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A WEDGWOOD FAIRYLAND LUSTRE VASE after a design by Daisy Makeig-Jones ''Pillar'', having three arched decorated panels with fairies and goblins set against a Moorish background with bridges and other scenes within bronze lustre ogee arched panels, pattern no 24968, 14" high (see illustration)
A late 19th century chased gilt bronze and malachite casket of stepped rectangular waisted form and with entwined foliate scroll decoration throughout, the hinged lid with an inset malachite panel and revealing a velvet lined interior with compartmented upper tray, some needlework implements lacking, above a lined space, the feet in the form of stylised scroll dragons, with key (some losses) 19cm wide, 12cm high
A French late 19th/early 20th gilt bronze desk set all pieces signed 'A. Marionnet,' and each piece with an eagle, to include: a two division stepped letter rack; a blotter with eagle handle; a letter knife; a pen tray; a stand with large eagle and twin ink wells, 38cm wide; and an eagle mounted clock inset in a naturalistic rocky base with scroll feet, 29cm wide -6
A late 19th century black marble clock garniture the 12 inch engine turned gilt bronze and white enamel dial with twin winding holes and cylinder movement, the architectural case with a domed top with finial and reeded pillars, on a plinth base, together with a pair of urns on stepped plinth bases -3 49cm wide, 50cm high
A 19th century French boullework, ebonised and gilt bronze mounted bracket clock and bracket the 10 inch cast and gilt bronze dial with individual ceramic numerals and twin winding apertures, with a twin train 8 day movement striking on a bell, the cavetto form tapering bracket with female mask mounts to the corners, the case with glazed door and three female figures to the base bear a satyr's mock, the stepped domed cresting with a seated female warrior figure, stamped 'HPA' to rear 57cm wide (bracket), 152cm high (overall)
A Louis XV period gilt bronze cartel clock the 7inch white enamel dial with Roman numerals and twin winding holes, enclosed within a glazed door, the twin train 8 day movement striking on a bell, the case with a ram's head finial with leafy garlands, the sides with fluted pilasters above a glazed pendulum section and waisted base 76cm high
A 19th century French marble and bronze clock garniture the 9 inch painted white enamel dial with twin winding apertures, ornate pierced gilt hands and marked 'MASSOT BAYONNE' the twin train movement striking on a bell, with a garland and trophy surmount and bronze cherub to one side, the plinth base with toupie feet, together with a pair of winged female term mounted urns on modelled circular bases (with winder and pendulum) 31cm high
A good late 19th century French bronze, gilt bronze and marble mantel clock the 4 inch (engine turned steel) dial with twin winding apertures, housed within a bronze figure of a Grecian maiden with a bow lent on a tree stump with attendant greyhound, the twin train 8 day barrel movement striking on a bell, the whole on a stepped marble plinth with stiff leaf acanthus mounts and ornate scroll feet 58cm wide, 74cm high
A French late 19th century large black marble and gilt bronze mounted mantel clock the 4.5 inch polished steel dial with twin winding apertures and Roman numerals, the black marble stepped case with a bronze lion surmount, and gilt bronze scrolling leaf, acanthus leaf and gadrooned mounts, raised on scroll feet with twin train cylinder movement 48cm wide, 60cm high
A late 19th century French white marble and gilt bronze clock garniture the clock modelled as an ebonised globe upheld by three putti, the twin train movement striking on a bell, the marble column with foliate garlands and a wreath to its foot, on a quatreform base with toupie feet, the en suite twin branch candelabra in the form of putti upholding rose stem branches, on conforming marble bases clock 43cm high, candelabra 31cm
A late 19th century French gilt bronze and porcelain clock garniture the porcelain painted face with twin winding apertures and regulation above XII, painted with a boy and girl in a wooded landscape, with a twin train movement striking on a bell, the case with domed top finials and stop fluted side pilasters, on a gadrooned plinth base with bracket feet, the en suite porcelain urns with conforming square gadrooned bases, each painted with a narrative panel, all on moulded giltwood plinths clock 40cm high, urns 26cm high
A good mid18th century bronze footman with cabriole legs and side carrying handles, 46cm wide; a late 19th century brass and mask fireguard with trophy wreath handle and a pierced bird and foliate central motif, on scroll feet, 78cm wide, 72cm high; a 19th century brass chenet, formerly part of a fire surround, with seated greyhound on an ornate pedestal, 35cm high; and an Edwardian brass pierced trivet, on four legs, 60cm wide -4
An important pair of Victorian period kingwood, gilt bronze and porcelain mounted display cabinets in two sections, each pagoda top with a hinged lid enclosing a velvet lined interior, the corners with stiff acanthus leaf mounts and centred by a double scroll mask and dragon mount, each frieze with entwined guilloche incorporating Sevres style porcelain roundels above a pair of rosewood crossbanded and kingwood featherbanded bevelled glazed doors, flanked by columnar terminals with Sevres style porcelain insets, each interior now mirror glazed and with a central shelf, each bowfront lower section with a gadrooned and leaf gilt bronze edge above a central exotic bird porcelain plaque enclosed by foliate bouquet mounts and two further porcelain panels, on tapered banded cabriole legs with ornate mounts to the knees and feet, rear of each section bears paper inventory label for 'Shelburne', a former nobleman owner -2 85cm wide, 149cm high, 40cm deep
Miscellaneous medals and presentations, a bronze medallion commemorating the 50th anniversary of the Brazilian F.A. in 1964; an Italian medal struck with a portrait of Pope Joannes XXIII; a souvenir medal for the 1962 World Cup, a silver dollar keyring presented for the USA v England international 27.5.64; a cased watch/keyring presented by the French F.A. on the occasion of the international 3.10.62, and a small silver plated ashtray with an enamel crest for Rotterdam; a pair of blue enamel lapel badges bearing the three lions crest and a gymnastics medal dated 1955 (a qty.)
A deluxe version of the ‘Goles y Dobles’ sticker card album commemorating the 1950 World Cup and presented to the Uruguay Cup winning side’s physical fitness trainer Romeo Vazquez, the sticker card album, complete, bound in maroon leather style ring bound covers inscribed gilt Romeo Vazquez, Gentileza ‘Goles y Dobles’ and applied with gilt bronze commemorative medal The above was a gift from the manufacturers of the card albums to the Uruguay 1950 World Cup winners trainer Romeoh Vazquez;. Together with other Uruguayan 1950 World Cup memorabilia, comprising an autographed invitation from the Directors of The Jockey Club, Montevideo, for a special race day at the Hipodromo de Maronas 22nd July 1950, in honour of the victorious Uruguay 1950 World Cup winning team, the reverse autographed by eight 1950 World Cup Uruguayan players, invitation torn at top corner, not affecting signatures; sold together with a rare folding booklet promoting the sale of the official book of the 1930 World Cup; a decorative paper notelet, circa 1950, the cover with a colour view of the Centenary Stadium; and a small black and white reproduction photograph of the Centenary Stadium during the 1930 World Cup (5). Unlike the popular version of the sticker album available to the general public, the colour images are complete rather than the individual square segments that had to be collected and pasted together to form the finished images.
A miniature replica of the FIFA World Cup trophy, by Bertoni of Milan in gold plate, set on a cubic marble base with a plaque inscribed XV FIFA WORLD CUP, USA 94, overall height of trophy 16cm., 6 1/4in.; sold together with a bronze figure of a footballer, the circular marble base set with a plaque inscribed RENE HÜSSY, IN APPRECIATION, WORLD CUP USA 1994, height 15cm., 6in. (2)
The outstanding collection of Arthur Berry England footballer and double Olympic Gold Medal winner 1908 and 1912, (a) Olympic Gold Medal, London 1908, in gold, by Vaughton, hallmarked 15ct, edge engraved Winner Association Football, in case of issue, lid gilt stamped Olympic Games, Winner, Association Football, London, 1908 (b) F.A. Tour of South Africa medal, 1910, in gold, by Vaughtons, hallmarked 18ct, obverse seated figure of Britannia holding shield with football at feet, 1910 in exergue, reverse the Football Association South African tour 1910 and engraved A. Berry, in case of issue, lid gilt stamped the Football Association 1910 (c) Belgium v England medal, 1910, in silver, by Paul Fisch, of shaped cruciform, the central disc with football scene, reverse match Angleterre Belgique 1910, in gilt tooled case of issue (d) Belgium v England medal, 1912, in silver, by Paul Fisch, of shaped rectangular form, obverse with scene of football match, reverse match Iternations Belgique-Angleterre, Bruxelles, 8 Avril 1912, in case of issue (e) Olympic Gold Medal, Stockholm 1912, in bronze gilt, in case of issue, lid gilt stamped Olympiska Spelen I Stockholm 1912, I Pris, Lagtaflan (f) The Football Association Amateur Cup Runners-Up medal, 1912-13, in gold, by Vaughton, hallmarked 9ct, in case of issue, lid gilt stamped The Football Association Amateur Cup 1912-13; together with an unknown medal (g) England Full International jersey badge, 1909, white cloth embroidered in blue and red thread with three lions on shield surmounted by crown (h) Two England jersey badges, similar to the full international badge but with a shaped shield; together with an English Wanderers F.C. jersey badge (i) Sixteen England Amateur International jersey badges (j) a photopostcard of Berry in England Amateur strip. Arthur Berry, son of Edwin, a Liverpool F.C. director and chairman (1904-09), was born in Liverpool on 3rd January 1888 and educated at Denstone College where he captained the rugby XV. On going to Wadham College, Oxford, he concentrated on football with extraordinary success. He won blues in 1908 and 1909 and at the 1908 Olympic Games was described as ‘the only English forward to play at all consistently well’. Berry was one of just two Great Britain players who achieved the Olympic football gold medal double of 1908 (London) and 1912 (Stockholm), the other being Vivian Woodward. Although an amateur he did win one full international England cap in 1909, while still at Oxford University. Berry won 32 England caps at Amateur level. His club sides comprised Fulham, Everton and Oxford City with whom he played in the F.A. Amateur Cup final. He retired from football in 1913 on being called to the bar, and after service in the First World War returned to Liverpool to join the family law firm. He died in Liverpool on 15th March 1953.
A large bronze medal presented by the Uruguayan Football Association to their President Dr Raul Jude in commemoration of the 1928 Olympic Games victory, sold together with a bronze commemorative medal, the obverse struck with a footballer, the reverse inscribed PARIS, 1924; and a metal & enamel badge inscribed COMITE DE HOMENAJE A LOS OLIMPICOS, 1928 (3)
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361340 item(s)/page