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Lot 339

Copper Hoard Culture, Uttar Pradesh, Northern India, 1500 BC. A copper dagger or harpoon with barbed triangular blade, three pairs of curved barbs and a pair of spikes; midrib with facing mask to the tip, flanking animal figures. See Yule, P. The Bronze Age Metalwork of India, Prähistorische Bronzefunde XX, München, 1985 for discussion.1.1 kg, 39.5cm (15 1/2"). Property of a West London gentleman; previously in an important weapons collection formed in the 1980s and early 1990s. Some Copper Hoard items have been assigned a ritual rather than practical function (Yule: 1985"). Fine condition. Extremely rare.

Lot 341

3rd-2nd millennium BC. A bronze axehead with hunting dog motif in low relief to each face of the socket, lobed rear plate, D-shaped blade with raised dentilled panel to the 'edge'; mounted on a custom-made stand. 23cm including stand (9"). Property of a London gallery; previously from a private family collection since the 1970s. Very fine condition. Rare.

Lot 342

1st millennium BC. A bronze macehead with three rows of three spikes; bulbous terminal, hollow to body for attachment. 160 grams, 70mm (2 3/4"). Property of a London gentleman; acquired London art market, 1970-1980. Fine condition.

Lot 343

14th-10th century BC. A cast bronze macehead with tubular socket, ribbed collars, rows of protruding bulbs and meander fillets to the upper end. Cf. Khorasani, M.M. Arms and Armour from Iran - The Bronze Age to the End of the Qajar Period, Tübingen, 2006, p.648, Cat.322.406 grams, 18 cm (7"). Property of an American collector; previously from an old Munich collection; acquired on the German art market before 2000. Fine condition. Rare.

Lot 346

18th-19th century AD. A military fan or standard, formed as openwork iron blade and tubular bronze handle with collars; the tongue-shaped blade comprising and image of zulfiqar with calligraphic text reading: 'The sword of Iman Ali ibn Abi Talib' with its bifid point and reserved lettering to one face, arabesque motifs and incised lettering to the reverse. See Khorasani, M.M. Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006 for discussion of the zulfiqar.861 grams, 68cm (26 3/4"). Property of a Hampstead gentleman; from his family collection formed since the 1970s. Muhammad gave a sword to his son in law, Ali ibn Abi Talib, at the Battle of Uhud (624 AD"). The sword was believed to have been brought by Jibraeel (an angel) on the orders of Allah. It is used in the form of amuletic jewellery, shown as a scimitar terminating in two points. Fine condition.

Lot 379

12th-15th century AD. A bronze jug with ribbed drum-shaped body, tubular neck with flared rim pinched to form a pouring lip; applied strap handle with knop above. 1.9 kg, 31.5cm (12"). Property of a English gentleman; formerly the property of a Munich collector; previously acquired in the 1980s. Fine condition.

Lot 380

8th-10th century AD. A bronze enkolpion reliquary hinged at the top with suspension loop, nimbate figure to one face with hands raised in the orans posture, robed figure to the reverse with script above. See Khanenko, B. Antiquités Russes Croix et Images, Kiev, 1899 for discussion.93 grams, 96mm (3 3/4"). Property of a North West London lady; from her family collection since before 2000. Fine condition.

Lot 386

8th century AD. A wooden coffin base formed from a split oak -tree trunk with hollowed-out cavity to accept the human remains. Supplied with a copy of the Historic England press release and site plan. Duncan Wilson, Chief Executive of Historic England said: These rare and exceptional well-preserved graves are a significant discovery which will advance our understanding of Middle-Saxon religious beliefs and rural communities. See: Great Ryburgh: ??A remarkable Anglo-Saxon cemetery revealed, Current Archaeology: https://www.archaeology.co.uk/articles/features/great-ryburgh-%EF%BB%BF%EF%BB%BFa-remarkable-anglo-saxon-cemetery-revealed.htm; also see: Great Ryburgh dig finds 81 'rare' Anglo-Saxon coffins, BBC news: http://www.bbc.co.uk/news/uk-england-norfolk-37940012; and see Exceptional Survival of Rare Anglo-Saxon Coffins, Histric England: https://historicengland.org.uk/whats-new/news/survival-of-rare-anglo-saxon-coffins. 80+ kg, 1.66x0.43m (65 1/4 x 17"). Found Great Ryburgh Monastic burial site in 2016. Only one similar item is known to exist in public or private collections anywhere in the world - the example in Norwich Castle Museum, Norfolk, England; accompanied by a copy of the initial 63 page Archaeology (MOLA) works report. In November 2016, while preparing for construction of a conservation and fishing site at Great Rybergh in Norfolk as part of the flood defence system for the area, workmen discovered a quantity of waterlogged wooden remains. Archaeologists from MOLA (Museum of London Archaeology) were called in to perform controlled excavation and assessment of the items, which proved to be part of a 7th-9th century cemetery, the existence of which was previously unknown. The wooden remains included a number of oak coffins, each a tree trunk split to provide the lid and base, hollowed out to accept the body. Such coffins have never before been found in England in an Anglo-Saxon content, although their use has long been theorised and some antiquarian digs of the 19th century mention similar objects. The find proves that the tradition of dug-out coffins, which dates back to the Bronze Age in northern Europe, continued in use into the early Christian period. The site also held six plank-lined graves with remarkably good preservation of the timber. This construction method was previously deduced from finds at other Anglo-Saxon sites but had never before been sufficiently well-preserved for excavation to be possible. The coffins were buried on an east-west alignment and contained no surviving grave-goods, both strong indications of Christian practice. The fact that such burials took place in what was, even in the 7th century, a rural community indicates that the approved traditions of the church had permeated into the daily life of Anglo-Saxon society. Dendrochronology has indicated a date-range of 7th-9th century for the oak coffins, the trees having begun to grow in the 5th century and being around 300 years old at the time of felling. The 7th-8th centuries were a period of immense social change as small tribal groups coalesced into the kingdom of East Anglia, while Christianity established itself across East Anglian society and new religious buildings (the minster churches) sprang up as foci of spiritual and secular authority. The coffins are unique survivals from this period of social and religious change. Fine condition.

Lot 392

6th century AD. A suite of dress items from a female grave with museum display backing and card, comprising: two applied saucer brooches, each gilt bronze with central knop and band of Style I decoration, catch and pin-lug to the reverse; two bronze openwork disc brooches, each with T-shaped voids and stamped triangle detailing, pin-lug and catch to the reverse; ten large and seventy-five small globular amber beads; six glass beads of globular and cylindrical types; the footplate from a bronze small-long brooch with pelta-shaped foot, catch to the reverse; two bronze rings, one with break; a bronze dress-pin with flattened and pierced finial; a pair of bronze tweezers with grooved outer faces. See MacGregor, A. & Bolick, E. A Summary Catalogue of the Anglo-Saxon Collections (Non-Ferrous Metals), Oxford, 1993. Reported to the Portable Antiquities Scheme under reference WAW-DB4534. 488 grams total including packaging, saucer brooches: 63mm each (2 1/2"). Found South Worcestershire, UK; in the 1980s. The presence of disc and saucer brooches in a single grave assemblage is not unprecedented, especially in some Anglian areas. The foot of the small-long brooch may have been an intrusion from a neighbouring burial, or possibly a curated item - a keepsake carried in a pouch, for example. Tweezers, pins and other items are a routine find in many female burials in the pre-Christian period. [101] Fine condition.

Lot 393

9th-12th century AD. A hollow-formed bronze statuette fragment of a janiform bearded male with arms extended, holes to the eyes and mouth, pierced lug to one side of the head. See Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, plate XCVII for type.203 grams, 12.3cm (4 3/4"). From an old European collection; acquired in Germany in the 1990s.[No Reserve] Fair condition.

Lot 398

9th-11th century AD. A bronze patrix die for a strap end or tag, formed as a facing wolf-mask with lentoid eyes and looped ears, trefoil muzzle, transverse bar to the tab. 28 grams, 50mm (2"). From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. Fine condition.

Lot 399

6th-9th century AD. A restrung headdress consisting of three bands of coiled bronze tubes with red glass beads between; rectangular spacer bars with punched dot decoration, roundels with punched dot decoration and lunates below; from spacer bars pendant coiled tubes with red glass beads and rosettes with punched dot decoration; longer pendant coils of tubes with red glass beads and spiral spacers with three bells hanging from the bottom. 265 grams, 46cm (18"). Property of a professional gentleman, acquired 2011; formerly in a private collection formed before 1950.[No Reserve] Fine condition.

Lot 401

9th-12th century AD. A substantial bronze chain of double links on a ring supporting a labrys pendant with comb-teeth to the lateral edges, tremolier bands and ring-and-dot ornament. 148 grams, 80cm (31 1/2"). Property of an Essex gentleman; formerly in a European private collection. Fine condition.

Lot 402

9th-11th century AD. A restrung necklace of graduated barrel-shaped gold in glass beads with five gilt bronze pendants each a teardrop with bosses and raised rim; modern clasp. 78 grams total, 41cm (16"). From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. Fine condition.

Lot 414

8th century AD. A gilt-bronze mount fragment with pellets to the borders, chip-carved interlace motif. 1.27 grams, 19mm (3/4"). Property of a gentleman; acquired in the 1970s; formerly found near Fakenham, Norfolk, UK Very fine condition.

Lot 421

9th-11th century AD. A bronze firesteel with openwork handle depicting addorsed horsemen, beaded border enclosing iron blade. Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940, pl.144, item 1.31 grams, 65mm (2 1/2"). From an old firesteel collection; acquired before 1990.[No Reserve] Fine condition.

Lot 484

4th-5th century AD. A drum-shaped gold mount with beaded wire border, convex garnet cloison upper face, central garnet cabochon, bronze slider bar to the reverse with sheet gold covering. See Menghin, W. The Merovingian Period. Europe Without Borders, Berlin, 2007.14 grams, 25mm (1"). From a European collection; previously in a large American collection formed in Chicago, Illinois, USA, in 1995; previously in the Mansees collection; formed 1950s-early 1990s.[No Reserve] Very fine condition, one stone chipped.

Lot 503

12th-13th century AD. Malcolm Jones, Sheffield University, Dept. English Language & Linguistics, Senior Lecturer 1994-2009 and advisor to the British Museum and Portable Antiquities Scheme, says: An important 'Hanseatic' bowl, closely related to similar examples in the Cleveland Museum of Art and the Metropolitan Museum, New York; the central figure, though unlabelled, and seemingly a male head, is perhaps intended as Superbia [Pride] – as on both the Cleveland and Metropolitan Museum bowls, here it is surrounded by three fellow Vices, named as IDOLATRIA [Idolatry], a female head; INVIDIA [Envy] and IRA [Wrath], both male heads (The Cleveland bowl adds a fourth head, LUXURIA [Lust]), here within the central medallion, around the top, is inscribed SUPBERIA [sic], and on a band around the central medallion HAC RADICE MALA NACITUR OMNE MALUM (Pride is the root from which all the other Vices are born), within each oval around the central medallion, flanking the figure [of Superbia] are five Vices named as IDOLATRIA, INVIDIA, IRA, LUXURIA, and LIBIDO, around the outer border the Vices are anatomised into the following triads: MALICIA, VANA, GLORIA; EBRIETAS, CRAPULA, FRAUS; EMULATIO, CONTENTO, AMBICIO; SUSPICIO, CONTENTO, AMBICIO; and COGITATO, PICRICIA VANA, GLORIA DESPERATIO. See Weitzmann-Fiedler, J. Romanische gravierte Bronzeschalen, Berlin, 1981, a corpus of all known such bowls at that date; more recently, Cohen, Adam S & Safran, Linda Learning from Romanesque bronze bowls in Word and Image 22 (2006), 211-8 (proposing a pedagogical function for these bowls); also see similar sold Herman Historica, Germany, Auction 74aw, Thursday, 27 April 2017, lot 2117, sold for 37,000 euros; accompanied by a print out of the auction listing and images of other similar bowls known.445 grams, 26cm (10 1/4"). From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. Accompanied by a report of metallurgic analytical results, written by Metallurgist Dr. Brian Gilmour of the Research Laboratory for Archaeology and the History of Art, University of Oxford. So-called Hanseatic bowls are a group of bronze vessels with Romanesque ornament, primarily associated with ports in the Hanseatic league and with marine archaeological sites. They are often mentioned in medieval documents, where they are referred to as bacina, pelves, or pelvicula. The majority of these bowls—which date from the twelfth and thirteenth centuries—have been found in the cultural area that extends from the Baltic down to the Lower Rhine district and across to England. Because this area was once dominated by the Hanseatic League (a commercial association of free towns), the basins are known as Hanseatic bowls, though the putative link to the Hanseatic league is no longer considered correct but the name is retained for convenience. They are round, some being more convex than others; and the inside is engraved with scenes from classical mythology, with themes from the Old and New Testaments and the legends of the saints, or with allegorical figures personifying the virtues and the vices, the liberal arts, the seasons, and so on. Hanseatic bowls were probably made in the bronze-casting centres where candlesticks and aquamaniles (and indeed all medieval cast bronze) were made: in the Meuse district and Lorraine, in Lower Saxony and the Harz Mountains, and also in England. The decoration on these bowls may have been added elsewhere. [A video of this lot is available on the TimeLine Auctions website] Very fine condition. Extremely rare, most examples in museums.

Lot 504

13th century AD. A bronze figure of Christ crucified with four nail holes, the reverse hollowed out; crowned head bowed to one side and arms horizontally outstretched, crown engraved with detail, eyes inlaid with blue enamel; legs held parallel with the knees bent and the feet resting on a suppedaneum; vertical folds of the knee-length perizonium decorated with enamel inlays; mounted on a custom-made mount. For a similar example see Musée Municipal de l'Evêché, Limoges, accession number 96.538.399 grams total, 30.5cm including mount (12"). Property of a London gentleman; acquired before 1995. From the twelfth century to fourteenth century there was a large industry producing metal objects decorated in enamel using the champlevé technique, of which most of the survivals and probably most of the original production, are religious objects such as reliquaries. [A video of this lot is available on the TimeLine Auctions website] Very fine condition. Rare and important.

Lot 506

15th century AD. A very large bronze discoid seal matrix with central scene of a nimbate warrior wielding a sword and spearing a supine dragon watched by a maiden; legend to the border '*Sigillvm.cové.möste.mont.Sác.Georgii'; pierced in three places; from the congregation of the Canons Regular of Mont Saint Georges, in the Hildesheim diocese (Lower Saxony); supplied with a museum-quality impression. 44 grams, 48mm (2"). From a private Belgian collection; acquired late 1990s-2010. Very fine condition, usage wear.

Lot 507

12th-13th century AD. A bronze stamp seal matrix with pierced lug finial, central design of St. Catherine between two trees holding a wheel, with Lombardic legend '*SAVNCACATERINA'. See Braarvig, J. (ed.) Manuscripts in the Schøyen Collection IV: Medieval Seal Matrices, Oslo, 2004, item 77 for seal with St. Catherine, item 74 for spelling 'saunca' for 'sancta'.12 grams, 26mm (1"). Found Hellions Bumpstead, Suffolk, 2017.[No Reserve] Very fine condition.

Lot 509

12th century AD. A bronze harness pendant, discoid with beast-head suspension lug above, two D-shaped lugs below supporting a hinge; the centre an openwork advancing Romanesque dragon with raised forelegs, coiled tail, central circular hole. See Clark, J. (ed.) The Medieval Horse and its Equipment, London, 2004 for discussion.56 grams, 66mm (2 3/4"). Ex Potts collection; found Renfrew, Scotland, 2017; accompanied by T.T.U. disclaimed documentation. Fine condition. Extremely rare.

Lot 511

14th-15th century AD. A bronze tripod candlestick comprising a domed triangular base with claw feet, openwork body formed as three pairs of griffins biting a surrounding band with incised borders; each griffin with billeted neck and leg, teardrop wing with feather detailing, arched back and facing D-shaped head with lentoid eyes, pricked ears, T-shaped muzzle; fleur-de-lys scroll between each pair of legs; with 15th century replacement stem and hexagonal-section socket. Cf. Zarnecki, G., Holt, J. & Holland, T. English Romanesque Art 1066-1200, London, 1984, item 249 for type. For a similar candlestick see The British Museum, accession number 1878,1101.90.451 grams, 14.5cm (5 3/4"). From the private collection of a German gentleman; formerly in a private collection; acquired prior to 2005. Fine condition, one leg cracked. Extremely rare.

Lot 521

Cast 1920 AD. A large bronze commemorative cast plaque with four pins to the reverse, depicting two nude standing winged male figures each extending an arm towards the other above a heater-shaped panel with raised text The first direct flight across the Atlantic was made on 14-15th June 1919, on a Vickers-Vimy Aeroplane, fitted with two Rolls-Royce engines of 560 HP each. Pilot Captain Sir John Alcock K.B.E., D.S.C. Navigator Lieutenant Sir A. Whitten Brown, K.B.E. This tablet is erected by Rolls Royce Limited in appreciation of the care and skill displayed by Mr. F. Henry Royce, the Engineer-in-Chief, and his assistants in the design of the engines and of the experimental staff and of all workers at Derby in connection with their construction.The reverse inscribed SINGERS Bronze Founders Frome. The plaque sculpted on commission from Rolls-Royce by Sir William Reid Dick (1879-1961); the eagle-on-globe, which originally surmounted the plaque, now lost. Cf. The Times, London for 13 July 1920, p.17; and cf. Wardleworth, Dennis, William Reid Dick, Sculptor, Routledge, 2016, p.50; and see Dictionary of National Biography, biographical entries for Alcock, Brown and Dick.65.5 kg, 101cm (39 3/4"). Property of a Hertfordshire country gentleman; rescued from a scrapyard in Bishop's Stortford, Essex; UK, in 2002. John Alcock (1892-1919) and Arthur Brown (1886-1948) made aviation history by making the first non-stop flight, taking some sixteen hours flying time, across the Atlantic Ocean, only a few months after the end of the War. After flying from St Johns, Newfoundland, Canada to Clifden, Connemara, Ireland, taking some sixteen hours to complete, Winston Churchill, then Secretary of State for Air, presented them with the Daily Mail prize (first offered in 1913) having achieved the flight in less than than the seventy-two hours stipulated; shortly afterwards they were invested with the KBE by George V at Windsor Castle; both men had been aviators during World War I and both had been prisoners of war; Alcock held after engine failure over Turkey and Brown being shot down over Germany. Alcock died in an airplane crash at Rouen, France while test flying a new Vickers Viking plane on 18 December 1919 and Brown died naturally on 4 October 1948; the Vickers Vimy airplane they made their pioneering flight in is preserved today in the Science Museum, South Kensington, London; several monuments to their achievement are still existing today: three in Newfoundland, one at the landing spot in Ireland, with others at Heathrow Airport, London and Manchester Airport (a few miles from the birthplace of Alcock); a Royal Mail postage stamp was issued in 1969 to mark the 50th anniversary of the flight; Rolls-Royce, whose Eagle engines were installed in the aircraft, paid their own tribute and commissioned this plaque from the late sculptor Sir William Reid Dick RA, RSBS (1879-1961, knighted 1935 and appointed King's Sculptor in Ordinary for Scotland by George VI in 1938) in 1920, believed originally sited at one of the Rolls-Royce factories; possibly at Derby. The sculptor made or contributed to many important works sited around the world in stone and bronze and these included, in London, the Kitchener Memorial in St Paul's Cathedral, the Air Force Memorial at Westminster, the statue of Franklin D. Roosevelt at Grosvenor Square, the Statue of George V at Westminster and, elsewhere, the figure of Lady Godiva at Coventry, the Arras Memorial and other War Memorials and the statue of David Livingston at Victoria Falls, Zimbabwe. Fine condition. An important piece of aviation history and a work by a renowned sculptor.

Lot 533

18th-19th century AD. A bronze figure of Mercury standing, naked with petasos cap to head with wings to the top; cloak wrapped around left arm, left hand originally holding caduceus; right hand held forward and holding a money bag; sandals to feet and fine detailing to the face and musculature. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, p.52, item 59 for type.1.67 kg, 21.8cm (8 1/2"). Ex Jurgen Moller, Saarbrucken, circa 1980. Very fine condition.

Lot 576

15th century AD. A gilt-bronze plaque with balusters to the rim, chamfered edge and stepped cell, two suspension loops; inset nicolo plaque of an arch with nimbate figure within wearing a loose robe and holding a book in the crook of his left arm; gilt panel to the nimbus with three pellet indentations; two suspension loops above. 65 grams, 75mm (3"). Property of a South West London gentleman; acquired by his father in the 1970s; by descent 1986. Very fine condition.

Lot 578

9th-12th century AD. A bronze model tower oil lamp cover, square in plan with bands of repoussé roundels to the base, rectangular windows below an arcade with roundels; mounted on a custom-made stand. 288 grams, 12cm including stand (4 3/4"). Property of a UK gentleman; formerly in an old German collection; acquired in the 1980s. Accompanied by X-Ray Fluorescence metal analysis certificate number 00671-2016BL. Fair condition. Very rare.

Lot 703

Late 3rd millennium BC. A bronze figure of a ram standing on a rectangular base with shallow bowl placed by the forelegs. 785 grams, 95cm (3 3/4"). Property of a London gentleman; part of a family collection since the 1970s. [A video of this lot is available on the TimeLine Auctions website] Very fine condition. An important museum quality object.

Lot 707

2nd millennium BC. A large bronze statuette of the god Baal, wearing a long tunic to the knees and an Egyptian style Hedjet crown; prominent ears to the side and mouth open; both hands held forward; mounted on a custom-made stand. 331 grams, 22cm including base (8 3/4"). Property of a London gentleman; acquired by his father in the 1970s; thence by descent. Baal is an honorific title meaning 'Lord' that was applied to a number of deities, principally in the Levant, most notably the storm and fertility god Hadad. The title was also used in early Judaism as a name for Jehovah. Fine condition.

Lot 709

2nd-1st millennium BC or later. A bronze figurine of a standing male wearing kilt, belt and headdress. See Aruz, J. Art of the First Cities. The Third Millennium B.C. from the Mediterranean to the Indus, New York, 2003 for discussion.435 grams, 16cm (6 1/4"). Property of a Mayfair gentleman; collected from 1966-2017. Fine condition, left arm absent.

Lot 715

2nd millennium BC. A bronze figurine of an ibex standing on a tongue-shaped base, head turned. See Legrain, L. Luristan Bronzes in the University Museum, Pennsylvania, 1934.55 grams, 62mm (2 1/2"). Property of a Mayfair gentleman; collected from 1966-2017. Fine condition.

Lot 718

10th-7th century BC. A fine bronze tubular finial formed as a standing anthropomorphic figure wearing a prominent necklace; another standing robed figure to the lower register. 145 grams, 17cm (6 1/2"). Property of a North London lady; gifted from her father's collection; formerly with a Mayfair gallery, London, UK; previously acquired in the 1980s. Very fine condition.

Lot 721

8th-6th century BC. A complete sheet bronze circular belt with repoussé borders, band of holes for attachment; the field with repeated stamped ornament including a leaping bull, a leaping lion, a leaping gryphon, rosette of annulets, cross of annulets and palmettes, tree motif beside the closure; mounted on a custom-made stand. 1.6 kg including stand, 35.5cm diameter (14"). Property of a London gentleman; acquired London art market, 1970-1980. Fine condition, chipped.

Lot 722

8th century BC. A bronze bowl with flared rim and four bird figures modelled in the round, band of incised concentric lines beneath the rim and above the foot, openwork foot with flange. 314 grams, 13cm (5"). Property of a London gallery; previously on the London art market since 2001.[No Reserve] Very fine condition.

Lot 724

Early 1st millennium BC. A large sheet bronze bell-shaped jar with cusped collar to the shoulder, flared rim, three applied feet to the underside. See Legrain, L. Luristan Bronzes in the University Museum, Pennsylvania, 1934.1.5 kg, 27.5cm (10 3/4"). Property of a London gallery; previously in a private collection since the 1970s. Fine condition.

Lot 725

1st millennium BC. A small bronze cauldron with domed underside, repoussé flange below the rim, two lateral D-shaped pierced suspension lobes; incised frieze comprising a pair of opposed birds, a pouncing feline, a tree, a gryphon, two wolves, a bird and a regardant wolf. 390 grams, 17.5cm (6 3/4"). Property of a UK gentleman; formerly in an old German collection; acquired in the 1980s. Fine condition, old repair.

Lot 726

8th-7th century BC. A hemispherical bronze bowl with chamfered rim, applied pouring spout formed as a bird with spread wings, spout emerging from the chest; second applied bird with hoop and suspension ring to the back. 402 grams, 16.5cm (6 1/2"). Property of a Mayfair gentleman; collected from 1966-2017. Fine condition.

Lot 727

2nd millennium BC. A bronze vessel with waisted profile, incised line below the rim and two to the base, with later attached annular handle with thumb-pad. 786 grams, 23.5cm (9 1/4"). Property of a London gallery; previously from a private German collection; formerly from a private UK collection prior to 2006. Fine condition.

Lot 731

2nd millennium BC. A substantial discoid lapis lazuli head for a dress pin with incised guilloche to the rim, reserved kneeling figure to one face with right hand raised, braided hair, similar figure to the reverse with long flowing hair, bare-chested with patterned skirt; remains of bronze pin; mounted on a custom-made stand. 122 grams, 74mm including stand (3"). Property of a London gentleman; acquired London art market, 1970-1980. Fine condition. Rare.

Lot 734

2nd millennium BC. A bronze sword with long triangular blade, thick midrib with parallel fullers, rectangular guard, long tang with folded end; mounted on a custom-made stand. See Khorasani, M.M. Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006, 3.2.2 for type.1.2 kg, 70cm including stand (27 1/2"). Acquired on the London art market prior to 1980. Fine condition.

Lot 735

2nd millennium BC. A bronze sword with slender leaf-shaped blade, thick midrib, annular panel between the shoulders, short grip with spiral ribbing, fluted crescentic pommel. See Khorasani, M.M. Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006 for discussion.433 grams, 54cm (21 1/4"). Private collection, North London; acquired in the early 1990s. Fine condition.

Lot 736

2nd millennium BC. A bronze sword with short leaf-shaped blade, thick fluted midrib, trapezoidal guard, short grip with two collars, D-shaped pommel; mounted on a custom-made stand. See Khorasani, M.M. Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006 for discussion.1.3 kg, 56.5cm including stand (22 1/4"). Property of a London gentleman; acquired before 1995. Fine condition.

Lot 737

10th-7th century BC. A bronze horse bit comprising of a horizontal bar with curled ends, to each end a flat plaque formed as an bull's head or similar quadruped. 415 grams, 18.5cm (7 1/4"). Property of a North London lady; gifted from her father's collection; formerly with a Mayfair gallery, London, UK; previously acquired in the 1980s. Fine condition.

Lot 785

Copper Hoard Culture, Uttar Pradesh, Northern India, mid-2nd millennium BC. A large copper flat-axe with rounded butt and slightly eccentric curved blade. 1.9 kg, 29cm (11 1/4"). Property of a West London gentleman; previously in an important weapons collection formed in the 1980s and early 1990s. See Yule, P. The Bronze Age Metalwork of India, Prähistorische Bronzefunde XX, München, 1985 for discussion. Very fine condition. Extremely rare.

Lot 806

18th century AD. A pair of bronze square plaques, each with repoussé image of an advancing lion with forelegs raised; one with mouth opened to reveal teeth. 1 kg total, 31cm (12 1/4"). Property of a Middlesex collector; acquired 2011 from Portobello Road, London, UK; formerly in an old English collection.[2] Fine condition.

Lot 809

19th century AD. A gilt bronze statuette of the Bodhisattva Avalokiteshvara seated on a lotus throne, legs crossed; hair pulled up int a top knot with small figure of Buddha to the front; diadem and large rosette earrings, urna to the centre of the brow; front hands held in prayer holding a jewel; right upper hand holding a rosary, left holding a lotus flower; deer skin cloak over shoulder, strings of beads across the chest. 1.94 kg, 21.5cm (8 1/2"). From the Cheuk family collection; formed in the 1970s. Fine condition.

Lot 810

19th century AD. A gilt bronze statuette of Kubera, god of wealth, seated on a lotus throne with right foot extended, resting on a smaller lotus flower; hair pulled up into a top knot with flaming jewel to the top; diadem with flaming jewels to the centre, large hoop earrings to both ears; left hand holding a mongoose with pile of jewels to the front, right hand holding a large jewel. 2.85 kg, 23cm (9"). From the Cheuk family collection; formed in the 1970s. Fine condition.

Lot 814

Shang Dynasty, 1600-1050 BC. A bronze two-edged sword comprising a gently tapering blade with scooped midrib and panels of incised ornament, rectangular lower guard with tao tieh mask to each face, hollow openwork grip with socket above. See Veleanu, M. Antique Swords and Daggers, Atglen, 2006, ch.7 for discussion.925 grams, 67cm (26 1/2"). Formerly with an important Mayfair gallery; acquired 1980 to 2000. Fine condition.

Lot 815

19th century AD. A bronze pendant of a phallus forming the body of a quadruped, the curled tail forming a suspension loop. 36 grams, 13cm (5"). Property of a Hampstead gentleman; from his family collection formed since the 1970s. Fine condition.

Lot 846

19th century AD. A bronze inkwell with drum-shaped body and seperate lid; the body engraved with a series of oval panels, each with a seated female in robes and headdress, flowers to the background; the lid decorated with frieze of animals, flat top with border of geometric plant motifs and striated dome. 69 grams, 65mm (2 1/2"). Property of a London gentleman; acquired London art market, 1970-1980. Fine condition.

Lot 847

18th century AD. A bronze footed bowl in 12th-14th century style with stepped base, bulbous body, short neck with flared mouth, chamfered rim; the rim with guilloche detailing, band of reserved calligraphic text, the shoulder with similar band, the body with tessellated foliage pattern, the base with running scrolls. See Blair, S.S. Islamic Inscriptions, Edinburgh, 1998 for discussion.3.4 kg, 22.5cm (8 3/4"). Property of a Hampstead gentleman; from his family collection formed since the 1970s. Fine condition.

Lot 848

18th-19th century AD. A bronze lantern-shaped with convergent openwork sides, bands of pierced calligraphic text with pierced geometric and calligraphic roundels, two hinged doors; above, an onion-shaped feature with stacked bulbs, all with openwork detailing, suspension ring and hook; the underside with fluted dimple. 2.8 kg, 49cm (19 1/4"). Property of a Hampstead gentleman; from his family collection formed since the 1970s. Fine condition.

Lot 849

19th-20th century AD. A bronze ewer of early style, with fluted body, flared base, deep shoulder, rubular neck with hexagonal-section spout, strap handle to the reverse; bands of silver-inlaid talismatic charms in arabic text, guilloche, arabesque roundels. 1.2 kg, 33.5cm (13 1/4"). From a South West London collection; formed 1990-2000. Fine condition.

Lot 850

19th-20th century AD. A bronze flagon in 13th-14th century style with nozzle in the form of an oil lamp with hinged cover to the top, thumb guard in the form of a triangular reflector with knop top; tapering neck to a collar at shoulder; to the body panels with the names of God in Arabic text and geometric motifs, roundel to the front with bird; flared pedestal base. 672 grams, 26cm (10 1/4"). Private collection, South West London; acquired before 2000. Fair condition.

Lot 866

3rd-2nd millennium BC. A bronze axehead with round socket, pointed to the rear; blade angled to the top of the socket with rib to the top and bottom of the flaring blade. 1.01 kg, 18cm (7"). Property of a North West London lady; from her family collection since before 2000. Fine condition.

Lot 867

9th-7th century BC. A bronze spectacle brooch formed as two large tightly-wound coils with figure of eight shaped intermediate coils, pin and catchplate to the reverse. Cf. Hattatt, R. Ancient and Romano-British Brooches, Sherborne, 1982, item 186.48 grams, 83mm (3 1/4"). Ex Bernard C. Pickard collection, Hampshire, UK; formerly with Richard Hattatt; received as a present from Mr Hattatt around 1980.[No Reserve] Fine condition.

Lot 868

1st century BC-1st century AD. A substantial bronze quatrefoil bridle mount with two slider bars to the reverse, thick (4mm) plaque, incised La Tène style decoration with hatched zigzag, concentric rings, red enamel cells with reserved detailing of stylised faces. Cf. Megaw, R. & V. Celtic Art - From its Beginnings to the Book of Kells, London, 1989, pl.XX for type.116 grams, 79mm (3 1/4"). From the collection of a Tyne & Wear, UK, gentleman; found in Buxton, Derbyshire, UK, by his late father in law, Mr Edward Robinson, during the 1960s or 1970s; thence by descent. [A video of this lot is available on the TimeLine Auctions website] Extremely fine condition, of museum quality. One of the most beautiful and well preserved British Celtic objects we have seen, a world class object.

Lot 881

3rd-5th century AD. A Kiev culture bronze openwork brooch formed with geometric panels of red enamel and voids, trapezoidal body with pelta-shaped footplate; catch and staple to the reverse. 57 grams, 14cm (5 1/2"). Property of a European gentleman; acquired on the German art market before 2000. The Kiev archaeological culture was located in the basin of the rivers Dnieper and Visla between the 3rd and 5th centuries; archaeologists connect this culture with the historical ancestors of the Slavs. However, there are suggestions that in different regions of the Kiev culture the ethnogenetic processes were not the same. In some cases, the Slavic component prevailed, whilst Baltic and others were dominant elsewhere. [No Reserve] Very fine condition.

Lot 883

1st century AD. A mixed group of bronze dragonesque brooches and fragments comprising: DB2 openwork brooch of the 'eye' type; DB8 brooch of Brigantian type with rectangular cells to the body; DB13 brooch with plano-convex section; DB15 brooch of the Brigantes, ridged body type; DB20 brooch with one trumpet finial remaining.For DB15, Chris Rudd List 41, p.5; commented on by Richard Feachem, examined by Dr Anne Ross and later acquired by collector Don Lee; accompanied by a copy of the relevant catalogue pages. 62 grams total, 33-55mm (1 1/4 - 2 1/4"). The Chris Rudd collection, Norfolk, UK; formed since the 1970s; collection numbers DB2, DB8, DB13, DB15 & DB20; found Malton, North Yorkshire; Boroughbridge, Yorkshire; Catterick, North Yorkshire and formerly in the Don Lee collection; and near York, Yorkshire, UK. Chris Rudd has collected ancient coins and antiquities since the 1940s. As an amateur archaeologist he found many himself at Badbury Rings, Dorset, 1952-53. He also dug at Hod Hill with Professor Sir Ian Richmond and at Wroxeter with Dame Kathleen Kenyon and Dr Graham Webster. Today he is best known as a Celtic coin dealer. His catalogues have been described as ‘an important research source’ by Professor Sir Barry Cunliffe and ‘treasure houses of delight’ by Dr Anne Ross. Coins and artefacts associated with Chris Rudd – as a collector, dealer and valuer – can be seen in The British Museum and other museums. This collection was formed since the 1970s. [5] Fine condition.

Lot 884

3rd-1st century BC. A bronze tongue-shaped scabbard chape with two retaining straps to the reverse, openwork profile beast with billets above, opposed claws and central void beneath the chin; billetted band to the mouth. 50 grams, 95mm (3 3/4"). Property of a European gentleman; acquired on the German art market before 2000.[No Reserve] Fine condition.

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