We found 350105 price guide item(s) matching your search
There are 350105 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
350105 item(s)/page
Lot 235
A CHINESE PATINATED BRONZE CENSER of circular form, with loop handles and a carved and pierced wooden cover with carved jade finial, character mark to base, to a lotus leaf carved wooden stand. 11.5cm high by 12.5cm (excl. stand)Minor scratching and scuffing to some edges of the wooden cover. In generally very good condition.
Lot 355
A TRIO OF MEDALS, 20TH CENTURY comprising a George V Territorial Force Efficiency Medal, with ribbon, to 145 L.SJT: F.V.CALEY. E.RID: OF . YORK: YEO.; a WWII War Medal 1939-1945, with ribbon; and an Austro-Hungarian Red Cross Merit Medal, 1864-1914 K.D., bronze gilt and enamelled, lacking ribbon. (3)
Lot 306
Four Winston Leathers (Canadian, 1932-2004), to include Sun up ....early morning the lark of the meadow sings, oil on board, signed, label verso, 23 x 14, Flowers and things that are right, oil on board, signed, label verso, 39 x 29cm, together, Summer Light - Encounters 98, mixed graphic media, Sumii ink, varnishes, gold and bronze powder, on board, unsigned, 25 x 38cm.
Lot 1081
Possibly North Africa, the large wooden bowl or cauldron with lug handles around the shoulder of the bowl, and with a bronze lid with handle. 22cms high, lid 21cms diameter. *CR: The bowl has several old worm holes to the side and base, there is a section of the rim damaged, some cracks in places and hole to the base. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 1128
An interesting bronze letter clip in the form of a bird's head with long pointed beak (11.5cms long). Also with a Black Forest figure of a Dog, a Swiss treen watch holder marked inside 'Gurnigel, 11 Sep, 92, and a metal vesta case in the form of a Dog's head. (4). *CR: See online images. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 1275
Four cased medals all relating to E T Fison, including a frosted silver medal inscribed 'Trial Eight's, and with an inscribed small plaque for CUBC Trial Eights, 1890, and list of names (made by Munsey, Cambridge). Also with a similar cased bronze medal and inscribed plaque, dated 1889, a gilded metal medal for the Wyford Challenge Cup, Henley Regatta, and a silver Corpus Christi Boat Club medal. All medals boxed. *This relates to E T Fison later Dr Fison, who rowed for Corpus Christi and Cambridge. Lawrences sold a number of his oars in the May sale. *CR: Medals are generally fine, the boxes are in poor condition. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.
Lot 102
JUAN JOSÉ QUIRÓS ILLÁN (Murcia, 1972)."Lady", 2003.Bronze.Signed and dated on the base.Provenance: Private Collection of Luis García Berlanga.Size: 35 x 16 x 10 cm; 10 x 11 x 11 x 11 cm (base).Bronze sculpture representing an upright woman. Both the gesture she adopts with her arms and the treatment of the hair and the tunic she is wearing show us the great mastery and interest in capturing the movement. Despite the woman's hieratic posture, her tunic breaks this static pose. The piece is signed by the Murcian artist Juan José Quirós, who works in wood carving, casting and modelling. His career is extensive and he has received numerous awards, exhibitions, etc.
Lot 23
CASIMIRO GRACIA RAGA (Ayora, 1898 - 1985)."Still life", 1940.Oil on canvas.Signed, located and dated in the lower right-hand corner.Measurements: 82 x 100 cm; 99 x 119 cm (frame).Casimiro Gracia Rafa was a Valencian painter born in 1898. In his youth, he worked in a mechanical workshop as a bronze worker. He attended the studio of the painter Teodoro Andreu, who gave him his first lessons and guided him in his vocation. In 1915 he entered the San Carlos School of Fine Arts and during his student years he frequented the Juventud Artística Valenciana association. He graduated with brilliant marks and was awarded the "Roig" prize. When he finished his studies, he moved to Madrid, where he came into contact with the most outstanding masters. In 1929 he made himself known in the capital in a solo exhibition held in the Madrid Athenaeum, which was a great success with the public and critics. In 1935 he travelled to Palma de Mallorca, where he remained for several months, devoting himself entirely to painting. That same year he was awarded the pension of Count of Cartagena. During the Civil War he was a member of the Board for the Protection of Artistic Heritage and of the Alliance of Anti-Fascist Intellectuals of Valencia. He participated with a work in the Pavilion of the Second Spanish Republic at the International Exhibition in Paris in 1937. As a painter he developed a body of work in the great Spanish academicist tradition. He was an admirer of Ribalta, Espinosa, Velázquez, Navarrete and Sorolla. He mastered all artistic genres and exhibited his work in the most important Spanish cities. Many of his works can be found in various museums and private collections in Spain and abroad. He died in Valencia in 1985.
Lot 80
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Bullfighter. Homage to the Niño de la Palma", 1972.Detachable sculpture in polished brass. Copy 347/2000.Provenance: Private Collection of Luis García Berlanga.Slight scratches.Signed and numbered on the base.Measurements: 28 x 21 x 20 cm.Detachable sculpture in polished brass representing a male torso, emphasising the volume of the shoulders, in allusion to the title of the work, "Torero". Miguel Ortiz Berrocal showed a special predilection for articulated and detachable bronze sculptures. Inspired by the main creative forces of the first half of the 1900s, the artist sought his own artistic path. He drew his inspiration from science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennale, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 95
CARLOS GARCÍA MUELA (Tetuán, Marruecos, 1936 – Madrid, 2013)."Torso".Bronze.It has a scratch on the shoulder.Provenance: Private Collection of Luis García Berlanga.Measurements: 28 x 16,5 x 17 cm.Spanish sculptor born in Tetouan, Carlos García Muela studied at the School of Fine Arts in his hometown, and began his work working with sandstone, making works of a sober and rough character. Later he would change sandstone for iron and bronze, evolving towards a more expressionist language. Already in the 1970s he began a classicist series, “Torsos”, a theme that would be constant in his career ever since, always with volumes that were both organic and archaeological in inspiration. At first, Muela achieved his personal expressiveness through a complex technique, based on the rupture and stratification that the sculptor achieved by distributing layers of wax that broke at the time of casting, creating irregular effects that evoke the passage of time. on the metal. Later the artist left this technique behind to focus on the contrast between classicism and confrontation of materials. Muela has numerous works exhibited in public spaces, such as the “Ares Torso” at the Ciudad Real AVE station or the “Female Torso” at the Ceuta Open-Air Sculpture Museum. Likewise, throughout his career he was distinguished with numerous awards, among which the first prizes of the International Biennial of Sport in the Fine Arts of Barcelona (1979) and the International Biennial of Alexandria (1982) stand out. It is currently represented in the Open Air Sculpture Museum of Alcalá de Henares, among other collections.
Lot 97
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Málaga, 1933 - Antequera, Málaga, 2006)."Mini David", c.1960.Nickel-plated bronze and bronze bath on the genitals. Serial No. 6521.Provenance: Private Collection of Luis García Berlanga.Signed on the right arm.Measurements: 13,7 x 5 cm.Round sculpture made up of numerous pieces in nickel-plated bronze, which are joined together creating a piece of figurative aesthetics, where the artist has grouped a set of angular shapes. The piece represents a male torso whose title refers to the biblical character David, who defeated the giant Goliath. In addition to being a shepherd, David could play the harp. So he went to serve King Saul, who at that time was fighting against the Philistines. There he confronted the giant Goliath, whom he killed with a stone thrown from his sling. The stone hit him in the forehead and Goliath fell to the ground. With the giant's sword, David cut off his head.Berrocal began his training at the School of Arts and Crafts in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and from 1968 he alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicétera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 207
Braunschweig. Bürgerurkunde für Ernst Otto Reinicke. Mit amtlichen Stempel und Steuersiegel vom April 1914. Blattgröße 45 x 33 cm (Querformat). (90)* “Wir Magistrat der Stadt Braunschweig bezeugen ... Ernst Otto Reinicke in der hiesigen Stadt das Bürgerrecht erworben … Braunschweig 27. April 1914“. Zweifarbig gedruckte Urkunde mit der Abbildung des Rathauses und Teilen der Burg Dankwarderode. Beiliegen: Aufnahmeurkunde für Techniker Ernst Otto Reinicke mit Ehefrau und 2 Töchtern für die Staatsangehörigkeit im Herzogtum Braunschweig erworben haben. Braunschweig 8. April 1914. / Staatsangehörigkeitsausweis. (Zur Benutzung im Ausland) für den Techniker Otto Reinicke. Magdeburg 19. März. 1914. / Zwei ausgefüllte Urkundenvordrucke “Seiner Majestät des Königs… für den Vorarbeiter ... Wilhelm Friedrich Reinicke das allgemeine Ehrenzeichen zu verleihen… Berlin, 6ten. Sept. 1897 und ... für den “ersten Meister“ das Verdienstkreuz in Silber“ ... Berlin, 1ten Juli 1912. / Ausgefüllter Urkundevorduck zum Andenken an den 100sten. Geburtstag Kaiser Wilhelm I, für eine gestiftete Erinnerungsmedaille aus erbeuteter Kanonen – Bronze an Zimmermann Wilhelm Reinicke… Magdeburg 27. Jan. 1898. Zustand: Alle Teile mit Knick- und Faltspuren, geringen Gebräunt und fleckig.
Lot 460
Medaille aus Bronze zum Bayerischen Schachkongress in Coburg 1975. Arbeit von B. H. Mayer, Pforzheim, ca. 1975. Vorderseite: Zwei stilisierte Gesichter und Aufschrift. Rückseite: Veste Coburg, drei stilisierte Schachfiguren und Aufschrift "Coburger Schachverein 1872". Durchmesser: 33 mm. (66)* Beiliegen: Runde Plakette aus Bronze mit Schachmotiv (3 Schachfiguren vor Schachbrett, darunter Lorbeerkranz) aus dem Ende des 20. Jahrhunderts Durchmesser 8,8 cm. / Plowdiw 1983. Viereckige Medaille zur Europa - Mannschaftsmeisterschaft in Plowdiw 1983 mit Schachmotiv. Größe 6,5 x 6,5 cm. Zustand: Alle Teile mit geringen benutzungsbedingten Alterungsspuren.
Lot 717
Schachfiguren. Amerika. Schachspiel aus Marmor und Stein mit dazugehörigem Brett aus Marmor. Die eine Partei aus weißbraunem Marmor, die andere aus schwarzem Stein. Arbeit aus dem Ende des 20. Jahrhunderts. Höhe: König 7,5 cm; Bauer 4 cm. Größe Brett: 25,5 x 25,5 cm. (22)* Reizvolles komplettes Schachspiel aus Marmor und Stein, das nach stilisierten indianischen Motiven gearbeitet ist. Die Rückseite ist nicht bearbeitet. Das Brett hat einem Kreis mit Verzierung nach indianischen Motiven. Zustand: Mit kleineren materialbedingten Benutzungsspuren, Fehlstellen und Defekten. Beiliegt: Griechenland. Schachfiguren aus Metall - Figuren aus der griechischen Mythologie. Beide Parteien gleich, eine Partei ist silberfarben, die andere bronzefarben. Produktion der Firma Forma aus der zweiten Hälfte des 20. Jahrhunderts. Höhe König 5,2 cm; Bauer 4,0 cm. Komplettes Metallschachspiel. Die Figuren haben geringe Benutzungsspuren. / America. Chess set made of marble and stone with chessboard made of marble. One side of white-brown marble, the other of black stone. Produced at the end of 20th century. King 7,5 cm high; pawn 4 cm high. Board size: 25,5 x 25,5 cm. Complete set of marble and stone chess, according to stylized Native American motifs. With minor chips and damages. / Greece. Metal chess set - Greek mythological figures in historic style. Both sides identical, one side stained light silver, the other light bronze. Produced of Forma in the second part of the 20th century. King 5,2 cm high, pawn 4,0 cm. Complete metal chess set. With minor chips and damages.
Lot 18
Yiannis Moralis (Greek, 1916-2009)L'ange signé en grec et daté '74' (en bas)bronze23 x 16.5 x 5cm (9 1/16 x 6 1/2in).Edition 15-50. signed in Greek and dated (lower part)bronzeThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 221
An Imperial Standard Set of Capacity Measures English, dated 1856, bronze, engraved 'IMPERIAL HALF GALLON KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; 'IMPERIAL QUART GALLON KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; 'IMPERIAL PINT GALLON KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; 'IMPERIAL HALF GALLON KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; 'IMPERIAL HALF PINT KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; 'IMPERIAL GILL KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; 'IMPERIAL HALF GILL KIRKHAM DIVISION COUNTY OF LANCASTER 1856'; all numbered 1183 with various stamps and exchequer marks (6)
Lot 225
A Part Set of Victorian Imperial Measures, English, dated 1882' made of bronze, the two larger measures with turned ebony handles, each engraved 'TWO GALLONS, CORP'N OF ACCRINGTON, 1882', 'IMPERIAL GALLONS, CORP'N OF ACCRINGTON, 1882' 'IMPERIAL HALF GALLON, CORP'N OF ACCRINGTON, 1882', 'IMPERIAL QUART, CORP'N OF ACCRINGTON, 1882' , 'IMPERIAL PINT, CORP'N OF ACCRINGTON, 1882', , 'IMPERIAL QUART, CORP'N OF ACCRINGTON, 1882' , 'IMPERIAL HALF PINT, CORP'N OF ACCRINGTON, 1882', 'IMPERIAL GILL, CORP'N OF ACCRINGTON, 1882', 'IMPERIAL HALF GILL, CORP'N OF ACCRINGTON, 1882' and, 'IMPERIAL QUARTER GILL, CORP'N OF ACCRINGTON, 1882' the set numbered 1729, each with multiple exchequer marks to the bottom edge and the top rim (9)
Lot 227
Lancashire County Council Standard Spherical Avoirdupois Weights English, dated 1908, weights engraved 'LANCASHIRE COUNTY COUNCIL, 1908' and all numbered 3010, with many calibration verification and Exchequer marks, in a large French polished mahogany case with folding steel handles, catches with large lock, brass plaque to the lid reads ''LANCASHIRE COUNTY COUNCIL, DE GRAVE & CO LTD, LONDON', the weights of standard spherical or globe pattern in bronze consisting of 16 weights from 56lb down to 1/2dr with the small weights in a separate French polished velvet-lined mahogany case, case width 55cm.Footnote: this set of weights was specially made to be used by the weights and measures department to calibrate any of the inspector's weights that were to be taken out on site.
Lot 294
An Unusual Ceramic Sundial by E G Wood, English, c.1880, signed 'E G Wood, Cheapside London, transfer printed and glazed, traditional English pattern with compass rose at centre, dial plate IIII am to VIII pm with equation of time table between,minute band divided to two minutes, with brass or bronze gnomon set at 51.5 degrees for London, plate diameter 31.7cm. Condition Report. One 13mm chip on rim, otherwise good, gnomon solidly fixed, flaking losses verso, see online images.
Loading...-
350105 item(s)/page