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Lot 431
A pair of 17th century Chinese bronze onion neck twin handled vases Each incised with gilded flowers, the handles formed as elephant masks, each standing on a tall spreading foot, one with inscribed paper label to underside. 17 cms high. (2) CONDITION REPORTS: Generally good, some rubbing to gilding, some slight dints.
Lot 432
An 18th century Chinese bronze water dropper Modelled in the form of an elephant; together with a 19th century Chinese bronze model of a mythical beast, possibly a scroll weight. The former 10 cms wide. CONDITION REPORTS: The elephant with tail lacking, evidence of previous soldered repair, some patination wear, general wear.
Lot 438
A 19th century Chinese patinated bronze model of Guanyin Modelled wearing robes holding a basket of fish, housed in a wooden box with script to the top. The figure 16.5 cms high. CONDITION REPORTS: Some patination wear, slight pitting, one small hole to reverse, repaired patch to neck, general wear.
Lot 441
A small Chinese bronze censor The pierced cover surmounted with the figure of Buddha, the main body with figural and calligraphic decoration and twin mask handles, standing on three mask headed feet, the underside with cast seal mark. 13 cms high. CONDITION REPORTS: Overall good, some general surface wear.
Lot 444
A Chinese bronze crocus planter Decorated with dragons amongst stylised clouds, the twin handles modelled as mythical beasts with protruding tongues, standing on ogee bracket feet with central drainage hole. 52 cms wide overall. CONDITION REPORTS: Generally in good condition, expected wear, drainage hole blocked.
Lot 455
A large Oriental gilt bronze model of Buddha Typically modelled seated in the lotus position, holding a lidded pot, the reverse with cast four character seal mark. 28.5 cms high. CONDITION REPORTS: Underside of base lacking, some verdigris, some patination wear, some surface wear, general wear.
Lot 457
A Japanese Meiji bronze four fold Komai style table screen Each panel worked in gold and silver, gilt Sei mark below a sunburst. 23 cms wide overall. Note: For an identical lot, see Christie's, Asian Art Sale, 22nd February 2007, lot 2154. CONDITION REPORTS: Generally in good condition, expected wear, one hinge damaged, one panel loose.
Lot 460
A 19th century Japanese bronze modelled as an eagle Perched atop a tree stump with a mythical beast at its base, standing on a plinth base with cabriole feet. 77 cms high overall. CONDITION REPORTS: Generally in good condition, expected wear, some surface scratching, loss to one wing tip, in sections.
Lot 461
A Japanese Meiji Period bronze model of a crane The lid also formed as a crane; together with a further smaller model of a crane, standing on a detachable carved wooden plinth base. 28 cms wide. (2) CONDITION REPORTS: Some patination wear, general wear. The smaller model with losses and probably previously attached to something else, wear to base.
Lot 523
A Gubelin wall clock The dial with Arabic numerals inscribed E. Gubelin, Lucerne and housed in a porcelain mount painted with cherubs, a dove and musical trophies, in a gilt bronze frame with suspension loop. 14 cms wide. CONDITION REPORTS: Area of restoration and paint loss to panel, movement possibly associated, back lacking, general wear.
Lot 527
A good quality 19th century Empire style patinated bronze and sienna marble mantel clock Formed as Roman charioteer, the wheel mounted with the white enamel dial with Roman numerals, standing on a stepped marble base with gilt brass mounts. 49.5 cms wide. CONDITION REPORTS: Some patination wear, some fritting, general wear, not guaranteed in working order.
Lot 528
A bronze mounted ormolu cased triple clock garniture Surmounted with the figure of a lady and two putti harvesting grapes above a white enamelled dial with Roman and Arabic numerals, the case C-scroll and acanthus cast, each garniture modelled as a further putto supporting a six branch acanthus cast candelabra, standing on a conforming base. The clock 49 cms high. CONDITION REPORTS: Generally in good condition, expected wear, some rubbing to patination.
Lot 529
A French bronze and ormolu mounted white marble triple clock garniture Surmounted with a pair of studious putti above a white enamel dial with Roman numerals, the shaped case with gilt beading and flattened bun feet, each garniture modelled as a putti supporting a cornucopia issuing floral cast candle branches, standing on a fluted column with gilt metal mounted shaped plinth base and flattened bun feet. The clock 45.5 cms high. CONDITION REPORTS: Generally in good condition, expected wear.
Lot 530
A French bronze mounted and green marble triple clock garniture Surmounted with the figure of a lion above a white painted dial with Arabic numerals in four glass case and with gong striking barrel movement flanked with fluted spreading columns united with floral swags, standing on a shaped plinth base with pointed bun feet, each garniture modelled as a twin handled urn with pineapple finial and goat masks united with floral swags, standing on a spreading foot and circular plinth base with pointed bun feet. 60 cms high. CONDITION REPORTS: Generally in good condition, expected wear, some rubbing to patination, mounts slightly loose, one foot loose.
Lot 531
A bronze mounted red marble triple clock garniture The case surmounted with the figure of a putti riding a lion drawn chariot, the white porcelain dial with Arabic numerals and floral swags flanked with columnar uprights, standing on flattened bun feet, the bell striking barrel movement signed F. Pelissier, France, the twin garnitures modelled as twin handled urns and covers with flame finials. 48 cms high. CONDITION REPORTS: Generally in good condition, expected wear, some rubbing to bronze patination, some slight chips to winding holes, some rubbing to gilding.
Lot 532
A bronze and ormolu mounted white marble triple clock garniture The white painted dial with Arabic numerals and floral swags, surmounted with the figure of a putti and supported on twin uprights modelled as bows in quivers and united with ribbon tied swags, standing on an oval plinth base with flattened bun feet, the bell striking barrel movement signed A.D. Mougin and numbered 757, the twin garnitures similarly modelled as quivers, each with four scrolling candle branches. 51 cms high. CONDITION REPORTS: Generally in good condition, expected wear, some rubbing to patina and gilding, slight chips to marble.
Lot 874
A pair of Chinese turquoise ground pottery models of cockerels, probably Kangxi Each naturalistically modelled on pierced rockwork, standing on an associated gilt bronze stand. Each 36.5 cms high. (2) CONDITION REPORTS: Both with chips and losses, predominantly to beak area, glaze pitting/wear, some restorations, patination wear to stands.
Lot 234
A pair of substantial and impressive Spanish painted cast iron urns on plinths in the early Modernist style, late 19th century, each with twin scrolling handles rising above an egg-and-dart cast rim from stylised foliage at the shoulder, with scrollwork descending below to the waisted socle, on square section lobed bases, one inscribed for `COMAS, BARCELONA`, 114cm high, 138cm wide; on rectangular section painted iron plinths, height overall, 207cm. The Comas Foundry was established in 1853 by Jaume Dora, in the Raval in Barcelona, on Carrer Tigre, 10. The foundry manufactured machines, metal castings and moulds, as well as works of art including the 60 meter high bronze Columbus Monument (1883-1888) which was completed just in time for the opening of the Universal Exhibition in 1888. Despite the renown of the firm though, the foundry saw diminishing orders towards the end of the century and was forced to close, and by1903 the site was being utilised as a dance hall
Lot 218
An Austrian cold painted bronze figural inkwell Formed as an Arab man kneeling on a carpet and reading a book beside a coffee table, the hinged lid enclosing the well, the underside with Bergman mark. 14.5 cms wide. CONDITION REPORTS: Scuffing and scratching, paint loss, some later pen marks, inkwell lacking.
Lot 221
RAYMOND SUDRE (1870-1962) French Depart de Mercure Bronze, standing on a marble plinth base with applied plaque inscribed Depart de Mercure, Prix de Concours Ecole des Beaux-Arts, Paris Signed Sudre, Paris and also impressed Garanti au Titre Paris foundry mark 73 cms high CONDITION REPORTS: Generally in good condition, expected wear, some rubbing to patination, some slight surface scratching, small loss to ribbon tie.
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350105 item(s)/page