An engraved brass casket dibya, Gujerat or Rajasthan, India, late 17th century, on four feet, heavily cast and of faceted form with domed hinged lid, cast loop handle extending from a faceted bud finial, engraved to sides and lid with panels containing stylised floral and geometric patterns, and with bud finial to lid, 18.5cm. high x 16cm. diam. x 11.5cm. deepFootnotes: For a comparable in shape and design see a 17th century casket in M. Zebrowski, Gold, Silver & Bronze from Mughal India, Alexandria Press, 1997, p. 284, no. 481. The feet of the present casket are of similar shape to ibid. nos. 479a and b also attributed to the 17th century.
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A rare Victorian patinated bronze gas wall mounted lighter, with a figure, probably Mr Punch, standing with his hands in his pockets smoking a cigar (from which the gas lit flame comes), an ashtray (liner missing) by his feet, the wall mount with acanthus leaf decoration and tap to bottom, 23cms high.
AFTER EUGENE LELIEVRE (1856-1945) An art nouveau silvered bronze box and cover, of lobed squat form, the lift-off cover cast as an upturned sunflower head with the stalk forming the loop handle, the box cast in high relief with other flowers, gilded interior, stamped "Susse Freres, Copyright", 4" diameter overall (Est. plus 24% premium inc. VAT)Bears ex. Sotheby's part Lot No.1132, 30.9.1994(?), generally good
AN ARCHITECTURAL MAHOGANY PEDIMENTED FRAME, late 19th century, in the empire style with arched opening and bronze(?) appliques of classical goddesses, ribbon tied laurel wreath and palmettes, 46 3/4" x 69" (Est. plus 24% premium inc. VAT)Minor losses to outer corners of pediment, otherwise good, green patination to mounts.
A Japanese silver three-division inro, two divisions engraved with peaches, the uppermost applied with a gold mon, the cord with bronze five-lobed flowerhead ojime attached, two-character maker’s mark, together with a brown/black lacquer ojime carved with clouds, lengths 6cm and 35mm. (2) £100-£120 --- Condition Report Lacquer ojime with minute chips.
A pair of early 20th century circa 1910s William Tonks & Sons brass candle stick holders, having a shaped central column with a hexagonal pierced base. Together with a pair of art gold bronze Elkington candle sticks on a round base with makers mark to underside. Tallest measures approx. 17cm tall.
A large collection of Victorian 19th century & later Great Britain coinage. The lot comprising pennies, pence, shilling. Together with two 'The decimal Coinage of Great Britain and Northern Ireland 1971, & ' The decimal coinage of Great Britain & Northern Ireland 1971', 1992 Commemorative Dollar Canada nickel electroplated with bronze coin, & more.
A pair of Victorian / early 20th Century bronze busts / figures of Hermes (Mercury), God of commerce, merchants and travellers, along with Athena, the city protectress, goddess of war by Georges H Laurent, France 1880–1940. Both raised on tapering plinths with leather bases. Signed to the cast G H Laurent. Measures 15cm high).
A large collection of 19th century and 20th century coins to include a large quantity of commemorative crown coins, decimal sets, a 2006 Eightieth Birthday commemorative crown, two Birmingham Mint cased bronze medals commemorating The Last Battle Fought on English Soil. half crowns, three pence, Queen Elizabeth II currency, Queen Victoria copper currency and a quantity of silver coins. Also accompanied by a series of bank note to include Japanese Government Occupation 'banana money ten rupees, a Reichbaknote 100000 and 50000 note.
A Derbyshire Blue John and gilt-bronze pedestal vase, late 19th century, possibly French, the ovoid body of shouldered form beneath a wavy spool-shaped neck, the reeded scroll handles with horned mask terminals, the stepped circular base on a square plinth with a coat of arms, 9.5cm wide9.5cm deep24cm highProvenance: The personal collection of David and Elizabeth Hacker.
A large Louis XVI-style gilt-bronze cartel clock,late 19th century, having a convex enamel dial inscribed 'Louis Montjoye, Aaria', supporting a French drum movement striking on a bell, the case crest with a sunburst over a cherub seated in a carriage drawn by two doves, scrolling foliage and a seated nude and cherub,120cm highdial 21.5cm diameterLouis Montjoye (1728-c.1815)As an horological expert, Montjoye's name is often associated with some of the finest Louis XVI clocks. The son of Jacques and Marie-Madeleine née Langlois, he was apprenticed to Michel Mathurin Guery in 1736. In 1748, he was received as a Paris maitre, at which date he moved from Quai Pelletier to rue Dauphine; 1758 saw him established at rue de la Vieille Draperie and 1772 at rue Galande. He lived well into old age and died circa 1815 at Jouy-le-Chatel; his sons Louis II (d. before 1783) and Joseph-Bernard (d. after 1817) were both watch-case makers.Much of Montjoye's work was supplied to the marchands-merciers, especially Pierre-Simon La Hoguette and Dominique Daguerre, and through them was acquired by such figures as the duc de Richelieu, the duchesse de Mazarin, the marquis de Montesquiou, the comte de Vaudreuil and the Margravine von Baden. Today, examples of his work can be found among important collections, including the Rijksmuseum in Amsterdam, Zähringer Museum in Baden-Baden, the Huntington Collection in San Marino, California, and the Philadelphia Museum of Art.Condition ReportGlass of door lacking. Re-gilded. Dial worn, cracks and repair around 6 0' clock. Movement restored or replaced.. One floral mount to left-hand side broken at lower end. . Scratches, knocks and some misshapen areas. Movement untested. Please see additional photos.
A Deccani bronze ewer, probably 18th century, Indian, the pear-shaped body raised on a circular base, with a straight knopped spout and curved handle, cover lacking,14cm wide28cm deep31cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.
A pair of large gilt and patinated bronze candelabra,late 19th century, French Empire-style, each with a flaming urn finial above six scrolling branches and a reeded tapering column, raised on three paw supports and a tripartite base,83cm high (2)Provenance: Farm House, Farm Street, London W1.Condition ReportLight wear. Measure 54cm to top of capital. Both are structurally sound and ready for use.
A group of grand tour models,19th century, comprising: two in the form of Trajan's Column, one in bronze, another gilt-metal and fitted with a thermometer, each on a fenced slate base,9.5cm wide21cm high,a brass desk stand or inkwell in the form of the Arc de Triomphe, on an oval slate base, anda model of a rotunda or temple, on a circular red-veined marble base (4)Condition ReportRotunda - 9cm diameter, 9.5cm highArc - 13.5cm wide, 11.5cm high, wear to gilding, front left corner of theThermometer column - scratches and wear to thermometer panel, fencing is slightly misshapen to one side, the column is a little loose, wear to gilding, small nibbles and chips to slate base.Second column - the fencing isn't secure, small chips and nibbles to base, some small areas of verdigris to crevices.
A pair of Regency-style bronze and parcel-gilt candelabra,each with a flaming urn finial above five scrolled sconces and a gilt collar, supported by a milk-glass cluster column above a gilt-bronze base, and raised on three bronze paw feet,13cm wide59cm high (2)Condition ReportLoss to base of one glass cluster column. The other with small discolouration/impact to base. Minor scuffs and discolouration to both columns. Overwise in good cosmetic order, sit flat and ready for use.
After Pierre I Legros,a pair of bronze figures, probably 18th century, one Anacharsis the Scythian, the other possibly Aesop, each standing contrapposto and raised on a square base,approximately 7cm wide5.5cm deep16cm high (2)Condition ReportScratched and knocked, loss to patination in places, each secured to the base with a square fixing, one with a square hole cut in base, the other with a later threaded peg attached, both with possible remanent of an iron plug to the top of the head.
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