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![MICHAEL KENNY, R.A. [1941-2000]. Cladh Maolrithe, 1973. bronze, unique, on white plastic base. 26 x 21 x 11 cm - overall incl](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/f8dc216a-307a-448f-9113-ac6000e4a0bb/468x382.jpg)
Lot 169
MICHAEL KENNY, R.A. [1941-2000]. Cladh Maolrithe, 1973. bronze, unique, on white plastic base. 26 x 21 x 11 cm - overall including base 30 x 25 x 12 cm. Provenance: Annely Juda Fine Art [label underneath]; Christies, Dec. 2002, lot 494; private collection, UK. [very good condition - the plastic base has a few light scratches and dirt and remains of old labels]. Buyers premium 20% + vat payable. ARR 4%.
![MICHAEL KENNY, R.A. [1941-2000]. Tranquil Night 111, 1980. bronze, aluminium and oil - sculpture/relief, unique. 26 x 28 x 8](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/38031f08-a6a3-4328-b9f9-ac6000e4c296/468x382.jpg)
Lot 170
MICHAEL KENNY, R.A. [1941-2000]. Tranquil Night 111, 1980. bronze, aluminium and oil - sculpture/relief, unique. 26 x 28 x 8 cm. Provenance: Annely Juda Fine Art [MK 133 - on label underneath]. A very underrated sculptor, who would have become President of the Royal Academy, had he lived a bit longer. [good condition - a few small stains/dirt on the aluminium panel + some marks in the oil painted area, which could be as intended by the artist?]. Buyers premium 20% + vat payable. ARR 4%.
![MICHAEL AYRTON [1921-75]. Minotaur Asleep, 1972. bronze, edition of 9 [marked 0/9 - artist's cast] on wood base. bronze 24 cm](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/cd58cb1a-9da4-4903-9049-ac6000e5b8da/468x382.jpg)
Lot 181
MICHAEL AYRTON [1921-75]. Minotaur Asleep, 1972. bronze, edition of 9 [marked 0/9 - artist's cast] on wood base. bronze 24 cm long - 25 cm long including base. Provenance: artist's family; private collection, UK. Another cast was sold recently in auction at Woolley and Wallis auctions, 26.8.2020, lot 286 [sold: £10500 hammer price - total approx. £14,000]. [very good condition]. Buyers premium 20% + vat payable. ARR 4%..
![TREVOR BATES [1921-2008]. Bird, c.1961. bronze with an unusual grey patina and oil paint, unique. Signed. 36 cm high. Provena](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/1bee3fce-46b4-4340-9ff0-ac6000e60fcf/468x382.jpg)
Lot 186
TREVOR BATES [1921-2008]. Bird, c.1961. bronze with an unusual grey patina and oil paint, unique. Signed. 36 cm high. Provenance: private collection, Ireland [deceased estate]; according to the descendents it was believed to be acquired from Waddington Galleries, perhaps Victor Waddington? There is a number below the signature which looks like 81 [?] - this is unlikely to be the date as the sculpture is very much in the artist's 1950s/early 1960s style - when he moved to Canada in the late 1960s his style changed and he was no longer represented by Waddingtons. He was a very successful artist when in the UK with one-man exhibitions at Waddington Galleries in the late 1950s and early 1960s. When he moved to Canada he exhibited much less and mainly earned a living teaching art. A very good sculptor and underrated - moving to Canada wasn't a good idea career-wise. His sculpture rarely appears on the market. This sculpture sold at one of our auctions a few years ago for £2300 [hammer price]. [good condition - dust and deposits picked up over the years]. Buyers premium 20% + vat payable. ARR 4%.
![LEONARD BASKIN [1922-2000]. Self Portrait. bronze; signed 'L Baskin' and marked with foundry stamp 'Bedi-Rassy NY'. 25 cm hig](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/3c014c02-5c3b-4bca-860f-ac6000e62ee5/468x382.jpg)
Lot 188
LEONARD BASKIN [1922-2000]. Self Portrait. bronze; signed 'L Baskin' and marked with foundry stamp 'Bedi-Rassy NY'. 25 cm high. Major international sculptor - included in most museum collections, especially in the US. [very good condition - some slight rubbing of the patina at the back of the head]. Buyers premium 20% + vat payable..
![OLIFFE RICHMOND [1919-1977]. Pilot; Marathon; Standing Group, 1966. the set of three lithographs each printed in bronze ink o](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/00b8caf3-5170-49ca-8871-ac6000ea081d/468x382.jpg)
Lot 222
OLIFFE RICHMOND [1919-1977]. Pilot; Marathon; Standing Group, 1966. the set of three lithographs each printed in bronze ink on handmade Barcham Green Crisbrook paper with full margins, edition of 250, published and printed at Curwen Studio, signed, dated '66 and numbered in pencil. 64.5 x 51 cm [sheet size]. Unframed. Provenance: publisher's archive. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..
![MICHAEL AYRTON [1921-75]. Sleeping Minotaur [miniature], 1972. bronze Minotaur and seperate bronze nest - 2 pieces, edition o](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/9e9a8cc7-7ecf-4fcd-b5ee-ac6000ea80e1/468x382.jpg)
Lot 236
MICHAEL AYRTON [1921-75]. Sleeping Minotaur [miniature], 1972. bronze Minotaur and seperate bronze nest - 2 pieces, edition of 12, 7/12. 7.5 x 5.5 cm. Provenance: Private collection, UK - acquired directly from the artist. Another cast was sold at Woolley & Wallis auctions, Salisbury, 8 June 2016, lot 67 [sold for £3200 hammer price]. [very good condition]. Buyers premium of 20% + VAT is payable. ARR 4%
![LYNN CHADWICK R.A.[1914-2003]. Diamond, 1983. bronze relief [double-sided]. 8 cm high. Provenance: private collection, UK. An](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/6495a375-7ac0-4b55-b58e-ac6000ef0ac5/468x382.jpg)
Lot 112
Louis Riché (French, 1877-1949),an Art Deco patinated and silvered bronze figure group, modelled as a lady with two borzoi dogs, signed 'L. Riche', on a marble plinth, 61cm wide53.5cm highCondition report: Wear to the patinated areas and the silvering on the dogs, chips to the edge of the plinth, Back left corner appears to be restored.
Lot 138
An Art Deco spelter and marble mounted mantel clock,mounted to one side with a lady and a greyhound next to a fan-shaped clock stand, mounted with onyx panels, with a lozenge- shaped dial, inscribed 'E. Bourgedi/Doudeville', stamped to the plinth 'Menneville',55cm wide38cm highCondition report: Staining to the ivorine face and hands, residue on both hands. Some minor chips to the stand. ONe notable chip to the base. Spelter not bronze. Additional images uploaded.
Lot 185
Demétre Chiparus (Romanian, 1886-1947), 'The Dancer of Kapurthala', patinated and gilt-bronze and ivory, on a stepped onyx base, signed on the plinth and stamped 'Made in France and numbered 35', 57cm highProvenance: Private collection, East Sussex.See A Shayo, 'Chiparus: Master of Art Deco', Abbeville Press, 1999, pl.63, p.132.'The Dancer of Kapurthala' is believed to have been inspired by Anita Delgado (1890-1962), a flamenco dancer who captured the heart of the Maharajah of Kapurthala when he saw her perform at a café, while attending the wedding of Spain's King Alfonso XIII. They later married and she changed her name to Maharani Prem Kaur Sahiba.Demétre Chiparus (1886-1947), was born in Drohoi, Romania, went to study in Italy with the sculptor Raffaello Romanelli, and then enrolled at the École des Beaux-Arts in Paris. The distinctive sculptures he produced, in the Art Deco style, were frequently made with bronze and ivory - a tradition that had been used in ancient Greece and commonly known as chryselephantine.Chiparus, fascinated by the discovery of Tutankhamun’s tomb and influenced by Diaghilev’s Ballets Russes, was also inspired by the exotic - something that is very evident in this fantastic sculpture.Condition report: Stamped marks under foot, signed to the top of the marble behind the figure. Possibly re-silvered to the hat. Slightly loose on the base, can be tightened via nut underneath the base. In a private collection for 40 years, bought in the 1970s. See further images.
Lot 187
*Stefan Dakon (Austrian, 1904-1992),a cold-painted bronze and ivory figure of a dancer, signed 'Dakon', raised on an onyx plinth, lacking hands, 24cm high*Artist's Resale Right may apply to this lot.Condition report: Lacking both hands. Rubbing and wear to the finish of the figure. Chips to the base and edges of the plinth.
Lot 188
An Art Deco cold-painted bronze and ivory figure of a Pierrot,standing emptying her pockets, raised on an onyx plinth, 24cm highCondition report: Ivory - loss to the neck/chin area - possibly not set properly. Spotting to the back and the body. Later scratched to the reverse of the plinth - 'Lorenzl'. Chips to the plinth.
Lot 189
Josef Lorenzl (Austrian, 1892-1950),a cold-painted bronze figure of a nude, partially covered with a robe, stamped 'RLor Austria', on a tapering octagonal onyx column and plinth, 34cm highCondition report: Some rubbing to the head, body, back of the legs. Two chips to the base. Inscibed to the base 'Austria'
Lot 207
An Art Deco cold-painted bronze figure of a lady,in the manner of Josef Lorenzl, standing in a suit with one hand in her pocket, on a marble plinth, 17cm highCondition report: Chips to the plinth, some wear to the coat, face and back of trousers. Figure is 14.5cm without the base. Further photos uploaded.
Lot 222
Bruno Zach (Ukrainian-Austrian,1891-1935),an Art Deco bronze and ivory figural sculpture, c.1925, depicting a cold-painted female dancer in 1920s dress. holding a large feathered fan behind her, raised on a square variegated marble base, signed in cast 'B ZACH',34.3cm highSee Alberto Shayo, 'Roland Paris, The Art Deco Jester King', ACC Art Books Ltd., Suffolk, UK 2016 - page 178, for examples of these models.Condition report: Some scratches to the arms. Brown hair colour worn.Loose on base. Can be tightened via nut underneath the plinth.Chips to three corners and centre of the marble plinth. See additional images.
Lot 233
Josef Lorenzl (Austrian, 1892-1950),'Tambourine Dancer', c.1925, a cold-painted bronze figure, signed 'Lorenzl', the inside of the tambourine onyx, the plinth onyx and marble, 28cm highCondition report: Chips to the paint on the body of the figure. Scratches to the right shoulder. The base with chips to both sides and edges of the onyx and to the marble plinth.
Lot 234
Josef Lorenzl (Austrian, 1892-1950),a silvered bronze figure of a ballerina standing en pointe, signed 'Lorenzl', on an onyx plinth, 30cm highCondition report: Rubbing and spotting to the silvered body, arms and legs - some surface scratches. Onyx scratched to one corner edge and nibbles to the base.
Lot 235
Josef Lorenzl (Austrian, 1892-1950),a cold-painted bronze figure of a dancing nude, her arms outstretched, signed 'Lorenzl', on a stepped marble plinth, 42cm highCondition report: Spotting and rust spots to both hands, chip to the left arm at the shoulder. Other minor chips to the body and to the plinth.
Lot 245
Jules Leleu (French, 1883-1961), an Art Deco sycamore parquetry cabinet, with four cupboards, inlaid with pewter, flanked with plain capitals and columns, stamped '21667' and signed to one of the central doors, 189.5cm wide52.5cm deep155cm highJules Leleu (1883-1961)Born into a family of artisans and artists in Boulogne-sur-Mer in Northern France, Jules Leleu was one of the fathers of French Art Deco design. Although he ‘never achieved the international fame of Jacques-Émile Ruhlmann, Jean Michel Frank, or Le Corbusier,’The New York Times once wrote, ‘he was just as successful and probably more prolific than his better-known contemporaries.’Leleu exhibited at the prestigious ‘Exposition des Arts Decoratifs’ in 1925, for which he designed the chairs for the Grand Salon and the Music Room, both part of the French Embassy Exhibition, and also exhibited a complete suite of furniture in his own space on the Esplanade des Invalides. He won a Grand Prize at the 1925 Exposition, and one of his pieces was purchased by the Metropolitan Museum in New York City.Often compared with the furniture designs of Ruhlmann, Leleu’s chairs, tables, and cabinets emphasized simple shapes, exotic woods, and marquetry, and inlaid ivory and other embellishments.As these techniques had been brought to France from the Orient, Leleu employed Oriental craftspeople for this work. Hamanaka, one of the great masters of lacquer work, and the famed Jean Dunand, who had learned the skills from Hamanaka, collaborated with Leleu on pieces where lacquer was an element.Leleu was very prolific, and was also constantly evolving and developing his styles. The awards that he won brought him many important clients and commissions, including the ocean liners Ile de France and the famed and ill-fated Normandie. Among other important commissions were a dining room for the Elysée Palace, and, later on, the Grand Salon des Ambassadeurs at La Societé des Nations in Geneva, called the Salon Leleu, and is still in existence.The collection comes from the descendants of Mrs Celestine Galani, the wife of John Galani, who ran a Shipping Company, and who was a friend of Jules Leleu. She commissioned him in the 1940s, to decorate her entire apartment at 81 Avenue Marceau in Paris. Their flat was less than one mile from the Maison Leleu which was at 65 Avenue Franklin Roosevelt, in the 8th arrondissement, in Paris. Condition report: No shelves, knocked edges. One bronze capital missing. Back legs damaged and loose. Front legs are missing slices - one is fixed for photos but loose. No keys. Further images uploaded. Interior depth 42.5cm. Further images uploaded more can be sent if requested to auctions@sworder.co.uk
Lot 250
Jules Leleu (French, 1883-1961), an Art Deco ‘Feux d’artifice’ (Fireworks) rosewood and marquetry cabinet, inlaid with rosewood, ebony and mother-of-pearl marquetry, of slight bow front form, with a stepped top over two cupboards, opening to reveal a blonde wood interior with two shelves, flanked with faceted supports with gilt-bronze details, tapered legs with sabots, stamped '22568',80cm wide36.5cm deep134cm highCondition report: With a key, some wear to the marquetry to the front of the door.Touching up to the right column and to the right side of the door. Minor lifting to the veneer above the cupboard. Some other areas of veneer missing to the bottom edge of the front. Some other minor scuffing to the supports. Further images to show the wear to the panel, veneer lifting and the scuffs and knocks.
Lot 251
Jules Leleu (French, 1883-1961), an Art Deco ‘Feux d’artifice’ (Fireworks) rosewood and marquetry commode, inlaid with rosewood, ebony and mother-of-pearl marquetry flowers, of slight bow front form, with a stepped top over two cupboards, opening to reveal a blonde wood interior with four shelves, flanked with faceted supports with gilt-bronze details, tapered legs with sabots, 190cm wide50cm deep92.5cm high Condition report: Some veneer looses to the front. Lacquered finish worn to the carcass on top and sides. Some staining also. One key.Scuffing to the key holes. Additional photos of the veneer losses and scuffing.
Lot 594
A contemporary bronze and glass 'She'll Find' coffee table,designed by Mark Stoddart, modelled as a girl kneeling down to find shells, the circular glass top as the water, signed and numbered 12/99,101cm diameter61.5cm highCondition report: Glass good overall, some minor marks to the bronze - overall good.
Lot 157
18th / 19th century Chinese bronze censer, of squat form with lion mask handles, on splayed foot, six-character Xuande mark to base, 14.5cm wideCondition report: Suggestion of areas of old repair - plugs to the walls of the vessel, two of which are showing as copper, suggestion of at least two further areas of repair, notable from interior inspection, elsewhere dents, general wear
Lot 158
Chinese bronze censor, of squat bellied form with twin handles, moulded roundel to base with pheonix and dragon, 24cm wide (including handles), on circular stand with bracket feetCondition report: Sound original condition.Old repair to bowl- see images. Stand is 940 grams, censor is 1934 grams. Top rim is 16cm in diameter.
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350105 item(s)/page