Gr. Bronze"Weiße Tara", Tibet wohl 19. Jh. Bronze, braun patiniert u. partiell versilbert. Im Verschränkungs-Sitz, d. Fußsohlen m. Augen nach oben, d. Handflächen m. Augen zeigend, 1 x Fingerspitzen nach oben, 1 x nach unten ge- wandt. Oberkörper v. Band m. Lotosblüten ge- rahmt, reicher Kopf- u. Halsschmuck, teils m. Perlmutt-Einlagen. Fein relief. u. gravierte Details. Auf doppeltem, teils durchbrochen gearbeitetem Lotos-Sockel (aufgesteckt), Boden offen. Ober- fläche leicht ber., leichte Witterungsspuren. Ges.H 83 cm
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Kl. Buddha auf Lotos-Thron,wohl Thailand 19. Jh. Bronze, vergoldet. In Mediationssitz m. Fuß- sohlen nach oben, in d. Händen vor d. Körper ein kl. Gefäß haltend, d. Augen geschlossen. Auf dreieckigem Sockel m. relief. Front. Boden offen. Oberfläche stark ber./ verwittert, Kopfschmuck m. kl. Fehlstellen, Sockel m. seitl. Loch, Standkante leicht verbogen. H 16,2 cm
RäuchergefäßReiter auf Phohund, China wohl Anf. 20. Jh. Bronze, rotbraun patiniert u. partiell vergoldet, farbiges Cloisonné-Emaille. Stehendes Tier, d. Kopf . geöffnetem Maul leicht seitl. gewandt, auf d. Rücken langes, floral-geschmücktes Tuch. Darauf (aufgesteckt) Reiter in floral gemustertem Mantel, in einer Hand eine Schriftrolle, d. andere erhoben. Hundeschwanz eingehängt. Am Bauch kl. quadrat. Zeichen-Marke. Oberfläche ber., Cloisonné m. Fehlstellen, 1 Hunde-Zahn u. Lanze(?) in erhobener Hand fehlen. H 40 cm
PAAR BLAKER, Frankreich, Napoleon III-Epoche, Barockstil, Bronze, vergoldet (teilweise berieben), hochrechteckiger Rahmen, umlaufend durchbrochen gearbeitete Voluten , Maskeronbekrönung bzw. -abschluß, dort 3-S-förmige Leuchterärmchen mit Tropftellern, diese unterseitig mit Lorbeerdekor und entspr. Tüllen, zentral hochrechteckiges Spiegelglas, 45 x 26,5 cm
Mörser mit Pistill, dt., 18./ 19. Jh. Bronze/ Messing, zylindrische, zum oberen Rand ausschwingende Wandung, eckig gebrochene Henkel. Am oberen Rand Ausbruchstelle. Bodenmarke (Gelbgießer). H. 13,5 cm. Dazu Pistill, Doppelnodusform, dtl. Gebrauchsspuren. L. 23,5 cm Bronce mortar with pestle, minor damage at rim. Bottom mark. 18th/ 19th ct., h. 13,5 cm, l. (pestle) 23,5 cm
Visitenkartenschale/Ascher, Deutschland, um 1890/ 1910 Schale Granatserpentin, hexagonal, gemuldet. Auf dem Rand Bronze-Tierfigur: Marabu. Kleinere Randchips. H. 15 cm Ash tray/ tray for business cards, serpentine with bronce figure of a marabou, Germany, 1890/ 1910. Minor rim chips. H. 15 cm
Medaille für beste Leistungen in der Gewerbeschau Bad Schmiedeberg, 1925 Messing/Bronze, unbek. Modelleur. Vorderseite Inschrift ''Gewerbeschau Bad Schmiedeberg Bez. Halle 1925. Für beste Leistungen'' im Lorbeerkranz, Rückseite allegorische Frauenfigur mit Fackel, in ein Buch schreibend. D. 5,1 cm. Im Etui. Medal for best performance in the trade show Bad Schmiedeberg, 1925, Brass/bronze, unknown. Modeller. In a case
Weihrauchbrenner, China, vermutl. Qing-Dynastie Bronze. Form eines archaisierenden Bronzegefäßes vom Typ ''ding'' auf drei hohen Beinen. Auf der Wandung in Relief Singvogelpaare auf blühenden Zweigen. Ein Bein rep./ ersetzt. Rand leicht verformt. H. 20,5 cm Bronce censer, probably Qing-dynasty. One leg repaired/ supplemented, slightly deformed. China. H. 20,5 cm
Vase, Japan, Satsuma, zu Petroleumlampe umgearbeitet, 2. H. 19. Jh. Keramik, eierschalenfarbene Krakeleeglasur, reiche Bemalung in polychromen Aufglasurfarben und Gold. Szenen mit Gelehrten und Schülern. Montierung Bronze/ Messing/ Kupfer, Rex-Brenner mit Runddocht. H. 37,5 cm Vase, satsuma, remodelled as lamp base, rich painting, mounted with brass elements, burner
SELECTION OF FEMALE FIGURE ORNAMENTS AND BUSTSincluding a Japanese bisque Hakata doll, a resin bust with indistinct signature; an Art Nouveau style composition trinket dish modelled as a girl with flowing hair forming the bowl; a tall resin figure of a Japanese lady; a cast metal bust marked 'Rigual'; and a bronze effect pottery ornament modelled as a kneeling nude figure leaning on a stack of books, with indistinct signature and numbered 35/75 (9)
Lecoultre and Falconnet Key wind Quatre overture musical box, rosewood and boxwood inlay, 2 section comb, the comb screws numbered 0-13, the base plate numbered 703, applied brass plaque forte piano, 1 ouverture du Chaval de Bronze, 2 Id de la Prison d'Edimbourg, 3 Id de la L'Estocq, 4 Id de Semiramide. 57 x 23 x 17 cm. working as at 14/04/21
A pair of 19th century French bronze and ormolu candelabra, modelled with putti holding scrolling branches, standing upon ormolu mounted white marble socles, height 30.5cmCONDITION: One candelabra with the putto face on - the branches slightly bent out of shape and a little oxidised, base of the main stem should fit into the hand but is slightly out of alignment, overall rather dirty and oxidised, two holes to the top of the main stem of the socle, probably having had mounts there at some point, minor fritting around the edges of the base of the socle, the other stick similarly bent out of alignment and oxidised, equally with two holes to the top of the socle and some minor fritting around the base.
A French bronze and marble mantel timepiece, c.1900, with 5cm enamel dial, the elaborate case surmounted by a gadrooned urn, raised on a bow-front plinth flanked by ram's heads, applied with a floral swag and with a moulded white marble base, eight day movement No.21866, height 21cmCONDITION: Overall the gilt finish has been worn and rubbed away down to a dull bronze base tone but still some gilt highlights scattered throughout, dial a little out of alignment and a little dirty but otherwise good, hands oxidised, movement intact but not going, possibly a later replacement anyway, plinth with minor nicks around the edges.
Two 18th century Chinese porcelain tea caddies, a cup and a Ming enamelled bronze lidCONDITION: - Imari style caddy height 10.5cm, with minor fritting, wear to gilding, no lid- blue and white caddy, similarly fritted, 10cm height - no lid- blue and white cup chipped around rim, has finish suggesting it might have come from a cargo, height 7cm- Ming bronze and enamel lid now mounted has an ornament, diameter 7cm
Mrs Walkeroil on canvasPortrait of Viscount Westport, when a boy aged 6inscribed and dated 'M… de Burgh/Viscount Westport/aged 6/1904/by Mrs Walker,50.75 x 38.75cmCONDITION: Oil on original canvas in honest untouched condition, glass very dirty particularly on the inside, paint is also thought to be a little dirty with a fine but stable craquelure running through most of the background paint, inscribed lower right, housed in the original gesso frame which has a dull bronze finish, framers label for Chapman Brothers of Chelsea verso.
A pair of 19th century French ormolu candelabra, with scrolling lily branches and cherub stems on beaded laurel wreath bound fluted column plinths, height 47cmCONDITION: Both branches are oxidised and worn, particularly notably on the petals which are polished down to a dull bronze finish, branches are slightly bent out of shape, each one has three receivers for candles, two of the wax pans are now missing, it looks like each flower had four stamens, some of these are now missing reduced down to three, branches screw on to the top of the stems held by the angels, from the stems downwards the finish is a much brighter gilt but still with some scattered oxidisation marks and light rubbing from polishing, both have fine horizontal oxidisation marks running through the socles and minor spotting to the feet.
A late 18th century French marble and bronze mantel timepiece, with 5cm enamel dial and early 18th century verge watch movement signed Sam.Marshall, London, height 30cmCONDITION: Overall a rather dark dull bronze tone, the main body of the clock holding the dial rotates on the pillar to the right side but not to left, dial dirty with old repair at 6 o'clock, the two leaf motifs at the bottom of the column are loosely attached, main foot of the clock sits slightly out of alignment on the marble plinth, marble has small chips and losses around the edges, motifs to the front of the plinth are loosely mounted, movement looks complete but not going.
A Restauration gilt-bronze mounted mahogany dressing table, retailers' stamp Edwards & Roberts, with oval plate in moulded frame with berry cast mounts, rounded rectangular top and frieze drawer on 'X' shaped trestle supports with turned stretcher, fitted brass castors, W.81.5cm D.42cm H.140cmCONDITION: Of good rich dark brown mahogany tone, small losses around the edge of the mirror frame, some wear to gilding on the ormolu, the main top has some dark patches and stains and is slightly lighter than the rest of the piece, drawer has original lock and key which opens to reveal a sliding leather lined writing compartment, underframe slightly wobbly with a few small losses to the veneers.
After Frederick Pomeroy (1856-1924). A 19th century Italian bronze model of a satyr playing pan pipes, on mottled liver marble rectangular base, overall height 24.5cm.CONDITION: Even chocolate brown patination rather dirty, some rubbing on the marble plinth where the bronze has rotated against it, minor chipping to the corners of the plinth.
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