues to have remained on public view, and which at this date stood at the centre of the Piazza del Campidoglio.We are grateful to David Marshall for confirming that the present lot is a studio work.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 632

A very impressive late 19th century French patinated bronze and marble model of the Vendôme Columnthe tapering column modelled after Trajan's Column with spiralling battle scenes, the domed top above a square galleried viewing platform surmounted by a figure of Napoleon in contemporary dress, the laurel draped plinth with further scenic battle reliefs and an applied inscription, raised on a white marble shallow square base, 142cm high, 27cm wide, 27cm deep, together with a modern metal carrying case (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 635

After Giambologna, called Giovanni da Bologna or Jean Boulogne (Italian, 1529-1608): A patinated bronze figure of Marsprobably late 18th or early 19th centurythe naked god modelled in contrapposto in walking stance, his head with curling hair and beard turned to sinister, his left arm clutching the hilt of his dagger, the blade later replaced, raised on a later stepped rectangular marble plinth base, the figure 39.5cm high, the plinth base, 4cm high, 28.5cm wide, 17cm deepFootnotes:Jean de Bologne made two versions of his 'Walking Mars', one signed, the other documented to around 1587. A further version was executed by Giovanni Francesco Susini (1575-1653) in the second quarter of the 17th century and was in the Palazzo Corsini in Florence before it entered the Robert H. Smith collection of bronze sculptures masterpieceFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 613

A late 19th century patinated bronze figure of the Apollo Belvedereafter the antiquecast by the Barbedienne Foundry, the semi-clad god, with drapery, folded over his left arm and standing beside a rustic tree stump entwined with a serpent, on circular shallow plinth base, inscribed F.BARBEDIENNE.FONDEUR and with A.Collis reduction mechanique pastille, 45.5cm highFor further information on this lot please visit Bonhams.com

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Bonhams
Lot 658

An early 19th century Italian silver-gilt mounted and micromosaic boxmark to interior partially visible DP, probably for Domenico Piazzoli (FL. 1804 - 1827), Rome, circa 1820Rectangular red marble box with silver-gilt mounts, the hinged cover set with rectangular micromosaic panel depicting the Pantheon within a silver-gilt frame, length 8cm x 6cm x 1.9cm.Footnotes:The Pantheon, dedicated to all Roman gods and perhaps one of the best preserved examples of antique Roman architecture was built by the Emperor Hadrian over the ruins of another temple around 125AD. However, although it was converted to a Christian church as early as 609AD, by this time almost all of the marble and metal fittings and statues had been looted from its interior. The plundering of the both internal and external fixtures and fittings continued with the Emperor Constans II (r. 641-668AD) who also removed the bronze dome and then finally with Pope Urban VIII who pulled out many tons of bronze portico beams which were used for St. Peter's Baldacchino and also for new cannons for the Castel Sant'Angelo.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 653

A late 19th century Italian green patinated bronze figure of The Dancing Faunprobably Naples the mythological horned male creature with upheld hands standing on a square plinth, 80cm high approximatelyFootnotes:The original statue of The Dancing Faun was discovered in 1830 in the ruins of the most impressive and opulent Roman home at Pompeii, later known as the House of the Faun. Thought to be a copy of Hellenistic work it was removed to the Museo Borbonico (later the Museo Nazionale) and its fame was such that by 1838, an English traveller declared it 'the Venus de Medicis of Sylvans' Its smaller size made copies of the piece particularly attractive for the interiors and gardens of modest houses and it was hugely popular model for the catalogue of the Naples Museum by the early 20th century.The model, available in a number of edition sizes, was listed as number 5002 on page 217 of the 1910 edition of the J. Chiurazzi & Fils - S. De Angelis & Fils Naples foundry.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 615

An early 19th century bronze figural lamp base formed as a classical musein the manner of Thomas Hope (British, 1769-1831)the maiden clad in an asymmetric draped robe, her hair dressed with spiraling curls, holding aloft a palmette girdle oil lamp fitting with verdigris patination, on Verde antico marble square plinth base, 55.5cm high For further information on this lot please visit Bonhams.com

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Bonhams
Lot 625

An Italian gilt bronze figure of the Emperor Augustuscast by the Nelli foundry, Rome, probably late 19th / early 20th centurymodelled with raised right arm, his left arm holding a staff and clad in a short tunic, elaborately cast figural breastplate and drapery, a putto seated on a dolphin to the rear of his right foot, the circular rotating base with beaded edge and baluster handle, the upper surface edge with stamped NELLI, ROMA foundry mark, raised on a black and veined marble cylindrical plinth base, 45cm high, 23cm diameter overall including the plinth baseFor further information on this lot please visit Bonhams.com

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Galerie Bassenge
Lot 4046

[*] Marconi, Gaudenzio -- Male nude study. Circa 1875. Albumen print. 26,4 x 17,4 cm. Number in negative in lower portion, mounted to board (43,1 x 31,1 cm, slight edge wear and buckling, light soiling). Gaudenzio Marconi was a Swiss-Italian photographer celebrated for his academic nude studies, which are notable examples within the 19th-century French tableaux vivants tradition. In these compositions, often set against unadorned backgrounds or simple landscapes, Marconi displayed a keen focus on the sculptural qualities of the human form, emphasizing the dynamics of muscular movement. His photographs became a valuable resource for accomplished artists and students alike, with Auguste Rodin (1840-1917) enlisting Marconi's assistance during the creation and subsequent documentation of his influential sculpture "The Age of Bronze" in 1877. – Some light surface scuff marks, otherwise a strong print in very good condition.

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Galerie Bassenge
Lot 4048

[*] Matsuchi, Nakajima -- Japanese bronze vases with and flower and plant arrangements. Circa 1890. 34 albumen prints, each mounted to board in clamshell box. Each ca. 25 x 20,3 cm (34,3 x 27,4 cm). Most with photographer's studio stamp on mount verso. The Japanese photographer Nakajima Matsuchi, renowned during the 1880s-1890s, was a founding member of the Nihon Shashin Kyokai (Japanese Photographic Society) in 1889. His exquisitely hand-colored lantern slides, created in collaboration with his wife, Sonoko, received numerous accolades, including recognition at the Japanese National Exhibitions of 1877 and 1881. Although Nakajima worked with various photographic formats, including stereographs, cartes de visites, and cabinet-sized photographs, his large-format work remains particularly rare. – Some buckling and foxing on mounts, some slight fading along edges of prints, otherwise in very good condition. Lit.: Terry Bennett. Photography in Japan 1853-1912. North Clarendon, Vermont. 2006. see pp. 182-184.

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Galerie Bassenge
Lot 4077

[*] Vincotte, Thomas & Jules Lagae -- Photographer unknown. Horses for the quadriga of the Cinquantenaire Arch in Brussels. Circa 1905. Collodion paper print. 25,5 x 49 cm. Flush-mounted to board, annotated in pencil mount on verso. This photograph displays elements of a bronze sculptural group featuring a female charioteer representing Brabant province raising the national flag. It was commissioned in 1880 under King Leopold II‘s patronage to commemorate the 50th anniversary of the Belgian revolution (Brabant Revolution). Crafted by Belgian sculptors Thomas Vincotte and Jules Lagae, the monument was unveiled in 1905, gracing the Cinquantenaire Arch, with its gaze toward the heart of Brussels. – Edges slightly worn, upper corners bumped, some scuff marks, creases and abrasions on print surface, otherwise a final tonal print in good condition.

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Bonhams
Lot 199

A Sèvres neo-classical plate, circa 1805Painted with a seated classical figure in brown heightened in gilding in imitation of bronze, on a faux agate ground, the black-ground rim with a gilt undulating formal border of stylised flowers and scrolling foliage, 24.5cm diam., de Sevres above an arrowhead stencilled in iron-red (minor wear)Footnotes:The plate seems to be related in decoration to the service described as 'Service fond bleu figures en brun' which first appeared in the sale records in 1806 under the name 'service Leguay', after the artist Le Guay, who was paid 19 francs and 40 centimes for 'figures en brun rehaussés d'or' on six plates from August-September 1806 (Aileen Dawson, French Porcelain in the British Museum (1994), pp. 215-217, no. 179). However, the border pattern differs in both colour and style. The figures on the 'Service fond bleu figures en brun' have been identified as having been after engravings by Alexandre-Evariste Fragonard (1780-1850), who later worked at the factory between 1812 and 1835, and it seems likely the same would apply to the present lot.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 122

A Doccia relief-moulded plaque, circa 1770Moulded with a scene from the Marriage Feast of Perseus and Andromeda, after Guglielmo della Porta, painted in polychrome colours, 14cm x 27.8cmFootnotes:An oval bronze cast of the scene by Guglielmo della Porta from the 16th century is in the collection of the Metropolitan Museum of Art, New York (accession no. 60.55.68).For further information on this lot please visit Bonhams.com

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Petrides Auctions - Arts Quorum Ltd
Lot 113

A Japanese bronze tiger on a carved wood stand, measuring L45cm, H25cm, D18cm, Signed to the belly Tsukahara Tsunemitsu, circa Meiji period (1868-1912).

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Petrides Auctions - Arts Quorum Ltd
Lot 146

A pair of vintage black patinated bronze table lamps depicting putti holding green fabric shaded lamps. The bronzes measuring H54cm without the shades, early 20th century. (2)

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Petrides Auctions - Arts Quorum Ltd
Lot 149

A Chinese bronze Foo Dog mounted as a table lamp, with lamp shade measuring H73cm, the Dog H32cm, W20cm, D13cm, late 19th / early 20th century. (2)

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Petrides Auctions - Arts Quorum Ltd
Lot 152

After Ferdinand Preiss, an Art Deco bronze sculpture of Artemis or Diana or a woman hunter / archer, measuring H32cm, W24cm, D8cm, early 20th century.

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