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Lot 315
EMMA MACDERMOTT : A superb large patinated bronze figure of ARKLE AND PAT TAAFE; mounted on a polished granite base, incised marks to the bronze base, " EMcD 2013" and "11/27", also inscribed "For Andrew Clowes Who Knew Him". Andrew Clowes was one of the Trustees of the Anne, Duchess of Westminster Charities. On the 57th Anniversary of the birth of Arkle, Emma McDermott unveiled her life size Bronze of Arkle, IN Ashbourne, County Meath. She also produced an edition of 27 quarter life size bronzes, representing his 27 wins, of which this is number 11. Number 2 of the edition was presented to Her Majesty The Queen Elizabeth II (now the Late Queen Elizabeth II), on Behalf of the People of Ireland. Height 72cm x 70cm W (number 3 has recently sold in ireland for hammer price 6000euros)
Lot 320
"The Three Graces", A superb bronze figure of The Three Graces by Baccarat with a Verdigris Patina. Mounted on a Portoro Ner Italian Marble base, The Three Graces holding aloft a massive crystal ball. Marked at the top of the central column with the Baccarat Monogram. The bronze figure designed by Hippolyte Moreau IN 1910. 60CMh X 24CMw
Lot 358
Mixed technique on bronze, signed Nano '02, edition 2/34. Measurements: 42 x 72 x 12 cm. Colombian sculptor Nano L—pez (Bogot‡, 1955) exhibited for the first time in Colombia 20 years ago, at the Museum of Modern Art in Bogot‡, when art critic Marta Traba highlighted his creative talent. Now, for 20 years, L—pez has lived in Walla Walla, Washington, where he is still dedicated to sculpture, only now he carves granite, sculpts marble and melts and bends steel, to create all kinds of figures on a monumental scale. In addition to his works made in bronze with all kinds of techniques and patinas, L—pez has specialized in making monumental sculptures for other artists, in a workshop especially dedicated to it. From scale models and small-scale models, L—pez expands them and makes them in cast bronze. L—pez recently exhibited a series of paintings and sculptures in the United States, where the artist depicts the essence of the human condition with intense charges of strong emotions. Perhaps the combination of his classical training and his experimental character is what results in a work of very rich and textured surfaces with different elements taken from nature. Having his central studio in Walla Walla, Washington. Origin: Spanish private collection. Having its headquarters in Walla Walla, Washington. Origin: Spanish private collection. Having its headquarters in Walla Walla, Washington. Origin: Spanish private collection.
Lot 103
Vassili Yacovlevitch Grachev (Russian, 1831-1905): A patinated bronze figural group of a troika passing a peasant sleighThe former drawn by three horses, the latter by a single horse, on a rectangular naturalistic base, signed to the front left-hand corner in Cyrillic, the rear inscribed FABR.C.R.WOERFFEL ST.PETERSBOURG 52cm wide, 22.5cm high, 29cm deepFootnotes:A similar bronze group was sold Christies, London, 6th March, 2014, lot 44 and a further bronze cast was sold Christies, 29th November 2010, lot 443.LiteratureA similar cast is illustrated in C. Payne, Animals in Bronze, Antique Collectors' Club, 1986, p. 387, M32.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 27
ATTRIBUTED TO CLAUDE MICHEL, CALLED CLODION (FRENCH, 1738-1814) OR PERHAPS JOSEPH CHARLES MARIN (FRENCH, 1759-1834): A TERRACOTTA BUST OF A BACCANTECirca 1800The young female with downcast eyes, her curling hair adorned with a fruiting vine wreath, her head turned slightly to dexter, her right arm adorned with an amulet and her loose drapery exposing her right breast, supported on a swept and beaded gilt bronze circular socle and raised on a 'bleu turquin' marble dwarf plain column pedestal with shallow stepped circular and square gilt bronze base, 32cm high overallFootnotes:ProvenanceThe collection of Sir Michael and Lady Oppenheimer DD (3rd Baronet, British, 1924-2020), Jersey, thence by family descent.Sir Michael Oppenheimer's maternal grandparents were Sir Robert Grenville Harvey, 2nd Baronet (1856-1931) and Lady Emily Blanche Harvey (1872-1935) of Langley Park, Buckinghamshire which was the Harvey Baronet's main family seat from 1788 until 1945.Sir Michael's paternal family wealth was derived from mining interests in South Africa and his father Bernard Oppenheimer, as Chairman of the South African Diamond Corporation, received a baronetcy from George V in 1921 for setting up diamond sorting factories to employ wounded ex-servicemen after the First World War. The Oppenheimer family was involved with the prestigious De Beers brand over the subsequent decades of the 20th century and Lady Oppenheimer DD (1926-2022) was a distinguished moral and philosophical theologian, with a particular interest in the ethics pertaining to personal relationships.Claude Michel, called Clodion, was perhaps one of the most celebrated European sculptors of the 18th century. Born in Nancy in northeast France, he was a contemporary of Houdon and Fragonard and in his teenage years he travelled to Paris to enrol in the studio of his uncle Lambert-Sigisbert Adam's sculptural studio working on competitions pieces for the Academy. He subsequently enrolled as a pupil at the studio of Jean Baptiste Pigalle (French, 1714-1785) which fortuitously enabled him to win the prestigious Prix de Rome. Leaving Paris in 1762 to travel to Rome, Clodion spent nine years refining his craft and studying the works of the classical world and antiquity and was undoubtedly influenced by the works of his compatriot Poussin. He also importantly acquired several high-profile clients and patrons including Catherine the Great of Russia and the Duc de la Rochefoucauld. Clodion returned to Paris in 1771 upon the request of the Marquis de Marigny, Directeur des Batiments du Roi and established a studio in an area of the city where the Place de la Concorde is now located. He quickly achieved great success and was awarded several important, large-scale commissions. Despite interest in his larger works, it is however his intimate terracotta groups depicting nymphs, satyrs and cherubs such as in the offered lot which perhaps define Clodion's importance as one of the most famous sculptors of the 18th century. These innovative works, often executed in terracotta in a highly recognisable style were heavily influenced by antiquity and his Bacchanalian subjects were defined by incredibly fine modelling and a meticulous attention to detail.Many of Clodion's terracottas are not dated and many were also left unsigned. The current lot depicts a priestess or female follower of the cult of Bacchus typical of Clodion's output in the late 18th and early 19th century. The Bacchante characteristically wears a wreath of finely modelled fruiting vines in her flowing hair, typically celebrating the themes of Bacchus, the god of wine and fertility. The subject, like much of Clodion's work in terracotta reveals the sculptor's fundamental influences - that of classical and antique sculpture which he studied in Rome alongside the work of his fellow compatriot Poussin. Furthermore, the composition of the bust is stylistically very much in the manner of the sculptor, showing the animated character of the sitter including the detail to the curls and locks of her hair, together with individually tooled bunches of grapes.Joseph Charles Marin was a student of Claude Michel and made several attempts to win the Grand Prix de Sculpture before the French Revolution, only winning it in 1801 with a bas-relief of Caius Gracchus leaving his wife Licinia.Although Marin was a pupil of the sculptor Joseph Chinard (French, 1756-1813), Clodion was perhaps a much stronger influence on Marin's early style in the late 18th century although he subsequently went on to adopt a more austere and severe style in the manner of the later neo-classical sculptors.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 3
A large patinated bronze Corpus Christi and crossIn the manner of Alessandro Algardi (1595-1654), probably Italian, early 18th century The semi-nude figure of Christ modelled in contrapposto clad in a draped perizonium, the substantial plain cross with applied INRI banner, the cross with circular suspension loop, 88.5cm long, 37cm wideFor further information on this lot please visit Bonhams.com
Lot 41
An Italian patinated bronze mask depicting the head of MedusaAfter the antique, probably 19th centuryModelled full face with vacant eyes, a pair of entwined serpents below her chin, her wavy hair surmounted by a pair of wings, the whole with verdigris patination, raised on a later black painted metal pedestal stand and integral square footed base, 32cm high, 35.5cm wide overallFootnotes:ProvenanceFrom the collection of Andreina Cendali Pignatelli of Cerchiara di Calabria, Southern Italy.By repute, formerly in the collection of the Pignatelli family and originally from one of the family's residences in Naples.Thence by descent to the present owner.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 43
Giuseppe Caputi (Italian, active 1813-1833): A Roman patinated bronze figure of 'The Dying Gaul'After the antique, circa 1820The wounded warrior on oval base, marked 'CAPUTI', 23.3cm highFootnotes:The Italian sculptor and medallist Giuseppe Caputi was active in Rome during the first half of the 19th century. LiteratureL. Forrer, Biographical Dictionary of Medallists, Coin-, Gem-, and Seal-Engravers, Mint-Masters, etc. Ancient and Modern. With Reference to their Works. B.C. 500 - A.D. 1900, London, 1904, vol i, p. 342.First recorded in the Ludovisi Collection in 1623, the antique marble known as 'The Dying Gaul' was acquired for the Capitoline Museums by Pope Clement XII, before being ceded to the French in 1797. The sculpture arrived in Paris in a triumphal procession and was housed in the Musée Central des Arts. After Napoleon's defeat at Waterloo in 1815, it was returned to the Capitoline Museums, where its fame was such that, it was displayed in a dedicated room named after it. The subject was long interpreted as a Gladiator until late 19th-century scholarship identified the poignant figure as a wounded Galatian, whose army invaded the Hellenistic kingdom of Pergamon in the third century AD. Since the marble's discovery, its popularity has spawned numerous reductions in bronze, marble and alabaster.Related LiteratureF. Haskell and N. Penny, Taste and the Antique. The Lure of Classical Sculpture 1500-1900, New Haven and London, p. 224-227, no. 44For further information on this lot please visit Bonhams.com
Lot 84
An impressive late 17th century English bronze mortarInscribed for William Brainich and dated 1699 Of swept cylindrical form with moulded lip and foot, the body cast with Fleur de Lys and with dated inscription WILLIAM BRAINICH 1699 GOD DERREKT ME IN MY BEGINNING, together with an associated turned stained wooden pestle, the mortar, 23.5cm high, 30cm diameter, the pestle, 29cm long (2)Footnotes:ProvenancePrivate CollectionSotheby's London 5th December 2020, lot 22John and Judith Adler Collection, Sotheby's London, 24 February 2005, lot 131This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 87
A French gilt bronze figural candlestickIn the manner of Corneille Van Cleve (French, 1646-1732), probably early 18th century The Vitruvian scroll banded and artichoke leaf cast cylindrical campana nozzle above a lotus and fluted shallow swept collar, raised on a figural support cast as a male Bacchanalian figure seated on a classical vase, supporting a smaller putto, the ribbon tied moulded socle below the vase, on a circular spreading base with spiral shankered decoration within a foliate cast outer border, the collar drilled for electricity, 40.7cm high overallFootnotes:The drawings for the design of the offered candlestick and a female companion candlestick were once originally attributed to Charles Le Brun (French, 1619-1690) but later attributed to be Van Clevé. These designs were first executed by Clevé's brother-in-law, the goldsmith Nicolas de Launay in 1702 in silver-gilt.For a discussion on a comparable pair of candlesticks in the Wallace Collection, see P. Hughes, The Wallace Collection Catalogue of Furniture, Vo. II, London, 1996, figs. 30-31, nos. 232-233.For comparable pair of Régence candlesticks see Christies, Hubert de Givenchy - Collectionneur: Chefs-d'oeuvre, 14 June 2022, lot 38.For further information on this lot please visit Bonhams.com
Lot 90
Attributed to Francois Villemsens (French, fl. mid 19th century): An impressive pair of First Universal 'Great Exhibition' gilt bronze Neptune ewersCirca 1851Each with mythological aquatic figural decoration, the elaborate rocaille cast urn bodies with intertwined sea serpent high scrolling handles and eagle pouring lips, the swept upper bodies cast with the sea gods drawn by twin pairs of hippocampi, trumpeting mermaids and mermen, shells and acanthus leaves, above foliate girdles applied with Neptune masks, dolphins and alternating shells and starfish, each raised on mermen and mermaid tripod supports, above rockwork tripartite platform footed bases, 56.5cm high (2)Footnotes:The model of the offered ewers is almost identical to a vase exhibited by the bronzier François Villemsens at the first Universal Exhibition known as the Great Exhibition, held in London in 1851. In the Art Journal illustrated catalogue the entry notes for his work commented: 'the three vases are from the establishment of M. Villemsens of Paris, worker in bronze, and manufacturer of church ornaments; the latter branch of business especially, being largely carried on by this house. During our visit to Paris towards the close of the past year, we saw in his extensive showrooms a vast variety of objects, exhibiting more or less taste in composition, and ingenuity of workmanship; these were principally executed in bronze and in brass, and were adapted as well for the embellishment of the private dwelling as for purposes of ecclesiastical use and decoration - statues, vases, chandeliers, candelabra, delicate rail-work, etc. The three bronze vases and dishes selected from the contributions of this firm are distinguished by beauty of outline and elaborate ornament, approaching very closely to the best antiques'.Likely descended from a family of goldsmiths in the 18th century, François Villemsens established his workshop in the Marais, first at 18 rue Michel Le Comte, then at 71 rue du Temple. In 1834, he exhibited a facsimile of the armour of Francis I, which was hailed by the Archives du Commerce et de l'Industrie (Paris, 1834, p. 157). By 1835, he entered the Réunion des Fabricants de Bronze, heir to the former corporation of foundrymen, and regularly participated in the Expositions des Produits de l'Industrie Française. Winning a silver medal at the Exhibition of 1839, Villemsens joined the 'Bronze of Art and Furnishings' category alongside Thomire & Cie and Victor Paillard before winning a further silver medal at the last Exposition des Produits de l'Industrie Française in 1849. With these successes he approached the Universal Exhibition in London in 1851 where he won a new medal by submitting the vases mentioned above, including the Neptune vase. The success led him to New York where he participated in the Universal Exhibition of 1853 and appeared in the official catalogue of the New York exhibition of the industry of all nations, p. 154, at No. 15 as 'Bronze candelabras, groups, lamps, etc. Villemsens & Co, manu. 71 rue de Temple, Paris'... He was again a medallist at the Universal Exhibition in Paris in 1855 and by 1863 Villemsens had offered to finance the award of a carving prize that would be awarded each year by the Réunion des Fabricants de Bronze. After participating in the Universal Exhibition of 1867 where he presented a cast door from the Baptistery of Florence, he finally retired from business.From the second quarter of the 19th century onwards sculptors, bronziers and goldsmiths particularly appreciated the shape of the ewer to express ornamentation in all its manifestations, giving a free rein to exuberance and eclecticism. Renaissance art was one of their main sources of inspiration, and in particular Mannerism, utilising mythological themes and motifs as illustrated by the present lot. The sculptor Adolphe-Victor Geoffroy-Dechaume and the goldsmith Charles Wagner, who were contemporaries of Villemsens, similarly produced a ewer on the theme of Ondine in 1844, which is reproduced in the Maciet Albums. Characteristically the decoration to this piece does not leave a single part of the vessel plain. Although renowned for the execution of religious ornaments, Villemsens did not limit himself to this field and contributed to renewing the genre of decorative bronzes for a secular and wealthy clientele during the mid 19th century. For a comparable identical pair of vases see Sotheby's Paris, Robert de Balkany, Rue de Varenne, Paris – Evening sale, 20th September, lot 51Related LiteratureD. Alcouffe, A. Dion-Tenenbaum and P. Ennès, Un âge d'or des arts décoratifs 1814-1848, Paris, 1991, op. cit., p. 311, fig. 162a.E. Voirot, Création le multiple : la Réunion des fabricants de bronze (1839-1870), phD thesis, Université Paris Ouest Nanterre - La Défense, 2014This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 95
A pair of Louis XVI gilt bronze candlesticksThe beaded cylindrical lobed campana nozzles above guilloche banded capped plain column supports and laurel wreath socles, raised on fluted domed and foliate banded re-entrant moulded circular bases, 21.5cm high overall (2)For further information on this lot please visit Bonhams.com
Lot 11
WW1 British Memorial Plaque to Albert James Newby, bronze memorial plaque mounted onto a display board with history of Sergeant Albert James Newby 6th Battalion Kings Own Scottish Borderers killed on 23rd September 1917. Mounted with regimental cap badge. In remembrance of 10796 Sergeant Albert James Newby, 6th Battalion Kling’s Own Scottish Borderers who is recorded as having been killed in action on 23rd September 1917 but was most likely killed in the period 20th – 23rd September when the battalion attacked Hanabeke Wood and suffered Other Rank casualties of 26 killed, 200 wounded and 27 missing. Albert James Newby was never recovered and is commemorated on the Tyne Cot Memorial, Belgium.
Lot 12
WW1 British Memorial Plaque to Alfred Exley, bronze memorial plaque mounted onto a display board with history of Private Alfred Exley who served with the 9th Battalion Manchester regiment and was killed on 27th November 1917 and is commemorated on the Tyne Cot memorial. Mounted with regimental cap badge and photograph of Alfred Exley.
Lot 13
WW1 British Memorial Plaque to Marmaduke William Smith, bronze memorial plaque mounted onto a display board with history of Private Marmaduke William Smith 24th Tyneside Irish Battalion Northumberland Fusiliers, killed on 21st December 1917. In remembrance of 59472 Private Marmaduke William Smith 26th (Tyneside Irish) Battalion Northumberland Fusiliers. Originally from Barnard Castle, Durham he originally served with the Army Service Corps before transferring to the Northumberland Fusiliers. 36 year old Marmaduke Smith died on 21st December 1917 at the 104th Field Ambulance and is buried in Buquoy Road Cemetery
Lot 15
WW1 British Memorial Plaque to Albert Edward White, polished bronze memorial plaque mounted onto a display board with history of a Private Albert Edward White who served with the 1st Battalion Hampshire regiment and was killed on 1st July 1916, on the first day of the battle of the Somme. Mounted with a regimental cap badge of the Hampshire regiment.
Lot 19
WW1 British Memorial Plaque to Fred Hedges, bronze memorial plaque which has been fitted with clips and a chain, awarded to Fred Hedges. Mounted onto a display board with the details of a Private Fred Hedges who served with the 2/4th Oxford and Buckinghamshire Light Infantry and was killed on 25th August 1918.
Lot 22
WW1 British Memorial Plaque to John Henry Clark, bronze memorial plaque mounted onto a display board with details of a Corporal John Henry Clark who served with the 20th Tyneside Scottish Battalion of the Northumberland Fusiliers and was killed on 5th June 1917. Mounted with a regimental cap badge.
Lot 23
WW1 British Memorial Plaque to Frederick Charles Gray, bronze memorial plaque mounted onto a display board with details of a Private Frederick Charles Gray who served with the 2nd Battalion Royal Fusiliers and was killed in action on 1st July 1916, during the first day of the battle of the Somme. Mounted with regimental cap badge also.
Lot 24
WW1 British Memorial Plaque to Thomas Sale, bronze memorial plaque mounted onto a display board with details of a Private Thomas Sale of B Company 2nd Battalion Lancashire Fusiliers who was killed on 14th June 1915. Mounted with a regimental cap badge. Plaque in remembrance of 6000 Private Thomas Sale, ‘B’ Company 2nd Battalion Lancashire Fusiliers who died aged 33 on 14th June 1915 whilst the Battalion was in the trenches at Rozenkill Beck. He has no known grave and is commemorated on the Ypres (Menin Gate) Memorial, Belgium.
Lot 25
WW1 British Memorial Plaque to George Alfred Bye, bronze memorial plaque mounted onto a display board with details of a Private George Alfred Bye who served with the 1st Battalion South Wales Borderers and was killed on 10th November 1917. Mounted with a regimental cap badge. In remembrance of 44368 Private George Alfred Bye, 1st Battalion South Wales Borderers who was reported missing in action, presumed killed on 10th November 1917 aged 36. Originally from Brightlingsea, Essex he is remembered on the Tyne Cot Memorial, Belgium. Also entitled to a British War and Victory medal
Lot 27
WW1 British Memorial Plaque to Douglas Greig Duncan, bronze memorial plaque mounted onto a display board with details of a Private Douglas Greig Duncan who served in the 1/4th battalion Royal Scots Fusiliers and who died on 19th April 1917. Mounted with a regimental cap badge. In remembrance of 202871 Private Douglas Greig Duncan 1st/4th Royal Scots Fusiliers. From Newmilns Ayreshire he died in Palestine on 19th April 1917 aged 20 years old and is buried in Gaza War Cemetery, Israel and Palestine. Entitled to a British War and Victory medal.
Lot 29
WW1 British Memorial Plaque Ernest Lyons, bronze memorial plaque mounted onto a display board with details of a Private Ernest Lyons 1st Battalion The Buffs East Kent Regiment who was killed on 15th September 1916 and remembered on the Thiepval memorial. Mounted with regimental cap badge and shoulder title.
Lot 297
WW2 German Army / Waffen-SS Panzer Assault Badge in Bronze by Adolf Schultz, fine example of a bronze grade panzer assault combat badge with much of its original bronze finish remaining to both the obverse and reverse of the award. Badge has the correct ball hinge fitting and catch. Remains in very good overall condition.
Lot 306
Third Reich S.A (Sturmabteilung) 9th November 1923 Commemorative Cased Non Portable Award, fine bronze medal showing a group of SA troopers marching across bridge with flag barer to the front, above “MARSCH UBER DIE LUDWIGSBRUCKEN 9. NOV. 1923”, below is eagle and swastika. Reverse of the award has the Munich maid emblem with eagle and swastika plus “EINWEIHUNG DER BRUCKEN NEUBAUTEN 3. NOV 1935”. Housed in red leatherette case.
Lot 40
WW1 Bronze Memorial Plaque John Howard Rostance, bronze memorial plaque mounted onto a display board with details of Lance Corporal John Howard Rostance who served with the Royal Welsh Fusiliers and was killed on 20th July 1916 and is commemorated on the Thiepval Memorial. Mounted with regimental cap badge. In remembrance of 36343 Lance Corporal John Howard Rostance, 10th Battalion Royal Welsh Fusiliers. A 19 year old Lift Attendant from Burton-on -Trent, he attested for service in the Royal Welsh Fusiliers in Wrexham on 29th October 1915. He landed in France on 22nd March 1916 and was reported missing presumed killed on 20th July 1916 when the Battalion attacked Delville Wood. 2 Victoria Crosses were awarded to the Battalion for the close quarter fighting (Corporal Joseph Davies and Private Albert Hill). John Howard Rostance is remembered on the Thiepval Memorial, France.
Lot 41
WW1 Bronze Memorial Plaque Oliver Rowell, bronze memorial plaque mounted onto a display board with details of Private Oliver Rowell 132nd Field Ambulance Company Royal Army Medical Corps who died 14th / 15th July 1917. Mounted with regimental cap badge. In remembrance of 70514 Private Oliver Rowell, 132nd Field Ambulance Royal Army Medical Corps. Born in Newchurch, Lancashire he was killed in action aged 28 on 14th-15th July 1917 whilst the unit was based at Herzeele. Oliver Rowell is buried in Gwalia Cemetery, Belgium.
Lot 45
WW1 Bronze Memorial Plaque Frederick McInnes, bronze memorial plaque mounted onto a display board with details of Private Frederick McInnes who served with the 6th Battalion Royal Scots Fusiliers and was killed on 26th September 1915. Mounted with regimental cap badge. In remembrance of 11118 Private Frederick McInnes 6th Battalion Royal Scots Fusiliers. Originally from Aloa, Clackmannanshire he was killed on the 2nd day of the Battle of Loos, 26th September 1915.
Lot 50
WW1 British Memorial Plaque William Hunter, bronze memorial plaque mounted onto a display board with details of Private William Hunter who served with the 9th Battalion Royal Irish Fusiliers when he was killed on 1st July 1916 on the first day of the battle of the Somme. Mounted with regimental cap badge.
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