We found 350105 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 350105 item(s)
    /page

Lot 1114

LATE 19TH CENTURY CHINESE BRONZE CENSER, of squat circular form, on three feet, with six character mark to base, 22.5cm wide

Lot 1115

LARGE CHINESE QING BRONZE INCENSE BURNER / JARDINIERE ON STAND, of cylindrical form, with dragon handles and dragon in relief to the body, 40cm high

Lot 1117

EARLY 20TH CENTURY JAPANESE BRONZE VASE, of cylindrical form, with applied copper designs of birds in relief, 34.5cm high; along with two other vases

Lot 1118

LATE 19TH/EARLY 20TH CENTURY GILDED AND PAINTED BRONZE BUDDHA, modelled seated and holding a tray and fan, 25cm wide

Lot 1119

PAIR OF 20TH CENTURY JAPANESE BRONZE CANDLESTICKS, modelled with elephant head handles and supports, 28cm high

Lot 1133

LATE 18TH CENTURY BRONZE BUDDHA, modelled seated with clasped hands on a shaped oval lotus base, 10cm high

Lot 1134

EARLY 20TH CENTURY EASTERN BRONZE BUDDHA, modelled seated, 16.5cm high; along with another seated deity playing a pipe, a Buddha head, and a hand (4)

Lot 1156

EARLY 20TH CENTURY CHINESE BRONZE FIGURE, modelled as a man seated playing a bamboo instrument, 43cm high

Lot 1164

EARLY 20TH CENTURY CHINESE BRONZE CENSER, decorated with character marks on body, character marks to base, on three legs, 10cm high

Lot 1168

20TH CENTURY CHINESE BRONZE CENSER, the pierced lid modelled with a bamboo design, the body with similar design, on three curved supports, mark to base, 20cm wide

Lot 1184

EARLY 20TH CENTURY JAPANESE BRONZE FIGURE OF A MAN, modelled standing, 28.5cm high

Lot 1187

20TH CENTURY JAPANESE BRONZE VASE, inlaid with silver depicting cranes by trees, on a base with three curved supports,23.5cm high

Lot 947

20TH CENTURY CHINESE BRONZE VASE, of archaic Gu form, with panels of figures, phoenixes, birds and flowers, mark to base, 27.5cm high

Lot 948

19TH CENTURY CHINESE BRONZE CENSER, of globular form, with two handles, the base cast with a six character mark, 15cm wide

Lot 958

20TH CENTURY CHINESE CADOGAN TYPE STONEWARE WINE POT (OR TEA POT), of peach shape, painted in shades of blue on white, painted six character mark to base, 18cm high; along with a bronze figure of a warrior, 31cm high

Lot 969

EARLY 20TH CENTURY JAPANESE BRONZE VASE, of baluster form with simulated bamboo handles, the main body with panels of birds cast in relief, on circular foot, 43cm high

Lot 975

PAIR OF LATE 19TH CENTURY CHINESE BRONZE CENSERS, of squat circular form, engraved with figures and landscape scenery, 14.5cm wide

Lot 996

CHINESE BRONZE CENSER, of rectangular form, with a foe dog finial to the pierced lid, 18cm high; along with a bronze vase, oviform shape, engraved with a dragon serpent amongst clouds, 21cm high, both with embossed character marks

Lot 225

CAST BRONZE MEDALLION. ANDOR MESZAROS. JESUS AMONGST THE DOCTORS.DATED 1956.COMMISSIONED IN MEMORY OF SIR REGINALD HALSE.2¾ INCHES.IN GOOD CONDITION.

Lot 26

BRONZE FIGURE. DAY DREAMER.RAISED ON A SQUARE MARBLE PLYNTH BASE.HEIGHT: 11 INCHES.WIDTH: 3 INCHES.DIAMETER: 3 INCHES.IN GOOD CONDITION.

Lot 36

BRONZE GROUP.BOY WITH HORSE.RAISED ON A MARBLE BASE.HEIGHT: 18 INCHES.WIDTH: 20 INCHES.DEPTH: 8 INCHES.IN GOOD CONDITION.

Lot 63

BRONZE GROUP.BIRD IN A NEST.RAISED ON AN OVAL MARBLE BASE.HEIGHT: 7 INCHES.WIDTH: 8 INCHES.DEPTH: 6 INCHES.IN GOOD CONDITION.

Lot 78

§ Mark Stoddart (British, 20th century), Bull Elephant, bronze, modelled spraying water over itself, signed and numbered 4/99 to underside 40.50 x 55cm (16 x 21in)

Lot 83

§ Guy Taplin, (British, born 1939), Goose Head II, circa 1998, patinated bronze, numbered 2/25, signed to underside 8 x 22cm (3 x 9in) Other Notes: Guy Taplin was born in Whitechapel in London’s East End. During the war he moved to Hereford where he was surrounded by nature. This began his love and passion for nature and his obsession with birds. He sought escapism from the modern world, admiring the tranquility and beauty of nature that was represented in birds. For him birds provided a passage into the natural world. Having moved back to London, he worked as a gardener of Regent’s Park. He later worked as a bird keeper. At this time, Taplin began carving and sculpting the birds, later being known as the ‘bird man’. Taplin also had a keen interest in Buddhism and for a while considered becoming a monk. However, he later turned his full attention onto the production of his sculptures. His sculptures are made from driftwood found on the Essex coast. In this way his sculptures are presenting us with both the sea and the sky. The use of driftwood is integral to his work, with recycled material forming part of a natural cycle. The materials he uses are therefore part of a different story or history. The sculptures are not only carved from driftwood but also attached to further pieces of driftwood. The simplicity of the birds is extremely important to Taplin, this being the main aim of his work - providing a reflection of the beauty and simplicity of nature. He aims to go beyond the bird’s likeness towards depicting the very essence and spirit of the bird, with his passion and love for his subject being the main driving force for his work.

Lot 64

Demetre Chiparus (1886-1947), 'The Vested Dancer', circa 1925, an Art Deco patinated and cold painted bronze and ivory figure of a dancer, mounted to a veined onyx plinth base, signed in the marble 55cm (21in) Literature: Bryan Catley, Art Deco and Other Figures, Suffolk, 1978, p. 73 Victor Arwas, Art Deco Sculpture, New York 1992, p. 41 Alberto Shayo, Master of Art Deco, New York, 1999, p. 111

Lot 65

Albert Ernest Carrier-Belleuse (French, 1824-1887), Liseuse, a gilt bronze and ivory figure, signed in the bronze and to applied title plaque, mounted to a white marble plinth base 36cm (14in)

Lot 66

Jean Didier-Debut (French, 1824-1893), The Barde, a gilt bronze and ivory study of a Medieval Musician, signed in the bronze with integral title plaque inscribed '2e Grand Prix De Rome', numbered to underside of base '24957' 37cm (14in)

Lot 67

An Art Deco bronze model of two gazelles, the stylised painted and patinated bronze animals leaping from a veined black marble base, unsigned 31.50 x 40cm (12 x 16in)

Lot 79

§ Michael Warren (Irish, born 1950), abstract form, patinated bronze mounted to a Cocobolo wood plinth base, unsigned 52cm (20in) Other Notes: Michael Warren is an Irish sculptor, born in County Wexford, Ireland. He is known for producing site-specific public art. He studied Philosophy, Psychology and English at the Bath Academy of Art of Trinity College, Dublin from 1960-1970. He went on to study at the Academia di Brera in Milan, Italy. He has produced numerous well known works in Ireland. These works include Tulach a' tSolais - a memorial to the attempt to overrule British rule in Ireland in the 1978 revolution. Warren has also been commissioned to produce works all over the world. Many of his sculptures are extremely large and abstract and they are often built up of solid bronze blocks forming abstract and geometric shapes.

Lot 82

§ Ernst Eisenmayer (Austrian/British, 1920-2018), a bronze model of a Bull, the stylised model of panelled construction, unsigned 20 x 42cm (8 x 16in)

Lot 84

§ Guy Taplin, (British, born 1939), Miniature Preening Curlew, 1999, patinated bronze, numbered 18/25 and signed to underside 12cm (5in) Other Notes: Guy Taplin was born in Whitechapel in London’s East End. During the war he moved to Hereford where he was surrounded by nature. This began his love and passion for nature and his obsession with birds. He sought escapism from the modern world, admiring the tranquility and beauty of nature that was represented in birds. For him birds provided a passage into the natural world. Having moved back to London, he worked as a gardener of Regent’s Park. He later worked as a bird keeper. At this time, Taplin began carving and sculpting the birds, later being known as the ‘bird man’. Taplin also had a keen interest in Buddhism and for a while considered becoming a monk. However, he later turned his full attention onto the production of his sculptures. His sculptures are made from driftwood found on the Essex coast. In this way his sculptures are presenting us with both the sea and the sky. The use of driftwood is integral to his work, with recycled material forming part of a natural cycle. The materials he uses are therefore part of a different story or history. The sculptures are not only carved from driftwood but also attached to further pieces of driftwood. The simplicity of the birds is extremely important to Taplin, this being the main aim of his work - providing a reflection of the beauty and simplicity of nature. He aims to go beyond the bird’s likeness towards depicting the very essence and spirit of the bird, with his passion and love for his subject being the main driving force for his work.

Lot 88

§ John D. Edwards (British, born 1952), Santa Cruz Love Birds, circa 1994, patinated bronze, unsigned 21.50 x 20.50cm (8 x 8in)

Lot 89

§ John D. Edwards (British, born 1952), Doves, a pair of stylised bronze models, unsigned (2) 15cm (6in)

Lot 90

§ Simeon Stafford (British, born 1956), Dot & Trixie, oil painted bronze sculpture, signed and dated (1/1/14) and numbered 3/7 to underside and numbered in the bronze to base 49cm (19in)

Lot 92

A modernist bronze relief plaque, cast with stylised industrial scene in high relief, signed with 'SN' or 'NS' monogram 48 x 40cm (19 x 16in)

Lot 296

20th Century bronze sculpture of Child in Womb on marble base, 10cm.

Lot 298

20th Century bronze sculpture of a Staffordshire Terrier, 20cm.

Lot 354

Art Deco style desk stand with Bergman style cold painted bronze stag surmount, 20cm wide.

Lot 359

Bronze casting of a phallus, the plaque 23 x 35cm

Lot 393

Two heavy brass/bronze ankle bracelets with cast geometric decoration, 14cm.

Lot 399

Benin bronze or brass bag with covering flag decorated with relief geometric patterns, leather tassels strung with cowrie shells and beads, the bag, 19cm.

Lot 433

Chinese bronze koro with triangle dog finial 16cm tall and eleven oriental scent bottles

Lot 154

KALACHA PHALLIC HEAD ORNAMENT, Oromo or Borana People, Ethiopia, shell, bronze and leather, the ornament 8cm long, the leather 85cm long The Kalacha is a greatly respected ritual object traditionally worn by men tied to the forehead as a sign of fertility. According to Angela Fisher's "Africa Adorned" the Kalacha is passed from father to son during the initiation ceremony. Provenance: A well-respected West London African tribal art dealer

Lot 160

A SET OF FOUR BRASS/BRONZE AKAN BRACELETS 19th century, ball, arrow and other motifs with rich glowing patina evidencing much use, 10cm high Provenance: A well respected Portobello Road tribal art dealer Possibly once used as currencies, these pieces have been much cherished for nearly ten years and can be rearranged and exhibited to look almost like human forms reminiscent of Asian Art.

Lot 170

VERY HEAVY DOUBLE CRESCENT BRONZE CURRENCY, possibly Nigeria, with applied crosses, 42cm

Lot 171

VERY HEAVY QUADRUPLE CRESCENT BRONZE CURRENCY, possibly Nigeria, with applied crosses, 30cm

Lot 173

BRONZE FIGURE OF AN AFRICAN HUNTER probably Akan, Ghana, good dark patina, 20th century, 37cm high

Lot 206

BRONZE HUMAN FACE HORSE AND RIDER, probably Yoruba, 33cm high x 30cm long

Lot 207

MATCHED PAIR OF BRONZE BIRDS probably Yoruba, 31cm high

Lot 208

BENIN BRONZE BOAT with four figures, 40cm long

Lot 213

BENIN STYLE BRONZE HEAD, early 20th century, 31cm high

Lot 271

DAVIDSON BRONZE MEDAL FOR THE BATTLE OF THE NILE in a plastic display case hole drilled into the medal Condition - Fine

Lot 283

ITALIAN THEATRE GREAT WAR GROUP OF FOUR TO QUARTERMASTER LIEUTENANT W H C GIDDY. William Harry Giddy served in Italy during the Great War based at 'Camp 3' in Faenza. The camp operated as a transit and rest area for troops. British War Medal and Victory Medal correctly impressed Q.M &Lieut W H C Giddy; Order of the Crown of Italy 5th Class, damage to the enamel of left arm and damage to the case; Italian War Merit Cross in Bronze; Medal for Battle on Asiago Plateau in Silver. Documents - Bestowal certificate for Crown of Italy 31.12.20, MID certificate 26.11.18. Letter from Italian Embassy confirming the award of Merit cross to Giddy. Provenance - The Julian Johnson Collection / DNW. Condition = GVF

Lot 337

MILITARY TACH LAMP OF MAINTENANCE bronze oil lamp with Latin inscription to the top "Lumin in lumine tuo videbimus", on oak base, 35cm high

Lot 372

COMMEMORATIVE PLASTER CASTS OF BERNARD MONTGOMERY bronze on wood; two made from plaster and a framed Royal Tank Regt badge

Lot 389

TWO RUSSIAN MEDALLIONS Nicholas 2nd Bronze medallion 1828 commemorating the declaration of war with the Ottoman Empire; Nicholas 1st Bronze medallion commemorating the capture of Varna

Lot 41

A NEAR EASTERN (LURISTAN) BRONZE AGE SPEAR HEAD with shouldered shaft and two other bronze spear heads, 32cm (3)

Lot 42

CLASSIC LURISTAN BRONZE DAGGER circa 800 BC the flattened blade with midrib and recessed flanges to the handle to accept an insert and another smaller with the remnants of ivory (?) inserts, 35cm max (2)

Lot 43

LURISTAN BRONZE ARROW HEAD circa 1500-800 BC, two others, a small Luristan bronze knife and a bronze spear head with flattened midrib, 26cm (5)

Lot 44

GOOD BRONZE-AGE SPEAR HEAD, the midrib flanked by lines and slanting parallel decorative lines, the socket also with vertical line decoration, together with another bronze socket spear head, 32cm (2)

Loading...Loading...
  • 350105 item(s)
    /page

Recently Viewed Lots