We found 350105 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 350105 item(s)
    /page

Lot 1007

BELGIUM, Congrès Internationale de Numismatique et de l’Art de la Médaille, Brussels, 1910, a light bronze Art Déco medal by G. Devreese and R. Bosselt for the ANS and the Société Hollando-belge des Amis de la Médaille [struck 1911], bust of Ernest Babelon left, rev. helmeted male head left in classical style, holding upper part of sword, figures on upper part of shield, 65mm (Willenz 112; Maier 135; cf. Baldwin 90, 2146). Extremely fine £100-£150 --- Ernest Babelon (1854-1924), student of ancient numismatics, director of the Cabinet des Médailles, Paris, 1892-1924, presided over the Congress in 1910

Lot 1008

75th Anniversary of the British Numismatic Society, 1978, a cast silver medal by R. Elderton for the Royal Mint, hand holding an Alfred London Monogram type penny, medieval coinage piles and trussels around, rev. legend in 7 lines, shamrock, rose and thistle below, border of coins around, edge hallmarked London 1980, 76mm (W 3012 [not listed in silver]). Extremely fine, in green Royal Mint case of issue; together with original order form and a TLS to the recipient from J.E. Cussen, Royal Mint, 12 November 1980 £80-£100 --- The British Numismatic Society was founded in June 1903 and held its inaugural meeting on 30 November 1903. The letter from Mr Cussen makes it clear that the Mint had difficulties with this and other projects at the time of the anniversary, and the Society’s then treasurer, Robert Seaman, was instrumental in having this medal made as a replacement for an unwanted specimen in bronze

Lot 1009

U.S.A., Opening of the Mercantile Money Museum, St Louis, 1980, a light bronze medal, unsigned, 37mm; American Numismatic Society, Member’s Medal, 1987, a light bronze medal by the Medallic Art Co, edge stamped 292, 63mm; George Kolbe, Crestline, 1988, copper $2.50, unsigned [by K. Douglas for Meyer Katz], 28mm [3]. Mint state; second in numbered box of issue £30-£40 --- George Frederick Kolbe, b Yonkers, NY, 1941; numismatic bookseller since May 1967, initially from Crestline, CA

Lot 1010

Retirement of Robert Carson from the British Museum, 1983, a bronze medal by R. Elderton, facing bust, rev. legend around a montage of ancient coins, 64mm (W 3015). Extremely fine, as made £30-£40 --- Robert Andrew Glendinning Carson (1918-2006), a career numismatist at the Department of Coins and Medals, British Museum from 1947, served as Keeper from 1978 to 1983; his principal field of expertise was Roman numismatics

Lot 1011

U.S.A., 125th Anniversary of the American Numismatic Society, 1983, a bronze plaque by M. Jovine, moneyer hand-hammering a coin, surrounded by images of coins of differing periods from the Society’s collection, rev. screw press above central inscribed panel, Lincoln cent and Janvier reducing machine below, 110 x 92mm. Extremely fine; in original green and gilt card box, with descriptive leaflet £60-£80 --- The American Numismatic Society was formed by a group of collectors who met in New York City in March 1858, and constituted on 6 April 1858

Lot 1012

80th Birthday of Christopher Blunt, 1984, a cast bronze medal by Annabel Eley for G.W. Lunt, bust right, emblems from an Anglo-Saxon penny of Offa, moneyer Ibba, behind, rev. legend around a cascade of coins, 50mm (W 3011; BNJ 1984, p.188; BM Acq. 1983-7, pl. 82, 100; The Medal 5, p.62). Extremely fine, as made; in original green case of issue, with slip from G.P. Dyer, Royal Mint, inscribed ‘With the Compliments of the Blunt Medal Fund’ £30-£40 --- Christopher Evelyn Blunt (1904-87), of Ramsbury, merchant banker; president of the British Numismatic Society 1946-50, and of the Royal Numismatic Society, 1956-61; the foremost student of British numismatics in the 20th century, he celebrated his 80th birthday on 16 July 1984

Lot 1013

60th Birthday of Graham Pollard, 1990, a plated bronze medal by I. Rank-Broadley for Fattorini, bust right, rev. reclining nude male on the bank of the River Cam, left foot in the water, regarding a pollarded tree and a figure holding an hour-glass, 50mm (W 3058; E 2174; The Medal 17, p.85). Mint state; in black fitted case by Fattorini, Birmingham, England £40-£50 --- John Graham Pollard (1929-2007), a career numismatist at the Department of Coins and Medals, Fitzwilliam Museum, Cambridge from 1950, serving as Keeper from 1966, retired 1988; fellow of Wolfson College; his principal field of expertise was Italian Renaissance medals

Lot 1014

British Numismatic Society, 1990, a bronze Member's medal by J. Lobban, named (M. Lessen, 1964), 45mm (W 3013); Centenary of the British Numismatic Society, 2003, medals by Danuta Solowiej-Wedderburn (2), in silver and bronze, former named (Marvin Lessen), both 45mm (W 3014; The Medal 44, 102) [3]. Extremely fine, in Royal Mint cases of issue; first medal with compliment slip signed by G.P. Dyer, 25 March 1991, second with copy TLS from David Dykes, 8 October 2003 £80-£100 --- Silver medal only illustrated. Marvin Lessen, b Baltimore 1934, numismatist. The other original presentations of the silver medal were made to Harington Manville, David Brown and Peter Gaspar. Sold with a photograph of the medal of Wilfred Slayter, the Society’s secretary from 1962 to 1990, by R. Elderton (W 3064)

Lot 1015

Death of Mark Blackburn, 2011, a bronze medal by I. Rank-Broadley and Lida Cardozo Kindersley, bust left, rev. stylistic legends, 124mm, edge stamped 49 (W 3009). Extremely fine and as made, rare; arguably the finest British medal yet struck in the 21st century £200-£300 --- Mark Alistair Sinclair Blackburn (1953-2011), corporate financier, then research associate with Prof. Philip Grierson, Cambridge; eminent scholar of Anglo-Saxon and Viking numismatics; Keeper of Coins and Medals, Fitzwilliam Museum, Cambridge, 1991-2011; he died on 1 September 2011

Lot 1021

Oliver Cromwell, a uniface cast bronze plaque, unsigned, armoured bust right, 147 x 96mm. Good very fine; with integral loop for suspension £100-£120

Lot 1026

Battle of Waterloo, 1815, silver electrotypes of both sides of the proposed medal by B. Pistrucci, made for the Waterloo Committee in 1975, both 133mm (Eimer 57; BHM 870; E 1067); together with bronze electrotypes, similar, both 133mm [Lot]. Extremely fine; mounted on framed boards with plaques numbered 201 and 1070 respectively £120-£150

Lot 1029

Exhibition of Art Treasures, Manchester, 1857, a white metal medal by Pinches, 63mm (BHM 2605); International Health Exhibition, London, 1884, a bronze medal by L.C. Wyon and Pinches, 45mm (BHM 3175); Sinking of the SS Lusitania, 1915, a cast English copy of the medal by K. Goetz, 55mm (BHM 4118); Edward VIII, Abdication, 1936, a bronze medal by Pinches, 35mm (Giordano CM349a); Eton College, a white metal attendance medal, unsigned, edge hand-engraved (J.G. Benge), 45mm [5]. Good very fine or better £100-£150

Lot 1030

Richard Cobden, a bois durci medal, 113mm; Death of Thomas Coats, 1883, a bronze medal by N. MacPhail, 49mm (BHM 3147; E 1698); Newport School, attendance award medals by Vaughton (5, differing base metals), named (Annie Roberts, 1894, 1897 [2], 1897-8, 1898-9), all 39mm [7]. About extremely fine and better; Newport medals in cases of issue £80-£100

Lot 1038

AUSTRIA, Die Zuordnung [The Assignation], c. 1905, a uniface bronze plaque by J. Prinz, woman in bonnet holding rose, looking into the eyes of man with hat and cane who is tickling her chin, 70 x 53mm (cf. BDW 14, 735). A charming plaque full of expression, very fine £80-£100

Lot 1040

AUSTRIA, Coronation of Charles I, 1916, a bronze medal by H. Kautsch, bust in military uniform right, rev. crown with jewels and impedimenta, sun rising over Vienna in background; the medal set in a coloured enamelled wreath border, 1917 below bust, 65mm (Frankenhuis 405; BDM VII, 497; cf. Nudelman 15, 400). Very fine and very rare £120-£150

Lot 1042

FRANCE, Exposition Universelle, Paris, 1889, République du Chili, a white metal medal, unsigned, 28mm; Porte Monumentale, Paris, 1900, a bronze award medal by F. Rasumny, 42mm; together with other base metal medals (2) [4]. Very fine and better £50-£70

Lot 1043

FRANCE, Fondation Carnegie, 1909, a bronze Life Saving award plaque by L. Dejean, bust of Andrew Carnegie right, rev. Victory crowns kneeling figure, named (Michat (J), 1945), 81 x 53mm (Coll. R. Marx 351; cf. DNW 56, 796). Obverse very fine, reverse extremely fine, scarce £90-£120 --- Provenance: Bt C.F. Seidler October 1992

Lot 1049

VENEZUELA, Universidad Central, Caracas, Vicente Peña Medal, 1959, a bronze award, unsigned, 61mm; PANAMA, XI Juegos Deportivos Centroamericanos y del Caribe, 1970, a gilt and enamel badge, unsigned, 66 x 48mm [2]. Extremely fine £40-£50

Lot 1050

Austria and Germany, decorative bronze plaques and medal (4), various subjects [4]. Very fine and better £60-£80 --- END OF SALE

Lot 19

A Small Bronze Seal in the Form of an Owl Standing on Book, 4.25cm high

Lot 20

A Carved Oval Soapstone Paperweight Depicting Lion Attacking Antelope Together with a Green Patinated Bronze Effect Spelter Study of a Tortoise, Each 7cm Long

Lot 26

An Art Deco Patinated Bronzed Effect Bronze Effect Metal Figure of a Dancer on Oval Stepped Onyx Plinth, 27.5cm High

Lot 283

A Chinese Bronze Censer with Temple Dog Finial, 11cm High

Lot 284

A Japanese Meiji Bronze Two Handled Vase, Three Character Mark to Base, 31cm High

Lot 294

A Collection of Various Cat Ornaments to Include Faux Cinnabar Lacquer, Patinated Bronze, Metal Examples etc

Lot 46

Two Patinated Bronze Studies of Seated Cats, Each 7cm high

Lot 19

Japanese bronze censor, of small size, with a lotus leaf and frog above, 6.5cm wide

Lot 84

Two bronze horses, after the antiquites, both modelled in a standing position, the longest 22cm (2)

Lot 95

Chinese bronze vase, the tapering neck above a bulbous ribbed body and circular foot, 21.5cm high

Lot 10

RUSSIAN BRONZE SLEIGH RIDER - SIGNED - 23CMS

Lot 110

BRONZE EAGLE BALL CLOCK - 21CMS

Lot 136

BRONZE ABSTRACT SCULPTURE - 43CMS

Lot 138

LARGE BRONZE PIERCED BABY FIGURE - 56CMS

Lot 150

BRONZE PARROTS GROUP - 35CMS

Lot 158

BRONZE SPIRIT OF ECSTASY - 52CMS

Lot 159

LARGE BRONZE BUDDHIST FIGURE - 38CMS

Lot 160

TWO BRONZE NUDE FIGURES HOLDING BASKETS OF FLOWERS - EACH 86CMS

Lot 162

BRONZE DECO LANTERN GIRL - 50CMS

Lot 165

SIGNED BRONZE ABSTRACT SCULPTURE - 40CMS

Lot 166

BRONZE REARING HORSE - 41CMS

Lot 169

BRONZE CHINESE BELL ON STAND - 36CMS

Lot 170

PAIR OF BRONZE LIONS - 23CMS HEIGHT

Lot 172

BRONZE CHERUB CEILING LIGHT

Lot 194

PAIR MARBLE & BRONZE COLUMNS - 104CMS

Lot 34

PAINTED BRONZE CAT IN BOOTS

Lot 58

BRONZE ISRAELI LIDDED CASKET - 12CMS

Lot 93

BRONZE BUST - CHURCHILL - 15CMS

Lot 80

A bronze figure of a seated Buddha adorned with gilt decoration. H: 29.5cm, W: 23cm. Condition good. A few scratches but nothing major.

Lot 88

A pair of bronze statues of Hindu deities. Tallest: H: 27cm, W: 8cm. Smallest: H: 23cm, W: 7.5cm. Condition good.

Lot 92

A bronze figure of a reclining semi nude maiden in classical style. (Height 20cm, Length 33cm).

Lot 6

An Art Nouveau style bronze figure of a nude maiden. (27cm).

Lot 336

A PAIR OF GOLD DECORATED BRONZE GARMENT HOOKS, LATE WESTERN/EASTERN HAN DYNASTY, inlaid in gold with geometrical patterns of coil scrolls, the hook formed by a beast head, the eyes decorated with gold circles. 7.5cm

Lot 2133

(See English version below)Igor Mitoraj (Oederan 1944 – lebt in Paris und Pietrasanta). Poire. Bronze, mit goldbrauner Patina. 10 × 7 × 6,2 cm (zusammengesetzt) ( 3 â…ž × 2 ¾ × 2 ½ in (zusammengesetzt)). Oberhalb der Lippenpartie signiert: IGOR MITORAJ.Künstlerexemplar. [3700]Zustandsbericht: Ex. EA. Schöner harmonischer Gesamteindruck. Die Bronze leicht oxidiert. Die Oberfläche stellenweise mit leichten Kratzern und punktuellen Bestoßungen.Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Igor Mitoraj (Oederan 1944 – lives in Paris and Pietrasanta). Pear. Bronze, with golden brown patina. 10 × 7 × 6,2 cm (assembled) ( 3 â…ž × 2 ¾ × 2 ½ in (assembled)). Signed above the lip area: IGOR MITORAJ.Artist's copy. [3700] Condition report: No. EA. Fine harmonious overall appearance. The bronze slightly oxidised. The surface in places with light scatches and sporadic nicks. We charge 30% premium and 7% import tax on the hammerprice.

Lot 100

C. 3rd millennium BC. Indus Valley Civilisation. Beautiful terracotta coloured bowl decorated with black concentric circles showing geometric patterns. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which these kind of ceramic vessels belong, was in the 3rd millennium BC. Large numbers of ceramic vessels decorated with black slip have been found among the sophisticated urban settlements of South Asia's protohistoric Indus Valley civilization. The walls of this jar are so thin that it must have been created on a potter's wheel. Provenance: From an old British collection formed in the 1990s, formerly acquired in the UK and European Art Market.Size: L:115mm / W:310mm ; 1.45kg

Lot 101

C. 3rd millennium BC. Indus Valley Civilisation. Painted terracotta vessel. Bulbous shaped body with corseted spout standing on a small foot. The vessel is nicely painted with traditional geometric motifs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which these kind of ceramic vessels belong, was in the 3rd millennium BC. Large numbers of ceramic decorated vessels have been found among the sophisticated urban settlements of South Asia's protohistoric Indus Valley civilization. Provenance: From an old British collection formed in the 1990s, formerly acquired in the UK and European Art Market. Size: L:135mm / W:95mm ; 400g

Lot 103

C.3000-2000 BC. Bactrian. Stunning dark alabaster chalice. A tall stem and a conical base are topped with a bowl with slightly flaring walls. Alabaster was a precious material, widely traded in the region from the 4th millennium BCE onward. The purpose of such a vessel is not known. Pieces like this one often came from burials and votive offerings. Along with others that make up the typology of stone vessels, together with the well-known column or circular idols, these are all characteristic of the Bactrian material culture. This piece relates to an ancient culture referred to both as the Bactria-Margiana Archaeological Complex (BCAM) or as the Oxus Civilisation. The Bactria-Margiana culture spread across an area encompassing the modern nations of Turkmenistan, Tajikistan, Uzbekistan and Northern Afghanistan. Flourishing between about 2100 and 1700 BC, it was contemporary with the European Bronze Age, and was characterised by monumental architecture, social complexity and extremely distinctive cultural artefacts that vanish from the record a few centuries after they first appear. Pictographs on seals have been argued to indicate an independently-developed writing system.It was one of many economic and social entities in the vicinity, and was a powerful country due to the exceptional fertility and wealth of its agricultural lands. This in turn gave rise to a complex and multifaceted set of societies with specialist craftsmen who produced luxury materials such as this for the ruling and aristocratic elites. Trade appears to have been important, as Bactrian artefacts appear all over the Persian Gulf as well as in the Iranian Plateau and the Indus Valley. For this reason, the area was fought over from deep prehistory until the Mediaeval period, by the armies of Asia Minor, Greece (Macedonia), India and the Arab States, amongst others.Through local stone carvers inhabiting the regions of Margiana and Bactria experienced no shortage in material; the main raw material was soft steatite or a dark soapstone, but also various kinds of marble and white-veined alabaster. The main source for these stones, including semi- precious lapis-lazuli, was in Bactria, at Badakhshan in north-western Afghanistan, which provided material not only for the Bactrian and Margian carvers but also farther to the west into Mesopotamia, for the Assyrian kings. Provenance: From the important collection of a London doctor A.R; passed by descent to his son; formerly acquired before 2000 on the UK art market. Size: L:175mm / W:96mm ; 1.15kg

Lot 106

c. 1200 to 800 BC. Western Asiatic, Luristan culture. Beautiful, simple bronze bowl. Shallow with slightly extended rim. Good condition; superb patina. Provenance: From an old British collection formed in the 1990s, formerly acquired in the UK and European Art Market. Size: L:40mm / W:180mm ; 400g

Lot 108

c.10th-12th century AD. Seljuk. Beautiful bronze lamp from the Seljuk Empire. The lamp has a globular body, projecting spout, and a curving handle with a thumb rest. The rim is incised with various Islamic motifs and symbols. This lamp is a beautiful example of Seljuk art and reminds the viewer of Medieval Islamic folklore surrounding genies entrapped in lamps. The Seljuks were a Turkic dynasty of Central Asian nomadic origins. Having defeated the Ghaznavids in the eleventh century they took over Baghdad in 1055 A.D. At one point the empire stretched across Iran, Iraq and much of Anatolia, which led to the creation of countless works of art. By the end of the eleventh century however dynastic disputes led to the division of these lands. The main branch- the so-called Great Seljuks- maintained control over Iran. This was a golden age for Islamic art typified by innovation and experimentation. In metalwork one of the most important developments was the practice of inlaying bronze or brass objects with precious metals such as copper, silver or gold. Bronze casting flourished and famous workshops were established in Khorasan and the surrounding area. Good condition; beautiful patina. Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market. Size: L:450mm / W:163mm ; 400g

Loading...Loading...
  • 350105 item(s)
    /page

Recently Viewed Lots