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Lot 220
A collection of coins to include an 1816 George III half crown, an 1892 Victoria silver jubilee crown, a 1746 George II half penny, an 1826 George IV penny, a 1963 Greece 30 Drachmai, a 1961 1 perso, a 1935 Portuguese 50 centavos and a 1727 bronze medallion commemorating the death of Issac Newton, 3.4 cm
Lot 130
2007, numbered 2/24, with accompanying certificate of authenticity, limited edition bronze sculpture on marble base.overall height 48cm (19in)Footnote: * David is an international artist whose works have been exhibited in galleries throughout the world to include London, New York and Puerto Rico. He trained as a glassmaker at the Mark Studio in Cheshire and has developed a unique style of sculpture that dominates his work. David has been commissioned to design several sculptures that have been gifted to Royalty, including Her Majesty the Queen.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The sculpture is in very good, original condition with no obvious faults to report.
Lot 136
Numbered 247/395 on the base, together with accompanying certificate, released in 2003, bronze resin sculpture on wooden base.overall height 29.5cm (11.5in)Qty: 2Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The sculpture is in very good, original condition with no obvious faults to report.
Lot 115
A Heavy Chinese Bronze Plate with Lotus Pattern – 19th Century. The design featuring lotus flowers in a pond. With a two-character mark to the base. Diameter 23.75cm, weight 1.3kg.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Lot 116
A Chinese Bronze Censer with Mark, 19th Century. With four feet and two loop handles. The three-character mark reads 'Yu Xun Tang' which is the name of a Scholars hall. Height 10cm, maximum diameter 16cm. Weight 1.33kg. Probably 19th Century.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Lot 52
A Chinese Han Dynasty Black Pottery Amphora with Bronze Appliqués. Twin-handled jars of this general type have been found in excavations dating as far back as the Spring and Autumn Period (770-475 BC). Although perhaps not obviously Chinese in design, this type of vessel is one of the most iconic forms of Han Dynasty pottery and is thought by many archaeologists to be anthropomorphic, with the shape and "swirling" design of the main body based on the female human form. The surface burnished, with fine combed decoration around the neck. The body and handles adorned with a total of twenty bronze appliqués. Height 17.5cm. Han Dynasty (206 BC – AD 220).Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Lot 67
An extremely Rare Chinese Han Dynasty Bronze & Iron Ding. This form of tripod vessel, a ding, is well-known, with the vast majority of known examples being made of either bronze or pottery. The body and cover of this particular example are made of bronze whereas the legs are cast-iron. Although the bronze cover and vessel do have a few minor holes due to some 2,000 years of corrosion, the iron legs have not fared so well, with some of the iron having rusted away exposing the ceramic core. The ends of all three legs have broken away, and one foot has been lost. Diameter 27.5cm. Han Dynasty (206 BC – AD 220).Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Lot 93
A Chinese Gilded and Inlaid Bronze Box, Dragons, Phoenix – Han Dynasty or Later. A large box with the outer surfaces of both cover and container elaborately and skilfully decorated with scrolling patterns featuring dragons, phoenixes and human figures. The cover further decorated with inlaid semi-precious stones. At each end of the cover are taotie ring handles. Length 37.5cm, width 18.5cm, height 18cm, weight 8.75kg. Han Dynasty (206 BC – AD 220) or later.For reference: a much simpler pottery version of this type of box is shown in the 1996 book “Chinese Ceramics The New Standard Guide” where it is described as a “covered box for food” and dated to the Eastern Han.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Lot 453
A Peter Jackson "Tank You" card with a Victoria Cross crew gift from Jackson's fantasy sequel The Hobbit: The Battle of the Five Armies. Production crew of The Hobbit trilogy were sent "Thank You" cards by the producers, while the Continuity department received Victoria Cross medallions.The black-and-white card is printed on cardstock depicting Jackson and the Dwarves barreling down a river with a note of thanks from Jackson, Fran Walsh, Philippa Boyens, Carolynne "Caro" Cunningham, and Zane Weiner inside. The bronze medallion features a dragon icon engraved "V.C. Continuity Under Fire" and comes attached to a burgundy silk ribbon in a cardboard Jobon box.The card and gift are in excellent overall condition with some retaping to the box.Dimensions (cross in box): 5 1/2" x 4" x 2" (14 cm x 10.25 cm x 5 cm);Estimate: $600 - 800
Lot 628
A Klingon broadsword from the science-fiction prequel series Star Trek: Enterprise. At the end of the two-part pilot episode "Broken Bow," a Klingon broadsword hung in a place of prominence and honor above the main entrance to the Klingon High Council Chamber on Qo'noS, where Captain Archer (Scott Bakula) and crew return Klaang (Tommy Lister, Jr.) to his people.The large sword is made of silvertone metal with bronze-colored wire wrapped tightly around the grip, silvertone tape cut into a decorative pattern adhered along one side's guard and fuller strips of dark brown leather tied at both ends of the guard and the grip. The pommel has bronzetone metal in the center of either side. The sword is in good overall condition with some wear from production and age in addition to its production-made weathering, including scratches and tears in the metallic tape, areas of discoloration or small stains along the blade, and various scuffs and dents throughout.Dimensions: 54" x 12" x 2" (137.5 cm x 30.5 cm x 5.5 cm)Estimate: $1,000 - 1,500
Lot 651
A phaser rifle modulation adaptor from the production of Jonathan Frakes' sci-fi sequel Star Trek: First Contact. The crew of the Enterprise developed modulation adaptors to help their phaser rifles penetrate highly adaptive Borg shields. This molded resin adaptor is painted gray and bronze with a clear red window, two clear green acrylic "isolinear chips", small colored lights, and an electronics kit for illuminating them hidden by the resin. The top portion of the resin has come loose from the adaptor, which itself exhibits some scuffing and wear from use but remains in good overall condition.Dimensions: 6 1/2" x 2" x 1 1/2" (17 cm x 5.5 cm x 4 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $800 - 1,200
Lot 7
A Spartan costume from Zack Snyder's historical action epic 300. King Leonidas (Gerard Butler) led his greatly outnumbered army of elite Spartan warriors against the invading forces of King Xerxes of Persia (Rodrigo Santoro).This lot includes a helmet, gauntlets, greaves, sandals, briefs, a cape, a shield, and a spear. The helmet is made of rubber with foam padding, painted to look like weathered bronze, and includes the name of stunt performer Mike Dopud handwritten inside. The matching gauntlets and greaves are made of urethane with foam padding and leather straps; and have the names of stunt performers Cody Laudan and Ryan Watson, respectively, written inside. The sandals, briefs, and the arm straps for the cape are made of brown leather, while the cape's buckle is bronzetone fiberglass and the cape is red-dyed canvas. The bronzetone, vacuum-formed plastic shield is weathered with simulated blood spatter and battle damage; while the rear of the shield features a brown canvas backing, leather and nylon straps, and a leather-bound handgrip. The spear is made of leather-wrapped wood, production-weathered, with a urethane head and resin rear, both painted gray to appear like dark metal. The lot is in good overall condition with some wear from production and age, including tearing in the back of the helmet, the front and back of the shield loosening from each other, the buckle loosening from the cape, and scuffing throughout.Special shipping required; see notice in the Buyer's GuideEstimate: $6,000 - 8,000
Lot 728
Jabba the Hutt's throne slab gargoyle from Richard Marquand's Star Wars: Return of the Jedi. Abyssin gargoyles were embedded in Jabba's throne slab within his Tatooine palace, and were also seen on the deck of Jabba's sail barge. This lot comes from the collection of creature and make-up designer Phil Tippett, who along with Richard Edlund, Dennis Muren, and Ken Ralston received a Special Achievement Oscar for Visual Effects for his work on the film.This one-eyed, scaly gargoyle is constructed of fiberglass with a metal ring in its mouth, painted brown with a metallic finish to appear bronze, and mounted with a steel rod to a textured gray display case. It is in good overall condition with some discoloration from rust and one of its front teeth missing. Includes a letter of authenticity from Phil Tippett. Dimensions: 11 1/2" x 12" x 14" (29.25 cm x 30.5 cm x 35.75 cm)Estimate: $5,000 - 7,000
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349674 item(s)/page