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Lot 400
MARIANO FORTUNY Y MADRAZO (1871-1949)RARE PRINTED SILK VELVET PANEL, CIRCA 1920 the design printed with golden metallics with a repeating pattern of flowering carnations, framed117cm x 93.5cmNote: A panel of silk velvet by Fortuny in the same design is held in the collection of the Cooper Hewitt Smithsonian Design Museum, museum no. 1938-57-1226-b (bequest of Erskine Hewitt); and for a similar panel see V&A T.130-1977.Fortuny's production of printed textiles was strongly influenced by his family's collection of Arabic and Oriental decorative arts and textiles and he was also influenced by the art of Venice where he lived and worked and where he studied Renaissance arts.He developed and patented techniques for metal printing on velvet to simulate the textural effect of woven fabrics, using hand-cut wooden blocks. He then printed with metallic powders, using bronze or copper powders for a golden effect and aluminium for silver.
Lot 209
WEDGWOOD FOR JAMES POWELL & SONS, WHITEFRIARSBASALT VASE, CIRCA 1900 of shouldered form with flared rim, the body decorated with incised serrated bands, impressed marks to base POWELL/ WHITEFRIARS/ WEDGWOOD19.8cm highLiterature: Whiteway, Michael 'Christopher Dresser: A Design Revolution', V&A 2004, p.90, Pl. 108 and 109Note: Christopher Dresser designed a similar vase for Linthorpe, based on a Bronze Age beaker in the V&A.
Lot 200
BENJAMIN CRESWICK (1853–1946) FOR COALBROOKDALEPATINATED CAST IRON TRIPTYCH PANEL, CIRCA 1880 depicting 'The Farrier', 'The Blacksmith' and 'The Choir', enclosed in an oak frame with reeded columns and a projecting cornice, the central panel with incised marks to the reverse COALBROOKDALE/ NO. 556/ R. NO. 92999each panel 23cm x 38cm, the frame 137.5cm wide, 43cm highNote: Panels of the same design in an A.H. Mackmurdo bronze fireplace of 1880. The contemporary oak frame based on this design
Lot 140
WILLIAM JAMES AUDSLEY(1833–1907) AND GEORGE ASHDOWN AUDSLEY (1838-1945) FOR W. M. H. AND G. H. DREAPERVICTORIAN EGYPTIAN REVIVAL PIANO, CIRCA 1880 ebonised wood with parcel gilt decoration Egyptian revival style, the hinged top enclosing a folding music stand above pierced fabric-backed panels depicting stylised foliage within Greek key borders, the hinged fall board with inlaid panel, the keyboard flanked by a pair of stated sphinxes above reeded tapering columns with foliate cappings, interior of fall board inscribed WM. H. & G. H. DREAPER, 96 BOLD STREET LIVERPOOL, inlaid medallion inscribed EXPOSITION UNIVERSELLE INTERNATIONALE DE 1878 PARIS and stamped to the framed DREAPER PATENT L'POOL 4195/ 2780153.5cm wide, 135cm high, 63cm deepNote: For a similar example by Audsley see National Museums Liverpool collection. A piano of this design was exhibited at the 1878 Paris Exposition Universelle where it was awarded a bronze medal
Lot 7
AFTER JOHN BELL (1811-1895)BRONZE TABLE LAMP, CIRCA 1895 cast as the figure of a boy, crouching down and holding aloft the light fitting, raised on a stepped marble base, fitted with a frilled glass shade28cm high to top of fitting, 36cm high with shadeNote: This bronze lamp base is based on 'The Bride's Inkstand', modelled by Bell and made by the Felix Summerly Art Manufactory around 1847. Felix Summerly was a pseudonym used by Henry Cole (1802–82), who worked closely with Prince Albert on the organisation of the Great Exhibition, and later the South Kensington Museum. The workshop oversaw the production of a number of small-scale works of art designed by contemporary artists intended for the dissemination of good design.
Lot 138
FRENCH EGYPTIAN REVIVALSLATE MANTEL CLOCK, CIRCA 1880 the circular dial with gilt chapters enclosing a twin-train movement, bearing retailer's inscription I. ADAMS/ WOLVERHAMPTON, within tapered rectangular case, surmounted by a bronze figure of the Sphynx, the case incised and gilded with stylised foliate motifs and with walnut mouldings, the whole raised on tapered square section feet35cm wide, 38cm high, 15.5cm deep
Lot 141
ELKINGTON & CO., BIRMINGHAMBLACK SLATE AND BRONZE MOUNTED MANTEL CLOCK, CIRCA 1880 the circular dial with Roman numerals inscribed ELKINGTON LIVERPOOL, with twin train movement, within arched rectangular section case, mounted with a bronze lion skin and set to the angles with crouching figures, the whole raised on moulded bracket feet56.5cm wide, 27cm high, 16.5cm deep
Lot 287
THREE ORIGINAL GERMAN BADGES An Afrika Korps pith helmet shield eagle; An NSKK Drivers qualification sleeve badge in silver; and a DRL Sports Badge in Bronze, makera marked DRGM35269 - Hensler - Pforzheim Provenance: Consigned by the Grandson of the Landlord of the Bridge Pub in Middlesbrough. This lot along with a number of others was taken to cover bar tabs in the 1950s
Lot 2420
Another collection of shoes to include (worn once or new) size 4's - Gabor brown leather court shoe size 4, moc croc black, Rochester designs, 4D with wedge heel - beige, orange and brown tones, open weave, casual, size 4, by Rieker, brown leather court shoes by Esino with a high front - bronze antique croc size 4 court shoes by Van Dal, pewter sling back sandals, size 4, and pewter leather Van Dal with stacked heel size 4, court shoes
Lot 2062
WWI medal group to 1785 Pte. A. C. A. Nitz. 5-Lond. R, Defence medal, London Rifle Brigade and Royal Engineers cap badges, enamel badges, Discharge Certificate, field glasses, armorial engraving, and a number of silver and bronze swimming medals.Alfred C A Nitz is recoorded London Regiment 1914-8
Lot 188
Clark (Laurie). By Footpath & Stile, Moschatel Press, 1982, 12 plates, loosely inserted into printed wrappers chemise, as issued, slim 8vo, (signed limited edition, 247/300 copies), together with VCausley (Charles), Here We Go Round the Round House, Illustrations by Stanley Simmonds, New Broom Press, Leicester, 1976, woodcut illustrations, printed on green paper, original stitched printed wrappers, slim 8vo, (limited edition 12/50 copies on handmade paper, signed by poet and illustrator, from a total edition of 200 copies), plus Piech (Paul, illustrator), Tyger Tyger, by William Blake, Taurus Press, no date, four woodcuts, stapled as issued in black wrappers with bronze woodcut design to upper cover, slightly rubbed, slim large 8vo, (limited edition, 75 of an unspecified number), plus Cotton (John), Moorland Signals, The Priapus Press, Christmas 1975, printed in red and folded as issued, inscribed in ink and signed by John Cotton, (one of 25 copies for friends), plus other small-format small press poetry publications and related including multiples, some broadsides and ephemera, many by Tom and Laurie Clark From the library of Alan and Joan Tucker. (2 cartons)
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