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Lot 109
John Erskine MILNE (1931-1978) Cylindrica Form (1968) Polished bronze, signed JEM to base, height 20cm, 24cm including base.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.This bronze does have some scratches and pitting. The extra images show the main issues.
Lot 159
A Bvlgari Bronze Mechanical Gentleman's WristwatchModel: BB 41 BSerial: PO 1095Year: 2010sCase Material: Bronze With Titanium and Saphire Crystal CasebackCase diameter: 41mmDial: BlackNumerals: Arabic & BatonMovement: Mechanical Self WindingCalibre: 191Functions: Date ApertureStrap: Bvlgari Brown LeatherBuckle: PVD BlackBox & Papers: No The watch appears to be in good working order, no long-term tests have been performed and accuracy cannot be guaranteed, a full service is advised on all watches and pocket watches once purchased. Surface scratches & wear consistent with age The online condition report may not mention mechanical replacements or imperfections to the movement, case, dial, pendulum, separate base(s) or dome.Watches with water-resistant cases may have been opened to examine movements, but no warranties are given regarding their water resistance.It is also important to note that we cannot guarantee the authenticity or originality of individual components, such as wheels, hands, crowns, crystals, screws, bracelets, and wrist bands, since subsequent repairs and restoration may have changed the original components. Also, we cannot guarantee the authenticity or originality of any engraving or re-engraving on watch cases, case backs, bracelets, straps or internal movements.
Lot 2130
A very large Edwardian oak hall post box, having rectangular moulded top above panelled door fitted brass frame with slide-out enamel plate "37, Next Collection 8.30AM Monday", brass letter aperture and applied bronze plaque to centre "This Is A Private Posting Box. Letters And Packets Posted In It Will Be Treated In All Respects As postal Packets, But Proof Of Such Posting Will Not Be Accepted In Legal Proceedings As Evidence Of Receipt By The Addressee, By Order Of The Post Master General", raised upon moulded plinth base, the interior with letter basket with pull-down access flap. 138cm x 66.5cm x 56cm, with key. Provenance: Christie's 3rd May 2000, Lot 178.
Lot 3095
A late 19th century cast bronze plaque, in the style of Elkington & Co, with relief moulded design of classical figures, the plaque being of stylised form and with plaster back, approx. 85cm wide x 26cm long. Further Details: Some signs of rusting, wear and staining etc commensurate to age.
Lot 3142
Four small early 20th century probably Continental cold painted bronze figures to include; small mouse housekeeper, small brown Dog, a "Gentleman" mouse with stick in hand, and a Cat wearing apron and watering can in hand. Tallest approx. 5.5cm high. Further Details: Some slight loss to paint/wear to parts, generally good.
Lot 3191
Elizabeth Waugh (1929-2023) Highland Mare and Foal bronze resin signed E Waugh, stamped BFA @ 1988, on wooden base approx 30cm long overall Provenance: given to the vendor's mother by Elizabeth Waugh directly as they were personal friends. Note: The only other known example of Highland Mare and Foal was believed to have been purchased for Her Late Majesty Queen Elizabeth II in 2010 and thought to be housed at Balmoral.
Lot 789
* ANGUS MCEWAN PRWS RGI RSW (SCOTTISH b. 1963), ANCIENT STANDING STONE watercolour on paper, initialled and dated '96mounted, framed and under glass.image size 25cm x 18cm, overall size 48cm x 39cmNote: in 2022 Angus McEwan was elected President The Royal Scottish Society of Painters in Watercolours (RSW).Note 2: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown Award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, in Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as a special guest and in Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.
Lot 279
A REGENCY RED LEATHER WORK BOX EARLY 19TH CENTURYof sarcophagus form, the stepped cover enclosing a silk picture of Venus and Neptune riding a chariot and a leather bound fitted interior of lidded compartments and silk pin cushions with steel beaded trim, the rounded base with lion head ring handles and bronze lion's paw feet13.5cm high, 28.5cm wide, 20.5cm deep
Lot 318
A REGENCY WHITE MARBLE AND GILT BRONZE MANTEL CLOCKBY WEBSTER, LONDON, C.1820the brass chain driven single fusee drum movement with a backplate inscribed 'Webster, Cornhill, London', the enamelled dial with black Roman hours and inscribed 'WEBSTER LONDON', inside a laurel wreath and guilloche bezel beneath a ribbon, oak leaf and acorn crest, on scroll brackets and a white marble plinth with a fruiting foliate swag and four guilloche decorated bun feet, with key and pendulum23cm high
Lot 642
A PAIR OF ITALIAN BRONZE GRAND TOUR MODELS OF LIONSAFTER ANTONIO CANOVA (ITALIAN 1757-1822), LATE 19TH CENTURYdepicting sleeping lions, on a rectangular plinth (2)13.7cm high, 24cm wide Catalogue NoteThe originals versions of these lions by Canova are part of the Rezzonico Monument in St Peter's Basilica in Vatican City. Marble copies, by Rinaldo Rinaldi and Fransesco Benaglia, are held as part of the Chatsworth Collection.
Lot 648
A PAIR OF FRENCH BRONZE FIGURES OF COUNTRY MUSICIANSBY CELESTIN-ANATOLE CALMELS (FRENCH 1822-1906), LATE 19TH CENTURYdepicting a man playing bagpipes and another castanets, each on one foot, on a naturalistic circular base and a black marble octagonal stand, one signed 'A. Calmels de Pradier' (2)57cm high
Lot 647
A PAIR OF ITALIAN BRONZE TORCHÈRESAFTER A DESIGN BY GIUSEPPE MICHIELI, VENETIAN, 19TH CENTURYeach with a graduated stem modelled with cherubs, chimerae and Moors, the base with chained slaves and sphinxes on lion's paw feet, stamped 'Venezia 1866', each mounted on a wooden plinth, later fitted for electricity (2)127.7cm high, 190cm high (with plinth)Catalogue NoteA very similar candelabrum was exhibited at the 1867 Paris Exposition Universelle and the design was reproduced in the Art Journal catalogue of the exhibition, p.263. A similar pair of torcheres were sold in these rooms Furniture & Works of Art 12th April 2017 for £4,200 (hammer).
Lot 470
A PAIR OF FRENCH GILT BRONZE AND ALGERIAN ONYX CANDELABRALATE 19TH CENTURYeach with four urn nozzles on scrolling branches surrounding a fifth nozzle, on a baluster body with Greek-style handles with female bust finials, on a stepped circular base with angular and turned feet, drilled for electricity (2)64.5cm high
Lot 613
A FRENCH BRONZE GRAND TOUR FIGURE OF THE VENUS DE MEDICIPROBABLY BY F. BARBEDIENNE, AFTER THE ANTIQUE, LATE 19TH CENTURYstanding before cherubs riding a dolphin, on a shaped base, stamped with the 'REDUCTION MECANIQUE A COLLAS BREVETE' cachet, on a rouge griotte marble base49cm highCatalogue NoteThe original marble sculpture is currently on view at the Gallerie degli Uffizi, Florence.
Lot 676
Φ Φ A PAIR OF BRONZE EQUESTRIAN GROUPS OF PORTUGUESE BULLFIGHTERS - REJONEADORESCAST BY VALSUANI AFTER HERBERT HASELTINE (AMERICAN, 1877 - 1962)each signed 'Herbert Haseltine', dated 1922 and stamped 'C. VALSUANI CIRE PERDUE' on black and white veined marble bases (2)32cm high, 30cm wide, 11cm deep
Lot 122
A PAIR OF GEORGE III TREEN MAHOGANY TRIPOD CANDLESTICKSLATE 18TH CENTURYeach with a bronze urn nozzle on a tapering stem and a tripod base (2)39.3cm highProvenanceThe Simon Castle Collection of Treen.LiteratureThe current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.259.
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