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A Collection of Ancient and Rare North Indian Punch-marked and other Coins, from various dynastic kingdoms, areas including Mathura and Gandhara amongst others, many in the original catalogue envelopes with notations relating to Cunningham Coins of India, approx 60 coins in total, together with twenty marked AE, twenty one 2AE, seven 3AE, forty three 4AE and one 8AE. A further thirty seven ancient Indian bronze coins, one hundred and ten figural copper coins, twelve further large ancient copper coins, eleven ancient copper coins, twenty four silver metal coins.
An Impressive Ecclesiastical Gothic-Style Louis Recordon (1778-1824) Double Fusee Clock, the silvered face with Roman dial, double fusee movement strikes to a bell. The vaulted rosewood case with pierced grilles fitted with a gilt bronze sphinx, flanked by spires with decorative brass inlay, raised on lion-claw feet, approx 73 x 36 x 18 cms. The clock pendulum is signed Recordon late Emery. Louis Recordon Swiss born clock and watchmaker (1778-1824) is listed as working between 1778-1824 in Soho, having succeeded Josiah Emery in 1805 at his premises in Cockspur Street.
A 19th Century Tibetan Bronze Statue of Bodhisatva Avalokiteshvara. His hair adorned with a miniature Buddha, two hand gestures on the right, Vitarka Mudra (gesture of transmission of Buddhist principles), to the left hand, the Bhumisparsha Mudra (earth touching gesture). The mandoria is ornamented with lotus and mythical dragons, the architectural plinth throne base shows evidence of gilding, approx 88 cms high. Vendor's Provenance: formerly in the collection of a friend Dr. P.B. (studied Oxford Buddhist iconography, Tibetan and Chinese languages a published National Geographic Society author and is a professor of Tibetan Studies in the U.S.A.
Clement Masier 1847 - 1932 Cast Bronze Figure Group - Titled ' The Civilisation of America ' Depicts Three Personifications of a Woman Holding a Laurel Wreath and a Scepter, a Woman Holding a Sheath of Wheat and a Bare Breasted Woman Riding a Buffalo Holding a Curved Staff In The Centre, to The Right Is a Seated Figure of a Native American Indian Holding a Spear with a Quiver of Arrows at His Feet. Signed In Cast to The Back Right Corner ' Masier ' Supported on a Polished Marble Base. Size - 13.5 Inches - 34 cm Wide, 15 Inches - 37.5 cm High & 8.5 Inches - 22 cm Depth.
Fine Quality and Impressive Novelty Pair of Hand Painted Cast Iron - Heavy Figural Monkey Candle Holders, From The 1930's Period. Each Monkey Dressed as a Butler Holding Two Handle Holders, Each Raised on Bronze Plinths. Each Stands 16.25 Inches - 41 cm Tall. Very Well Sculptured In Excellent Condition.
Great War 1914 - 1918 Medal Trio and Death Bronze Plaque. Awarded to 200309 PTE J. Garbutt of The 1st / 4th Battalion, East Lancashire Regiment, Who Was Killed In Action 27/09/1918 - Flanders France. Medals Awarded 1914 - 1915 Star. 1914 - 1918 Silver Service Medal with Egypt East Lancashire Badge / Ribbon and Great War for Civilisation Medal. Comes with Documents / Information From the National Archives.
Collection of British Bronze Coins From George III To Victoria. Comprises 1/ George III Bronze Half Penny, Date 1823. 2 Victoria Bronze Penny. Date 1854. 3/ George IV Bronze Penny, Date 1826. 4/ George IV Bronze Half Penny. Date 1826. 5/ George III Half Penny. Date 1806. 6/ Victoria - Channel Isles ' Jersey ' 12th of One Shilling. Date 1877. 7/ Victoria Half Penny. Date 1892. 8/ George III Half Penny, Date 1773.
Collection of 18th and 19th Century British Copper and Bronze Coins. Comprises 1/ Copper - George III Cartwheel Two Pence. Date 1897. 2/ Copper - George III Cartwheel One Penny, Date 1797. 3/ George III Cartwheel One Penny, Date 1797. 4/ George III Cartwheel Half Penny. Date 1806. 5/ George III Half Penny, Date 1806. 6/ George III Half Penny, Date 1799. 7/ William IV - Bronze Farthing, Date 1831. 8/ George III Half Penny, Date 1807. 9/ George III Half Penny. Date 1806. 10/ Edward VII Farthing. Date 1903.
An Interesting Collection of G.B. and Overseas Coins, many G.B. base metal pre-decimal, countries represented include France, U.S.A; Germany, Malta, Spain. A cased Queen Victoria 1837-1897 bronze medallion, seven banknotes including ten Dutch guilders, El Banco De Espana Cien pesetas (1925), UN franc ticket Bons De Caisse No. 077 7/4/1942.
A Magnetius (AD 350-353) Roman Coin Centenionalis, bare headed (poor) Felicitas Reipublice - holding victory on globe; together with what is believed to be an Ancient forgery Celtic bronze coin 'Selsey Tramlines', accompanied by a Sheffield City Museum Archaelogy and Ethnography enquiry form dated 2/10/1997.
Small Selection of WW2 German Medals and Ribbonsconsisting 1st Class Iron Cross. Rear fitting crudely changed ... Italo-German Campaign medal in Africa 1941 in bronze with maker’s details ... 1939 War Merit Cross with swords ... Medal ribbon bar ... Alloy embroidery Army eagle and swastika. 5 items.
Small Selection of Police Medalsconsisting King Edward VII 1902 Coronation Metropolitan Police medal in bronze named “PC J Kinken D Div” ... George VI Police LS & GC medal named “Const John Purves”. Together with his WW2 Defence medal named “Const John Purves” ... George V Special Constabulary Long Service named “Charles S Ulyett” ... Similar George VI example named “Edward J Quilter”.
"Roman Republic AV 60 Asses. Circa 211-207 BC. Bearded and draped head of Mars right, wearing crested Corinthian helmet; LX (mark of value) below / Eagle standing right on thunderbolt with spread wings; ROMA below. Bahrfeldt 4; Crawford 44/2; BMCRR 185. 3.35g, 15mm, 3h.Near Extremely Fine. From a private Swiss collection.Struck circa 211 BC during the latter stages of the Second Punic War, the types chosen for the three small gold denominations valued at 60, 40, and 20 asses like the present piece, could not have been more fitting. On the obverse we find Mars, God of War and defender of Rome, who in myth was the father of Romulus, the city founder. The eagle on the reverse symbolised strength and immortality in the face of adversity, and together these types make a very appropriate opening statement for the gold coinage of Rome, most especially when struck at a time of war. The war with Carthage had ravaged the Italian peninsula, and in addition to the wholesale destruction of Rome's armies, the most crucial damage inflicted by Hannibal's invasion of Italy was the total collapse of Rome's young monetary system. At that time, the Roman currency was based entirely on bronze, for which the demand in wartime was competing with the needs for weaponry. The weights of the bronze currency were radically decreased, and it therefore became necessary to make bronze convertible to silver which, however, was also in short supply. The strain on the Roman treasury was extreme. The decision was therefore taken in circa 216 BC to issue a gold coinage as an attempt to provide further stability for and increase faith in the bronze coinage by creating the impression that bronze could be freely exchanged for gold, thus making the token bronze coinage acceptable. In 'The Mars/eagle and thunderbolt gold and Ptolemaic involvement in the Second Punic War' (Essays Hersh, 1998) A. R. Meadows convincingly argues that the influx of gold after the decision of 216 most likely came from the Ptolemaic kingdom in response to a direct appeal for help and that the reverse type of eagle on thunderbolt, so clearly similar to the Ptolemaic coinage, was the tacit acknowledgement of the financial aid that was received by Rome."
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350105 item(s)/page