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Lot 1

Salvador Dali, 1904-1989, LA PERSISTANCE DE LA MeMOIRE, inscribed Dali, numbered 152/350 and stamped with the foundry mark Camblest 1981, bronze with a gold patina, height: 37cm. 14.5in. Conceived in 1980 in an edition of 350 plus 35 artist's proofs. Literature, Robert & Nicholas Descharnes, Dali - le dur et le mou - sculptures et objets, Paris, 2004, p. 246, no. 632, illustration in colour of another cast,

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Salvador Dali, 1904-1989, VeNUS a LA TETE DE ROSE, inscribed Dali, stamped Dali 1981 and numbered 61/350, bronze and plastic, height (including base): 44cm.; 17.375in. Conceived in 1981 in an edition of 350. Literature, Robert & Nicholas Descharnes, Dali - le dur et le mou - sculptures et objets, Paris, 2004, p. 267, no. 684, illustration in colour of the edition of 8,

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Salvador Dali, 1904-1989, CARMEN AVEC CASTAGNETTES, inscribed Dali, stamped with the foundry mark SCAN and numbered 25/300, bronze with a green and brown patina, height: 17cm.; 6.75in. Conceived circa 1970 in an edition of 300. Literature, Robert & Nicholas Descharnes, Dali - le dur et le mou - sculptures et objets, Paris, 2004, p. 174, no. 445, illustration in colour of a larger cast, # 2000-3000,

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Salvador Dali, 1904-1989, PERSEUS - HOMAGE A BENEVENUTO CELLLINI, inscribed Dali, stamped with the foundry mark SCAN and numbered 18/300, bronze with a gold patina, height: 19cm.; 7.75in. Conceived in 1976 in an edition of 300. Literature, Robert & Nicholas Descharnes, Dali - le dur et le mou - sculptures et objets, Paris, 2004, p. 173, no. 437, illustration in colour of a larger cast, # 1500-2000,

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A late 19th Century Oriental bronze jardiniere, the body with applied stylized motifs beneath a Greek key pattern border, raised on circular foot, 10" diameter x 9 1/2" high

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A Small 18th/19th Century bronze chamber-stick complete with snuffer, ring handle, 2 1/4" high.

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A 19th Century ormolu lion, tail raised, front legs upon a bronze rocky outcrop, unsigned, 5 3/4" high.

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Masulli (19th Century Italian), a 19th Century bronze semi-nude female figure, the rectangular base raised four paw feet, signed Masulli Napoli, 19 1/2" high.

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Bruno Zack (fl.1890) a signed bronze female figure Spanish dancer, on oval mottled marble base, figure 10 3/4" high.

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Emmanuel Hannaux (1855-1934), a fine patinated bronze, Mercury bearing Cupid, surmounted on a cloud-like base, signed, Founders E. Colin and Cie Paris, 24 1/4" high.

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A bronze-framed rectangular coffee table, the top striated cream and yellow marble, 42" x 19" x 19 " high

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A 19th century French mantel clock, the eight day movement with a circular white enamel dial in a shaped slate case, surmounted by a polished bronze classical figure reading a scroll, inscribed L.E. NEIDE. 20.5in. (52cm.) high.

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A late 19th century bronze of a boy sailor, the base inscribed Mousse Siffleur V. Szozeblewsk., 22.5in. (57cm.) high.

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A cast bronze gilded putto figure, seated on a column base, to a green onyx plinth as a paperweight. 5.75in. (14.75cm.) high.

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A 19th century French jardiniere, veneered in faded figured walnut, the top with a pierced gilt bronze gallery, the cavetto sides inlaid scrolling marquetry foliage with cast gilt bronze mounts to the corners, the serpentine outline flared friezes inlaid stringing, on tulipwood banded cabriole legs. 25.5in. (65cm.).

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A late 19th century pair of Japanese bronze elephants with ivory trunks and a seal mark underneath. Meiji. 14in. (36cm.) high.

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Peter J. Bailey, (1951 - ), "Spirit of the Horse", initialled on base, from a limited edition, bronze, height 28cm.

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Fullbrook, 20th century, A portrait bust of T. E. Lawrence, signed, bronze, height 36cm (excluding marble base).

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Art deco cold painted bronze-effect figure of a female dancer, wearing a leotard with high collar, on stepped alabaster base. Height of figure 36cm.

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A Royal Presentation tortoiseshell snuff box with two-colour gold mounts, Rundell, Bridge and Rundell, circa 1815, circular with wasted sides, the lid inset with a gilt-bronze portrait medallion of the Prince Regent, the truncation signed: Rundell Bridge & Rundell, the border garter inscribed in blue enamel: George Prince of Wales Regent, the lid with outer border of acorns and oak leaves, the gold thumbpiece chased with foliate scrolls, the gold lining inscribed George Prince Regent to Lord John Townshend, diameter 8.3cm, 3.25in, Provenance, Lord John Townshend (1757-1833) married Georgiana Anne, daughter of William Poyntz, in 1787, the same year his father was elevated from Viscount to first Marquess Townshend of Raynham. The marquessate later passed to their son, another John, who inherited the title in 1855, Rundell and Bridge held the Royal Warrant from 1797 to 1843, supplying four monarchs with fine silver and precious objects. George IV was by far the best royal customer. Following his first purchase in 1805, his commissions became suitably grander after he was named Regent in 1811. Other admirers included Napoleon, who promised his generals that the first of them to capture London could pillage the famous shop. , An exhibition Royal Goldsmiths: The Art of Rundell and Bridge 1797-1843 is being held from 14 June to 1 July 2005 at Koopman Rare Art, London.

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[NUMISMATICS]. MONTAGU (H.), Copper, Tin and Bronze Coinage and Patterns for Coins of England ..., 8vo, illus., 1/4 calf (original wrappers bound in), L., 1885.

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A collection of eight cold painted bronze Beatrix Potter characters, including Peter Rabbit, Jemima Puddleduck, Tom Kitten, Pigling Bland and Hunca Munca, each approx. 3.5cm high; with another of lead, (9).

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A pair of continental bronze figural candlesticks, of a putto holding a baton with drip pan and sconce, one nozzle missing, on square marble bases, 7.75in (19.6cm) h. (2)

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A bronze figure of a child, with a drum, seated on a cushion, to a green marble base, 4.25in (10.5cm) h, 5in (12.8cm) w.

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After Rembrandt Bugatti. A bronze model of a cockerel, bears signature and stamp 'CIRE PERDUE A.A.HEBRARD,' 15.5in (39.3cm) h.

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A bronze model of a dog, seated watching a snail on it's bowl, green patination, 10.25in (26cm) h, on a marble base with canted corners, repaired.

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After Emmanuel Fremiet. a bronze desk stand of a chick by a shallow bowl with lilies, the oblong base inscribed 'E. FREMIET', brown / red patination, 3.5in (9cm) h, 6.25in (16cm) l.

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A French bronze patinated brass clock, the 8-day movement with a later escapement to an outside count wheel and striking on a bell, within a globe resting on the shoulders of Atlas, standing on a fluted plinth and stepped square base, 19.25in (49cm) h.

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An Early 20th Century Bronze Figure of a Scout Master, standing holding a staff, on a rocky plinth, 17cm high

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A Modern Chinese Bronze Helmet, in an archaic style

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A Japanese Second World War Army Officer's Katana, watered steel blade, prunus pierced and cast gilt bronze tsuba, braid bound shark skin grip with triple chrysanthemum head menuki, leather covered scabbard

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Dinky: 245 Superfast Gift Set comprising bronze E-Type Jaguar 2+2, yellow Jensen FF and metallic sea-green Aston Martin DB6 in original box, G, box G, small crease

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Dinky: bronze 149 Citroen Dyane and fluorescent pink 217 Alfa Romeo Scarabeo in original boxes, E, boxes VG and F (2)

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Matchbox 22 Vauxhall Cresta: bronze with black plastic wheels and dark gold with silver wheels in original boxes, E-M, boxes G (2)

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Matchbox: two bronze 66 Harley Davidson Motorcycles in original boxes, E-M, one embellished, boxes G and E (2)

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Matchbox 33 Ford Zodiac: dark green with metal wheels, sea-green with grey plastic wheels and metallic bronze and orange with silver wheels in original boxes, E-M, boxes E (3)

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A reproduction bronze, after Remington, entitled "Coming Through the Rye", depicting four cowboys on horseback.

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A handbook of the British Empire Exhibition of 1924; together with a keepsake medal No.1 bronze, and a booklet "Life of Nelson", and a souvenir score card, England v Australia 5th Test.

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A bronze table bell, depicting a young lady wearing a crinoline, the clangers in the form of her legs, height 10cm.

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A BRONZE PAPERWEIGHT, 19th Century, classically draped maiden, (unsigned) on a rectangular striated marble plinth, height 13cm

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A BRONZE DESK PAPERCLIP OF HUNTING INTEREST, late Victorian, modelled as hound chasing fox, length 13cm

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A BRONZE POT-POURRI, 19th Century, circular lidded vessel supported by three angels, all-over brown patina, height 10cm

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AN EARLY 20TH-CENTURY GILT-BRONZE EASEL DRESSING MIRROR of asymmetrical rococo cartouche form and palm and floral scroll design, with shallow-bevelled plate, on integral acanthus-scroll feet, 33.5cm, (13.25in) high

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A PAIR OF 19TH-CENTURY FRENCH-STYLE CHAMPLEVÉ ENAMELLED AND GILT-BRONZE VASES of two-handled urn form, having all-over formal polychrome moresque decoration, on white onyx square bases, 14.8cm, (5.9in) high

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A 19TH-CENTURY "GRAND TOUR" BRONZE FIGURE OF THE LION OF ST. MARK'S, VENICE, on rectangular base with canted corners, 26cm, (10.25in) long, overall

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AN ORIVIT THREE-PIECE BRONZE DESK SET, each decorated in relief with recumbent foxes, comprising an inkstand with two inkwells having hinged cover flanking foxes above a pen tray, 26.5cm, (10.4in) wide, a blotter, stamped ORIVIT 194, 12cm, (4.7in) wide, and a two-division letter rack, stamped ORIVIT 227, 10.8cm, (4.25in) high (3)

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A JAPANESE MEIJI PERIOD BRONZE FIGURE OF A SNARLING TIGER, well-modelled, with shakudo-inlaid stripes, and glass eyes (one lacking), signed under belly (Minkoku?), 45cm, (17.75in) long, on stained softwood stand

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A LATE 19TH-CENTURY JAPANESE BRONZE VASE, of balustroid form, on foot, having raised decoration of a song bird on a prunus tree to one side and a kingfisher and water plants to the other, having white and yellow metal inlays, the everted neck having similarly inlaid foliate scrollwork and stylised elelphant-head handles, 30.5cm, (12in) high, A SMALL JAPANESE BRONZE KORO AND COVER similarly inlaid with prunus sprigs, on three feet, 10cm, (4in) high and A JAPANESE BRONZE FIGURE OF A CRANE (for longevity), surmounted by a small koro, its lid with lion handle, the whole on rectangular stepped base, 30.5cm, (12in) high overall (3)

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An early 18th century bronze cauldron, with two angular handles on three feet, 31cm wide

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A late 17th/early 18th century bronze mortar of tapering form, with a later iron pestle on a turned elm base, 28cm overall

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A terracotta and bronze patinated bust of a lady, on a round socle, 50cm high

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A 19th century bronze figure of an ancient Greek standing on an associated marble column and square base, 28cm high.

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An early 19th century bronze sphynx type female figure, recumbent on a rectangular mottled pink marble base with pierced gilt metal border, 13cm high, 18cm long, 10cm deep.

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A Continental bronze figure of the Sphynx, on a black marble base, 18cm high, 13cm deep x 30cm long overall.

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A 19th century bronze figure of an Ancient Greek holding a scroll on a rectangular red marble base, 29cm high, 14cm long, 8cm deep.

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A 19th century gilt bronze figure of a bearded gentleman with a staff, on a rectangular red marble base.

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A 19th century gilt metal relief cast plaque in the form of a gentleman with a beard, in a rectangular frame, 16cm high, 12cm wide, a magnifying glass with a mother-of-pearl and gilt metal handle (adapted from a relief cast parasol handle), a bronze plaque of an emperor and soldier, 13cm diameter, a 19th century brass sander of cylindrical form on a moulded base, 15cm high, and a composition ram's head mount.

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An early 19th century gilt bronze figure of a poodle, standing holding a later George IV silver coin, on a canted rectangular base, 10cm high, 7cm wide, 11cm long.

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A pair of Regency bronze and ormolu lustres, in the form of two Oriental figures holding parasoles, each on a cylindrical base applied with flower mounts on square bases with scroll feet, 32cm high

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Joseph Uphues (1851-1911), a bronze model of an athelete, on an oval base and a green marble plinth, signed 'Joseph Uphues (1851-1911), Foundry Akt, Ges. Gladenbeck, Berlin', 58cm high

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