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Lot 425
A 19th century or earlier bronze figure depicting a wise man riding a qilin shown with open snarling mouth,scaled body, horse-like hooves and horns, mounted on rectangular stepped wooden base, 32 x 26cm (af). CONDITION REPORT This has had repairs in the past, the back right leg has been repaired with glue, front left leg is detached and still mounted to the base but it looks like an old repair has failed, qilin is missing one horn, old damage, possibly old metal repair to the back left leg, could also be other possible areas of repair or damage, inspection is strongly advised
Lot 429
ABLE-RENE PHILIPPE (French, 1898-1978); an Art Deco silver plated bronze figure of a nude female seated on a plinth, signed R. Philippe to base, height approx 26.6cm, base approx 18 x 5.5cm. CONDITION REPORT Some surface scratches to the plate, some mall areas of wear to the plate. Overall good condition.
Lot 35
Four Corgi Toys cars, comprising No. 506 Police Panda Imp, No.251 Hillman Imp, bronze, No. 327 MGB GT, red, and No. 156 Cooper Maserati F/1, all boxed, together with a No. 156 Cooper Maserati and an Austin Mini van (police car lacking a tyre, MGB has blemish to wing, boxes lightly creased and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 314
A modern Georgian-style three-storey doll's townhouse, Kelham Hall, with pitched hinged roof, the triple-opening front revealing a central staircase, kitchen and nine rooms, height 133cm, width 142cm, depth 54cm, together with a good collection of modern Georgian-style and later furniture, including a 'D' end dining table, chairs, a desk, a drum top table and beds, pictures, rugs, clocks, china, glassware, a Neil Carter brown patinated bronze figure group of Florence Triumphant over Pisa, No. 2/30, a silver gilt fruit basket and stand, chandeliers and a doll.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 303
WWI Victory Medal awarded to 15435 Private G Williams, South Wales Borderers. Together with a bronze medallion commemorating the opening of the Courtyard Galleries of the National Museum of Wales in Cathays Park Cardiff, together with another silver National Museum of Wales commemorative medallion 1907-1982. Cased (3) (B.P. 21% + VAT)
Lot 19
LOETZ Jugendstil inkwell; Austria, ca. 1905.Iridescent blown glass.Iridescent blown glass inkwell from the Austrian Manufacture Loetz. The body is of quadrangular form in black iridescent glass, decorated with an openwork side moulding with vegetal decoration, borders and a lid with a gilt-bronze lion's head. Provenance: Private Spanish collection, formed between 1970 and 2010.Normal wear and tear due to use and the passage of time.Measurements: 4,5 x 12 x 12 cm.Johann Loetz Witwe was the most important maker of art glass in Klostermühle, Bohemia. The works of Johann Loetz are among the most outstanding examples of Art Nouveau. One of the oldest glassworks was located in Wottawattal, which was bought in 1850 by Johann Loetz, the founder of the company and former owner of glassworks in Deffernik, Hurkental, Annatal and Vogelsang. In 1879, Max Ritter von Spaun, grandson of Johann Loetz, took over the factory from his grandmother and continued to run it under the old company name "Joh. Lötz Witwe". The factory had previously been equipped with an important milling workshop. It was here that heavily cut glass and perforated enamelled intermittent glass was manufactured. The company began producing coloured glass in the 1860s. Loetz glass has always been special because of its purity and fiery colours, and was initially purchased as raw glass by the North Bohemian refineries, which refined it by painting and polishing. Later, due to the high regard for glass, the company started the production of special luxury items. The company was the first to produce so-called baroque glass (objects with applied glass decorations) in Austria. Sample warehouses were located in Vienna, Berlin, Hamburg, Paris, London, Brussels, Milan and Madrid, which soon gave the products a worldwide reputation. The glass ingeniously imitated all types of onyx, jasper, carnelian, malachite, lapis lazuli, inlaid glass, etc. At the anniversary exhibition in 1888, the "Kaiser Franz Josefs Vase", designed by Hofrat Storck and produced by the Lötz company in Grauonyx, was presented. It was the largest blown glass vase ever made. Most of the world exhibitions were filled with the company's special products and received the highest awards.
Lot 28
Jugendstil LOETZ tabletop centrepiece; Austria, ca. 1900.Iridescent blown glass.Iridescent blown glass tabletop centrepiece from the Austrian manufacture of Loetz. Circular in form, widening towards the base. Candia Papillon" decoration on a green-yellow base with pinkish metallic granules (oil stain). With gilt-bronze upper mount designed by Gustave Gurschner and made by the Parisian firm Boudon & Klähr, depicting three young women dancing, holding floral garlands in their hands.Provenance: Private Spanish collection, formed between 1970 and 2010.Pieces with similar characteristics and decorations can be seen at www.Loetz.com/decoraciones.Wear to the gilding of the metal. Normal wear and tear due to use and the passage of time.Measurements: 14 cm (height) x 14.5 cm (largest diameter).Johann Loetz Witwe was the most important maker of art glass in Klostermühle, Bohemia. The works of Johann Loetz are among the most outstanding examples of Art Nouveau. One of the oldest glassworks was located in Wottawattal, which was bought in 1850 by Johann Loetz, the founder of the company and former owner of glassworks in Deffernik, Hurkental, Annatal and Vogelsang. In 1879, Max Ritter von Spaun, grandson of Johann Loetz, took over the factory from his grandmother and continued to run it under the old company name "Joh. Lötz Witwe". The factory had previously been equipped with an important milling workshop. It was here that heavily cut glass and perforated enamelled intermittent glass was manufactured. The company began producing coloured glass in the 1860s. Loetz glass has always been special because of its purity and fiery colours, and was initially purchased as raw glass by the North Bohemian refineries, which refined it by painting and polishing. Later, due to the high regard for glass, the company started the production of special luxury items. The company was the first to produce so-called baroque glass (objects with applied glass decorations) in Austria. Sample warehouses were located in Vienna, Berlin, Hamburg, Paris, London, Brussels, Milan and Madrid, which soon gave the products a worldwide reputation. The glass ingeniously imitated all types of onyx, jasper, carnelian, malachite, lapis lazuli, inlaid glass, etc. At the anniversary exhibition in 1888, the "Kaiser Franz Josefs Vase", designed by Hofrat Storck and produced by the Lötz company in Grauonyx, was presented. It was the largest blown glass vase ever made. Most of the world exhibitions were filled with the company's special products and received the highest awards.
Lot 293
A Chinese gilt bronze mounted famille verte porcelain saucer dish, Qing dynasty, Kangxi period, the mounts European, late 19th century/early 20th centuryThe dish decorated with reeds, flowering shrubs and butterflies by a river, with a gilt bronze rim mount and supported on gilt bronze dolphins and a pierced triform base, with underglaze lozenge symbol mark to the reverse, 16cm diameter, 9cm high.
Lot 313
An 18th century Neapolitan kingwood serpentine petit commode In the Louis XV style and applied with gilt bronze mounts, the moulded edge marble top above three drawers, with stellar design to the sides, with a shaped apron and slightly outswept legs terminating in sabots, some possible re-mounting, 66cm wide, 40cm deep, 85cm high. Provenance: Property from a Hampshire country estate Christie’s London, 2 May 1997, lot 141.
Lot 362
A Louis XVI style white marble mantel clock with gilt bronze mounts, the dial signed Tiffany & Co. The mechanism stamped ‘Made in France / 208158 / Medale D’Argent’, 27cm wide, 14cm deep, 34cm high. Provenance: Property from a private collection of European Decorative Arts Bonhams, London, 15 December 2011, lot 144.
Lot 388
A mid-19th century French Louis XV style gilt bronze mantel clock by Le Roy & Fils The enamel dial signed ‘Le Roy & Fils / Palais Royal / A Paris / Gie Montpensier 13.15 / 296 Regent Street London’, the mechanism stamped ‘Le Roy & Fils / No. 6106 / A Paris’, 34cm high, 40cm wide. Provenance: Property from a private collection of European Decorative Arts
![[WILLIAM BLAKE] bronze finish plaster bust by James de Ville, taken from life, impressed verso "PUB. AUG. 1823; DEVILLES 17 S](https://cdn.globalauctionplatform.com/4335ecf2-664e-4353-a4e1-aebe00a5f029/3cc7762c-d22d-4023-9923-aebe00b140e4/468x382.jpg)
Lot 233
AN EARLY 20TH CENTURY NORWEGIAN SILVERGILT MOUNTED OVAL PHOTOGRAPH FRAME with a border of translucent bronze-coloured enamel over an engine-turned ground, gilt-metal easel back, together with a smaller frame with lime green enamel and a white pelleted border, wire easel stand, both by David Andersen, Oslo, 1910-1930; the larger one 5.3" (13.5cm) high
Lot 265
A LATE VICTORIAN REPRODUCTION OF THE GLASTONBURY BOWL* maker's mark "SS", Chester 1898 with registered design No 333891; 5.5" (13.4cm) diameter; 7.2 oz *The original bronze bowl was found at the iron age lake village, approximately 3 miles from Glastonbury in Somerset Levels. The site was discovered by Arthur Bulleid in 1892.
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