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Lot 521

Medaillenabzeichen 1952 - 3x Offizielle Ehrenabzeichen des westdeutschen NOK für Gewinner einer Gold-, Silber oder Bronzemedaille für die Mannschaft der BRD bei den Olympischen Spielen Rom 1960. je 2,5 cm. Für Goldmedaillengewinner: Silber, vergoldet (gepunzt, 925er Silber); Silbermedaillengewinner: Silber (gepunzt, 925er Silber). Bronzemedaille: Bronze. - Wurden vom deutschen NOK ab 1952 bis ca. 1960 an westdeutsche Medaillengewinner ausgegeben. Auch die Medaillengewinner der Olympischen Spiele 1936 erhielten 1952 postum dieses Abzeichen, da sie 1936/37 ein Abzeichen mit einem Hakenkreuz erhalten hatten, dass ab 1945 nicht mehr getragen werden durfte. -

Lot 534

Teilnehmerabzeichen 1972 - 150x Offizielles Teilnehmerabzeichen Olympische Spiele München 1972 „Athlet“. Bronze, versilbert, hellblaue Schriftleiste. je 3,5x2,5 cm. Original Verpackt. In original Herstellerkarton der Firma "Deschler & Co." (26,5x16,5x5,5 cm). Alle Abzeichen kommen aus dem Nachlass von Walter Tröger, dem Bürgermeister des Olympischen Dorfes München 1972. NEUWERTIG! HÄNDLERANGEBOT!. - -

Lot 550

Teilnehmermedaille OSS1906 - Offizielle Teilnehmermedaille des griechischen Organisationskomitees für die Olympischen Spiele Athen 1906. - Bronze, versilbert mit original blau-weißem Seidenbändchen, 2,7x2,2 cm. Rarität!!!. -

Lot 547

Siegerplakette 1900 - Siegerplakette für die Olympischen Spiele 1900 in Paris. Vorderseite: „Republic Francaise. Exposition Universelle Paris 1900“. Rückseite: „Concours Jeux Athletiques“ von „Vernon“. Bronze (mit Randpunze "Bronze"). 6x 4,3 cm. - Die Olympischen Spiele 1900 fanden im Rahmen der Weltausstellung 1900 in Paris statt. Offizielle Siegerplakette für die Leichtathletik Wettbewerbe. Rarität!!! Vorzüglich (EF). -

Lot 508

Fleischer/ Braumüller - s/w-Fotoreprokarte von der Siegerehrung der Olympischen Spiele 1932 in Los Angeles Frauen Speerwerfen mit den Originalsignatur von Tilly Fleischer Bronze 1932 (1911-2005; Gold 1936) und Ellen Braumüller Silber (1910-1991) und Babe Didrikson Gold (Name wurde von Tilly Fleischer geschrieben). 15,5x10,5 cm. - Geschenk an Walter Tröger ca. 1972. -

Lot 482

IOC-Session 2004 - Teilnehmerabzeichen der "116th IOC Session Athens 2004". Bronze, mit weißem Seidenbändchen und Plakette. Mit eingraviertem Namen des Trägers "W.Troeger", 11,8x3,2 cm. - -

Lot 144

Teilnehmermedaille 2021 - „FIFA Club World Cup Qatar 2021“. Offizielle Teilnehmermedaille für Betreuer, Funktionäre und Spieler der FIFA Club-Weltmeisterschaft 2021 in UAE (Vereinigte Arabische Emirate) die vomn Chelsea FC gewonnen wurde. Bronze, vergoldet, 5,0 cm. Im Originaletui mit Umkarton. - Sehr selten. Sehr schön EF!. Das Endspiel bestritten Chelsea FC

Lot 473

IOC-Session 1990 - Offizielles Teilnehmerabzeichen der "96th IOC Session Tokyo 1990" Mit Gravur "Mr.W.Tröger". Bronze, vergoldet, mit weißem Seidenband, 9,5x3,8 cm. - -

Lot 103

After Giambologna: Abduction of a Sabine Woman, bronze figure, on circular wooden base, H68cm

Lot 101

Bronze Figure of Shakespeare, standing in period robes holding a book, H62cm

Lot 122

Pair of Chinese porcelain lamps, each of squat baluster form, decorated with a smokey crackle glaze, raised upon square brushed bronze base, H58cm including shade

Lot 88

A pair of cast bronze Chinese temple lion mounts from a bronze censor L x 7cm, a Danish stoneware figure holding a jar H x 7cm, a Murano style tissue style glass dish H x 7.5cm, a treen bridge marker and a fluoride section of rock L x 15cm (a lot) 

Lot 119

A pair of 19thc French rococo style bronze mounted two branched candle holders on green marble base. (h-28.5cm) (2)

Lot 303

A WWII medal group of five comprising The 1939-1945 Star, The Africa Star, The Italy Star, The Defence Medal and The 1939-1945 war medal, together with various school medals and a bronze medallion commemorating The Lusitania

Lot 311

A Chinese bronze incense burner in the form of a elephant with pagoda, 30cms tall

Lot 1337

An Asian brass stirrup, with lion mask decoration, 11 cm high, a collar or cuff, bears a date 1822, a Chinese bronze and green hardstone ladle, 10 cm high, and a 16th century style lidded jug (4)

Lot 1369

A bronze figure, of Christ, indistictly signed Zonnwende (?), 33 cm high

Lot 1449

A 19th century bronze figure, of a gentleman holding a cane, on a marble base, 23 cm high, and its pair (2)

Lot 220

A BRONZE PENSIVE HEAD OF A MAN RAISED ON HIS HAND

Lot 156

A CHINESE POLISHED BRONZE SPHERICAL CENSER AND COVER

Lot 374

FELIPE O GONZALEZ, A CONTEMPORARY BRONZE FIGURE OF A MAN STANDING ON A BLACK STONE PLINTH TITLED "STUMPED"

Lot 303

AN INDIAN WHITE METAL BOWL, SWATOW AND OTHER ELECTROPLATE, A CHINESE BLUE AND WHITE VASE, STUDIO CERAMICS AND TWO BRONZE ROUNDELS

Lot 235

AFTER GIOVANNI DE MARTINO (1870-1935), A BRONZE FIGURE OF A FISHER BOY WITH NET

Lot 245

A COLLECTION OF METAL DISHES, A DEATH PENNY FOR JAMES MASSON AND AN ORIENTAL BRONZE VASE

Lot 182

A PAIR OF JAPANESE BRONZE VASES CAST WITH PEONIES

Lot 328

FELIPE GONZALEZ, A CONTEMPORARY BRONZE SCULPTURE OF A NUDE LADY STANDING ON A CHAIR BALANCED ON A TOP STEP TITLED "IGNORANCE IS BLISS". H 42cms.

Lot 225

FOUR BRASS ASHTRAYS CAST WITH FIGURES, ANOTHER IN BRONZE AND A SIXTH IN IRON

Lot 194

A CHINESE BRONZE CENSER AND COVER TOGETHER WITH A WOODEN CARVING OF A MOTHER WITH HER CHILD ON HER LAP

Lot 398

METALWARES: TO INCLUDE BRASS EWERS, A CHAMBER STICK, DOG FIGURES, A BRONZE BUDDHA, A CENSER, OPIUM PIPES, A COPPER COACHING HORN, ETC.

Lot 192

AN ART DECO STYLE BRONZE LADY STANDING WITH HANDS RAISED TOGETHER WITH A COLD CAST BRONZE FIGURE OF A LADY FLOATING UPWARDS

Lot 236

AFTER GIOVANN DE MARTINO (1870-1935), A BRONZE FIGURE OF A BOY STANDING BY A BASKET OF FISH AND HOLDING ONE

Lot 544

C19th bronze twin handled urn, relief decorated with leaves and berries, H27.5cm

Lot 346

Doris Lindner - modern cast bronze resin model of a horse's head, impressed signature, on black plinth, H19.5cm

Lot 543

Bronze Asian style mask, H22cm

Lot 321

B te S G.D.G Paris - late C19th French alabaster and gilt 'swinging cherub' mantel timepiece, 3 1/4" white enamel Roman dial, signed single train movement no. 14, H23.1cm; two-compartment tea caddy on bun feet; bronze mortar; two marble ashtrays mounted with cold painted spelter pheasants; two silver backed dressing table accessories, etc.

Lot 52

1990s-YK2 shoes to include lime green lizard shoes by Savatore Ferragamo, sz 4 1/2 US sizing ,and  another pair in the same style but in brown leather,  sage green suede wedge mules from Thierry Rabotin, sz 37, Charles Jourdan Mary Jane stilettos with flared heel and wide strap 6 1/2 C (US sizing), Prada closed toe sandals in bronze leather with a quilted effect plus two pairs of sunglasses qy)

Lot 330

A LARGE GILT-BRONZE FIGURE OF BUDDHA SHAKYAMUNI, KANGXI TO YONGZHENG PERIOD 康熙至雍正時期銅鎏金釋迦牟尼像Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1662-1735. Superbly cast, seated in dhyanasana atop a double-lotus base finely detailed with scrolls to the petals and beaded edges. His right hand is lowered in bhumisparsha mudra and his left held above his lap in dhyana mudra. He is wearing a monastic robe neatly incised with foliate hems over an undergarment secured above the waist. His serene face with heavy-lidded eyes above gently arched brows centered by a raised circular urna, above bow-shaped lips forming a calm smile, flanked by pendulous slitted earlobes. His hair is arranged in tight curls over the high ushnisha topped by a jewel. Note the extremely fine beading to the edges, typical for Imperial Buddhist bronzes from the period.Provenance: Dutch trade. By repute from a private estate in Amsterdam.Condition: Good condition with expected old wear and minor casting irregularities, light surface scratches, and tiny nicks. The hollow interior with distinct red pigment. The hair with remnants of blue pigment. The seal plate and contents lost. The cavities with remnants of ancient varnish overall. Fine, naturally grown patina.Weight: 8,390 g Dimensions: Height 34.3 cm Displaying tremendous power and presence, this impressive figure of Buddha Shakyamuni is notable for the crisp casting and the meticulous attention to detail which is echoed in the gentle folds of the elegant monastic robes, finely embellished with foliate scroll.The figure of Shakyamuni is one of the most widely represented subjects in Buddhist art. Modeled in the earth-touching gesture or bhumisparsha mudra, the Buddha recalls the moment of his Enlightenment, in which he called upon the earth as his witness of his battle against the temptations and attacks of Mara and his demons. The serene countenance conveyed by the gentle facial features, with the eyes depicted half closed in meditation and the elongated earlobes symbolizing long life, follows the standard rules for the depiction of Buddha to ensure the deity was shown embodying maximum power.Literature comparison: Compare a related gilt-bronze figure of Bhaisajyaguru Buddha dated by inscription to the 21st year of Kangxi (1682), but with more elaborately decorated robes, illustrated in Gems of Beijing Cultural Relics Series, Buddhist Statues I, Beijing, 2001, pp. 212-13, no. 180 and 181. A related gilt-bronze figure of Buddha Shakyamuni, wearing similar robes, of smaller size (20.2 cm), dated to the 18th century, is illustrated in Buddhist Images in Gilt Metal, Chang Foundation, Taipei, 1993, p. 45, no. 15.Auction result comparison: Type: Closely related Auction: Christie’s New York, 17 March 2017, lot 1030 Price: USD 211,500 or approx. EUR 243,000 converted and adjusted for inflation at the time of writing Description: A gilt-bronze figure of Buddha, Kangxi-Yongzheng period Expert remark: Compare the closely related manner of casting, modeling with remarkably similar base, and near-identical gilding. Also note the identical size (34.3 cm). Note the somewhat different face, with slightly wider features and a gentle widow’s peak, and that the robe is draped over only one shoulder.

Lot 148

A BLACK POTTERY AMPHORA WITH APPLIED COPPER BOSSES, LIFAN, HAN DYNASTY 漢代黑陶嵌銅泡釘雙耳壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 206 BC-220 AD. Elegantly potted, the lozenge-form mouth rim tapering to form two wide strap handles above the neck with a finely incised band running parallel. The ovoid body with spiral designs. Applied overall with conical copper bosses with beaded decoration.Provenance: French trade.Condition: Good condition with old wear and casting flaws, small nicks here and there, the bosses with malachite-green encrustations, some losses and scratches, all exactly as expected from an authentic piece with this age. Weight: 1,144 g Dimensions: Height 18.2 cm This type of black earthenware amphora was produced from the Warring States period and throughout the Han dynasty. The surface of the vessel has been shaped with tools and then burnished. This process of manufacture gives the jar its attractively rugged, yet carefully detailed and distinctive characteristics. The surface of the body is an amalgamation of complex curves with various convex and concave shapes. As noted by Regina Krahl in Yuegutang, A Collection of Chinese Ceramics in Berlin, 2000, page 55, amphorae of this distinct type are characteristic products of the Western Sichuan province where they were made by non-Chinese peoples. Hence, this type of vessel is known as Lifan, named after the area of Sichuan province in the far west of China, in which such jars have been found.There are obvious stylistic similarities between these Lifan vessels and objects from much earlier periods such as the Neolithic cultures of Machang (c. 3000-2000 BC) and Xindian (c. 1500-1000 BC). Similar black ware food containers with two handles have also been unearthed in Dena County, Yunan, an area that was the home of the southwestern Yi tribe during the Spring and Autumn period.Auction result comparison: Type: Closely related Auction: Galerie Zacke, Vienna, 5 March 2021, lot 138 Price: EUR 56,880 or approx. EUR 67,000 adjusted for inflation at the time of writing Description: A black pottery amphora with applied bronze bosses, Han dynasty Expert remark: Compare the closely related form and decoration. Note the larger size (33 cm). 漢代黑陶嵌銅泡釘雙耳壺中國,西元前206 至西元220年。縮頸,壺口外撇,鼓腹,寬大的雙耳從壺口延伸到腹部。壺上鑲嵌泡釘。 來源:法國古玩交易。 品相:狀況良好,有磨損和鑄造缺陷,大面積小刻痕,泡釘上有藍綠色結殼,還有一些缺損和劃痕。 重量:1,144 克 尺寸:高 18.2 釐米 這種黑陶雙耳壺從戰國到整個漢代都有生產。據推測,這些器皿上的泡釘,是在這個時代的巔峰時期製造的,例如漢朝上半葉。 正如 Regina Krahl 在《悅古堂-柏林中國陶瓷收藏》,2000 年,第 55 頁所指出的,這種獨特類型的雙耳瓶是四川西部省份的特有創作,以中國最西部的四川省地區命名。 這些器皿與更早時期的器物在風格上有明顯的相似之處,例如馬廠(約西元前 3000-2000 年)和新店(約西元前 1500-1000 年)的新石器時代文化,春秋時期西南彝族聚居地雲南德納縣也曾出土過類似的雙柄黑瓷食器。 拍賣結果比較: 形制:非常相近 拍賣:Galerie Zacke,維也納,2021年3月5日,lot 138 價格:EUR 56,880(相當於今日EUR 67,000) 描述:漢代黑陶嵌銅泡釘雙耳壺 專家評論:比較非常相近的外形和裝飾。請注意尺寸較大 (33 厘米)。

Lot 127

A JADEITE SNUFF BOTTLE DEPICTING A CARP TRANSFORMING INTO A DRAGON, CHINA, 1770-1850 1770-1850年翡翠鯉魚躍龍門鼻煙壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: This bottle is perhaps one of the most exciting of all carved jadeite examples. The shape has a perfect formal integrity which is greatly enhanced by the tall, flared neck with a lipped rim. The carved decoration stands in unusually high relief and in the undulating rhythms of the dragon's back, shows a confident line of which an accomplished painter with a brush would be proud of. The entire composition, however, is truly brought to life by the exceptionally fine hollowing, which allows the light to be transmitted through the body, revealing the icy texture of the stone. This adds enormously to the energy of the piece, creating the appearance of a raging storm through which the dragons are scything unmoved. The fashion for extreme hollowing was probably inspired by the advent of Mughal jades into China in the 1750s and may have played some part in the conception of this bottle. However, most bottles of this ultra-hollowed group are uncarved and rely solely on their hollowing for their impact, whereas on the present bottle the hollowing actually adds to the impact of the carving.Of flattened globular form, exceptionally well hollowed, finely carved in high relief with a continuous scene depicting a carp emerging from the waves to transform into a dragon chasing a flaming pearl, with cloud billows on the shoulders. The well-polished translucent stone is of an apple-green hue with emerald-green patches, paler shadings, and icy inclusions.Provenance: Collection of Gerry P. Mack. Robert Kleiner & Co. Ltd., London, United Kingdom, 2010. Private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 30 June 2010, confirming the dating above, and stating a purchase price for this present lot of GBP 5,000 or approx. EUR 10,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. According to Robert Kleiner’s foreword to the catalog of his single owner sale at Christie's, he “was one of the great snuff bottle collectors of the twentieth century. The bottles for which Gerry had a weakness have stood the test of time and, more remarkably, of our increased knowledge of the subject. Gerry's achievement was to align on bottles which he liked and which are still highly sought after and in many cases among the finest of their type.” Condition: Superb condition with minor old wear and occasional light scratches. The stone with natural inclusions and fissures.Stopper: Agate with bronze collarWeight: 87 gDimensions: Height incl. stopper 74 mm, Diameter neck 22 mm and mouth 7 mm The depiction of a carp turning into a dragon alludes to the path of the scholar who must leap like a carp across the Longmen Falls in order to transform into a dragon, meaning to pass his examinations. Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 31 May 2015, lot 192 Price: HKD 150,000 or approx. EUR 20,500 converted and adjusted for inflation at the time of writing Description: A rectangular jadeite ‘dragon and flaming pearl’ snuff bottle, Qing dynasty, 18th/19th century Expert remark: Compare the related color of the jadeite, manner of carving, and subject (albeit depicting only a dragon). Note the different form. Note that this bottle was also previously in the collection of Gerry P. Mack and subsequently with Robert Kleiner.

Lot 315

A GOLD AND SILVER-INLAID BRONZE ARCHAISTIC STEAMER, SONG TO MING DYNASTYPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, 960-1644. Heavily cast, the upper cauldron with two upright loop handles to the rim, decorated with interlocking scroll and confronting stylized phoenixes. The sides with three animal masks flanked by confronting phoenixes divided by short flanges, above pendent stiff leaves, all reserved on leiwen grounds. The shoulders of the three legs cast with stylized large-eyed animal masks, decorated with scroll and lozenge designs. The bronze with a rich, solid, naturally grown, dark patina with scattered malachite encrustations.Provenance: From the personal collection of Dr. David McCay, and thence by descent in the same family. Dr. David McCay was an English physician and later surgeon general with the Indian Medical Service in Bengal, India. He was sent to China during the Boxer Rebellion and served as an army doctor at the Siege of Peking. While in India, he wrote a book titled Investigations on Bengal Jail Dietaries. Upon his retirement, he returned to England with his collection of Chinese bronzes, cloisonné, and porcelain. After his death, his wife gifted his favorite piece, a highly important Wanli garlic mouth vase, among other items, to the Victoria and Albert Museum, accession number CIRC.23-1950, where it remains to this day.Condition: Very good condition with expected old wear, traces of age and usage, some casting irregularities, small nicks and losses, light scratches, the undersides of the feet with tiny old fills. The gold inlays are fresh and in very good condition overall. The silver inlays have darkened over time and show expected tarnish. However, we chose not to clean the silver inlays, so to preserve the piece’s impressive natural appearance.Weight: 5,200 g Dimensions: Height 31.5 cmAuction result comparison: Type: Related Auction: Bonhams London, 11 November 2010, lot 139 Price: GBP 31,200 or approx. EUR 49,500 converted and adjusted for inflation at the time of writing Description: A large archaistic bronze tripod steamer, yan, probably Song dynastyExpert remark: Compare the closely related form with similar legs cast with animal masks. This steamer is however vastly inferior to the present lot as it lacks the gold and silver inlays and the design is overall less lively. Note the larger size (44.5 cm). Auction result comparison: Type: Related Auction: Sotheby’s New York, 1 December 2022, lot 694 Price: USD 37,800 or approx. EUR 35,000 converted at the time of writing Description: An archaistic copper-inlaid bronze tripod censer (Ding), Ming dynastyExpert remark: Compare the related form with similar legs cast with animal masks. This censer is however vastly inferior to the present lot, not only because the inlays are merely copper, but also because it completely lacks the cauldron found on the present lot. Also note the significantly smaller size (16.7 cm).Auction result comparison: Type: Related Auction: Sotheby’s London, 14 May 2014, lot 252 Price: GBP 80,500 or approx. EUR 116,000 converted and adjusted for inflation at the time of writing Description: An archaistic silver and gold-inlaid bronze wine vessel and cover, you, Ming dynastyExpert remark: Compare the closely related manner of casting and decorations with similar gold and silver inlays. Note the related size (30.2 cm). Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 8 October 2014, lot 3350 Price: HKD 2,680,000 or approx. EUR 380,000 converted and adjusted for inflation at the time of writing Description: A large gold and silver-inlaid bronze incense burner, gui, late Ming dynastyExpert remark: Compare the closely related manner of casting and decorations with similar gold and silver inlays. Note the similar size (28.5 cm).Due to length restriction on Drouot this entry is shortened. For full description please visit www.zacke.at.

Lot 329

A GILT-LACQUERED BRONZE FIGURE OF BUDDHA, MING DYNASTYPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1368-1644. Finely cast, seated in dhyanasana with his hands folded in dhyana mudra, wearing robes that elegantly drape over the shoulders and fall in graceful folds, the serene face with heavy-lidded eyes, gently arched brows, bow-shaped lips, flanked by long pendulous earlobes. His hair is arranged in tight curls that continue up over the domed ushnisha topped by a jewel.Provenance: English trade.Condition: Good condition with some wear and casting flaws, losses, minor signs of weathering and erosion, flaking and losses to lacquer. The bronze with a rich, naturally grown, dark patina.Weight: 1,136.8 gDimensions: Height 19 cmAuction result comparison: Type: RelatedAuction: Sotheby’s New York, 22 June 2021, lot 42Price: USD 27,720 or approx. EUR 29,500 converted and adjusted for inflation at the time of writingDescription: A gilt-lacquer bronze figure of seated Buddha, Ming dynastyExpert remark: Compare the related manner of casting and similar elongated earlobes and gilt-lacquer technique. Note the size (25.6 cm).Auction result comparison: Type: RelatedAuction: Christie’s Amsterdam, 20 June 2012, lot 200Price: EUR 18,750 or approx. EUR 25,000 adjusted for inflation at the time of writingDescription: A Chinese gilt-lacquered bronze figure of Buddha, Late Ming dynastyExpert remark: Compare the related manner of casting and similar elongated earlobes and gilt-lacquer technique. Note the similar pleats below the chest. Note the size (36.5 cm).

Lot 16

A CLOISONNÉ ENAMEL MALLET VASE, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIOD 乾隆五字款及年代銅胎掐絲琺瑯纏枝蓮紋賞瓶Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. The cylindrical body rising from a spreading foot to a tall neck with gilt rim, decorated around the exterior with lotus blooms borne on meandering leafy scrolls between ruyi bands, the foot encircled with C-scrolls and circles, all reserved on a distinct turquoise ground. The base incised with a five-character mark Qianlong nianzhi zuo and of the period.Provenance: British trade. Condition: Good condition with expected old wear, minor crackling and small fills typical for these wares. Minuscule nicks, some dents with associated small losses, the vase slightly leaning.Weight: 226 g Dimensions: Height 14.4 cmBased on its size and mallet shape, this vase was made to hold incense instruments. These types of small cloisonné vases, censers, and instruments (luping sanshi) which were made for the burning of incense had an additional character below the reign mark and were made for the Qianlong court. Some scholars have suggested that the fifth character under the Qianlong mark could have been a way to number the large group of objects in the correct order, see H. Brinker and A. Lutz, Chinese Cloisonné: The Pierre Uldry Collection, New York, 1989, pp. 74-79.Literature comparison:Compare a similar cloisonné enamel vase with Qianlong five-character mark and of the period, from the Robert H. Clague Collection, Phoenix Art Museum, illustrated in Bèatrice Quette, Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, 2011, p. 291, pl. 130.Auction result comparison:Type: Near identicalAuction: Christie’s New York, 18 September 2014, lot 613Price: USD 37,500 or approx. EUR 44,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonné enamel bottle vase, Qianlong four-character mark inscribed in a line and of the periodExpert remark: Compare the near identical bottle or mallet form, motif, five-character mark, and size (14.5 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 11 May 2017, lot 180Price: GBP 22,500 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonné enamel bottle vase, Qianlong five-character mark and of the periodExpert remark: Compare the closely related mallet or bottle form, motif, and five-character mark. Note the slightly larger size (17 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 17 May 2012, lot 139Price: GBP 20,000 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonné enamel and gilt-bronze long-necked cylindrical vase, incised Qianlong five-character mark and of the periodExpert remark: Compare the closely related form, motif, and five-character mark.乾隆五字款及年代銅胎掐絲琺瑯纏枝蓮紋賞瓶中國,1736-1795年。長頸,直腹,底足微束,足微外撇。外壁掐絲琺瑯描繪纏枝蓮紋,瓶口下裝飾一圈如意紋。底足内刻“乾隆年製”與“左”字款。 來源:英國古玩交易。 品相:品相良好,有磨損、輕微裂紋和小填充物。微小的刻痕,一些凹痕、缺損,賞瓶略微傾斜。 重量:226 克 尺寸:高 14.4 厘米

Lot 313

A PARCEL-GILT AND SILVERED COPPER-ALLOY REPOUSSÉ COMB TOP, TANG DYNASTY 唐代鎏金銀錘鍱銅梳柄Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 618-907. The gilt upper section of the comb is decorated in repoussé with stylized birds of paradise flying amidst blossoms reserved in a ring-punched ground with floral medallions. The copper-alloy has a fine, naturally grown patina with malachite, cuprite, and azurite encrustations.Provenance P.C. Lu Works of Art Ltd, Hong Kong. From a private collection in the northeastern United States, acquired from the above. Started as a small business in January 1976 in Hong Kong, selling Chinese antiques, P.C. Lu was able to scale operations, eventually sending his son Fred to the MIT to pursue his PhD. Today, many objects from his fine collection are housed in the British Museum.Condition: Good condition, commensurate with age, with wear, expected signs of oxidization, minor corrosion, rubbing to the gilt, and a few small losses and dents.Weight: 20.6 g Dimensions: Length 12.7 cm Literature comparison:Three related combs in the Idemitsu Museum of Arts, Tokyo, are illustrated in Ancient Chinese Arts in The Idemitsu Collection, Tokyo, 1989, pl. 337. Compare a related bronze comb with a similar bird motif, dated to the Tang dynasty, in the British Museum, registration number 1938,0524.284.Auction result comparison: Type: Related Auction: Christie’s 12 September 2019, lot 564 Price: USD 20,000 or approx. EUR 22,000 converted and adjusted for inflation at the time of writing Description: A parcel-gilt silver comb, Tang dynasty Expert remark: Note the related motif, displaying two birds flying amid floral branches. Note the size (9.3 cm). 唐代鎏金銀錘鍱銅梳柄中國,618-907年。採用錘鍱工藝,串珠紋、鳳穿牡丹等圖案,局部鎏金銀,自然包漿,已出現藍紅色結殼。 來源:香港P.C. Lu Works of Art Ltd藝術公司;美國東北部私人收藏購於上述公司。P.C. Lu 藝術公司於1976 年 1 月在香港成立,最初是一家銷售中國古董的小企業,後來擴大運營規模,最終將他的兒子Fred送到麻省理工學院攻讀博士學位。 如今,他的許多精美收藏品都收藏在大英博物館中。 品相:狀況良好,有磨損、氧化跡象、輕微腐蝕、鎏金摩擦,以及一些小缺損失和凹痕。 重量:20.6 克 尺寸:長 12.7 釐米 文獻比較: 三件相近的梳子,收藏於出光美術館,見《Ancient Chinese Arts in The Idemitsu Collection》,東京,1989年,圖337。比較一件相近的唐代鳥紋青銅梳,收藏於大英博物館,館藏編號1938,0524.284。 拍賣結果比較: 形制:相近 拍賣:佳士得,2019年9月12日,lot 564 價格:USD 20,000(相當於今日EUR 22,000) 描述:唐銀局部鎏金錘鍱花鳥紋篦 專家評論:請注意相近的主題,雕刻有兩隻鳥兒在花枝間飛翔。請注意尺寸 (9.3 釐米)。

Lot 171

A LARGE BLUE AND WHITE SIX-TUBE ARROW VASE, TOUHU, MING DYNASTY, TL TESTED 明代青花投壺式瓶Please note this Lot is to be sold at No Reserve. 本拍品不設底價Scientific Analysis Report: A thermoluminescence analysis report issued by Oxford Authentication on 15 February 2024, based on sample number P124b27, sets the firing date of two samples taken between 400 and 600 years ago, and hence is consitent with the dating of this lot. A copy of the report, signed by Helen Mason for Oxford Authentication, accompanies this lot.Expert’s note: The six small and rather unusual lion heads applied on the shoulder of the present vase once suspended bronze rings, which have long been lost to time. It is possible that these rings were used to keep score when playing touhu with this vase, since there is exactly one lion head for each of the six arrow tubes.China, 16th to early 17th century. The pear-shaped body supported on a waisted foot and rising to a slender neck, the mouth applied with six tubular arrow holes, the shoulder with six pierced lion heads. Finely decorated to the exterior in shades of cobalt blue with scholarly figures and their attendants inside a fenced garden with large willows, below a band of ruyi heads at the shoulder. The neck with three magpies on a prunus branch and a large pine tree, the mouth and arrow lugs with floral designs, the foot with a band of lotus petals.Provenance: From a private collection in Paris, France.Condition: Expected old wear and firing irregularities, including burst bubbles, black spots, firing cracks, glaze recesses, and kiln grit. The neck with a horizontal luting line showing an old fill, visible also on the inside, and associated glaze lines. Minor smoothened chips to the foot and occasional light scratches. Two holes from sample drilling.Weight: 3,136 g Dimensions: Height 38.3 cmArrow vases were made for a drinking game called ‘touhu’ (lit. ‘pitch-pot’), which had been popular among elite men and women from the Spring and Autumn period of the Eastern Zhou dynasty. The Ming-dynasty Emperor Xuande was known to be quite fond of the game, as evidenced by a painting of him playing touhu by Shan Xi (in the Palace Museum, Beijing). Players threw arrows into bronze or ceramic vases with narrow tubular necks at prescribed intervals, each player equidistant from the vase. The winner successfully projected all his arrows into the vase and the loser was forced to drink at each miss. Elaborate rituals and intricate rules, recorded in the Li Ji (Book of Rites), added further complexity to the game. Puzzling pitching techniques were described in the Touhu Yijie (Ceremonial Usages and Rules of Touhu), an illustrated manual written by Wang Ti (1490-1530), and these shots were given fancy names, like ‘A Pair of Dragons Enters the Sea’ when two arrows were thrown from a great height at once into the vase. The touhu game was used to practice archery, one of the essential accomplishments of a gentleman. Later in the Ming era, the game became more widespread, being played by rich merchants as well as the aristocracy and scholarly elite. A scene in the famous late Ming novel Jin Ping Mei (Plum Blossom in the Golden Vase), written in 1619, describes the wealthy merchant Ximen Qing's seduction of his concubine Panjinlian. She becomes inebriated while playing touhu on a picnic and the game leads to an amorous encounter. For a further discussion of the game see Isabelle Lee, Touhu: Three Millennia of the Chinese Arrow Vase and the Game of Pitch-pot, Transactions of the Oriental Ceramic Society, vol. 56, 1991-2, pp. 13-7.Literature comparison: Compare a related Cizhou painted arrow vase, 40 cm high, dated to the Ming dynasty, circa 1522-1566, in the collection of the British Museum, museum number 1937,0716.74.Auction result comparison: Type: Related Auction: Galerie Zacke, Vienna, 29 September 2022, lot 106 Price: EUR 26,000 or approx. EUR 27,500 converted and adjusted for inflation at the time of writing Description: A very large and extremely rare Cizhou painted arrow vase, touhu, Ming dynasty Expert remark: Compare the related form, albeit with fewer and larger arrow holes and lacking the animal masks, and similar size (40 cm).

Lot 302

A RARE TURQUOISE-INLAID BRONZE MIRROR, WARRING STATES PERIOD 戰國嵌綠松石銅鏡Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 475-221 BC. Finely cast, the back of the circular mirror intricately inlaid in turquoise with intertwined stylized dragons arranged in a grid-like structure interspersed by circular recesses and encircled by a band of similarly stylized beasts. The mirror is cast with three loops suspending loose and massive bronze rings.Provenance: A private collection in Northern Thailand. Het Magazijn, Ghent, Belgium, September 2006. The private collection of Mr. and Mrs. S., Ghent, Belgium, acquired from the above and thence by descent in the family. A copy of a signed authentication certificate from Het Magazijn, including two photographs of the present lot, and confirming the provenance and dating above, accompanies this lot.Condition: Good condition, commensurate with age. Extensive wear, signs of weathering and erosion, losses, nicks, scratches. The bronze is covered in a rich, naturally grown patina with fine malachite encrustation. Displaying spectacularly well overall.Weight: 1,926 g Dimensions: Diameter 29.9 cm Expert’s note: Unlike most mirrors of Warring States and Tang Dynasty date, which have a central loop or knob for the attachment of a cord, this mirror - and others like it - have loops at the outer edge, which are thought to have been used for suspending it. Fragments of stone left within one of the eight circular recesses suggest this mirror was once additionally inlaid with precious stones which are now lost. This suggests a high degree of importance surrounding this mirror as all other comparisons have simple bronze knobs cast as one piece rather than gemstone inlays.Literature comparison:Compare a closely related turquoise-inlaid mirror, also with three rings, excavated at Linzi (a city of the Qi state), Shandong province, dated to the Warring States period, in the Shandong Museum, illustrated in Zhongguo Qingtongqi Quanji (‘Complete Collection of Chinese Bronzes’) - 16 - Bronze Mirrors, Beijing, 1998, p. 32, no. 32; and by Thomas Lawton, Chinese Art of the Warring States Period: Change and Continuity, 480-222 BC, Freer Gallery of Art, 1982, p. 81, where it is noted that other mirrors with suspension loops at the rim were excavated from a tomb at Shiertai, Chaoyang county, Liaoning province. A turquoise-inlaid bronze mirror found in 1965 in a Western Han tomb at the Sanlidun site in Lianshui county, Jiangsu province, was unearthed with a bronze figure of a recumbent deer, suggesting that the mirror might have been suspended by two of the rings from the antlers. For illustrations of the deer and mirror see Ancient Bronze Mirrors from the Shanghai Museum, Shanghai, 2005, p. 59, fig. 13.Auction result comparison: Type: Closely related Auction: Christie’s Hong Kong, 4 Oct 2018, lot 73 Price: HKD 175,000 or approx. EUR 24,500 converted and adjusted for inflation at the time of writing Description: A rare small turquoise-inlaid silvery bronze circular mirror with rings, Warring States period (475-221) Expert remark: Compare the identical form with three loose rings and similar decoration with similar turquoise inlays. Note the much smaller size (9 cm).

Lot 304

A LARGE BRONZE RITUAL WINE VESSEL, HU, HAN DYNASTY 漢代弦紋銅壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 206 BC-220 AD. Finely cast. The broad pear-shaped body raised on a pedestal foot with gently spreading sides below an indented waist, the sides encircled by three slightly raised bands and with a prominent pair of taotie masks suspending massive loose rings on the shoulder, the waisted neck rising to a slightly raised band below the rim. The interior with a distinct casting mark.Provenance: Michael Goedhuis, May 1993. A private collection in in France, acquired from the above. A copy of the original invoice, dated 10 May 1993, confirming the dating above, and stating a “special price” for the present lot of GBP 8,900 or approx. EUR 28,000 (converted and adjusted for inflation at the time of writing), accompanies this lot. Michael Goedhuis trained as an economist, graduating with an MBA from the Courtauld Institute in Art History. He started a successful career in investment banking in New York and London, only to leave it in 1975 to pursue his passion for art. He joined Jacob Rothschild’s Colnaghi Oriental Gallery specializing in Persian, Mughal, and Islamic art. It was here that he published a catalog focused entirely on the subject of post-archaic East Asian bronzes, a first in the field, authored by Ulrich Hausmann in 1989. Major collections were curated and sold by Mr. Goedhuis to numerous institutions including The Rothschild Collection to the Shahbanu of Iran, and the Vever Collection to the Smithsonian Institution. He subsequently expanded his activities to India, Japan, and China, concentrating on important antiquities. Today, Mr. Goedhuis continues to exhibit around the world, including in New York and Maastricht.Condition: Very good condition, commensurate with age. Expected old wear, minor casting flaws, scratches, dents, soil encrustations, signs of weathering and corrosion. The bronze with a superb, naturally grown, rich patina with extensive malachite and cuprite encrustation.Weight: 8,945 gDimensions: Height 44 cm Literature comparison:Compare a closely related hu, of similar shape and also with bands encircling the body, excavated in 1968 from the tomb of Prince Liu Sheng who was the king of Zhongshan from 154 BC and died in 113 BC in Mancheng, Hebei province, illustrated in Zhongguo Wenwu Jinghua Daguan, Qingtongjuan, Hong Kong, 1994, no. 1100, p. 306. Compare a related hu vessel, dated to the Han dynasty, illustrated by Jessica Rawson in The Bella and P.P. Chiu Collection of Ancient Chinese Bronzes, 1998, pl. 38.Auction comparison: Type: Closely relatedAuction: Christie’s New York, 18 March 2009, lot 217Price: USD 13,750 or approx. EUR 18,000 converted and adjusted for inflation at the time of writingDescription: A large bronze ritual wine vessel, hu, Western Han dynastyExpert remark: Compare closely related form, manner of casting, and decoration with similar bands and mask handles. Note the size (47 cm).

Lot 18

AN IMPERIAL PAIR OF QUADRILOBED CLOISONNÉ ENAMEL ‘LOTUS’ VASES, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIODPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. Each baluster body is distinctively four-lobed and rises from a splayed foot to a waisted neck surmounted by a trumpet mouth with an everted lip in gilt-copper. Decorated around the exterior with bands of lotus blooms borne on meandering leafy scrolls between bats, ruyi and stylized lappet bands, all reserved on a deep turquoise ground. The recessed gilt copper base neatly incised with a five-character mark Qianlong nianzhi ze and of the period. (2)Provenance: From the collection of J. J. Lally, New York, USA. To each box, a collector’s label, ‘Lally & Co. New York’ with handwritten inventory number ‘4289.’ James J. Lally was a renowned antique dealer and connoisseur, recognized as one of the greatest scholar-dealers of Chinese art, who has been a leader in the field for more than 40 years. After graduating from Harvard College and Columbia University, Lally joined Sotheby’s where he held many positions within the Chinese art department. In 1970 he served as the director of Chinese works of art at Sotheby’s in New York and Hong Kong, and by 1983 was named president of Sotheby’s in North America. In 1986, he founded his namesake gallery, J. J. Lally & Co., at 41 East 57th Street in New York - just a few blocks away from the MoMA, to provide advisory services for keen collectors. Lally fondly recalls the moment, not long after he opened his gallery, when a young man walked through the door with a Shang Dynasty gong-a bronze vessel shaped like a gravy boat-decorated with a dragon and tiger and in beautiful condition. It was, Lally described, “one of the most important objects I ever had in my hands.” The young man said he had inherited it from his father and was not really interested in Chinese art himself. He wanted to buy a sailboat and wondered if the gong was valuable enough to pay for that. “I was very happy to tell him that it was valuable enough to buy two sailboats,” Lally noted. The gallery helped to establish New York as a major center of commerce for Chinese art and allowed Lally to concentrate on his own specific interests, particularly early ceramics, ritual bronze vessels, archaic jade carvings and sculpture. Lally brought a learned approach to his work, publishing detailed, scholarly catalog that have remained important reference guides within the field. This meticulous approach continued when he produced his own exhibitions and catalog. Giuseppe Eskenazi, dubbed the “Godfather of Chinese Antiques,” and one of the world’s most esteemed Chinese art dealers, also spoke highly of Lally for his achievements in the industry, alongside William Chak from Hong Kong, and the Marchant family from London. In the spring of 2023, Christie’s and Bonhams conducted single owner sales of Lally’s collection which broke several auction records.Condition: Excellent condition with expected manufacturing irregularities and wear to gilt, minute hairlines, dents and nicks to enamels. Minor losses to enamels with associated old fills. Overall displaying exceptionally well.Weight: 1494.1 g and 1499.2 gDimensions: Height 36.3 cm (each) Each with a padded silk box and cover. (4)Auction result comparison: Type: Related Auction: Christie’s London, 11 May 2010, lot 110 Price: GBP 37,250 or approx. EUR 73,500 converted and adjusted for inflation at the time of writing Description: A large and rare cloisonné enamel vase, gu, Qianlong incised four-character mark within a double square and of the period Expert remark: Compare the related cloisonné decoration, lotus motif, and incised reign mark. Note the size (57 cm), different form, absence of an additional character to the reign mark, and that the lot comprises only a single vase.Auction result comparison: Type: Related Auction: Christie’s Hong Kong, 28 May 2014, lot 3005 Price: HKD 400,000 or approx. EUR 56,500 converted and adjusted for inflation at the time of writing Description: A fine Imperial small cloisonné enamel ‘lotus’ dish, Qianlong incised six-character mark within double rectangles and of the period Expert remark: Compare the related cloisonné decoration, lotus motif, and incised reign mark (albeit six characters). Note the size 13 cm), different form, absence of an additional character to the reign mark, and that the lot comprises a single bowl.Due to length restriction on Drouot this entry is shortened. For full description please visit www.zacke.at.由于Drouot平台拍品叙述的长度限制,我们移除了中文叙述,完整中文叙述请至www.zacke.at查看

Lot 331

A GILT-BRONZE MINIATURE FIGURE OF AMITAYUS, QIANLONG PERIOD 乾隆時期微型銅鎏金阿彌陀佛Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. Seated in dhyanasana on a double-lotus base, the left hand in apana mudra before the chest, the right hand resting on the knee, dressed in long draped robes and billowing scarves, richly adorned with fine jewelry, the hair pulled into a chignon behind the foliate crown.Provenance: From a noted Hungarian private collection. Condition: Very good condition with minor wear, few nicks, light surface scratches, and casting flaws. The base sealed.Weight: 25.3 g Dimensions: Height 3.8 cmAuction result comparison:Type: RelatedAuction: Christie’s London, 11 May 2016, lot 378Price: GBP 15,000 or approx. EUR 22,500 converted and adjusted for inflation at the time of writingDescription: A group of six miniature gilt-bronze deities, 18th-19th centuryExpert remark: Compare the fine casting and incision work. Note that the lot comprises six figures, the largest of which is 4.3 cm high.乾隆時期微型銅鎏金阿彌陀佛中國,1736-1795年。阿彌陀佛結跏趺坐坐於雙蓮座上,左手在胸前結般那手印,右手放在膝蓋上,著長袍,佩戴著精美的瓔珞,頭髮在身後挽成一個髮髻,佩戴五葉冠。 來源:知名匈牙利私人收藏。 品相:狀況極好,有輕微磨損、少許刻痕、表面輕微劃痕和鑄造缺陷。底座密封。 重量:25.3 克 尺寸:高3.8 厘米 拍賣結果比較: 形制:相近 拍賣:倫敦佳士得,2016年5月11日,lot 378 價格:GBP 15,000(相當於今日EUR 22,500) 描述:十八-十九世紀一組六件鎏金銅小佛像 專家評論:比較鑄造和雕刻。請注意此組為六件佛像,最大的銅像為4.3 厘米高。

Lot 308

A RARE BRONZE MINIATURE GARLIC-HEAD VASE, SUANTOUHU, HAN DYNASTY 漢代蒜頭瓶Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 202 BC-220 AD. Finely cast, the compressed globular body supported on a short spreading foot and rising to a long slender neck with three central bowstrings, widening to a lobed garlic-head mouth with a gently tapered rim. The exterior overall with a rich, naturally grown patina with extensive malachite encrustations.Provenance: Dutch trade.Condition: Very good condition, commensurate with age. Extensive wear, signs of weathering and erosion, encrustations, losses, nicks, scratches.Weight: 350 gDimensions: Height 12.6 cm Bottles of this shape, used for cereal wine, became popular during the Warring States period and remained in fashion throughout the Han Dynasty, when the so-called 'garlic head' neck became less popular. Whilst they were prototypes for pottery vessels, the latter were not practical for everyday use due to the porosity of low-fired pottery.Literature comparison: An example of a garlic-head bronze vase in the standard size is in the collection of the National Palace Museum, Taipei, see image number K1A002216N000000000PAB.Auction result comparison: Type: Related Auction: Christie’s New York, 19 September 2006, lot 171 Price: USD 4,560 or approx. EUR 6,400 converted and adjusted for inflation at the time of writing Description: A miniature gilt-decorated bronze hu and cover, Eastern Han dynasty Expert remark: Compare the related miniature form and manner of casting. Note the size (10.1 cm), the hu form, the gilt, and that the lot also comprises a mirror.Auction result comparison: Type: Related Auction: Christie’s New York, 24 September 2021, lot 1036 Price: USD 10,000 or approx. EUR 10,500 converted and adjusted for inflation at the time of writing Description: Five miniature bronze vessels, Han-Qing dynasty Expert remark: Compare the related miniature forms, manner of castings, and patina. Note the sizes (the largest 5 cm) and the price is for five vessels. 漢代蒜頭瓶中國,公元前202年至公元220年。直頸圓腹,圈足,瓶口成蒜頭瓣狀,頸部三道凸紋。通體藍綠色鏽斑,包漿色澤豐富。 來源:荷蘭古玩交易。 品相:狀態極好,大面積磨損、風化和侵蝕跡象、結殼、刻痕、劃痕。 重量:350 克 尺寸:高 12.6 厘米 文獻比較: 一件標準尺寸的蒜頭瓶,收藏於台北故宮博物館,圖錄編號K1A002216N000000000PAB。 拍賣結果比較:形制:相近 拍賣:紐約佳士得,2006年9月19日,lot 171 價格:USD 4,560(相當於今日EUR 6,400) 描述:東漢鎏金銅蓋壺 專家評論:比較相近的嬌小外形和鑄造風格。請注意尺寸 (10.1 厘米),壺的外形、鎏金,以及此和一件銅鏡為一組。 拍賣結果比較:形制:相近 拍賣:紐約佳士得,2021年9月24日,lot 1036 價格:USD 10,000(相當於今日EUR 10,500) 描述:漢/清袖珍銅器五件 專家評論:比較相近的嬌小外形,鑄造風格和包漿。請注意尺寸 (最大的5 厘米) ,以及此有五件壺。

Lot 142

A RARE CLOISONNÉ ENAMEL ‘DOUBLE BAT’ SNUFF BOTTLE, 18TH CENTURY 十八世紀罕見掐絲琺琅開光雙蝠鼻烟壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1715-1760. Probably imperial, attributed to the palace workshops in Beijing. Of bianhu form and with a ‘lotus’ mark underneath. Finely enameled within gilt and raised wire inlays with a deep-blue medallion on each side showing a bat above a swastika and amongst ruyi, with lappet panels around the foot and further ruyi and lotus at the shoulders.Provenance: From the collection of Dr. Erika Pohl-Ströher (1919-2016), thence by descent in the same family. Dr. Erika Pohl-Ströher was a German-born Swiss resident and heiress to the hair care and cosmetics company Wella AG. She was a passionate collector and had amassed in her lifetime various important art collections, as well as one of the world’s most valuable collections of gems and minerals.Condition: Superb condition with only minor manufacturing flaws.Stopper: Gilt bronze stopper, fitting and spoonWeight: 33.3 g Dimensions: Height including stopper 59 mm. Diameter neck 12 mm and mouth 5 mmThis bottle represents cloisonne enamel at its finest, with a simple, formalized design beautifully disposed on an elegant form, the simple coloring giving strength to the abstraction and the substantial wires well gilded against a perfectly even surface.Auction comparison: Compare to a related cloisonne enamel bottle at Christie’s Hong Kong, Important Chinese Snuff Bottles from the J&J Collection, 25 April 2004, lot 812, sold for HKD 239,000.十八世紀罕見掐絲琺琅開光雙蝠鼻烟壺 中國,1715-1760年。可能爲御制,北京清宮御用工坊所制。 扁壺形,底足可見蓮花紋。掐絲,琺琅釉,兩面開光,藍地上蝙蝠紋。兩肩上勾蓮紋,足部芭蕉葉紋。 來源:Erika Pohl-Ströher(1919-2016)博士收藏,保存於同一家族至今。 Erika Pohl-Ströher 博士是德國出生的瑞士人,護髮和化妝品公司Wella AG的女繼承人。 她是一位忠誠的收藏家,一生中積累了許多重要的藝術收藏以及世界上最有價值的寶石和礦石收藏之一。 圖片:Dr. Erika Pohl-Ströher 品相:狀況極佳,僅有少量製造缺陷。 壺蓋:鎏金蓋與蓋托,小壺匙 重量:33.3 克 尺寸:總高59 毫米,頸部直徑12 毫米,嘴部直徑5 毫米 拍賣結果比較:一件相近景泰藍鼻烟壺見香港佳士得 Important Chinese Snuff Bottles from the J&J Collection拍場,2004年4月25日 lot 812, HKD 239,000.

Lot 322

AN UNUSUAL BRONZE TRIPOD CENSER, EARLY QING DYNASTY 清朝初年三足銅爐 Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, late 17th to 18th century. The bulbous body supported on three short legs with pronounced spherical feet and rising to an everted rim, the rounded sides set with a pair of openwork handles in the form of radishes with leafy tops, all in high relief and finely cast and incised.Provenance: From an English private collection and thence by descent.Condition: Very good condition with minor wear and casting irregularities, microscopic nicks, shallow surface scratches. The bronze with a fine, naturally grown, dark patina. The inside with extensive traces of use.Weight: 862.1 gDimensions: Diameter 10.6 cm, Height 10 cm 清朝初年三足銅爐中國,十七世紀末至十八世紀。香爐口沿平出,束頸,鼓腹微下沉,下出三足,微外翻。兩側分別有一耳,鏤空呈蘿蔔狀,帶葉子。 來源:英國私人收藏,傳承至今。 品相:狀況極好,有輕微磨損和鑄造不規則、微小刻痕、表面淺劃痕。青銅具有細膩的深色包漿。內部有使用痕跡。 重量:862.1 克 尺寸:直徑 10.6 厘米,高 10 厘米

Lot 311

A TANG DYNASTY BRONZE ‘LION AND GRAPEVINE’ MIRRORPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, Tang Dynasty (618-907). Of circular form, the back cast in high relief, the center with a crouching beast-form loop surrounded by four lions amid grape bunches and vines, the outer field with birds and fruiting grapevines below a narrow border of florets.Condition: Commensurate with age, extensive wear, some weathering, nicks and small losses, and corrosion. Fine, naturally grown patina with extensive malachite encrustation. Provenance: Collection of Dr. Walter Rieder (1890-1986), thence by descent. Old inventory labels ‘RIE.1976.351’ and ‘86’ to the mirror. Dr. Walter Rieder served in the Swiss East Asia Mission (SOAM) in Qingdao, Shandong Province, between October 1930 and December 1951. The mission specialized in educational, literary, and philanthropic work and Dr. Rieder was in fact, not a theologian or missionary, but a teacher of mathematics, physics, and science to high school students attached to the SOAM. His guiding principles were 'Creating understanding between different cultures' and 'Building bridges between East and West'. While in Qingdao, Dr. Rieder collected a wide variety of Chinese art. The objects in the collection thus offer a unique window into the type of antiques that were on the market in Qingdao in the second quarter of the 20th century. As well as demonstrating his passion for Chinese art, his collection also reveals the personal friendships Dr. Rieder forged with local artists, some of whom he knew from his teaching activities. Dr. Rieder had a scholarly approach to studying his collection. Alongside many of his objects, meticulous notes can sometimes be found detailing his art historical commentaries. The collection was hence Dr. Rieder's gateway to the history and culture of China. Objects from the collection were exhibited at the Kunsthaus in Interlaken, Switzerland in 2006 and 2018.Weight: 194 gDimensions: Diameter 9.2 cmAuction result comparison:Compare a related bronze ‘lion and grapevine’ mirror, Tang dynasty (618-907), sold at Christie’s New York in Fine Chinese Ceramics and Works of Art on 22 March 2013, lot 1154, for USD 15,000.

Lot 310

A SILVERY BRONZE ‘MYTHICAL BEAST’ MIRRORPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, Han Dynasty (206 BC to 220 AD). The circular mirror with a central domed knob surrounded by four bosses interspersed with two kneeling figures and mythical creatures, framed by raised geometric borders.Condition: Fine condition, commensurate with age, extensive wear, weathering, corrosion, nicks, losses. Superb, naturally grown patina with extensive malachite and cuprite encrustations. Provenance: Collection of Dr. Walter Rieder (1890-1986), thence by descent. Old inventory labels ‘RIE.1976.259’ and ‘2’ to the mirror. Dr. Walter Rieder served in the Swiss East Asia Mission (SOAM) in Qingdao, Shandong Province, between October 1930 and December 1951. The mission specialized in educational, literary, and philanthropic work and Dr. Rieder was in fact, not a theologian or missionary, but a teacher of mathematics, physics, and science to high school students attached to the SOAM. His guiding principles were 'Creating understanding between different cultures' and 'Building bridges between East and West'. While in Qingdao, Dr. Rieder collected a wide variety of Chinese art. The objects in the collection thus offer a unique window into the type of antiques that were on the market in Qingdao in the second quarter of the 20th century. As well as demonstrating his passion for Chinese art, his collection also reveals the personal friendships Dr. Rieder forged with local artists, some of whom he knew from his teaching activities. Dr. Rieder had a scholarly approach to studying his collection. Alongside many of his objects, meticulous notes can sometimes be found detailing his art historical commentaries. The collection was hence Dr. Rieder's gateway to the history and culture of China. Objects from the collection were exhibited at the Kunsthaus in Interlaken, Switzerland in 2006 and 2018.Weight: 321 gDimensions: Diameter 13.1 cmWith a padded box. (2)Auction result comparison:Compare a related bronze ‘Tigers and dragons’ mirror, Han dynasty (206 BC- 220 AD), sold at Christie’s Hong Kong in Important Chinese Ceramics and Works of Art on 30 November 2011, lot 3350, for HKD 87,500.

Lot 307

A GILT-BRONZE PAIR OF ‘DUCK’ MAT WEIGHTS, HAN DYNASTY 漢代一對鎏金銅鴛鴦席鎮Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 206 BC-220 AD. The pair of avian creatures cast in a recumbent position seated atop a pedestal with both webbed feet tucked, the heads raised high looking straight ahead, the almond shaped eyes incised to the sides and centered by a long straight beak, the pair of wings with defined feathers clasped tightly to the body, all ending in an upward flaring stumped tail. (2)Provenance: P.C. Lu Works of Art Ltd, Hong Kong. The private collection of an American north-east collector, acquired from the above. To the base, a collector’s label, ‘0M50 AWE2PR.’ From a private collection in the northeastern United States, acquired from the above. Started as a small business in January 1976 in Hong Kong, selling Chinese antiques, P.C. Lu was able to scale operations, eventually sending his son Fred to the MIT to pursue his PhD. Today, many objects from his fine collection are housed in the British Museum.Condition: Good condition, commensurate with age. Wear, minor dents, light scratches, signs of weathering and erosion, casting flaws, losses to the gilt. Fine, solid patina with distinct malachite and cuprite encrustations.Weight: 133 g and 130.5 gDimensions: Length 5.1 cm (each) Mat weights crafted from precious materials such as bronze and jade, often gilded or inlaid with gold, silver or gemstones, were produced in sets of four and served a practical function of anchoring down woven mats for seating. Mats and corner-weights were believed to have been used at banquets, even those laid out in tombs. Inlaid animal-form weights were discovered in the tomb of Dou Wan, consort of Liu Sheng, Prince Jing of Zhongshan (d. 113 BC), alongside food and wine vessels.Literature comparison:Compare a pair of related pottery ducks, dated to the 2nd century BC, intended for use as burial goods, in the Metropolitan Museum of Art, accession number 2015.500.7.8a, b. Note the similar style and form.Auction comparison:Type: RelatedAuction: Christie’s Hong Kong, 23 November - 7 December 2021, lot 3305Price: HKD 60,000 or approx. EUR 7,300 converted and adjusted for inflation at the time of writingDescription: A gilt-bronze ‘lion’ weight, Han dynasty (206 BC – 220 AD)Expert remark: Compare the gilt, the alloy with its distinct areas of cuprite, the casting and incision work. Note the larger size (8.2 cm). 漢代一對鎏金銅鴛鴦席鎮中國,公元前206 年至公元220年。一對鴛鴦呈坐姿,坐在底座上,雙腳內收,頭高高地昂起,直視前方;一對翅膀輪廓分明,羽毛清晰,尾巴向上翹起。(2) 來源:香港P.C. Lu Works of Art Ltd藝術公司;美國東北部私人收藏購於上述公司。P.C. Lu 藝術公司於1976 年 1 月在香港成立,最初是一家銷售中國古董的小企業,後來擴大運營規模,最終將他的兒子Fred送到麻省理工學院攻讀博士學位。 如今,他的許多精美收藏品都收藏在大英博物館中。 品相:品相良好,有磨損、輕微凹痕、輕微劃痕、風化和侵蝕跡象、鑄造缺陷、鍍金損失,細膩堅實的包漿,帶有明顯的紅綠結殼。 重量:分別為133克與130.5 克 尺寸:各長5.1 厘米 文獻比較: 比較一對的二世紀陶鴨,用作陪葬品,收藏於大都會藝術博物館,館藏編號2015.500.7.8a,b。請注意相似的外形。 拍賣結果比較: 形制:相近 拍賣:香港佳士得, 2021年11月23日 - 12月7日,lot 3305 價格:HKD 60,000(相當於今日EUR 7,300) 描述:漢鎏金銅太獅少獅紙鎮 專家評論:比較鎏金,具有明顯赤銅礦區的合金,鑄造和雕刻。請注意尺寸較大 (8.2 厘米)。

Lot 328

A BRONZE FIGURE OF SONGZI GUANYIN AND CHILD, MING DYNASTY 明代送子觀音銅像 Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1368-1644. Heavily cast, the seated deity holding an infant child in the palm of one hand and cradling its head with the other. She is dressed in voluminous robes with incised foliate hems. Her serene face with heavy-lidded eyes below arched brows and full lips forming a benevolent smile. Her neatly incised hair is arranged in a high chignon and falls elegantly in strands along her shoulders, behind an elaborate headdress formed of three phoenixes.Provenance: French trade. Acquired from an old private estate in the Normandy, by repute.Condition: Good condition with expected old wear, casting flaws, minor nicks, light scratches, small dents, losses. The wood base in good condition with expected age cracks, light scratches, small nicks.Weight: 2,287 g (excl. stand) and 3,065 g (incl. stand)Dimensions: Height 29 cm (excl. stand) and 35.5 cm (incl. stand) With an old, finely carved, fitted wood stand of European origin and dating from the last quarter of the 19th century. (2)The Songzi representation of Guanyin, or the 'Bringer of Sons,' is identifiable by the boy held in her hands. Male children were extremely important to Confucian family structure. They ensured not only the continuity of family and clan, but that there would be uninterrupted generations to carry on the rituals of ancestral worship. The Child-Giving Guanyin was prayed to by worshipers for healthy children and intelligent male heirs. Extant depictions of Songzi Guanyin from the later Ming dynasty are known in various materials, including bronze, wood, stone, and ivory.Expert’s note: The present figure of Songzi Guanyin bears some resemblance to other female deities, chiefly Xiwangmu (the Queen Mother of the West) and Bixia Yuanjun (the Primordial Sovereign of the Colored Clouds of Dawn), especially in the phoenix headdress. Being the most popular female deity in China over many centuries, Guanyin, and especially her maternal manifestation Songzi Guanyin, was syncretized into Taoism and Chinese folk religion. Compare a related larger bronze figure of Bixia Yuanjun, dated 1375-1450, 98 cm high, in the Art Institute of Chicago, reference number 1967.333, illustrated in Stephen Little, Taoism and the Arts of China, Chicago, 2000, p. 278, no. 95.Auction result comparison: Type: Closely relatedAuction: Sotheby’s Hong Kong, 25 November 2022, lot 555Estimate: HKD 60,000 or approx. EUR 7,100 converted and adjusted for inflation at the time of writingDescription: A bronze figure of Guanyin and child, Ming dynasty, 16th centuryExpert remark: Compare the closely related subject and manner of casting. Note the much smaller size (16.9 cm). 明代送子觀音銅像中國,1368-1644 年。菩薩身穿通肩式大衣,披戴瓔珞與手環,著連身長裙,雙手捧抱嬰孩,結跏趺坐於蓮台。菩薩臉型方圓,頭額寬大,五官較為集中,雙眼垂視眾生,鼻子娟秀,唇角上揚,神情愉悅自在。此尊觀音頭戴花冠,兩縷髮辮順著肩頭飄墜,耳朵長垂,穿配蓮花紋耳飾, 來源:法國古玩交易,據説購於諾曼底私人莊園。 品相:狀況良好,有磨損、鑄造缺陷、輕微劃痕、小凹痕、缺損。木質底座狀況良好,有老化裂紋、輕微劃痕、刻痕。 重量:2,287 克 (不含底座),3,065 克 (含底座) 尺寸:高 29 厘米(不含底座) ,35.5 厘米(含底座) 配有一個精雕細刻的歐洲木架,其歷史可以追溯到1875年後。(2) 拍賣結果比較: 形制:非常相近 拍賣:香港蘇富比,2022年11月25日,lot 555 估價:HKD 60,000(相當於今日EUR 7,100) 描述:明十六世紀銅送子觀音坐像 專家評論:比較非常相近的主題和鑄造風格。請注意尺寸較小(16.9厘米)。

Lot 128

A DENDRITIC ‘MOSS’ AGATE SNUFF BOTTLE, MID-QING DYNASTY 清代中期苔蘚瑪瑙鼻烟壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1750-1830. Well hollowed, the rounded rectangular body supported on a short spreading foot and rising to a tall cylindrical neck, the translucent honey-toned stone attractively accented with opaque spinach-colored leafy moss tendrils.Provenance: US trade. The base with an old collector’s paper label, ‘24’. The spoon with a three-character inscription in Chinese.Condition: Very good condition with only minor old wear. The stone with few natural inclusions and fissures which may have developed into microscopic hairline cracks.Stopper: Coral cabochon set within an incised bronze fitting and an old spoon Weight: 59.3 g Dimensions: Height including stopper 63 mm. Diameter neck 20 mm and mouth 7 mm. Moss agate is typically formed in volcanic rock cavities or other types of fissures, where mineral-rich solutions seep in and create intricate patterns and shapes within the stone. The inclusions in moss agate are often made up of minerals such as iron or manganese that create the green or brown coloration resembling moss or plant matter.Literature comparison: Compare a related moss agate snuff bottle in the Metropolitan Museum of Art, accession number 14.40.489a, b.Auction result comparison: Type: Closely related Auction: Sotheby’s Hong Kong, 25 May 2014, lot 1065 Price: HKD 93,750 or approx. EUR 13,500 converted and adjusted for inflation at the time of writing Description: A moss agate snuff botte, Qing dynasty, 18th / 19th century Expert remark: Compare the closely related form and material, albeit of a slightly different color.Auction result comparison: Type: Closely related Auction: Sotheby’s New York, 23 March 2011, lot 765 Estimate: USD 5,000 or approx. EUR 6,300 converted and adjusted for inflation at the time of writing Description: A fine large moss agate snuff bottle, Qing dynasty, 1750-1820 Expert remark: Compare the closely related honey-toned stone with similar moss-green inclusions. Note the slightly different form. 清代中期苔蘚瑪瑙鼻烟壺中國,1750-1830 年。 掏膛良好,圓柱形頸部,矩形壺,淺橢圓形圈足。半透明的蜂蜜色調的石料點綴著不透明的菠菜色的苔蘚紋。 來源:美國古玩交易,底座上有收藏紙標籤“24”。勺子上刻有三個漢字。 品相:狀況極好,只有輕微磨損。輕微天然内沁和裂縫,這些裂縫可能發展成微小的裂縫。 壺蓋:圓形珊瑚,銅托片,小勺 重量:59.3 克 尺寸:含蓋高63 毫米,頸部直徑20 毫米,壺口直徑7 毫米。文獻比較: 比較一件相近的海藻瑪瑙鼻煙壺,收藏於大都會藝術博物館,館藏編號14.40.489a, b。 拍賣結果比較: 形制:非常相近 拍賣:香港蘇富比,2014年5月25日,lot 1065 價格:HKD 93,750(相當於今日EUR 13,500) 描述:清十八 / 十九世紀海藻瑪瑙鼻煙壺 專家評論:比較非常相近的外形和材料,雖然不同的顏料。 拍賣結果比較: 形制:非常相近 拍賣:紐約蘇富比,2011年3月23日,lot 765 估價:USD 5,000(相當於今日EUR 6,300) 描述:1750-1820年海藻瑪瑙鼻煙壺 專家評論:比較非常相近的蜜色調,具有類似的苔綠色內沁。請注意不同的外形。

Lot 13

A GILT-BRONZE CLOISONNÉ ENAMEL DISH, CHINA, 18TH CENTURY 十八世紀鎏金掐絲琺瑯菱花口盤Please note this Lot is to be sold at No Reserve. 本拍品不設底價The shallow lobed sides rising from a recessed foot to an everted and barbed rim. The interior and base are finely gilt. The rim is neatly decorated in crisp enamels with lotus blossoms borne on scrolling vines, the exterior sides with stylized lotus sprays, all against a bright turquoise ground. Note the overall elegant yet strictly functional design, typical for the period.Provenance: From a private collection in Paris, France. Condition: Very good condition with old wear, mostly to gilt inside the well as a result of long-time usage, and expected manufacturing irregularities, including pitting to the enamel. The rim with small losses to enamels, minute dents, and light wear to gilt.Weight: 686 gDimensions: Diameter 19.8 cm Auction result comparison: Type: Closely related Auction: Christie’s New York, 24 March 2023, lot 1233 Price: USD 9,450 or approx. EUR 8,800 converted at the time of writing Description: A cloisonné enamel dish, 18th century Expert remark: Compare the closely related gilt interior and base. Note the similar size (18.3 cm).Auction result comparison: Type: Related Auction: Christie’s New York, 23 March 2018, lot 1031 Price: USD 10,625 or approx. EUR 12,000 converted and adjusted for inflation at the time of writing Description: A cloisonné enamel bracket-lobed dish, 18th century Expert remark: Compare the closely related form and size (20 cm). Note the shou-character medallion. 十八世紀鎏金掐絲琺瑯菱花口盤菱花口盤,折沿,弧腹,花口足。盤內和足底內鎏金。折沿處掐絲琺瑯松石綠地繪製卷草紋,外壁開光纏枝蓮紋。請注意整體優雅而嚴密的設計,是該時期的典型特徵。 來源:法國巴黎私人收藏。 品相:狀況極好,有磨損,由於長期使用而在盤內鎏金,有製造不規則,包括琺瑯上的點蝕。邊緣有輕微的琺瑯缺損、微小的凹痕和輕微鎏金磨損。 重量:686 克 尺寸:19.8 釐米 拍賣結果比較: 形制:非常相近 拍賣:紐約佳士得,2023年3月24日,lot 1233 價格:USD 9,450(相當於今日EUR 8,800) 描述:清十八世紀掐絲琺瑯開光蓮紋盤 專家評論:比較非常相近鍍金內部和底座。請注意相似的尺寸(18.3 釐米)。 拍賣結果比較: 形制:相近 拍賣:紐約佳士得,2018年3月23日,lot 1031 價格:USD 10,625(相當於今日EUR 12,000) 描述:清十八世紀掐絲琺瑯八吉祥紋菱口盤 專家評論:比較非常相近的外形和尺寸(20 釐米)。請注意盤中以壽字裝飾。

Lot 332

A VERY FINE GILT-BRONZE MINIATURE FIGURE OF BHAISAJYAGURU, QIANLONG PERIOD 乾隆時期微型銅鎏金藥師佛Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: Most miniature figures show less expressive features and a lower quality of incision work. The present statue has, despite its small size, a finely worked face and many details to the robe, all of which are characteristic of the very best Qianlong bronzes.China, 1736-1795. The Medicine Buddha seated in dhyanasana on a double-lotus base with hands held in dhyana mudra holding an alms bowl and wearing long robes, finely incised with a geometrical border at the hems. His face is cast with a serene expression, flanked by elongated earlobes, the hair is cast in tight curls and surmounted by a high ushnisha. Provenance: From a noted Hungarian private collection. Condition: Very good condition with minor wear, few nicks, light surface scratches, and casting flaws. The base sealed.Weight: 35 g Dimensions: Height 3.8 cmAuction result comparison:Type: RelatedAuction: Christie’s London, 11 May 2016, lot 378Price: GBP 15,000 or approx. EUR 22,500 converted and adjusted for inflation at the time of writingDescription: A group of six miniature gilt-bronze deities, 18th-19th centuryExpert remark: Compare the fine casting and incision work. Note that the lot comprises six figures, the largest of which is 4.3 cm high.乾隆時期微型銅鎏金藥師佛中國,1736-1795年。藥師佛像頭飾螺髮、肉髻高隆,五官生動而靜穆,雙耳垂肩,眉如初月,雙目低垂,嘴角上揚,略含笑意,神態怡然。雙手置於膝頭,托缽於腹前。身披袈裟,右肩袒露,袈裟上有花紋,皺褶清晰。雙腳互盤,呈吉祥坐姿。腳下坐具為束腰型雙層蓮花座。 專家注釋:大多數微型造像細節沒有如此精美,本尊雖小,但面部精細,衣袍多褶皺,無一不顯示乾隆青銅造像的精湛工藝。 來源:知名匈牙利私人收藏。 品相:狀況極好,有輕微磨損、少許刻痕、表面划痕和鑄造缺陷。 底座密封。 重量:35 克 尺寸:高3.8 厘米 拍賣結果比較: 形制:相近 拍賣:倫敦佳士得,2016年5月11日,lot 378 價格:GBP 15,000(相當於今日EUR 22,500) 描述:十八-十九世紀一組六件小型鎏金銅神像 專家評論:比較鑄造和雕刻。請注意此組為六件銅像,最大的為4.3 厘米高。

Lot 324

AN ARCHAISTIC BRONZE GUI-FORM CENSER, 17TH-18TH CENTURY 十七至十八世紀簋形爐 Please note this Lot is to be sold at No Reserve. 本拍品不設底價China. Boldly cast, each side with a pair of confronted kui dragons with coiled bodies reserved on a leiwen ground and separated by shaped flanges detailed with ruyi and foliate designs, flanked by dragon-headed handles detailed with grotesque bulging eyes and issuing pendent tabs. The foot similarly decorated with chilong and taotie masks on a leiwen ground, the recessed base with a raised lozenge design.Inscriptions: The interior cast with a two-character mark ‘ri yu’ (sun and fish).Provenance: From an English private collection and thence by descent.Condition: Very good condition with some old wear and casting flaws, minor nicks, scratches, and very few losses. The bronze with a smooth, dark patina with malachite encrustations.Weight: 916.9 gDimensions: Width 15.3 cm (across handles) Auction result comparison:Type: RelatedAuction: Christie’s New York, 27 March 2018, lot 2Price: USD 4,750 or approx. EUR 5,200 converted and adjusted for inflation at the time of writingDescription: An archaistic bronze vessel, gui, Qing dynastyExpert remark: Compare the closely related decoration with similar confronting kui dragons and shaped flanges as well as the related form, manner of casting with a similar lozenge design to the base, and inscription to the interior. Note the larger size (29 cm).Auction result comparison:Type: RelatedAuction: Christie’s New York, 25 September 2020, lot 1605Price: USD 8,125 or approx. EUR 8,600 converted and adjusted for inflation at the time of writingDescription: An archaistic bronze gui-form censer, 18th-19th centuryExpert remark: Compare the related form and manner of casting. Note also the related size (17.1 cm). 十七至十八世紀簋形爐中國。雷紋地上夔龍紋,飾有如意和葉狀紋,兩側有龍首耳,龍首面目清晰。足部同樣飾以雷紋地螭龍、獸面紋。 款識: 底座内有“日魚” 來源:英國私人收藏,保存至今。 品相:狀況極好,有一些磨損和鑄造缺陷、輕微刻痕、劃痕和輕微缺損。青銅色光滑、暗色,孔雀色結殼。 重量:916.9 克 尺寸:寬 15.3 厘米(雙耳之間) 拍賣結果比較: 形制:相近 拍賣:紐約佳士得,2018年3月27日,lot 2 價格:USD 4,750(相當於今日EUR 5,200) 描述:清仿古青銅雙耳簋 專家評論:比較非常相近裝飾的夔龍和出戟、相近的外形,鑄造風格,與底座類似的菱形設計,以及內有銘文。請注意尺寸較大(29厘米)。 拍賣結果比較: 形制:相近 拍賣:紐約佳士得,2020年9月25日,lot 1605 價格:USD 8,125(相當於今日EUR 8,600) 描述:十八/十九世紀銅仿古饕餮紋簋式爐 專家評論:比較相近的外形和鑄造風格。請注意相近的尺寸(17.1厘米)。

Lot 323

AN ARCHAISTIC GOLD AND SILVER-INLAID BRONZE TRIPOD CENSER, DOU 錯金銀三足豆形銅爐Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 17th-18th century. The globular body supported on three cabriole legs, flanked by three sets of rings divided by three circular protrusions, the top of the domed cover pierced in the form of a stylized shou symbol, finely inlaid in gilt and silver wire with geometric and floral designs.Provenance: French trade, acquired from a French private collection built between ca. 1980 and 2012. Condition: Very good condition with some old wear, few nicks, light scratches, malachite encrustations, and casting flaws. Fine, dark brown patina.Weight: 1,118 g Dimensions: Height 13.5 cmAuction result comparison:Type: RelatedAuction: Sotheby’s Hong Kong, 4 April 2012, lot 173Price: HKD 162,500 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A miniature inlaid bronze covered ding, Ming dynasty, 16th / 17th centuryExpert remark: Compare the related form and inlays. Note the much smaller size (7 cm).錯金銀三足豆形銅爐中國,十七至十八世紀。球形,三獸足,兩側是三組環,上下兩部分各有三個圓環,圓蓋頂部壽字紋鏤空,錯金銀成幾何和花卉圖案。 來源:法國古玩交易,購於一個建立於1980年至2012年的法國私人收藏。 品相:狀況極好,有一些磨損、小刻痕、少許劃痕、綠色銅鏽和鑄造缺陷,細膩的深棕色銅鏽。 重量:1,118 克 尺寸:高 13.5 厘米 拍賣結果比較: 形制:相近 拍賣:香港蘇富比,2012年4月4日,lot 173 價格:HKD 162,500(相當於今日EUR 25,500) 描述:明十六/十七世紀銅貼金銀仿古雙耳三足小蓋鼎 專家評論:比較相近的外形和貼金。請注意尺寸較小(7 厘米)。

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